SPLITTER – without compromise in the age of whisperers

[ACP 1147]

SPLITTER

“without compromise in the age of whisperers”

attenuation circuit ACP 1147 (attenuationcircuit.de) / brainhall 13 (brainhall.net)

Marc Lardon: bass clarinet and electronics
Andreas Glauser: Manipulated Generators, MOOG and Arp Odysse synthesizer

Mastering: Andreas Glauser
Artwork: Marc Lardon

Tracks 1.-4.
Recorded at FIM Mitte Basel
Recording: Franz Bannwart
Track 5
Recorded at Wandler Zürich
Recording: Enrique Méndez Ramallo
Mastering: Enrique Méndez Ramallo

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christian di vito – que sais-je

[zen171]

christian di vito

“que sais-je”

an ambient experimental live performance
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V – Cosmic Archeology


V.A. – fabrication 5​​​.​​​​​0

[ACPR 1005]

V.A.

“fabrication 5​​​.​​​​​0”

all tracks exclusive to this compilation

photography and design by EMERGE

01. BELLEROPHONE – On the Threshold of Pleasure 05:01
02. BOOKWAR & EMERGE – Augsburg Soundcheck 02:08
03. FEAR OF HEIGHTS – Waltz #2 (Elliott Smith Cover) 04:59
04. THE WOMBSHIFTER – Skynet is the Saviour 03:53
05. ORiFiCE – colour duster 05:00
06. LES TROTTEUSES – universum(remixed-live) 04:40
07. AURÉLIE PERTUSOT – Chaos 04:29
08. RE-DRUM – Netpyga 10:53
09. ALTESE – Dint a cucin 07:53
10. ALL MACHINE – Whalewhale 03:25
11. JAN-M. IVERSEN – Totally Clips Of The Heart 07:21
12. MEINEIN – Wasserstein 07:03

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ref/inter – iwbiactnle

[EEM035]

ref/inter

“iwbiactnle”

The topic of this EP is the state of being, the shifts in thinking and the question of identity, when the country you were born in does no longer exist on the political map of the world. Thoughts on this topic were gathered from various Lithuanian artists in order to compose this EP, which was initially a performance for a group exhibition “I Was Born in a Country That No Longer Exists” presented in 2017, in Duisburg, Germany.
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Beringher – Burst Noise


EISENLAGER – experimental

[ACP 1144]

EISENLAGER

“experimental”

recorded 2018 studio glasklinge zeitenlicht
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M.A.K.T. Sono – If you were a clarinet

[Eg0_178]

M.A.K.T. Sono

“If you were a clarinet”

M.A.K.T. Sono – Magali Albespy and Kecap Tuyul – was created in february 2018 from a common taste for improvisation forms that rely more on indetermination and surprise than on the mastering of instrumental skills. They both use electronic tools whose complex settings can generate unexpected sound events and unstable situations. Their first album “If you were a clarinet” consists of 3 selections of slightly edited improvisations recorded in february and march 2018. These improvisation sessions were an opportunity for them to set up their working methodologies and to experiment playful and meditative dialogs between gesture & sound, activity and inactivity, machines and living creatures.

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound.
Self-taught improviser Kecap Tuyul uses various (and preferably unstable) tools, looking for ways of playing and interacting (with sounds, with other media, with other people) and questionning the traditional ideas of instrumental mastership and composition.

Credits:
Magali Albespy : moog mother 32, soundbox
Kecap Tuyul: no-input mixer, effects, mix and artwork

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NoG – Paraiso Sintetico

[pn131]

NoG

“Paraiso Sintetico”

“Paraíso Sintético” (Synthetic Paradise), an album realized in the first semester of 2017 as the author’s thesis, is the product of a year of research and sonic experimentation seeking to characterize the sonic identity of urban spaces. Realized and produced in Medellín, Colombia, this album explores topics ranging from urbanism and the social appropriation of the environment to the relationship between art and society and it reflects on human activity as a condition and determinant of the qualities of the city.

Embarking from the hypothesis that the city has a malleable, artistic and aesthetic potential, “Paraíso Sintético” is an EP composed of three songs performed in the Parque de Berrío, one of the main parks of the city of Medellín. The composition of each song, whose material was recorded at a different time of the day (morning, noon, night), seeks to show how human activity affects the sound spectrum and it proposes an interpretation, from the musical point of view, of this phenomenon.

NoG a.k.a. Pablo Gómez
(Medellín, Colombia, Abril / April 2018).

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V.A. – A Radio​-​Bridge across the Zambezi

V.A.

“A Radio​-​Bridge across the Zambezi”

In team with radio-makers at Zongwe FM and the women of Zubo Trust, we are proudly presenting a compilation of radio remixes produced by artists and radio-makers from around the world in response to audio/radio actions both sides of the Zambezi. A Radio Bridge of 23 music tracks, by more than 50 contributors from 17 countries awaits you. Join us and enjoy listening!

Solidarity with radio-makers at the Zambezi:

All proceeds from the compilation’s online sales will benefit radio-makers in training both side of the Zambezi, in Sinazongwe Zambia and Binga Zimbabwe this year. Twalumba loko! twalumba maningi ! thank you for your radiating solidarity !


once gravity trio – hidden river

[PT076]

once gravity trio

“hidden river”

stefano toschi – electric guitar
luca borsetti – drums,selected objects
alen grassi – electric bass
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Martin Rach – quiet fire

[ACP 1142]

Martin Rach

“quiet fire”

photography and design by EMERGE
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Coffee Faith / Detroak – Split

[WAC13]

Coffee Faith / Detroak

“Split”

Track list:

1. Detroak – Delinquents
2. Detroak – Flesh Mosaic
3. Detroak – Qualia Crowly
4. Coffee Faith – Mustakaning Buwana

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THE HYBRIDS / Brusci – Lieb – MIGRATION metamorphosis – 3rd Movement: Metamorphosis

[ACP 1107-3]

THE HYBRIDS / Brusci – Lieb

“MIGRATION metamorphosis – 3rd Movement: Metamorphosis”

MIGRATION, a METAMORPHOSIS (2015)
[THE HYBRIDS – Brusci Lieb Duo]

.recorded
at Heinz Lieb’ studios (Rorschach, CH),
at Climnoizer’s studio (Berlin, DE),
at Lorenzo Brusci’s Timet-studio (Montevarchi, ITA),
March-June 2015

.re-composed, post-produced and mastered between June and October 2015 in
Montevarchi by Lorenzo Brusci at his Timet-studio
(Montevarchi, ITA).

———————————
Lorenzo Brusci – Electronics, Live Electronics, Compositions
Heinz Lieb – Acoustical Percussions, Cosmic Drums, free improvisations
guest artist:
Luca Canciello (alias Climnoizer),
Guitars on Mov. I / MIGRATION and on Mov. 3 / METAMORPHOSIS;
Monophonic Synthetizer on Mov. II / ADAPTATION

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Johanes Handjono x Gilang Damar x Rio Nurkholis – Bulog

[WAC15]

Johanes Handjono x Gilang Damar x Rio Nurkholis

“Bulog”

Johanes Handjono, Gilang Damar Setiadi, Ian Pramana, dan Rio N Syaifuddin – Bulog

“BULOG” – Proyek eksperimentasi lintas DIY-Jateng.

Lumbung tak semata tumpukan gabah, tapi sistem kemandirian kerja dan karya. Lumbung memfasilitasi dialog lintas generasi, genre, bahkan status sosial. Kehadirannya merupakan tanggapan atas ketidakpastian: perang, perubahan cuaca (kekeringan), guncangan politik dan ekonomi, serta serangan hama. Sekat-sekat improvisasi mencair di hadapan lumbung. Hentakan lumpang kayu (stone morta) beradu raungan mesin giling modern. Lumbung menjadi tempat penciptaan bunyi dengan komposisi khas, kuat, dinamis dan berbeda tentunya.
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Substak – The Unknown Path

[mn010]

Substak

“The Unknown Path”

Catalog Number: mn010
Artist: Substak
Title: The Unknown Path

Tracks:
01/03 : Intro (01:29)
02/03 : The Unknown (05:38)
03/03 : Path (08:13)

Total Time: 15:21

License: CC-BY-SA
https://creativecommons.org/licenses/by/4.0/

Cover: Miquel Parera
Master: Miquel Parera

Release Link: http://www.musicnumbers.es/releases/mn010/
Artist Link: https://www.beatport.com/artist/substak/306524

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Hypercube – Modular Telepathy

[EEM034]

Hypercube

“Modular Telepathy”

Revealing complex interplay, embryonic sensorial analysis and epidermal toxic particles under CPU demands, Hypercube sonic display extends to systemic insensitivity, parametric establishment and modular telepathy over side effects of intercourse adaptation and cosmic lobotomy rituals.

This album also features two tracks re-assembled and tumble dried by Zzy and Jab[ber].wock. Vocals FX on track 2 and track 3 by Metalique. This Album is dedicated to the memory of Thomas Denis (Qebrus).

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Bit Laden – Hard Shit

[AFA-SM013]

Bit Laden

“Hard Shit”

You can’t deal with this shit.
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EE7A – echoes


RVN – live

[ACP 1139]

RVN

“live”

photography and design by EMERGE
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Carya Amara – Vague Wars

[earthrid-022]

Carya Amara

“Vague Wars”

Here is some indeterminate music for vague wars. You may wish to keep it on at a low volume level in the background, perhaps as an accompaniment to reading or even writing. Ignore it. Nothing will happen.

CASARUS – Califeron

[ACP 1141]

CASARUS

“Califeron”

all sounds sculpted & mastered by c.w.
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Kecap Tuyul – La soufflette du squelette

[Eg0_177]

Kecap Tuyul

“La soufflette du squelette”

Almost 3 years after the release of his previous album Trois Clous, Kecap Tuyul unleashes some more stuff dating from the same area (2015), developing an intensive use of voice as main sound source, filtered, deformed by effects and sometimes overwhelmed by feedback. Guitar was still here (on 2 of the 3 tracks of the album), providing unstable melodic/droney backgrounds, but often swallowed by spirals of self-dissolving chaos.
Since then Kecap Tuyul has put guitar and voice aside and now mostly uses no-input mixer, in collaboration with various people, and alone under the Failure Circle moniker, focusing on chaos itself, searching for unstable situations, but welcoming the possible emergence of seemingly self-organized sonic forms.
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Yvan Poisson – Between The Firmaments

[Picpack253]

Yvan Poisson

“Between The Firmaments”

01.Between The Firmaments
02.Reclaiming The Darkness
03.Cutting Through Time
04.Dissolving Into The White Horizon
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THE HYBRIDS / Brusci – Lieb – MIGRATION metamorphosis – 2nd Movement: Adaptation

[ACP 1107-2]

THE HYBRIDS / Brusci – Lieb

“MIGRATION metamorphosis – 2nd Movement: Adaptation”

MIGRATION, a METAMORPHOSIS (2015)
[THE HYBRIDS – Brusci Lieb Duo]

.recorded
at Heinz Lieb’ studios (Rorschach, CH),
at Climnoizer’s studio (Berlin, DE),
at Lorenzo Brusci’s Timet-studio (Montevarchi, ITA),
March-June 2015

.re-composed, post-produced and mastered between June and October 2015 in
Montevarchi by Lorenzo Brusci at his Timet-studio
(Montevarchi, ITA).

———————————
Lorenzo Brusci – Electronics, Live Electronics, Compositions
Heinz Lieb – Acoustical Percussions, Cosmic Drums, free improvisations
guest artist:
Luca Canciello (alias Climnoizer),
Guitars on Mov. I / MIGRATION and on Mov. 3 / METAMORPHOSIS;
Monophonic Synthetizer on Mov. II / ADAPTATION

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Natalia Kamia, Stewart Miller, and other invisible entities – We jammed on our little green aircraft

[Eg0_176]

Natalia Kamia, Stewart Miller, and other invisible entities

“We jammed on our little green aircraft”

We welcome back Natalia Kamia on eg0cide, a few years after her collaborative work Cluster with Ayato. This time she teamed up with Stewart Miller from USA Both of them have studied music in academic settings, but in order to expand the expressive potential of their crafts, they have turned to utilizing extended techniques for their main instruments – for Natalia the piano, for Stewart guitars – and using objects/processes that were probably never intended to be musical. All of the tracks from their album “We jammed on our little green aircraft” were compiled from recordings that they had passed back and forth through the internet.

The result of this collaboration is a fresh & intriguing work that deliberately ignores the traditional hierarchies between sounds and focuses on attending to their particularities, without trying to polish them too much. Stewart and Natalia are not afraid of collisions. Their music passes by the non-contradiction principle and the narrow conceptions of music as “harmony”; their sounds dance, float, slip, crash and start running again without following a precisely perceivable logic: you just have to accept them as they come & go. They form a dizzy, unstable world that is in the same time very material and completely unreal, sometimes joyously agitated, sometimes more restrained and plaintive. These tunes often keep some kind of twisted groove, as in some forms of free jazz.
I won’t pretend to know who or what the “other invisible entities” credited as co-creators of the album might be, but having listened to it several times I’ve realized that even goldfishes might learn to sing, and that plants need to pee sometimes. Maybe we just have to experiment with different ways of feeding pianos and guitars ? “Meow!” answered the swinging spoons…

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PGR – Your Favourite Italian Stallion

[ACP 1140]

PGR

“Your Favourite Italian Stallion”

PGR (neither related to an old project of Kim Cascone nor to the Italian band).
Non empathic, annoying, unemotional crap. Medicine for life boredom.
From dynamic to static as-loud-as-possible violence.
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