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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music tagged with: soundtrack

F600 – Dos Puertas y un Puente para una Banda Sonora

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F600

“Dos Puertas y un Puente para una Banda Sonora”

Pueblo Nuevo Netlabel is pleased to present “Dos Puertas y un Puente para una Banda Sonora“, album from chilean musician and producer F600.

“The most recent work of Miguel Conejeros, aka F600, corresponds to the soundtrack for the artistic installation “Dos Puertas y un Puente para una Banda Sonora (Two Doors and a Bridge for a Sound Track),” a collaborative montage between Miguel and the artist Rodrigo Vergara. The work, which combined sculpture and music, was exhibited in the International Museum of Chile – Gallery MICh, in Santiago, Chile, between the 17th and the 24th of June 2016.

The sonic montage in its original version was developed in a multichannel (5.1) format, in order to be appreciated by the viewer/listener as he or she transverses the space of the exhibition, where the sounds are released from the four corners of the hall, projecting a sensation of spatiality and movement, in contrast to the apparent inertia of the sculpture.

In the words of Sebastián Riffo, Director of the Gallery MICh, “The pieces exhibited were erected from the concrete, free of abstract sentimentalisms, interior life and/or conceptual and/or symbolic over-determination. They were there, alone, supported above structures of metal in order to say nothing. They wouldn’t share stories, messages, nor morals, they were only embedded in our floor and extending themselves through space. Of a palpable nature, realizing distinct material layers and sounds, as if dealing with geological strata; enigmas impossible to resolve without the help of an attentive ear and a dilated interest.”

This disc contains a demonstration in stereo of the work of F600, valuable as a historic register of the creative processes of Miguel, moreover, it provides the listeners the possibility to appreciate in a new instance the materiality of his sounds, those that are capable in and of themselves, of telling us this and other stories, of opening doors and laying new bridges.”

Mika Martini
(Santiago, Chile. Octubre / October 2016)

REVIEW:

“The intimate and unrepeatable process of the construction of this piece is captured through the sounds that inhabit the studio.

They are the acoustic frequencies from the manipulation of the distinct elements that raise the scaffolding of this sound track.

Much like the materiality of a sculpture is intervened with pigments, molds, and tools: the captured sounds are processed electronically and digitally, imprinting their own character in the result.

‘Dos puertas y un puente para una banda sonora’, is an exercise in congruence between materialities that plant themselves like a tale of a tactile, optic and acoustic construction in order to be traversed, contemplated, and inhabited from their interior.”

Miguel Conejeros (aka F600)
(Santiago, Chile. Junio / June 2016)

Rodrigo Vergara:

Visual artist. He has participated in more than 40 expositions, including 6 individual. His work has been shown in diverse countries in Europe and America, and he has also been published in more than 25 media specialized in art, as much in Chile as foreign. He has obtained three distinctions in concourses and 5 state financed grants. He has realized residences in Brazil and Argentina.

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posted 18 October 2016

Wings of an Angel – With Cockiness Do I Warn World​-​Weary Deities, Teaching Myself In The Course To Be Courteously Carefree, Dee! Dee! Bridgewater! Biblical Mourning Verses, Hence, Proudly Project Anxious Molten Loops, So Don’t Be Such A Simpleton, Let’s Vote For An Earthly Workday Forever, Shall We?

[Self Release ]

Wings of an Angel

“With Cockiness Do I Warn World​-​Weary Deities, Teaching Myself In The Course To Be Courteously Carefree, Dee! Dee! Bridgewater! Biblical Mourning Verses, Hence, Proudly Project Anxious Molten Loops, So Don’t Be Such A Simpleton, Let’s Vote For An Earthly Workday Forever, Shall We?”

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posted 03 October 2016

Jimmy Watt – THE WIRELESS RITUAL

Jimmy Watt

“THE WIRELESS RITUAL”

His work methodology focuses mainly on the capture, extraction, editing and storage of audio samples from different sources:
records on the street
dialogues extracts
audiovisual edits and converts of radio signals and many other sources.

Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.

His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue.

Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.

His creative concepts pursues mysticism, the occult, time,
religions, the process that leads to contemplation,
the silence, the pause, the suspension, death and upstarts.

No musician describes himself
according to their own words.

“What I do not see myself as music, I do not feel musical, I not position myself musically.
I DO NOT THINK musically, I’m more close to the investigation,
to the pamphleteer, the readymade and the situation.
Even so shamanic
the Medium
Channeling.
No rhythm and no melody that dominates the whole picture.
Abuse of rhythm and melody is a necessary evil for those who can not handle a drift.
It’s like being in a large room without light. You need to touch the walls and artifacts that fill the room to feel welcome in the position and perspective.”

posted 05 September 2016

Jorge Grela – Expande

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Jorge Grela

“Expande”

“Jorge Grela invites us to explore three landscapes in these compositions. The triad ‘Expande‘ (Expand), selected for dance, contains atmospheres from the cavernous to the aqueous, giving use to – among other resources – field recordings, bass pulses, abrasive textures and melodies realized with samples and synthesizers. The use of panning marks dissimilar spaces that converge and establish themselves in the perception of the audience, giving to this disc a characteristic that is of utmost importance in works composed for the stage: that of stimulating the subjectivity and imagination of the spectators, in order to promote a state of immersion in the presentation”.

Miguel Jauregui (aka Basstk)
(Valparaíso, Chile. Agosto / August 2016)

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posted 29 August 2016

Wings of an Angel – Philistine Troubadour Forgot To Discover The World

[Self Release ]

Wings of an Angel

“Philistine Troubadour Forgot To Discover The World”

Musing over the threshold of time,
I was an endless azure horizon
Crying out in ecstasy on the wretched earth;
Endless inspiration had forsaken our thorns

Desolate mountains with a philistine angel on top
The heavens’ pale lights terminally wielding;
White scapular with odorous jasmine wings,
Must undress of
Lush glimmering fire.

Innumerable blazing hallucinations;
The grey earth with its fathomless midnights
Forsaken and drunken of the blues
With a white philistine angel expiring above lesser fields – – –

Reality is the biggest enemy we’ve ever had.

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posted 23 August 2016

Massimo Ruberti – Granchite Yumtruso PT 1

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Massimo Ruberti

“Granchite Yumtruso PT 1”

Nostress Netlabel proudly presents “Granchite Yumtruso PT. 1”, the new album by Massimo Ruberti, from Livorno (Italy). An artist who likes to call himself “trafficker of sounds and images” now considered one of the label’s flagship artists. The album will be released exclusively for the upcoming second edition of the Netlabel Day, a considerable important event organized by the Chilean netlabel M.I.S.T. which will take place July 14 and involving Netlabels from around the world. Will take place at the endless web areas and there will be a collective exchange of unreleased and original music, that will bring enrichment in the archives of all those who participate in this beautiful and important initiative. Massimo Ruberti will bring high the banner of Nostress Netlabel with the publication of the first part of an EP extremely complex and sophisticated, that catapults the listener into distant and forgotten times. A work that requires careful listening and that will see the closure of a circle as soon as possible, through the publication of the second part. “Granchite Yumtruso PT. 1” it’s an album in warm and elegant sounds, scratching the heart and soul of the listener. A work that runs through wilderness, unexplored and never trodden by human. Through listening we find ourselves in a desert devoid of its characteristic and constant wind, driving on non-existent paths, you suddenly find yourself in an oasis where the perspective changes and even the sand seems to take on the color of the sky and thirst suddenly becomes the ‘ last of the primary needs. The Sax caressing soft carpets of Synth, nocturnal atmospheres through the time gap that separates the vintage from the traditional electronic sound. Four songs that lead the listener to dive into the wonderful atmosphere created by Ruberti, starting from the cover depicting a Vedic text 5000 years ago to the intoxicating beauty of sound that will, without a doubt, to a new relistening of the album.
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posted 14 July 2016

Yan Terrien – Music For Corridors

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Yan Terrien

“Music For Corridors”

Yan Terrien comes back with this second release on Sucu Music talking about the suspended atmosphere of hospital corridors.

Music For Corridors magnificently renders that sense of waiting. Each track infact shows the multifaceted aspects of a waiting in a hospital corridor, whether it is you waiting for your own fate or one of your loved ones is.

A waiting which sometime is trustful, powerless, serene, hopeless, heroic, hopeful. It’s a music that’s plenty of intense feeling and emotion, it’s a music that empowers the listener to understand further dimensions starting from lucidly observating details, common objects, views, as the songs’ titles suggest.

The album is mainly piano based, melody and harmony of each track develops accompained with light synths sounds and textures, quirky noises and low distant voices. The sensation is just like if our thoughts were focused on their own, barely distracted by what comes around.

We’re very happy to present a release of a great artist like Yan Terrien for the Netlabel Day 2016 special event, wishing him to present us more and more music in the future.​

– Gaetano Fontanazza

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posted 14 July 2016

Fryvolic Art – Darkness Sweet Darkness

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Fryvolic Art

“Darkness Sweet Darkness”

The 4-th studio album by Fryvolic Art recorded with polish DEFIL vintage instruments, coffee grinder and coffee maker ;)

01. Darkness – 15:25
02. Inside* – 4:00
03. The Feel of DEFIL** – 3:08
04. Ursus Corda – 3:44
05. Hopeless? – 3:50
06. Fock Logic – 2:34
07. Timeline-Lifeline – 5:17

* inspired by the Selective Mutism disorder
** tribute to Polish DEFIL vintage instruments

Total time – 37:58

All tracks written, produced and performed by Fryvolic Art

For more details, lyrics etc. visit: http://darkness.fryvolic.pl

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posted 10 June 2016

Marcel Rocha – Clouds Formations

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Marcel Rocha

“Clouds Formations”

“Clouds Formations” is a concept release coming from the brazilian brilliant musician and guitarist Marcel Rocha. The artist, with his fine guitar mastery, explores that enchanted part of the sky where clouds form, giving body to our visions and emotions. It is a rich sonic journey through the amazing world of “haze and vapours” that flows onward, everchanging like clouds drawing in the sky on and on and on… From sparse melodies to harmonic atmospheres, from spontaneous phrases to complex notes mazes, Marcel leads us by the hand into his personal multiform land.
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posted 27 May 2016

Cousin Silas – A Moment Lost

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Cousin Silas

“A Moment Lost”

Sucu Music’s 2016 begins with the third release by Cousin Silas, whose trademark guitar-laden form of ambient and soundscapes is here to delight our ears and souls alike. The overall tone of “A Moment Lost” – this is the title of the new album – is less somber than in the previous works, and, apart from the closing track, the not-too-long playing time of the tracks allows the listener to sort of breathe between one aerial trip and another.
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posted 26 January 2016

Wings of an Angel – This Paper Tiger Has Orphaned His Heart To Love

[Self Release ]

Wings of an Angel

“This Paper Tiger Has Orphaned His Heart To Love”

* This LP is dedicated to the posthumous memory of outsider artist Jeremiah Kauffman (1979-2008) *

jeremiahkauffman.deviantart.com
jeremiahkauffman.wordpress.com
jeremiahkauffman.blogspot.com

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posted 05 December 2015

Massimo Ruberti – Armstrong

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Massimo Ruberti

“Armstrong”

After having told of cities without sun, at night, when smog vanishes, one’s gaze is searching again for a corner of nocturnal skies, it searchs stars and planets where the mind can project itself, where it could still transcend.

Looking again at the Moon, and dreaming of sidereal trips, how not to think about Apollo 11’s contentious challenge, about Neil Armstrong and companions., about their long round journey to the satellite, and back, and above all about their trip ‘inside’, conquering their inner space , as J G Ballard would say?

That’s Armstrong, a six-acts trip, six scores to get lost, a music aimed for motionless travellers.

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posted 05 October 2015