Record and mix by L’Austral at Epicericords Studio, Hanvec, Finistère, France.
Visual by Damien Tran.
released May 13, 2023
A coproduction with Epicericords, Araki Records, Hidden Bay,
Pied De Biche Records, Out Of Thunes, GED, Quixotemusic,
La Loutre Par Les Cornes, Table Basse Records, Cœur Sur Toi Records and Do It Youssef !
Respeita os Cria é o fruto de um processo de quase três anos, entre Setembro de 2020 e Abril de 2023 gravado no Escritório da Transfusão. O ano inicial foi de muitas incertezas e isso refletiu na produção. Por tempos, não sabíamos qual dinâmica queríamos alcançar, pois, o projeto inicialmente era apenas para ser ao vivo. Hoje artistas são vistos no mundo virtual e depois no mundo real, e em 2020 era a regra, afinal estávamos numa pandemia. Pandemia que colocou muitas pessoas em um hiato e comigo não foi diferente, porém, usei esse vácuo de tempo para me redescobrir como artista. Durante esse tempo aprendi que tipo de som de guitarra quero nesse momento do Economic Freedom Fighters.
A proposta do som transita entre o sujo, melódico, agressivo, suingado e momentos, inseridos em letras sobre abstrações, ciências e reflexões sobre ser preto. O conceito que chamo de Garage Rock Afro Latino. Economic Freedom Fighters é uma resposta, mesmo que tardia, a um reflexo da cena de rock alternativo onde é majoritariamente formada por brancos, e o nome EP é sobre isso.
Não partimos do mesmo lugar, não estudamos nos melhores colégios, não teremos a melhores chances se não fizermos por nós e pelos nossos. Para termos determinados acessos, o mínimo que seja, temos que vencer muitas batalhas. Venci a primeira batalha que foi gravar o disco com meu companheiro de guitarra Davi Hidalgo, e hoje temos o trabalho de projetar e não parar. A única coisa que queremos é repeito, pra nós e para os nossos.
Posto isso, RESPEITA OS CRIA.
Créditos
Joab Régis – Vocal, Guitarra e Bateria
Davi Hilgado – Guitarra
Mixagem – Joab Régis
Masterização – Marcelo Renovato
Diogo Caldas baixo em Afropessimismo
Lê Almeida mixagem em Yogaberry
João Casaes co-produção Força Forte
Agradecimentos Karin Santa Rosa por influenciar a criação do projeto, Lê Almeida e João Casaes pelo apoio na ferramenta de trabalho. As nossas mães, Dona Quitéria, Dona Miriam e Dona Luciana e aos demais cada qual com sua contribuição direta ou indiretamente; Lucília Martins, Marx Braga, Guilherme Oliveira, Duduracel, Gabizada, Katina Surf, The John Candy, Bigu, Ramon Casteleno, João Autuori, Michelle Oliveira, Shay Reis, Hiago de Farias, Tim Muller, e a todas as bandas e artistas qual trocamos ideias nesse período. Muito obrigado a todos vocês que nos apoiam, valeuzão!
released June 9, 2023
Economic Freedom Fighters
Davi Hidalgo
Eduardo Ribeiro
Joab Régis
For my ears, Lately Kind of Yeah and evocations of nature come packaged as one, accompanying or even transcending literal lyrical interpretations or impressions one might scoop from track titles. Melodies plod like footsteps on dunes; guitar riffs swirl through crunching distortion like leaves in a windstorm. Looping vocals become the benevolent mantra of waves rolling against the shore, especially notable in the release’s centerpiece, “Zones” — let it wash over you.
originally released January 17, 2023
latelykindofyeah.bandcamp.com/album/motor-grown-up
drums on tracks 7, 9, 10 by Zachary M
tribute, puzzle-pieced, succinct
exercise, exorcise, excelsior
On the attack, not just the prowl – seizing initiative means going now. Strategic demands make us all follow through, yet strategy seems unexpected when new.
Featuring electric guitars, bass, drum kit, and synthesizer arpeggiation.
Not wild, not tame, at rest but not lame – the idle child does surprise. With ample support, though hard to transport, its stillness an inner life belies.
Featuring electric guitar, bass, shakers, drum kit, and Mellotron sampled flute and choir.
The Necrophile Hummingbird Netlabel presents The Bright Side Of The Spoon by PIRATE Tapes.
“Mythical Music for Assorted Lunatics”
This our second improvisation session with Vèver, the first was AI CheVa RiKi. Nothing more to say, except to do not look for the bright side of the spoon, unlike the dark side of the moon, it’s a myth.
Recorded the 14th April 2023 at Cave Haven in Foucherans (france).
Members :
Studio 112 (electric guitare and FX)
Vèver Coub (electric bass guitare)
Ed End (kaossilator, turntable, sounds)
Video Art Clip will be a kind of Dark Side of the Rainbow…
Dedicated to all the Punk Floyd outsiders, trying to keep psychedelic rock more wild and punk rock more trippy… as we do.
released March 30, 2023
Lívia Gomes voz sinte e guitarra
David Dinucci Guitarra
Guilherme Paz Guitarra e sinte
Thomaz Alves Baixo
Phill Fernandes Bateria
Rafael Rezende gravação e masterização
Lê Almeida mixagem
D-beat/Raw Punk de Chihuahua, México.
Grabado, mezclado y masterizado por Alan Vargas en Fogata Grabaciones (Chihuahua, MX) durante Febrero y Marzo de 2023.
Artwork por Aullido.
Luis Ramone – Guitarra, voz
Brayan Chavira – Batería
Alan Vargas – Bajo
“Born in an emergency following the use of 49.3 article to pass the pension reform, while the whole country is in proto insurgency situation as says the mass media, this EP of the revolutionary anarcho-electro-punk cell the 6th Republic is an invitation to rise up against work until death and to build a human world on the ashes of the dying one.”
Dedicated to the youth who are rising up in 2023 and to all those who have been doing the impossible, for years now, to destroy the power.
Video Art Clip :
Black Electro Rock V49.3 https://youtu.be/i5uqy4S8y4Y
All the album by La 6ème République are free get the links on the release page, as well as lyrics translations or more informations.
In this brave new world of generative neural networks, it is natural to see our creative output as grist for their inexorable gradient descent. Yet as there is signal in noise, so too there is noise in signal. As you create, tell the truth and shame the machine.
Featuring synthesized voices singing binary, accompanied by electric bass, guitar, and drum kit.
Guten Tag! Das Tape beginnt mit einer „wahren Geschichte“: in Füssen gibt es jedenfalls nur eine Disco. Serge Eijn sind Serge Eijn; vielleicht muß man an Gott denken, wenn man Serge Eijn sagt. Zu Harald „Sack“ Ziegler steht an anderer Stelle mehr; sein erstes Tape kam so gegen ’85 übrigens. Zu dem Erdmann, dem Jan, und seinen Liedern muß man nichts mehr sagen, außer vieleleicht, daß zunächst dieses Stück auf die Platte sollte. Dr. Proll sind zwei im Afri-Cola-Rausch: Frank Mittendorf, der große Bruder von Jens, und der Knusti, der auch bei der Krone was zu sagen hat. 1/8 Japanese hießen früher Start Stop; Frank’s kleiner Bruder spielt Bass und Adelheid Schlagzeug. Das Stück von Phantom Payn stammt von einer Aufnahme-Session bei Silke Arp-Bricht, die wohl zunächst nicht weiter verwertet wird… Aber von Willi mit viel Liebe und Hall aufgenommen und gemischt. Sollten wir das Geheimnis von Milford T. lüften? Das Rauschen unterdrücken? Und wer besorgt ihr einen 4Spur-Recorder? Schnell? Das Stück von Gott ist ganz neu und während der Session aufgenommen, die dann ja zur Split-LP mit der Krone geführt hat. Vielleicht kommt da ja nochmal Gesang drauf? Das weiß nur der Herr… Loucious Lydia & The Silent biscuit Experience haben Computer, aber weder Pippi Langstrumpf-Zöpfe noch weiße Handschuhe. Weiße Handschuhe bitte an Sonic Bum. CultureCrash II: The Big-baenders ist die Bigband vom alten Wilhelm Dammeier und wurde am 16.11.1953 im Café Glocksee mitgeschnitten. Zu den Unmasked Muscle Marvels auch mehr an anderer Stelle, nur noch: In Wendthagen fing dieses Licht an zu leuchten. Kommen wir von Stefans erster Band zu dem neuen Projekt seines Bruders Olaf: Um Die Unheilige Allianz zu hören, machen wir uns ein paar warme Winde, drehen die Cassete um und lehnen uns zurück. Die nächsten 45 Minuten verlaufen nun doch etwas anders: Die Krone der Gastlichkeit z.B., jene sozialistische Arbeitercombo, zeigen mit ihrem Stück, daß auch in der DDR der 70er Jahre bewußtseinserweiternde Drogen ausprobiert wurden. „Womit hat er das gemacht?“, fragt der Haus- und Hofproduzent. Die Rede ist von Frank, dem Kopf hinter Echa Deha. Hier zeigt er etwas anderes (mehr?) als bei Dr. Proll. Eine Bassgitarre und moderne Elektronik setzt Bassoli ein – und hier vielleicht zum letzten Mal Overdubs. Wer weiß schon, was in diesem Kopf vorgeht? Hey Baby machten sich vielleicht Gedanken darüber, was im Kopf der inhaftierten Frau vorgeht, als sie die Szene im Knast vortonen durften. Echa Deha bringt dann das Ding noch einmal zu Fliegen, bis Start Stop mit diversen Gitarren, Bässen und Verstärkern kommen und große Schwierigkeiten haben, diese verdammte Drehbewegung in den Griff zu bekommen.
released November 27, 1993
Gemastert am 24.11.93 von DIGITAL DROPOUTS GmH Langenhagen. Assistiert haben Willi D. und René Bleep Sonic bum.
Remastering / Digitalisierung von Frank Mittendorf und E.T.
n.UR-Kult 010
Der Text wurde vom Original genau so wie er da stand abgetippt.
The Necrophile Hummingbird netlabel presents goOdByE by REfugEEs From Beyond.
“Underground Music for Oppressed People”
Recorded live the 4th December 2022 at the Cave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Guitar Hero : Studio112
Disc Jockey : Yoshiwaku Mushotoku
All confusion is absolutely necessary to us.
Just a word about this album, usually there is a beginning and an end to everything. So with our first one and this one we did both, to be sure to stay outside later… I mean to explore the after death : Life.
…and also in the same way to say that we must put an end to police violence. This may seem complicated, knowing that the police are mainly there to maintain social inequalities and enforce laws passed by the rich and to which they are not subject. However, it would be enough, for example, to tax the largest fortunes to set up a universal income, and to significantly reduce violence in the world… as well as the number of police forces. Anyway, who does not know what is the brake that prevents both social and ecological progress? Capitalism cannot be reformed, because it is in its deep nature to be against all the human qualities of solidarity, sharing, and equity.
The so-called benefits touted by its supporters eventually exist only for those who accept this fool’s game, and approach the top of the pyramid. For the others, they remain out of reach behind the window. Descending from colonialism, it concentrates all the resources stolen from the oppressed into the hands of its ardent defenders. Obedience is a crime. Shouldn’t we try with all our might to develop alternatives and defend them against the watchdogs of power?
Dedicated to all the victims of police checks.
PS. Also, if it’s not obvious “lAId Off Sex Workers” is talking about the artists difficulties face to the rise of artificial intelligence too… Tool are tools and myself I prefer to try to hijack them, instead to be afraid, I prefer to mix everything new with older roots… But actually, knowing the cost per day of the chatGPT3 AI (around 100 000 dollars), it seems crystal clear, that the firms will provide their tool free only the time to push to the dole many art workers. And when there will be less concurrence, to turn it only available with paying subscriptions.
Video Art Clip “Soy Boy Band Pride March” is here https://www.youtube.com/watch?v=MGwnALPT5bE
The Necrophile Hummingbird netlabel presents Division Joie by Britney25.
“Depressive Music for the Incurable People”
Whatever the bloody waves of dark thoughts, only the corpses return to the shore, but then they straighten up to scream in the wind: not even dead yet !
If a Goth spirit exists, it’s not a poser thing, not even the romantic taste for eros & thanatos, but a visceral thing, the malaise that transpires from the survivor who refuses to let himself be condemned, by the oppression of the system , to mark the end of his life. Exhibition of a skin-deep sensitivity, the echo of our shared nightmares, in a sound orgy. Journey through suffering. Cursed desperate, still laughing in the face of death ! Oscillation, like the flame that resists the night. Always on the verge of extinction, but still burning. Exorcism of emotion, ritual remains that are priceless. Fully aware of vanity, shouting not to be heard, but to hear that one is still alive. Aware that it is a downward spiral, the more darkness you feed on, the more darkness you invite into your life. Creative vicious circle that inevitably leads to the end. Isn’t life a form of agony ? Perhaps the exhibition of atrocities helps overcome damnation. Or maybe our pain can heal the wounds of the listener. Anyway, might as well have fun with the grace of those who know that life is a joke. When I talk of this album, because of the visual she chose to represent herself as Besançon’s “soeur sourire”, I call it the “black virgin”, I’m wrong, indeed the title is perfect, it is really the joy division, one side is in darkness, the other in the light. We are all walking on the borderline, and sometimes we slip… So don’t forget, don’t forget the fallen angels, because they are legion.
It seems that horsnorme music has always been too much gothic for experimental music audiences and too much experimental for gothic audiences. Britney25’s music is horsnorme, with no assigned place, always on the move, never where you expect it, cynical until the last moment… and beyond. It is a joy to welcome the latest offspring of this hyperactive outsider musician who refuses to return to her niche in the society of the spectacle.
By the way, a big fuck to the french governement which is trying to make the people work after their death… and the same way to be sure they have no time of life left to help the non-profit associations or any kind of non-governmental organizations. Their goal is clear, to erase any form of dissidence as well of margins, calling them separatism.
Phil philosophized – Philistines felt philanderous, filling fissures faithlessly. Phil’s phobia? Figurative phage-fighting phantoms photosynthesizing phonically. Phil fought fiercely, finding fiery physique faulty.
Fickly filtered fictionalization? Phil fidgeted, physically phasing, following fitness, feeling further, fuming, forever filibustering, finally freed.
Featuring fills.
released December 2, 2022
The Reverends:
Martin Rejmíš (tpts), Jarda Svoboda (harm, v), Nick Jennings (dr, bjo, shkrs, v), Holy Fanda (bass, el.& ac. gtrs, autoharp, v). Special guests: Tommy Levechia & Jakub Schmid (tpts), David Babka (pedal steel gtr), Živé kvety (Juro Mironov, Lucia Piussi, Peter Bálik & Ágnes Lovecká) on vocals & the audience from the Malostranská beseda show on Dec 5th 2017 where we recorded the “choir“ part.
Recorded by Vojta Noha & Martin Tvrdý in 2019-22.
Mixed and produced by Martin Tvrdý.
Master GAEX. Artwork Can of Water Design.
Layout Jan Holeček.
Label Polí 5, 2022 EPP 209–1.
Music/Lyrics: Holy Fanda/Holy Fanda with Johnny Feelings
Thanks to Jíří Berdich for the 12str. guitar
