Trixie Delight – Submarine

Trixie Delight

“Submarine “

Trixie Delight’s second release on TCFSR is once again constructed from her own field recordings over which she plays her zither and sings.

This release includes interpretations by Lone Cosmonaut, Doctor Mario, Dental Drill and 3dtorus.

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FezayaFirar – admin

[ACP 1150]

FezayaFirar

“admin”

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Of. – Aridos

[M028]

Of.

“Aridos”

This handful of sounds in musical format is anything but arid, since thousand of images do flourish and take place against to our psyche, as we go through the generous timing of the tracks.

Microscopic geometries perpendicularly pass through the space inhabited by omnipresent and opaque bass drums in black notes (as it has to be) which are several times fractured by resounding breaks that keep inviting us to a total immersion. There is no truce or carelessness. Everything is in its place.

The web is solidified and amalgamated by elegant melodies of overseas (Árido III). Other times there are distant voices (Árido II) which characterize the galloping plot that equally spill magic and celebration in an endless coven. Árido I puts us a muzzle and a leash to take us to a ride with an eternal arpeggio of cosmic horseback ride that is little by little being contaminated by weaves of liquid gas and noisy flashes.

The delivery is a resounding trip of oneiric minimalism with remarkable aquatic calling and architecture riddled with compressed concrete. Since minute 1 it warns that from here one does not come back with the same face as the one at the beginning of the trip.

A serious, meticulous, elegant and hypnotic work that invites to be listened with closed eyes, light off and a closed door.

The excellent remixes that complete this robust new delivery of Modismo provide spice to the total, but of course the dish can only be more filling at that level of genre.

Miguel Conejeros, 2008 Stgo. Chile.

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Ana Carvalho – Earthquake Detector

[078]

Ana Carvalho

“Earthquake Detector”

“O detector de terramotos (earthquake detector) não é uma ideia minha. Alguém disse a frase e eu, por via de apropriação, dei-lhe novos significados. A audiência talvez encontre algo escutado, dito, visto anteriormente. Por fim, acrescentarei, que utilizei, no processo, uma técnica de colagem de livre combinação (de textos, filmes, música, conversas com pessoas conhecidas e desconhecidas, na rua, no café, pelo Skype e email, bem como conferências sobre ufologia, tecnologia e consciência e ainda numa visita ao veterinário).”
– Ana Carvalho
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Dan Lizard – Drone Music

[FSR005]

Dan Lizard

“Drone Music”

Drone Music by Dan Lizard

released June 11, 2018 on FEUERSTEIN Records (Cat #: FSR005)

https://www.discogs.com/Dan-Lizard-Drone-Music/master/1376940

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YENNU ARIENDRA & J MOONG SANTOSA PRIBADI – Raja Kirik

[YESNO 090]

YENNU ARIENDRA & J MOONG SANTOSA PRIBADI

“Raja Kirik”

Diproduksi oleh Image Of The Giant Project

Direkam di Rumah Mo’ong, Yogyakarta

Mixing & Mastering oleh Yennu Ariendra

Dirilis oleh Yes No Wave Music

Gambar diambil dari buku Serat Damar Wulan

Desain dan olah gambar oleh Wok The Rock

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Gilman Mom – Revisionist History

[Macaque 002]

Gilman Mom

“Revisionist History”

In attempt to connect deeply with nature Gilman Mom’s newly-released album, Revisionist History, is immersed in atmospheric field recordings and jazz-inspired drone. The album looks to delve into the embrace of a warm, youthful summer’s day and perhaps explore what mental state endured by such an environment.
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EISENLAGER & TOXIC CHICKEN – Bibab Ba Du Bab

[ACP 1145]

EISENLAGER & TOXIC CHICKEN

“Bibab Ba Du Bab”

recorded by Toxic Chicken and EISENLAGER fom 2016 to 2018
coverartwork by Toxic Chicken
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Awake In The Dew – Sounds To Ascension

[TRANZ068]

Awake In The Dew

“Sounds To Ascension”

RELEASE INFO:

ARTIST: Awake In The Dew
RELEASE TITLE: Sounds To Ascension
CAT Nº: TRANZ068
RELEASE DATE: June 01, 2018
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: IDM, Glitch, Experimental, Downtempo, Balearic, Chillout
TOTAL TIME: 36:32
SIZE: 109 MB

TRACKLIST:

01. FRACTAL (4:52)
02. WAVES OF COSMIC FIRE (4:55)
03. THE LIGHT HOPE (6:15)
04. INFINITE WAYS TO FLY (3:56)
05. BURNING THE VIOLET FLAME (5:42)
06. LIGHT IN THE SHADOWS (5:28)
07. CHILDREN OF THE SUN (5:24)

Notes
BIO:

‘Sounds to Ascension’ é um EP do projeto de música eletrônica e experimental Awake In The Dew que tem por base o álbum ‘Last Sounds to Ascension’, lançado digitalmente em novembro de 2015. O EP reúne os principais títulos do disco e traz as faixas na íntegra sem a sonoplastia contida no álbum.
A sonoridade de ‘Sounds to Ascension’ se volta para os gêneros mais experimentais da música eletrônica, como o dark ambient, drone, glitch e idm, que formam as influências trabalhadas dentro do projeto e contam com referências a artistas atuais como Access To Arasaka, Hecq e The Flashbulb, além de grupos clássicos como Autechre e The Future Sound of London.
Awake In The Dew foi criado em meados da década de 2000 na cidade de Maceió pelo produtor alagoano Diego Henrique. O projeto teve sua primeira fase entre os anos de 2007 e 2011, com uma sonoridade mais noise com bases em gravações lo-fi e conotações post-rock e psicodélicas. A segunda fase se iniciou em 2012 e já conta com quase uma dúzia de discos lançados, mais voltados para música eletrônica experimental.
O produtor Diego tem 31 anos de idade, cresceu ouvindo dance music e outros gêneros da eletrônica, até se interessar por sonoridades experimentais no final da adolescência. Autodidata, começou a se interessar por softwares de produção e edição sonora aos 17 anos de idade, época em que integrou o coletivo de DJs pragatecno em sua cidade, tocando suas próprias produções como DJ.
Atualmente, ele mantém outros projetos além do Awake In The Dew, nos quais ele desenvolve seu estilo particular e característicos em outros segmentos da eletrônica, seja voltado para pistas, seja misturado com elementos do rock, como pode ser conferido nos trabalhos do Airplanemusic, Hightech Factor e Plumarino.

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Max Bober – Autumn in Warsawa

[WAC18]

Max Bober

“Autumn in Warsawa”

Max Bober is a musician born in the windy south of Argentina, near Atlantic ocean and the Andes mountains. He studied violin, composition, philosophy and other interesting things in Buenos Aires. He is interested in experimenting with the ideas of silence, space, and resonance. Since 2017 he is living, studying and composing in Warsaw, Poland. When he is not thinking about music, or writing, or working, he likes to walk near the river and drink wine watching to the sunset.
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I’VE SEEN DEMONS – TOOTH DECAY – HAARP HYSTERIA – same

[ACP 1149]

I’VE SEEN DEMONS – TOOTH DECAY – HAARP HYSTERIA

“same”

recording by Stefan Lorenz
photography by Felix Montfort
design by EMERGE
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Longman – Plays The Music Of Cacil Taylor And Steve Lacy

[Picpack 255]

Longman

“Plays The Music Of Cacil Taylor And Steve Lacy”

Free jazz compositions based on free improvisations of two great musicians of avant-garde free jazz pianist Cecil Taylor and saxophonist Steve Lacy, through the eyes of the fusion jazz combo Longman.
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Jan LF Strach – Wygaszacz Ekranów

[UPL 077]

Jan LF Strach

“Wygaszacz Ekranów”

Another set of post-everything impressive expressions in rock and roll vein for voice, casio keyboards, electron guitar, fuckton of pedals, choirs, samples. Dubbed by the artist, “psychedelic chaos-pop”
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C. Reider – Young Music vol. 2

C. Reider

“Young Music vol. 2”

The second volume of collected early works spans the years 1994 to 2001, when I was twenty-three to thirty years old.
Most of these pieces are either unreleased or have been out of print for decades.
Some of my more drone-based work from this early period has ended up on this volume of work.Free to download for those who can’t afford it, or pay something if you can afford it and want to support what I do.
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DABIT VOCEM AUSTRIA – A Night Out

[ACP 1148]

DABIT VOCEM AUSTRIA

“A Night Out”

Recorded between December 2017 and February 2018 at Roy T. Studio, Mühlbach, Dornbirn.
Thanks to Andrijana for help.

photography by Dabit Vocem Austria
design by EMERGE



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Ilir Lluka – Résonance_étre

[SEL_99]

Ilir Lluka

“Résonance_étre”


_isca_ – baixa qualidade v. 2

_isca_

“baixa qualidade v. 2 “

Celebrating our 20th release, we are proud to present this small masterpiece, the dirty and experimental “BAIXA QUALIDADE V. 2” (translating to Low Quality v. 2) from eletronic and hip-hop producer _isca_ ;

The project plays as a sonic fusion, throwing in vaporwave, chiptune, boom-bap – all with their respective distortions and deconstructions with amazing rhythmic quality.

An alien album, with features heche, fox, mestre chapeleiro and willy black — “Baixa Qualidade v. 2” defies the idea of a beat tape, playing with its clichés and resignifying them, with an unique personality and identity that brings us to the most different moments in the producer’s life, from his childhood to his adultship..


Magliocchi / Boss / Rolfini / Grassi – Four points in the black sun

[PT077]

Magliocchi / Boss / Rolfini / Grassi

“Four points in the black sun”

Marcello Magliocchi_drums, percussion
Matthias Boss_violin
Mauro Rolfini_bass clarinet, alto sax
Alen Grassi_acoustic bassimprovised music / instant compositions by MBRGCover Photo by Lidia Stranges
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Turvia – Fear, Bloodshed, And Human Sacrifices Before Winter Solstice

[zen172]

Turvia

“Fear, Bloodshed, And Human Sacrifices Before Winter Solstice”

powerful experimental electronica
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Turning Torso – Never​-​ending Prototype

Turning Torso

“Never​-​ending Prototype”

Turning Torso is an experimental producer from Mexico City who introduces a new rhythmic embodiment for the dancefloor of the future in his upcoming EP for xenonyms entitled “Never-ending Prototype”.

The 5-track release explores different hybrid atmospheric poles ruled by a palette of sequenced electrified textures and colliding pads that swarm with panned distortion. While some imaginary soundscapes might resemble freeform jazz with machines, the polyrhythmic structure of this techno-induced hypnotism provoke a corporal response suitable for club explorations.

A consistent feeling of ascension remains in the digital feedback and resonating shocks of subsonic frequencies without losing the oneiric and introspective qualities of Turning Torso’s singular approach to slow change & iterative music.

>From headphones to powerful sound systems, the active listening of this creative output reveal unexpected and transformative sound experiences of hedonism and liberation.


Gullible Thieves – Cleaning up the mess we made

Gullible Thieves

“Cleaning up the mess we made”

“Gullible thieves are gone”
credits
released May 17, 2018

produced entirely by t.sage

vocals by Tevin, Marty, Oaky

mixed by Buuda

cover art by: its.just.monica


LEMNIK – Proto Jet

[ACP 1143]

LEMNIK

“Proto Jet”

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bolus – confirm humanity

[EEM036]

bolus

“confirm humanity”

This EP marks a departure from the “usual” bolus sound of cavernous soundscapes and atmospheres to a more rhythmic structure, incorporating elements of the former. This style harks back to the previously released “beacon” EP – electronic percussion and granular synthesis – this direction was in the artist’s mind for a while. Playing with virtual modular synthesis of late (Solorack by Solostuff, VCV rack) and these patches have formed the backbone upon which the tracks of “confirm humanity” were created.
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Longman – Газы

[Picpack254]

Longman

“Газы”

01.Газы
02.Новый Год
03.Амон Ра
04.Рассказ, Рассказанный Кретином
05.Рисунок Карандашом
06.Гексоген
07.Школьная Улица
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oculoss – Parallel Path

[mi264]

oculoss

“Parallel Path”

The music of oculoss is mainly of an atmospheric nature. Sometimes less is more, making his music ideal for listening while working, sleeping or doing other things.

In “Parallel Path” oculoss explores texture, consistency, and a type of variety that could be called subtle. This is not the utopian ambient of the typical soundscape artist. This EP is serious music for serious people.
Fernando Ferreira

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Jelena Glazova x Ölü Körpē – Split

[WAC17]

Jelena Glazova x Ölü Körpē

“Split”

track:

1. Ölü Körpē – Begins With James Watt, Ends in Hiroshima
2. Jelena Glazova – Universe Cosmogony: The Creation Myth

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Țfie РFrom Earth

[LINGE078]

Töfie

“From Earth”

La voix est le premier instrument avec lequel Töfie a composé. Sa curiosité la pousse sur la voie de l’instrumentation pour y transposer l’expérience vocale. C’est la naissance du projet Töfie, en 2012. Le logiciel Garage Band est le premier témoin de ses expérimentations pop et électroniques qui donnent lieu à la sortie d’un LP sur le label Linge Records.

Töfie prends un virage en épingle. Son electronica mute en une synth-wave sombre, lourde et blessée par des sons industriels, mais empruntant paradoxalement des formats très pop. Tout un éco-système de sons organiques et telluriques qui se confrontent à des sons digitaux, crus et agressifs, qui rappelleront sans doute ceux de Gary Numan ou Fever Ray.

Des textes en anglais, islandais, allemand et en français accompagnent l’exploration des synthétiseurs et d’enregistrements acoustiques transposés sur les rythmes tranchants, doux et totalement versatiles.

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