Incentive – Circumscribed

[cwad001]

Incentive

“Circumscribed”

Incentive – Circumscribed

1.r1e@Cd4n1e3g1s0ySc3 01:55
2.benzojam (21 bars mix) 10:57
3.papillon 04:57
4.belt knot 04:42
5.chubbick 07:46
6.idiwa 03:25
7.you know i would 04:23
8.deathwail 09:16
9.horselover fat 04:15
10.ghost 04:39
11.so it seems 07:54

Incentive – production, mixing, artwork
Chase Jackson – master engineer

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Rasalasad – Thista Ep


Thomas Park – North Side Three Thirteen AM

[mn001]

Thomas Park

“North Side Three Thirteen AM”

from Thomas Park:

Incidentally, this song fits both minimalist and “New Industrial” standards– I used only sounds I collected in my South Side apartment years ago, which I then processed and composed. The main sounds are from an old set of windchimes I had– also there are sounds of bedposts and other apartment accouterments. I wanted it to use sounds from the city, to sound like the city.

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Luís Antero – Sound Places: Serra do Açor, Vol. 1

[PT047]

Luís Antero

“Sound Places: Serra do Açor, Vol. 1”

Este trabalho sonoro foi produzido com base em gravações sonoras de campo realizadas na Serra do Açor, nomeadamente na Mata da Margaraça – Área Protegida da Serra do Açor – e nas aldeias
de Monte Frio, Porto Silvado, Pomares e Gramaça, pertencentes aos concelhos de Arganil e Oliveira do Hospital, respectivamente.
Sound Places: Serra do Açor, Vol. 1, como o nome indica, constitui o primeiro trabalho de uma série dedicada à Serra do Açor e a algumas das suas aldeias.
As paisagens e marcos sonoros que as compõem, que delas
fazem parte e lhes conferem identidade, são a base de trabalho para esta série, no seguimento do trabalho artístico de arquivo e documentação sonora que venho desenvolvendo desde 2008, apelando igualmente à escuta criativa dos lugares que fazem parte deste território e a um conhecimento sensitivo dos mesmos.
Assim, uma vez mais, dá-se a conhecer a Beira Serra através
da arte dos sons, na sua multiplicidade e dinâmica sonora. Uma Ruralidade Sonora, que se sente.

This sound work was produced based on field recordings performed in the Serra do Açor, namely in the Mata da Margaraça – protected area of the Serra do Açor –and in the villages of Monte Frio, Porto Silvado, Pomares and Gramaça, belonging to the counties of Arganil and Oliveira do Hospital, respectively.
Sound Places: Serra do Açor, Vol. 1, as the name indicates, is the first work of a series dedicated to the Serra do Açor and some of its villages.
The landscapes and sound frames that constitute them, which are part of them and give them identity, are the groundwork for this series, following the artistic work of the archive and the sound documentation that I have been developing since 2008, also appealing to the creative listening of the places which are part of this territory and to a sensitive awareness of them.
Thus, once again, one gets to know Beira Serra through the art of sounds, in its multiplicity and sound dynamics. A Sonorous Rurality that one can feel.

‘Please, listen with headphones’

Luís Antero – field recordings, sound composition, photos and text
Locations – Mata da Margaraça, Monte Frio, Porto Silvado e Pomares (Arganil); Gramaça (Oliveira do Hospital) | Portugal
Date of recordings – october and november 2016

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Jimmy Watt – Capture Emplace Recovery

[SE077]

Jimmy Watt

“Capture Emplace Recovery”

Stato Elettrico presents a brand new release by Jimmy Watt from Santiago, Chile. His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources:

records on the street
dialogues extracts 
audiovisual edits and converts of radio signals
uses a shortwave radio to capture foreign broadcasts
uses EVP
911 calls 
Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts. 

His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue. 

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology. 

His creative concepts pursues mysticism, the occult, time, religions, the process that leads to contemplation, the silence, the pause, the suspension, death and upstarts. 

Abuse of rhythm and melody is a necessary evil for those who can not handle a drift.
It’s like being in a large room without light. You need to touch the walls and artifacts that fill the room to feel welcome in the position and perspective.

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Atabey – Betria

[023]

Atabey

“Betria”

ILK 023
Title Ep:Betria
Artist: Atabey
2 wave tracks Experimental/Minimal
Mastering:Dadive
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Nick R 61 – .tochka

[FN_46]

Nick R 61

“.tochka”

Netlabel: Fusion
Style | Genre: Abstract Hip-Hop, Broken Beat, Dark, Fusion, Glitch-Hop
Duration: 00:12:33

Tracklist:
01. .boroda
02. .sinai
03. .nepal
04. .gipnoz

07.01.2017

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Wings of an Angel – Argument Lens Decoded

[Self Release ]

Wings of an Angel

“Argument Lens Decoded”

Nox Intempesta are Scott Lawlor & Sevenism

You can find other works by Sevenism at
sevenism.bandcamp.com
soundcloud.com/sevenism

You can hear more of Scott Lawlor’s brilliant and prolific creative output at scottlawlor.bandcamp.com

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Jimmy Watt – Silent Door To The Fall

[PZO006]

Jimmy Watt

“Silent Door To The Fall”

His work methodology focuses mainly on the capture, extraction,
editing and storage of audio samples from different sources.

Transforms, relentlessly, curtails, beheads and sews sound works
from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.

His sound works do not drop below 20 minutes for just such narrative,
where there is a development from defined introduction to epilogue.

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.

His creative concepts pursues mysticism, the occult, time,
religions, the process that leads to contemplation,
the silence, the pause, the suspension, death and upstarts.

About mini-album: “Are two works from 2014 which were remixed to form a single track. In both works the main concept was the phenomenologies of the suspended, the aural and the paramelodics.” Jimmy Watt

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Martin Rach – Works For Imaginary Orchestra

Martin Rach

“Works For Imaginary Orchestra “

Re-release of my works for imaginary orchestra
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wk[es] – Hz-A001

[Hz-A001]

wk[es]

“Hz-A001”

Tracklist
01. Abyss
02. Monolith
03. Abyss (Erratic remix)
04. Monolith (DJ蟻 [ari] a.k.a. SoniCouture remix)
05. Abyss (M/D/G remix)
06. Monolith (Positive Centre remix)

Released : 25 JAN 2016

Produced by Hz-records
Masterd by Pakchee
Artwork by Tsubasa Ohtaki
 
abyss (Erratic’s Scramble Mix) on Hyperspace Invaders II: Pixel Edition
the game produced by Erratics’s label “Entity“.

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David M. Paganin – Pointless Orbits

[earS085]

David M. Paganin

“Pointless Orbits”

This debut full-length release of original experimental electro acoustic music is perhaps best described by the very broad range of musical influences from which it draws. These vary from from old-school industrial to musique concrète and contemporary classical, from kosmische musik to minimalism and dada, from power electronics to any form of genuinely experimental music. This ultimately uplifting album explores a range of themes pertaining to human freedom in a postmodern world. Such themes include alienation, psychological repression, the existential vacuum, obsession, rage, absurdity, mourning, regret and the concept of self.
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Drey Grade – ErrorTape

[Fete 15]

Drey Grade

“ErrorTape”

ErrorTape was an error created when digitising an old tape recording using an ION Tape Express Tape to MP3 converter. It transferred successfully but the tape somehow started playing again from the beginning and started to loop, but it was also very slowly creeping forward so each loop was slightly different from the previous one. The recording is exactly how it was converted, no edits or effects were used. It’s about 9 minutes long but the length of the original sound source was maybe 30 seconds or less. The original sound is from a record made at an auto recording booth.

Free Download
Creative Commons Attribution 4.0 International (CC BY 4.0)

Released December 24, 2016

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Zebenzui González & José Guillén – Poética Ignífuga

[PT046]

Zebenzui González & José Guillén

“Poética Ignífuga”

First of all, no time should be more important than another. Fireproof Poetics is forged precisely in each and every one of those moments.

Our only aim was to sit and play in front of our instruments and let ourselves be surprised by our own sounds, using a gallant dialogue and attentive listening.

This work is the testimony of that time, which after the process of naming, is painted with that fireproof film, which from now on will protect you from the intense heat that the time lays on the past.

Zebenzui González, prepared guitar
Jose Guillén, synthesizer

Photo : Atilio Doreste

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Thuuooom – Reuna EP

[thump317]

Thuuooom

“Reuna EP”

Reuna EP includes four soundscapes that were conceived during the Contact sessions. Following the methodology of the sessions, all of these sounds have been sampled using a contact microphone.

Instruments used on this record: acoustic guitar, kettle, toy piano.

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SD – SD1

[none]

SD

“SD1”

StruKtur + drastic demise = SD
original photo : Gregory Ångström
cover : StruKtur
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Cupcake! – Misanthropy as a Defense Mechanism

[SSSDlp04]

Cupcake!

“Misanthropy as a Defense Mechanism”

Cupcake! – everybody’s favorite non-entity – presents its debut collection:

Misanthropy As A Defense Mechanism

Made up mostly of recently produced music (although three pieces go back to the turn of the century), Cuppy uses various methods to produce the same result: stylistic indecision.

Savor the Sound of Self-Negation!

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Ilia Belorukov & Sergey Kostyrko / Alexei Borisov & Jelena Glazova – Split

[PE10]

Ilia Belorukov & Sergey Kostyrko / Alexei Borisov & Jelena Glazova

“Split”

Split record by Russian and Latvian electronic musicians, focusing on improvisational practices and techniques.

1. ILIA BELORUKOV & SERGEY KOSTYRKO
01 – Security by obscurity
02 – New edge
03 – Criss cross
Ilia Belorukov: ivcs3, monotron, effect pedals
Sergey Kostyrko: modular synthesizer.
Recorded, mixed and mastered by Ilia Belorukov at Spina!Studio, 2015

2. ALEXEI BORISOV & JELENA GLAZOVA
04 – Live at ESG-21, 28.09.14
Alexei Borisov: electronics, voice
Jelena Glazova: laptop, controllers, voice
This part is a live and unedited recording of improvised session played in duo between Alexei Borisov and Jelena Glazova at the Experimental Sound Gallery, St. Petersburg on September 28, 2014.

Released 30 October 2016

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ono – still


Reid Karris – Lacrimis de ex Arborum

[PT045]

Reid Karris

“Lacrimis de ex Arborum”

All sounds improvised late 2015
Reid Karris – prepared guitars & percussion
Recorded and mixed by Reid Karris

Photos by Nathan Hammond

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Kosta T – зацепка

[Self Release]

Kosta T

“зацепка”

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The Cow Goes Moo – Planet Paw

[AFA-SM012]

The Cow Goes Moo

“Planet Paw”

While the Earth is devastated by meat-mad humans who’ve descended into extreme cannibalism, the animals arrive to Planet Paw, a new kingdom where decency will reign according to the logic of sustainability, free from the meddling of perverted human reason.
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Alejandro Albornoz – Fluctuaciones 3: Live Electronics

[pn114]

Alejandro Albornoz

“Fluctuaciones 3: Live Electronics”

In addition to the publication of the album “Fluctuaciones” (“Fluctuations”) in its physical CD version (pncd11), two online albums are included that can be accessed on the Pueblo Nuevo Netlabel website, “Fluctuaciones 2” (pn113) and “Fluctuaciones 3: Live electronics” (pn114).

In regards to these albums, the time span covered is around 12 years of production alongside the pieces for the CD, several of which were revised during 2016. Although the new ones were completed in 2015, they form part of a collection of works in course, so I understand them as related.

“Fluctuaciones 3: Live Electronics“, contains just the material that belongs in this very distinct genre, and includes 3 live improvisations (2009, 2011 and 2014). Although at first listening the materials are clearly close to the sonorities of acousmatic works in general, the treatment, especially their articulation over time, is of a different nature, due to the necessity and challenge involved in reproducing, generating and processing sound materials in real time.

The three pieces were created with laptop and synthesizers. I also consider these works to be of some value, although largely as a historical attraction in my career and they are intended to record the interest I have for this technique and aesthetics.

Alejandro Albornoz
(Sheffield, UK. Noviembre / November 2016)

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Wings of an Angel & Scott Lawlor – Imprisoned

[Self Release ]

Wings of an Angel & Scott Lawlor

“Imprisoned”

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Peter Holy – s/t

[valeot 016]

Peter Holy

“s/t”

After many years in the making, and following an obscure lo-fi CDR release about ten years ago, this is Peter Holy’s first solo album, this time without materializing physically (the music, not Peter).

Peter plays piano and sings, accompanied by Tupolev bandmates Alexandr Vatagin (cello, recording, mixing, mastering) and David Schweighart (drums). The record consists of 9 pieces, 2 of which are re-recordings from songs from the old CDR, one is a reworking of a piece by Tupolev and one piece was also used in a song on Alexandr Vatagins album Serza. The remaining 5 pieces are completely new.


Juan Antonio Nieto – ISOLATED

[PT044]

Juan Antonio Nieto

“ISOLATED”

Isolated is the logical continuation of Static, the previous record that Plus Timbre release in 2015.
Isolated base remains in the idea of combining percussive sounds with dark drones. If for Static sounds were recorded in public spaces, in this new record all the sounds have been recorded in my own home, pens, knives, brushes, and any subceptible objet, beaten or rubbed over different surfaces, glass, wood, metal, sand in order to get a unique sound (avoiding the can add effects) this sounds combined with each other, were able to form a special feeling. Drones were created to finish adjusting topics. The result is an album that can be heard both environmental manner or in a deeper listening. The multiple sounds have been treated one by one, in EQ and volumes.

Juan Antonio Nieto : Ambient.. concrete, field recordings
Photo by Almudena Villar

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почему коммутатор молчит – топорная работа

[SCL190]

почему коммутатор молчит

“топорная работа”

About:
«Третий альбом писался довольно долго. От него отсекались куски, которые в итоге перекочевали в анонсирующие ЕР “это нужно видеть” и “машина”. Титульные песни будут на “топорной работе”, остальные держались в секрете до последнего.
Как всегда, незримо участвовал Рома Белоусов, основатель проекта, которому в день выхода альбома, 26-го ноября, исполнилось бы ровно 40 лет. Следующий альбом будет содержать песни Р. Белоусова и совместные с А.Марабяном.»

Credits:
Азат Марабян — тексты и музыка, гитара, ксилофон (4)
Валерия Марабян-Ларина — вокал (4, 10)
Евгений Литвинов — гитара, сведение и мастеринг
Михаил Климов — калимба (4)
Виктор “Мутант” Шевцов — продюсирование
Ольга Этманова — обложка

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Alejandro Albornoz – Fluctuaciones 2

[pn113]

Alejandro Albornoz

“Fluctuaciones 2”

In addition to the publication of the album “Fluctuaciones” (“Fluctuations”) in its physical CD version (pncd11), two online albums are included that can be accessed on the Pueblo Nuevo Netlabel website, “Fluctuaciones 2” (pn113) and “Fluctuaciones 3: Live electronics” (pn114).

In regards to these albums, the time span covered is around 12 years of production alongside the pieces for the CD, several of which were revised during 2016. Although the new ones were completed in 2015, they form part of a collection of works in course, so I understand them as related.

In the case of “Fluctuaciones 2“, this includes 14 additional acousmatic works, all pieces composed between 2004 and 2012 and distinct from those included in the physical CD. This collection is irregular, there are several works of interesting execution and others that are either studies of timbre and structure or are exercises acousmatic composition. I have decided to publish this collection for a number of reasons: it is a personal gesture to close a stage as a sound creator, it allows me to recognize the constancy and seriousness with which I have approached composition in the genre and makes available to students, artists, researchers and interested public parties a corpus of work that could be of interest for analysis, study, and discussion.

Alejandro Albornoz
(Sheffield, UK. Noviembre / November 2016)

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Strunkdts – We All Star In Hell

[SE076]

Strunkdts

“We All Star In Hell”

The random moments when its remembered to press record are the junctures captured and reworked into the raw body slowly defining itself as ‘Strunkdts’.

Isolated on the western coast of Australia, ‘Strunkdts’ channels memories of rave, punk and broken hearts as eulogies for a dying and insane world. The trash, the chaos, the lies and the uncertainties that constitute a whole lot of nothing are the vessels thru which the work navigates.

A haggard, paranoid projection of romantic days past into the ever present unknown. “We all star in hell” are one shots and teasers that were abandoned rather than finished.

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Wings of an Angel – Silliest Noncentral Labyrinth Towards The Dumpster

[Self Release ]

Wings of an Angel

“Silliest Noncentral Labyrinth Towards The Dumpster”

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Mauro Sambo – Quel mutamento era il primo di una serie infinita

[PT043]

Mauro Sambo

“Quel mutamento era il primo di una serie infinita “

It has been almost two years since our first release, and we would like to honour the occasion with one more release by Mauro Sambo, two years after his initial release with us. So, special thanks to Mauro, who accepted our invitation one more time and entrusted us with his marvelous new work titled “Quel mutamanto era il primo di una serie infinita”, a special project dedicated to his father.
20 tracks, 20 photos, each track 2’22” long.
PEACE FOR ALL (no borders, no discrimination).
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Wings of an Angel – Return While One Prodigious Lightweight Proof Replaces The Brass In Your Docile Instrument

[Self Release ]

Wings of an Angel

“Return While One Prodigious Lightweight Proof Replaces The Brass In Your Docile Instrument”

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Wings of an Angel – Vain Crescent (Humble Collection Of Genuine Outsider Music)

[Self Release ]

Wings of an Angel

“Vain Crescent (Humble Collection Of Genuine Outsider Music)”

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Ayato & Planetaldol – MESA

[DNA 185]

Ayato & Planetaldol

“MESA”

«MESA» ultimate ceremony: started 2013, ended 2016. Black/white tapes &&& borders. Revelation (shamanic state). Patron saint of rain??? Various sacramental rain cults and rain gods. In addition, he is the keeper of the keys to heaven. A visionary diagram of where the shaman will need to journey. Done at night. Prayers, invocations, and chants-beat-shamanic rattle addressed to all the supernaturals. Tobacco, plants. At midnight, when the purifying ceremonial acts are complete, all present must drink one to three cups of the ceremonial potion.
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10Konekt – That’s all folks


Nick R 61 – Mizantrip

[picpack246]

Nick R 61

“Mizantrip”

01-Nick R 61 – 23 59 60
02-Nick R 61 – CL10
03-Nick R 61 – Nibiru
04-Nick R 61 – Pripyat
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Ambelion – Past Future

[CAEL0003]

Ambelion

“Past Future”

Past Future is CerebralAudio’s second in a series of re-releases of Ambelion’s back catalog. Ambelion approached us about re-releasing these works in the hope that we would be able to gather more attention to his work, and improve on the packaging and mastering of his work: in essence bringing new life to his relatively unknown and neglected work.

Having being familiar with Waiting For Quarters, there was immediate interest in listening to the works that Ambelion had previously released. He sent us two releases: Quasi-Stationary and Past Future. It didn’t take much for us to agree that these works needed to be heard, and Ambelion needs to be appreciated by a more receptive audience.

So, Past Future is the second of these releases. In the future we are working on several more releases from his back catalog, including the potential release of some previously un-released tracks.

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Airplanemusic – Airplane Introduction

[TRANZ061]

Airplanemusic

“Airplane Introduction”

RELEASE INFO:

ARTIST: AIRPLANEMUSIC
RELEASE TITLE: Airplane Introduction
CAT Nº: TRANZ061
RELEASE DATE: November 01, 2016 (Official Date)
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Detroit, Techno, Experimental
TOTAL TIME: 01:19:009sec
SIZE: 151 MB

TRACKLIST:

01. Airplane Introduction (6:02)
02. Standard (5:29)
03. Galaxie (8:48)
04. Deep And Slowly (7:42)
05. Monosphere (7:52)
06. Return To Galaxy (6:36)
07. Planet E02 (6:48)
08. Starwalker (8:09)
09. Double Phunk (Intro) (3:59)
10. Double Phunck (5:45)
11. Galaxie (Galaxy 2 Mix) (5:25)
12. Aerodinamica (6:34)

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Boss, Sambo, Chagas, Nobara & Silver T. – A fragile balance (Fourtounis)

[pn112]

Boss, Sambo, Chagas, Nobara & Silver T.

“A fragile balance (Fourtounis)”

Pueblo Nuevo Netlabel is pleased to present “A fragile balance (Fourtounis)“, album from multicultural improvisation group Boss, Sambo, Chagas, Nobara & Silver T.

“‘Fourtounis’ is the name of the local seafood tavern (that serves more than just seafood) where I indulge in the habit of sitting and relaxing during the summer afternoons (as well as during other times of the day and other times of the year), after a refreshing swim in the sea.

‘Fourtounis’ is the name of the place where I sit enjoying the company of my wife Christina and my friends (more than friends actually, my brothers I should say), Christopher the Lawyer, Thomas, Giorgos and Kostas the Teacher. There we meet to drink ouzo and chat about everything imaginable.

That is the place where, one afternoon, quite possibly under the influence of the drink, I had an idea: listening to the sound of the sea and contemplating the rocky shore, I got out my drumsticks and my brushes and using those accessories as well as my bare hands, I improvised on the rocks, the sand, the pebbles and the water. It was an idea that at first seemed really simple but proved to be quite challenging, since, besides actually playing and improvising, I also had to negotiate the rocks on which I was forced to balance.

I really don’t know if I succeeded, but the most important thing is that through the music I managed to gather around me some special friends and wonderful musicians, whom I thank from the bottom of my heart for their invaluable help:

Matthias Boss – Violin.
Mauro Sambo – Alto sax.
Paulo Chagas – Oboe.
Rogelio Nobara – Acoustic guitar.

I would also like to thank the whole “Fourtounis” team, who allowed me to use the name of the establishment and who didn’t laugh at me too hard watching my struggles to balance and stand upright on the rocks: Sotiris, Dionysis, Babis, Grigoris, Joe the Terrible, Anastasis and Antonis for his magnificent photos.”

Chris Silver T – Field recording, objects.
(Athens, Greece / October 2016)

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V.A. – Loose Roots (Part Two)


Christos Sakellaridis – infinity sketchbook

[PT042]

Christos Sakellaridis

“infinity sketchbook”

Christos Sakellaridis – infinity sketchbook
composition, performance & production
by Christos Sakellaridis
Christos Sakellaridis is a pianist and sound artist/composer. A graduate of the F.Liszt academy in Budapest, from very early he specialized in contemporary music and received further coaching by members of the Ensemble Modern.
He has performed all over Europe in concert halls and festivals as a member of the Pincetic/Sakellaridis piano duo and the Ergon Contemporary music ensemble.
His interest in new sounds and technology led him to create music for the last 7 years using mainly instrumental recordings and sonic manipulation aiming to achieve a balance between natural sounds and technology. His commissions include music for the Greek National Ballet Company as well as silent film soundtracks and collaborations with video artists. He has released a tape for Bastakyia records in collaboration with electronic sound artist C.Skourlis under the name of Ekkert.
This is his first solo release as a composer.
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Pavel Evtuh – Sleepy Train

[PZO005]

Pavel Evtuh

“Sleepy Train”

Pasha Evtukh – musician-guitarist- experimenter from the south of Belarus. Wants to warm and heat everyone with his music. He is playing guitar in a band “Mommy Beads”.

Paul’s Evtukhov album “Sleepy Train” – is a cool stuff summer preserved in the sounds. Will be useful in the autumn-winter. Relax and you’ll see a movie. The album also participated by Eugene Potapov.

All tracks written and produced by Pavel Evtuh.
Mastered by Technoid Mutant.
Cover art by Pavel Evtuh.

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Sobria Ebrietas – Vivid And Brief

[picpack245]

Sobria Ebrietas

“Vivid And Brief”

01-Sobria Ebrietas – Vivid And Brief Part 1
02-Sobria Ebrietas – Vivid And Brief Part 2
03-Sobria Ebrietas – Vivid And Brief Part 3
04-Sobria Ebrietas – Vivid And Brief Part 4
05-Sobria Ebrietas – Vivid And Brief Part 5
06-Sobria Ebrietas – Vivid And Brief Part 6
07-Sobria Ebrietas – Vivid And Brief Part 7
08-Sobria Ebrietas – Vivid And Brief Part 8
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Mystified – There Is No Wall No Nothing

[CAAM0007]

Mystified

“There Is No Wall No Nothing”

Today we are proud to release the first full-length release from Mystified: There Is No Wall No Nothing. This is Mystified’s second appearance on CerebralAudio. His first appearance was back in July on Into The Rift: Volume One. However, comparison’s between the two tracks would not be valuable. Thomas has the habit of being able to find completely different sounds and structures, even when he is exploring similar source materials and techniques for working with them.

There Is No Wall No Nothing might be a continuation of his exploration of using 78 rpm and Cylinder recordings as source material. However, this work does not have the mechanical grinding sounds present in the
previous work. Instead these sounds are placed well into the background, the basis for the drone element of this work without drowning out the other elements.

The intriguing element to this release is the voice: it’s distorted and manipulated to the point of sounding either alien or bug-like. Hearing it set against the cavernous drone sound makes one think that we are in
some kind of prehistoric era, listening to the formation of life itself.

And with those elements only scratch the surface of this work. There are all sorts of hidden suprises and subtleties throughout this piece that will give your mind a lot to chew on.

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Kurgan Hors – Palus est

[SLNT095]

Kurgan Hors

“Palus est”

“Palus est” was born as a soundtrack to an old story never written, it’s emerged from my dreams. Story set in northern Italy’s swampland where strange presences inhabit or pass. Living and mysterious nature. I’ve seen it. I tell it with sound.
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Wings of an Angel – Irresistible Dream Induced Mania

[Self Release ]

Wings of an Angel

“Irresistible Dream Induced Mania”

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Nick R 61 – Pripyat (Remix album)

[FN_45]

Nick R 61

“Pripyat (Remix album)”

Style | Genre: Abstract, Glitch, IDM, Industrial, Electronica, Experimental, Dark
Format | Bitrate: MP3, 320 kbps
Length: 00:28:46
Released: 16.10.2016

Tracklist:
01. Pripyat (Original)
02. Pripyat (IQbit remix)
03. Pripyat (Stasis Device remix)
04. Pripyat (Shema remix)
05. Pripyat (Thlaaflaa remix)
06. Pripyat (illocanblo remix)
_

Artwork: Nick R 61
fac$ebook.com/nickr61

Fusion Netlabel
soundcloud.com/fusionnetlabel

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Susan Matthews – From Veliko

[PE08]

Susan Matthews

“From Veliko”

From Veliko was in part, inspired by a recent visit to Veliko Tarnovo (the medieval capital of Bulgaria). Most days I wandered to The Monument Of The Assens. I sat and contemplated the old town across the Yantra river, where the ‘hanging houses’ cling precariously to the steep hillside, some are literally crumbling and sliding towards the river below. This seeming fragility is reflected in both the music & lyrics I composed for this project. ‘’The Road From Veliko’ is also a metaphor for a psychological journey – from the darkness of depression back towards the light.
Susan Matthews

You almost have to draw breath after the album finished, this listener suddenly realised that he had been holding his, hanging on every note. There is genuine power held in these songs, quiet and drifting as they are; they have an intensity that is bewitching and all encompassing. This is music for the liminal hours, for dawn or dusk, for candlelight. Highly recommended, this album deserves your close attention.
Excerpt of review by Grey Malkin (The Hare & The Moon) for The Active Listener blog.

Susan Matthews is a UK based composer/musician, known for her intense, ambitious, hypnotic harmonies and industrial noise creations.

Composed, performed, and produced by Susan Matthews
Photography and design by Mark Ingram

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Deftechnixks – Dfxx EP

[UPL 071]

Deftechnixks

“Dfxx EP”

Deftechnixks explores the core of noisy rock music, by stripping it of all non-essentials. All that is left is energetic experimental post-punk clatter featuring unschooled screaming, a drumset consisting of boxes and tins, and an electric guitar with strings crossed. This results in a heap of joyful, noisy rock-bashing in the amateur, passionate spirit characteristic for all underpolen releases.
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NNYz? – Acceptance EP

[375]

NNYz?

“Acceptance EP”

A short but ever so sweet release coming up from new guest artist NNYz? (don’t forget the ?) called Acceptance EP. Perhaps a deeper meaning of a new unknown artist wanting to be accepted by his peers, or just requesting an accepted listening of his work.

Acceptance EP is an interesting mashup of different styles, such as subtle guitars overlaid an electronic background, epic ambient passages with hardcore analog or detailed minimal electronics getting you to stretch your ears.

An interesting but perhaps little short introduction to NNYz? Let’s hope for more, longer work in the future! Track of choice, the coolest Emilove!

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Wings of an Angel – A Spectacular Dawn Blinds My Eyes And Again I Stand On The Summit. Last Bow In Honor Of My Youth. How History Repeats Itself. And The Aches Of The Past Stab Me. The Disposable Events Of A Life That Cannot Rewind. I Remember My Childhood, Dreams That Are Too Far Away. Why Must It Be So Sad To Die?

[Self-Release]

Wings of an Angel

” A Spectacular Dawn Blinds My Eyes And Again I Stand On The Summit. Last Bow In Honor Of My Youth. How History Repeats Itself. And The Aches Of The Past Stab Me. The Disposable Events Of A Life That Cannot Rewind. I Remember My Childhood, Dreams That Are Too Far Away. Why Must It Be So Sad To Die?”

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javier piñango – i​.​r​.​real 8

[PT041]

javier piñango

“i​.​r​.​real 8”

This is the eighth album from Javier Piñango’s i.r.real series, using only a Korg MS-20 analog synth and some sonic effects treatments. “i.r.real 8” is structured as a classic double album with the SOUTH as underlying concept in the emotional, the geographical, and of course, the sonic sense. It is an ambitious, complex work directly connected with personal memory and environment – deeply poetic and deeply political. Its sound goes one step further in the evolution of the i.r.real project, sharing some timbres and sounds with the previous album “i.r.real 7”, but focusing now on compositions which are sometimes based on highly evolutionary structures –the feeling of descent and fall– and at other times on structures with a progressive fragmentation and subsequent defragmentation of the sound, and of the composition itself; breaking, starting, muting, returning to its origin, uniting, restarting… All greatly related with the landscape of the Alpujarra region in Granada (Andalucía, Spain), which acts as inspiration and symbolic location for the entire album; going from hill to endless verticality, breaking into pieces and finally reuniting lower down…

“In this new album there is a considerable and decisive personal, emotional load. I’ve already felt for some years the need to work with the poetic, political, and geographical concept of the SOUTH, both as a creative motor and as a vehicle of resistance, at a personal level and at a purely sonic one. I’ve somehow also felt a special need to connect this concept with my own circumstances; using the Alpujarra region in Granada as a reference seemed to be the logical personal space around which I should build this “i.r.real 8”. The album is a metaphor of the dissidence and necessary resistance that I identify with the SOUTH as a concept. However, as I’ve already said, there is a personal space in this land located next to the enormous wall formed by Sierra Nevada, which appears as a barricade, separating this world from an unreal world – a deeply i.r.real world. My father, born in a village of Alpujarra named Cádiar, used to speak about the ‘hill’ (‘el cerro’, the 3.479m high Mulhacén Peak), as a static guard that filled up the horizon towards the North and that somehow fell thousands of metres down towards the South, through that other world, with the sea as its final destination…”
Javier Piñango
August 2016

javier piñango: synthesizer (korg ms-20) and effects
recorded, mixed and mastered at madrid
summer 2016

photo by almudena villar

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Wings of an Angel & Scott Lawlor – There’s Always A Last Chance For Awakening

[Self Release ]

Wings of an Angel & Scott Lawlor

“There’s Always A Last Chance For Awakening”

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Maja Delak, Luka Prinčič – Transmittance#1​.​5

Maja Delak, Luka Prinčič

“Transmittance#1​.​5”

“Transmittance #1.5” is an edited sonic document of a live situation – a broadcast of an audio-visual telematic performance in the summer of 2011. The positions of earth satellites published by NORAD were used in real-time to shape the sound textures and the input from a remote audience was used to structure the chapters of the sonic story.
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See Pereria – Adventures

[SE075]

See Pereria

“Adventures”

This new EP from See Pereria builds on previous releases and continues to play and experiment with a process led approach to making experimental electronica.

Preset loops are used as set parameters with the addition of vocals as a further instrument. These limits and boundaries allow for See Pereria to really experiment with the software to create new sounds. Each track in the song is manipulated and sculpted by being layered, cut up and/or looped. Songs are made with heavy emphasis on synths, beats, repetition and harmonies.

Track listing:
Futura – 4.39
Electron – 3.47
Mountains – 4.41

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Hypercube – Limb Monitor

[0kbps105]

Hypercube

“Limb Monitor”

Hypercube

Limb Monitor [0kbps105]

01 – Nothing o’ clock
02 – Xentric fluctuations
03 – Owl-eyed spike

MAV [0kbps] Records, September 2016

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Linden Pomeroy – Ikiryō

[PE07]

Linden Pomeroy

“Ikiryō”

Linden Pomeroy doesn’t use delay and reverb to generate a sense of space, but to smother it. By sending each guitar note through funnels of infinite repeat, opening track “Festival Of Red Leaves” grows tendrils of harmony and compounded feedback, which press together until the initial melodious sentiment is squeezed out entirely.

The second track swaps the singularity of the first track with a sequence of melodic chambers, each housing the guitar within a different atmospheric casing. Those infinite delays are shortened into extended comet trails, dripping out the back of contemplative guitar refrains as they soar over field recordings of cicadas at night, or dwell within absolute silence, or press and clip against the walls of stereo volume confinement, or detonate within excessive amplifier distortion.

Jack Chuter – ATTN:MAGAZINE

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Paulo Chagas, Paulo Duarte & Fernando Simões – Divertimentos

[PT040]

Paulo Chagas, Paulo Duarte & Fernando Simões

“Divertimentos”

Divertimentos
by Paulo Chagas, Paulo Duarte & Fernando Simões
Paulo Chagas – oboe
Paulo Duarte – electric guitar
Fernando Simões – trombone
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Projekt Luty – Dygnitarz

[UPL 070]

Projekt Luty

“Dygnitarz”

In December 2015 the commonest comember of Projekt Luty, Stach, visited the Nad Garażem Studio fresh from the British Isles for a joyful recording session. As always the project’s aim is to combine the knowledge and abilities of a person with (some) musical abilities, and the enthusiasm and fresh approach of a person unblemished with musical-theoretical background. And as always, at the crossroads we have an unimitable, undefineable organized chaos galloping through psychedelia, krautrock, punk, post-punk, even ambient and grunge, while keeping its lo-fi and homemade charm.
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Wings of an Angel – The Master Thief Who Stole Your Lucid Dreams

[Self Release ]

Wings of an Angel

“The Master Thief Who Stole Your Lucid Dreams”

The Master Thief Who Stole Your Lucid Dreams (A Retrospective Anthology Of My Early Sample​-​Based Creative Work)

This is an extensive anthology album that sums up a creative period of some 10 years – circa 1996-2006.

I humbly feel that for you who are familiar with my contemporary body of work – and for those who hear my creative adventures for the first time – this is a worthy and even essential addition to my ever-growing lifelong catalog. It is a mirror back in time…

* Please pay attention to the bonus art book – an early collaboration between myself and designer abb-d. He did 4 original and wholly unique designs based on my poetry – the conceptual umbrella being the concept of SCREAMING SILENCE.

Yours Truly,
Wings of an Angel

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