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music tagged with: soundtrack

Charles Rice Goff III – Calumet

Charles Rice Goff III – Calumet

Charles Rice Goff III

“Calumet”

Calumet
by Charles Rice Goff III

1 Concordant
2 Accommodating
3 Liberated
4 Uncontentious
5 Modest
6 Eleemosynary
7 Thoughtful

Calumet was produced between May, 2023, and January, 2024. All performances, recordings, editing, production, cover art, etc. by Charles Rice Goff III. No artificial intelligence was employed in molding this presentation.

Instrumentation:

Kikkerland “Make Your Own Music Box” Kit
Korg R3 Vocoder/Synthesizer
Yamaha VSS-30 Sampler/Synthesizer
Boss RC 20X Loop Station Loop Duplicator
Panasonic Portable Cassette Tape Recorder
Canon Digital Camera Recorder

Software:

Amazing MIDI Wave-To-MIDI Converter
Polysoft MIDI to Mp3 Converter
Midisoft MIDI Scorewriter
Musescore MIDI Scorewriter
Roxio 2011 Sound Recorder
Cool Edit Pro II Multitrack Recorder
Audacity Multitrack Recorder
Several Plug-In Audio Sound Effects

Process:

The Kikkerland “Make Your Own Music Box” kit is akin to a miniature player-piano. The device functions entirely without electronics or spring winding. Music is composed by punching holes into strips of paper. The strips are loaded into, and hand-cranked through, a small device in which the holes trigger chime sounds corresponding to musical notes. Alternative versions of these paper-strip compositions can be created by simply loading the strips into the device upside-down, backwards, or upside-down AND backwards. In addition, tempos and rhythms can be altered by simply altering the manner in which the hand-crank is turned.

Goff began this project by punching out patterns of holes on four paper strips. He “played” each strip in various ways, recording all the variants through the open-air microphones of a digital camera.

He converted some of the digital recordings into MIDI files, which he then modified with score-writing software. This process allowed the chime sounds to be transposed into sounds produced by a variety of virtual instruments. Goff also used score-writers to orchestrate and rearrange some of the converted sounds.

He recorded some of the digital recordings onto cassette tapes, which he then played through a vocoder, run through a loop duplicator. This process employed a wide variety of sound and rhythm-altering effects to create new textures and atmospheres from the original music box compositions. Several improvised sessions were recorded during this process, each producing unique results.

He input short bits of the recorded cassettes into a sampler keyboard, equipped with its own small bank of sound effects. He plugged the keyboard through the vocoder and the loop duplicator. Playing the samples through this set-up resulted in producing entirely new melodies and textures from the original music box compositions. Several improvised sessions were recorded during this process, each producing unique results.

Finally, Goff edited together the finished recordings of the Calumet collection by strategically mixing together select portions of all of the above sound experiments.

Titling:

The naming of this collection and all of its parts was an ever-evolving process. The preliminary raw recordings were given names corresponding alphabetically to the names of fruits (Apple, Banana, Casaba, Durian). In October, 2023, Goff offered one of the mixes from the still-incomplete collection of recordings to Aural Films for its “Horror Films 2023” compilation, entitling it “The Sanguinary Hacking Of Torakusu Yamaha.” This title refers to how the creation of the piece involved original methods of playing (ie: “hacking”) a Yamaha VSS-30 Sampler/Synthesizer (Torakusu founded the Yamaha Corporation in the late 1800s).

During the fall and winter of 2023/2024, as the final phases of the Calumet project ran their courses, Goff bore witness to endless media reports of increasingly violent conflicts around the globe. Combatants of all stripes recklessly killed and wounded thousands of people and casually destroyed every other living thing in their vicinity. Reacting to this surge in global violence, Goff chose the album and song titles that appear in this collection.

Some Additional Notes:

1) A calumet is a smoking pipe used by native Americans during ceremonies that establish peaceful relations among groups of people.

2) Some of the improvised recordings created during the production of this album were edited into the soundtrack of Goff’s video: “Sequence Of Non Sequitur,” released in November, 2023, at the link below:

https://archive.org/details/SequenceOfNonSequitur

3) The Aural Films “Horror Films 2023” compilation is available at the link below:

https://auralfilms1.bandcamp.com/album/horror-films-2023

4) “Peace is a good idea. Why not give it a try?”

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posted 25 January 2024

YENNU ARIENDRA – Budi Pekerti (Original Score)

YENNU ARIENDRA – Budi Pekerti (Original Score)
[YESNO 108]

YENNU ARIENDRA

“Budi Pekerti (Original Score)”

Budi Pekerti (Andragogy) adalah film drama Indonesia tahun 2023 yang disutradarai dan ditulis oleh Wregas Bhanuteja. Film produksi Rekata Studio serta Kaninga Pictures ini dibintangi oleh Sha Ine Febriyanti, Dwi Sasono, dan Angga Yunanda.

Budi Pekerti menceritakan kisah tentang Bu Prani (Sha Ine Febriyanti), seorang guru BK yang video perselisihannya dengan pengunjung pasar menjadi viral di media sosial.
Akibat tindakannya yang dinilai tidak mencerminkan pribadi seorang guru, ia dan keluarganya mengalami perundungan. Kesalahannya dicari-cari hingga terancam kehilangan pekerjaan.

Original score film ini digarap oleh Yennu Ariendra (Raja Kirik, Y-DRA, Koplotronika).

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posted 05 December 2023

Makunouchi Bento – Povestea mea 2 (Original Music by Makunouchi Bento)

Makunouchi Bento – Povestea mea 2 (Original Music by Makunouchi Bento)

Makunouchi Bento

“Povestea mea 2 (Original Music by Makunouchi Bento)”

The original soundtrack we made for Reniform’s “Povestea mea 2” / “My Story 2”.
These are not songs, but background sonic illustrations, meant to play along with AR 3D animations and people telling their stories. Normally, they are designed to play continuously: there are 3 looped audio tracks, of different length, for each “song” – when played together, the overall sense of repetition is less obvious.
Here you can listen to short, ~2m rendered demos. We strongly advise you to download the album, find the 9 images included in the archive, install the Reniform app on your smartphone and use it to see the whole thing. The texts / vocal tracks are Romanian only.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

“Povestea mea 2.0” este o expoziție multimedia care spune povești ilustrate și animate 3D, transpuse în AR (realitate augmentată).
Un proiect al Identity Education. Expoziția a fost expusă în Parcul Regina Maria / Timișoara, în 1 iulie 2023 în cadrul Pride Week.

Art direction / animation / illustration: Ioana Nicoară for Reniform
Sound Design: Makunouchi Bento

reniform.ro/povestea-mea/
timisoara2023.eu/ro/evenimente/povestea-mea-20/

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posted 26 November 2023

Julian Winter – Slow Movement

Julian Winter – Slow Movement

Julian Winter

“Slow Movement”

Julian’s slow and cinematic debut EP eases the senses while taking you back to a time when things were easier and the world was a cozy and loving place.

The EP contains a lot of laid back tunes with minimal drumming, accompanied by a wide range of enviromental foley sounds, which even further give the impression of travelling through the memories of things that once were.

Alltogether a great EP for either listening or for use under video productions.

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posted 08 November 2023

Julian Winter – Home

Julian Winter – Home

Julian Winter

“Home”

Julian Winter’s latest 5 track EP “Home” is a combination of autobiographical tracks, describing his short journey through Europe in the fall of 2018. Each city is portrayed by a flavor of its ambient sounds combined with Julian’s musical interpretation of the untangleable combination of a city’s impression and his own mind state at the given time.

Each track manages to translate a strong emotional impression, ranging from nostalgic up to a dramatic sense of being overcome by one’s own existence. This wild diversity of feelings enables “Home” to grab your attention, and pull you into the composer’s brain in order to get a clear view from his perspective, to take you along on his journey.

On a musical level, the depiction is realized by laid back guitar melodies and piano parts, which are accompanied by Julians trademark rhythmic variations using real percussion instruments. His use of post production and editing manages to give “Home” an extremely organic and up to date feel, thus making it qualify as a worthy successor to all of his previous work.

All tracks written, performed and produced by Julian Winter, except for “Paris”, which was written by a female member of Anonymous.

Mixed by Gerrit Elbrink.

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posted 08 November 2023

guru bobol – PANDEUCABRE

guru bobol – PANDEUCABRE
[GoH-635]

guru bobol

“PANDEUCABRE”

GoH-635: guru bobol – PANDEUCABRE

Seven dreamy, hypnotic compositions made with analogue synthesisers and distant vocals. A captivating, oniric trip into the blurry, mystical dreams. Just check this atmospheric masterpiece!

all rights reserved
posted 30 October 2023

Lluvia Acida – Cacique Mulato: la leyenda de Chumjaluwun

Lluvia Acida – Cacique Mulato: la leyenda de Chumjaluwun
[pn223]

Lluvia Acida

“Cacique Mulato: la leyenda de Chumjaluwun”

As musicians born and raised in Magallanes, we have a fascination with the vastness of the pampas and the stories woven there. The Aonikenk (Tehuelche) people are an indivisible part of that landscape, marking it even with their absence. Those men and women who pursued guanacos, rested in their shelters under the stars, and marched endlessly toward the horizon somehow still linger there. That’s why we wanted to get involved in the production of the film that revisits the life of the last chief of the Aonikenk people in Magallanes: Chumjaluwun, better known by the nickname Cacique Mulato.

To make a meaningful contribution to this work, directed by our friend Jorge Grez Leuquén, we began by researching how that world sounded. We searched for recordings of voices singing in the ancestral Aoneko language and embarked on something that set the course for this project: the reconstruction of an ancient Aonikenk string instrument called the “koolo”, whose last traditional player passed away nearly 40 years ago. We also came across the beautiful recording of the “Quena de San Gregorio”, an instrument discovered on the shores of the Strait of Magellan, which was reconstructed through a Fondecyt project.

Building upon these sounds, we started composing music, initially using various percussion instruments and our own voices. Later, we incorporated string instruments, synthesizers, and ambient sounds created with software. The sound of this soundtrack reinforces the primary idea of the film: how the Aonikenk world was progressively altered and ultimately cornered in the name of Civilization and Progress.

We appreciate the director’s trust and enthusiasm in embracing our proposal. We are very pleased to have contributed our sound to his film, a great collective effort to make cinema far from the mainstream audiovisual industry. A film that tells a story that should be known and never forgotten by those of us who inhabit this divided and fenced land.

Lluvia Ácida
(Punta Arenas, Magallanes, Chile. September 2023)

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posted 08 September 2023

Various Artist – 3pr​​​​​​​​​​​(​​​​​​​​​​​iii​​​​​​​​​​​)​​​11ses

Various Artist – 3pr​​​​​​​​​​​(​​​​​​​​​​​iii​​​​​​​​​​​)​​​11ses

mastodon:

[category: France]

[earS113]

Various Artist

“3pr​​​​​​​​​​​(​​​​​​​​​​​iii​​​​​​​​​​​)​​​11ses”

3 priiises V/A project come back with a new volume.
01 – Sonido Postal – Confluence

De forma artificial, el audio toma forma de collage progresivo, donde la mezcla de grabaciones de campo comienzan en entornos naturales, con sonidos que representan esa espacialidad, poco a poco va mutando hacia sonidos en los cuales los humanos tienen alguna participación más directa, dilucidando de a poco un sonido más urbano, hasta terminar en el ruido de la ciudad, que refleja más la parte industrial de la misma.
Confluencia retrata una mínima posibilidad de las diferencias y similitudes que pueden contener estos entornos, pudiendo ser apreciados a través del sonido y la representación visual imaginativa, ya sea del lago o el mar, hasta la ciudad.

El audio es una recolección de grabaciones de campo realizadas en diferentes lugares de Argentina, realizado por Damián Alférez:
– Playa acantilados, Mar del plata (sonidos de piedras y el mar).
– Laguna de los Padres, Mar del Plata, Buenos Aires (sonidos del agua, cotorras, gente, insectos).
– Chapadmalal, Buenos Aires (sonidos de ranas y perros).
– Mar del Plata, Buenos Aires ( sonido de gotas de agua en un departamento).
– Puerto Madryn, Chubut (sonidos de la calle, llamadores de ángeles, skates).
– Centro de la ciudad de Mar del Plata (sonidos de vehículos, ventiladores, interferencias).
– José Marmol, Buenos Aires (sonidos de vehículos, y vendedor de chatarra).

Artificially, the audio takes the form of a progressive collage, where the mix of field recordings begins in natural environments, with sounds that represent that spatiality, little by little it mutates towards sounds in which humans have some more direct participation, elucidating little by little a more urban sound, until ending in the noise of the city, which reflects more the industrial part of it.

Confluence portrays a minimal possibility of the differences and similarities that these environments can contain, being able to be appreciated through sound and imaginative visual representation, be it from the lake or the sea, to the city.

The audio is a collection of field recordings made in different places in Argentina, recorded by Damián Alférez:

– Cliffs beach, Mar del Plata (sounds of stones and the sea).
– Laguna de los Padres, Mar del Plata, Buenos Aires (sounds of water, parrots, people, insects).
– Chapadmalal, Buenos Aires (sounds of frogs and dogs).
– Mar del Plata, Buenos Aires (sound of water drops in an apartment).
– Puerto Madryn, Chubut (sounds of the street, angel callers, skates).
– Mar del Plata city center (vehicle sounds, fans, interference).
– José Marmol, Buenos Aires (vehicle sounds, and junk dealer).

IG: damianjalf
– https://soundcloud.com/damian-alferez

02 – Gérard Parésys – Emergence

Un montage de 3 pièces.
Chaque pièce est en 3 parties, elle part d’un field-recording, évolue vers un traitement électronique et revient au field-recording.
De l’eau, du feu et du vent … en 13’33”
A l’extérieur et à l’intérieur.
De l’animal, du minéral, du végétal…

A montage of 3 pieces.
Each piece is in 3 parts, starting with field-recording, evolving towards electronic processing and returning to field-recording.
Water, fire and wind… in 13’33”.
Outdoor and indoor.
Animal, mineral, vegetal…

http://gerard.paresys.free.fr/

03 – Les Soulèvements du Vivant – Flagrance

Extrait de la Casserolade du Lundi 17 Avril 2023 à 20h à Dole (France). Captation réalisée pour documenter le mouvement de résistance à la politique antidémocratique d’Emmanuel Macron.
Il n’a pas hésité à imposer sa réforme des retraites à l’aide de l’article 49.3 sans vote de l’assemblée nationale et ce malgré une opposition massive de la population à son projet de réforme des retraites : 93 % des actifs en janvier selon une étude de l’institut Montaigne et 80% de l’ensemble de la population selon un sondage Odoxa-Agipi en janvier 2023. Refusant de prendre en compte les manifestations qui ont eu lieu pendant des mois. Se drapant dans le mensonge de sa légitimité alors qu’il n’a été élu qu’en s’appuyant sur le rejet du rassemblement national. Spontanément la population a repris le principe des casserolades du printemps d’érable pour lui signifier que ses mensonges ne feraient plus jamais illusion. Les coups de sifflets annoncent le moment où la casserolade est partie en manifestation sauvage.

Extract from the Casserolade which took place on Monday April 17, 2023 at 8 p.m. in Dole (France). Recording made to document the resistance movement to the anti-democratic politics of Emmanuel Macron.
He did not hesitate to enforce his pension reform using Article 49.3 without a vote from the National Assembly, despite massive opposition from the population to his pension reform project: 93% of the labour force according to a study by the Montaigne Institute published in January 2023 and 80% of the entire population according to an Odoxa-Agipi poll, also published in January 2023. Therefore refusing to take into account the protests that took place for months across the country. Selfassuming the lie of his legitimacy when he was elected on the rejection of the National Gathering only. Spontaneously the population took up the principle of maple spring casseroles to let him know that his lies would never deceive anymore. The whistles announce the moment when the casserolade turns into wild protests.

Illustration de la prise de son photographiée par Christophe Martin lors du rassemblement en soutien aux victimes des sbires de la macronie à Sainte-Soline, afin de montrer que la lutte écologique et la lutte sociale sont désormais indissociables.

This illustrates the sound recording that was pictured by Christophe Martin during the protest in support of the victims of the macronie’s henchmen at Sainte-Soline, in order to show that ecological and social struggles have now become inextricably tied up.

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posted 14 July 2023

Charles Rice Goff III – Soundtracks

Charles Rice Goff III – Soundtracks

Charles Rice Goff III

“Soundtracks”

Soundtracks

by Charles Rice Goff III

1 Psych Pshow (2012)
2 Jollification & Memorialization (2011)
3 March Of The Lady Beetles (2008)
4 Assembly Required (2011)
5 Blooming McBuds In Natural Light (2012)
6 Climbit’s Wonders In Adventureland (2020)
7 East Kansas Lightning (2007)
8 Exchanging Consciousnesses (2011)
9 Fingering Canned Krab (2013)
10 Unnatural Selections (2008)
11 Rail To Rail (2012)

FROM THE AUTHOR:

This archive is a collection of soundtracks from videos which I produced during the first decades of the 21st Century. Taped Rugs has never previously released any of these recordings in audio-only format (*). Given the right person in the right frame of mind, each of these recordings should be able to inspire mental imagery comparable or superior to the videos for which they were produced. I intentionally did not include internet links to the specific videos which accompany the recordings in this compilation. However, anyone interested in seeking out those videos can find them by carefully searching through the collection at the link below:

https://archive.org/details/tapedrugsproductionsvideo

This archive was compiled in response to a request for Taped Rugs Productions to participate in “Netlabel Day,” July 14, 2023. Please visit the link below for more information about Netlabel Day:

https://netlabelday.tumblr.com/

Charles Goff III, June, 2023

* NOTE: “Exchanging Consciousnesses” appeared in audio-only format on “Glasklinge Sampler 04,” released by Eisenlager/midnightradio in 2013.

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posted 01 July 2023

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions

“Persiflage Among Vacuum Cleaners”

“Persiflage Among Vacuum Cleaners” is a collection of Taped Rugs recordings which were created and/or published through the collaborative efforts of various artists and producers from 2020 to 2023.

Specifics:

1) “Umber None,” “Burnt Meow,” and “Herb Met Rune” were all created by Charles Rice Goff III as potential mixing fodder for the project: “Pen Pals 5: Flea Market” by Don Campau. Pen Pals 5 is a collaboration between Campau and several musicians, who each provided Campau with recordings to which he added lyrics, vocals, and/or instrumental embellishments. “Burnt Meow” features baby sounds by A-Lex Butler. Pen Pals 5, released in July, 2022, can be accessed at the link below:

https://doncampau.bandcamp.com/album/pen-pals-5-flea-market

2) “Similac” was composed by Charles Rice Goff III for the compilation album: “Deconstructing Reality Volume 2,” produced by Chris Phinney’s Harsh Reality Music. The album, released in August, 2022, can be accessed at the link below:

https://harshrealitymusic.bandcamp.com/album/deconstructing-reality-volume-2

3) “From From From” is a collaborative effort between Charles Rice Goff III and Gen Ken Montgomery. The raw sonic materials for this recording were captured via an open-air digital camera on December 20, 2022 at the Taped Rugs studio in Kansas City, Kansas. Goff remixed the piece presented here on January 7, 2023, and it makes its first public appearance in this collection.

4) The version of “Inner Transmission” presented here is a previously unreleased out take from the album: “Salvator Salvandus” by Radio End. Ed End and Charles Rice Goff III released versions of the album in August, 2021, via both the Necrophile Hummingbird and Taped Rugs Productions recording labels. In addition to the version of this piece that appears on those albums, End created a variant version for a video. The version of Inner Transmission presented here was a potential alternative to End’s video mix, created by Goff. Listeners will note that each version includes different bits of a recording of a large, hand-cranked wheel, which is prominently featured in End’s video.

Original Taped Rugs Album:
https://archive.org/details/SalvatorSalvandus

Ed End Video: https://www.youtube.com/watch?v=M9HRBGNfLpQ

5) Charles Rice Goff III recorded “The Microsoft Updates Blood Ritual” for the 2022 Aural Films “Horror Films” compilation album. This collection consists of over seventeen hours of original recordings by 71 different artists, and was released in October, 2022. The compilation was the fourth release in Aural Films “Horror Films” series, begun in 2017. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/horror-films-2022

6) C. Goff III created “With Which You Were Not Born With” for the album: “Electronic Cottage Compilation 7, Forgotten Memories Of A Harsh Future, a tribute to the Harsh Reality Music label.” This collection was curated by Harsh Reality’s Chris Phinney and released by Hal McGee’s Electronic Cottage label in July, 2020. The track itself was credited to Goff’s nom de plume: Swami Loopynanda. It can be accessed at the link below:

https://halmcgee.bandcamp.com/album/electronic-cottage-compilation-7

7) “Duzah Pamih Vapah” was created for the Aural Films compilation album: “Fourth World Is”, described as “a tribute and continuation of the late Jon Hassell’s vision.” The piece was produced by Charles Rice Goff III and includes percussion bits by Michael LaGrega. It was credited to Taped Rugs Productions. Fourth World Is, released in August, 2021, can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/fourth-world-is-jon-hassell-tribute

8) “Action Alexander” is the soundtrack for the video, “Action Alexander,” produced by C. Goff III in December, 2021. All the sounds in this piece were created by playing recorded bits of the voice of A-Lex Butler through a Yamaha VSS-30 sampling keyboard. The “Action Alexander” video has to date not been released to the public. The soundtrack makes its first public appearance in this collection.

9) “Fluorescence Dynamics” was produced for the Aural Films compilation album: “Mars Perseverance,” released to commemorate the Mars Perseverance rover landing in February, 2021. The piece was edited together by Charles Rice Goff III from recordings made by Goff and Michael LaGrega, and is credited to: C. Goff III & Michael LaGrega. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/mars-perseverance

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posted 21 April 2023

Various Artist – ⟁Retro Visions△

Various Artist – ⟁Retro Visions△
[None]

Various Artist

“⟁Retro Visions△”

A Retro Horror inspired compilation with witchy old school & horror/dark synth tracks.

Compiled, cover collage by Sábila Orbe.
Each track composed by the respective artist. Links:

– Restricted: https://rrestricted.bandcamp.com/
– Humanfobia: https://humanfobia-official.bandcamp.com/
– Darksynth Effects: https://soundcloud.com/darksynth-fx/tracks
– cade.: https://soundcloud.com/cadecomposer
– BNGEE: https://soundcloud.com/bngeeofficial
– Scios: https://soundcloud.com/user-688008822
– Filmy Ghost: https://filmyghost-humanfobia-doppelganger.bandcamp.com/
– careless supplement : https://soundcloud.com/user-670228749/
– CENTURY OCEAN WEBSURFERS: https://archive.org/details/BFTG_170
– LjdB: https://archive.org/details/@ljdb
– flowerhead: https://soundcloud.com/flowerhead-music
– D4rk Circles: https://soundcloud.com/user-56760965
– Yaka-anima: https://humanfobia.jimdofree.com/yaka-anima/

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posted 03 April 2023

Bruno Bernard – Textures

Bruno Bernard – Textures
[earS111]

Bruno Bernard

“Textures”

Acousmatic & Headphone music is back on earsheltering with “Textures”, an amazing trip created by Bruno Bernard

1-disorders:
emotional disorder, sight disorder, hearing disorder, cloudy water, being troubled..
2-fibers:
like a sound fabric intertwined with loops..
listening with headphones recommended, surround sound.
3-catacombs:
a dive into our own inner mysteries..
4-breaks:
our breaks, our flaws, our cracks, our interior chasms..
surround sound, headphones recommended
5-skins:
hard skin, soft skin, hatching, chrysalis..
3D sound, headphones recommended

1-troubles :
trouble émotionnel, trouble de la vue, trouble auditif, eau trouble, être troublé..
2-fibres :
comme un tissu sonore entrelacé de loops..
écoute au casque recommandée, son ambiphonique.
3-catacombes :
un plongeon dans nos propres arcanes intérieures..
4-brisures :
nos brisures, nos failles, nos fêlures,nos gouffres intérieurs..
ambiphonie, écoute au casque recommandée
5-peaux :
peau dure, peau douce,éclosion, chrysalide..
son 3D, écoute au casque recommandé

acousmatic, electroacoustic, electronic, headphone music

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posted 08 March 2023

Humanfobia – Indenumbra Poltergeist

Humanfobia – Indenumbra Poltergeist
[20k374]

Humanfobia

“Indenumbra Poltergeist”

‘Indenumbra Poltergeist’ is an album from Humanfobia, an experimental music project from Chile. The album is a chilling journey through 10 tracks of lo-fi horror, with a distinct giallo horror film vibe. Each track is a haunting soundscape that will transport the listener to a dark, ominous world of witchcraft and demonic possession.

The album is a sonic exploration of the supernatural, with unsettling soundscapes that will leave you feeling uneasy. The lo-fi production adds an authentic vintage feel to the tracks, with static and hiss creating an eerie atmosphere, and making it feel like a living, breathing entity.

From the opening track ‘Conjuration ov the Cvlt’ to the closing ‘Error en el Obituario’, ‘Indenumbra Poltergeist’ is a spine-chilling experience that will appeal to fans of horror and experimental music alike. Humanfobia have created a masterful work that captures the essence of the horror genre, while also offering something new and unique.

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posted 07 March 2023

Grosso Gadgetto – Come With Me

Grosso Gadgetto – Come With Me
[mhrk323]

Grosso Gadgetto

“Come With Me”

Since 2002, far away from the classic formats, Grosso Gadgetto puts his mark in contemporary indie hip-hop, the music of movies, contemporary shows and video games. He voluntarily destabilizes the listener by these sound deluges, under a fire nourished of scary atmospheres, drone layers, pervert breakbeats, metal guitars and catchy and addicting melodies, perfect soundtracks for a sick and claustrophobic science fiction movie that John Carpenter would probably not deny.

20 years on in Grosso Gadgetto’s extraordinary artistic endeavours, we are delighted and proud to present his Mahorka debut “Come with me”, coming out also as beautiful limited edition cassette, as a notable addition to his impressive discography.

Released November 19, 2022

Written, recorded and mixed by Grosso Gadgetto in Villeurbanne, France during June 2022

Mastered by Stazma the Junglechrist

Cover photo by Max Guy-Joseph

Sleeve design by Angel Draganov

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posted 23 November 2022

Jazzaria – Elongated Epic

Jazzaria – Elongated Epic

Jazzaria

“Elongated Epic”

Some things begin, and then – stretch on. You expect a resolution, yet instead receive reverberant reflections. Wandering, meandering, bordering on redundancy – an elongated epic.

Featuring violin, bassoon, clarinet, low woodwinds, orchestral strings and brass, taiko drum, drum kit, shaker, electric bass, piano, synthesizers, and effects.

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posted 15 November 2022

Nerdicus – Nerdicus Presents: Themes, Scenes and Soundscapes

Nerdicus – Nerdicus Presents: Themes, Scenes and Soundscapes
[BSOG0123]

Nerdicus

“Nerdicus Presents: Themes, Scenes and Soundscapes”

Back in May of this year, we were first introduced to Nerdicus via the dope Cheese N Pot-C album which he produced, “Nerdicus Presents Cheese N Pot-C: The Adventure Begins – Gab to Kag – On The Move”. Well, today, we have his debut solo album for you to enjoy!

“Nerdicus Presents: Themes, Scenes and Soundscapes” is sort of a concept album consisting of thirteen songs made to use in the background of movies, shows or games. From downtempo beat-driven gems to songs with more of a contemplative or narrative vibe, there’s plenty for listeners to enjoy. Download, play and chill.

Hey Nerdicus… thank you for allowing blocSonic to be part of such a terrific debut album! Great job.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

s3.wasabisys.com/blocsonic/releases/originals/bsog0123/01-SamuraiBattle_192kb.mp3

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posted 28 October 2022

Heyvard – After all, it’s our apocalypse.

Heyvard – After all, it’s our apocalypse.
[earS108]

Heyvard

“After all, it’s our apocalypse.”

new trip available for this summer on earsheltering with this amazing soundscape : Analog modular synths, electromagnetic field, contact mic & handmade synths by dedicated makers improvised by Heyvard (Hong Kong)
Enjoy this new summer heat wave and have a nice audio experience in your cave
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posted 10 July 2022

Sebastian Herrera – Portal

Sebastian Herrera – Portal
[pn207]

Sebastian Herrera

“Portal”

“I would like to make a Book that upsets men, that is like an open door and that leads them where they would never have consented to go, simply a door facing Reality.” – Artaud, Antonin. “El Ombligo de los Limbos/El pesa-nervios / The Navel of Limbos/The Nerve-weigher” (1925).

“How can you make the sound of a drop of water with synthesis…” – Maybe I could explain it employing academia, university knowledge or with the aid of YouTube or Wikipedia, but the truth is that I don’t know… for me sound is magic, from how it is produced to the manner through which it reaches our neurons, from how an apparatus plugged into an electrical current is capable of sounding like a musical instrument to how a turntable functions… and what can be said of digital sound… that It’s already black magic, magic-bits, magic-magic. But that question formulated by Ben (Bridet) in one of the first meetings in Sebastián Herrera‘s workshop, was the starting point of a sequence of random events that finally materialized in what you will hear in approximately 25 minutes, when you open (the) “Portal”, or even open the mind/ears to the journey that this sound convenes.

Like the Skylab offering its last signs of life before rushing into the Australian desert, Sebastián’s proposal starts with sounds from space, satellites, shooting stars, descending glissandos, and then begins a route accompanied by a constant beat, which secretly propels us towards different rhythmic environments, all of it growing until it ends in a brief pause in the middle of the track where synthetic sounds and percussions emerge between clouds of feedback delays, to then approach the final part with short and aggressive sound apparitions and impulses, repetitive and mechanical, accompanied by ghostly trumpets of the apocalypse announcing the final fall/ascension.

Welcome to the world of sound Sebastián, you discovered a half-open portal and you dared to cross it, with the compass of sensitivity and curiosity, well wrapped up, you opened a path with no turning back.

Mika Martini
(Santiago, Chile. Junio / June 2022)

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posted 17 June 2022

Jorge Grela – SCRUM

Jorge Grela – SCRUM
[pn204]

Jorge Grela

“SCRUM”

Dance and music since prehistoric times have developed hand in hand as a form of ritual, and it is from this bodily connection that music becomes so decisive in many dance works. Jorge Grela from Argentina, is the musician who scored part of the dance work “Manada” by Julieta Rodríguez Grumberg, which premiered virtually in 2021 in Buenos Aires. The sound result is compiled in the 4 track EP “SCRUM”, composed completely for corporal movement, with ambient rhythms that will delight us, making us participants in a flock, in a very profound auditory experience that proceeds from evolution to resistance, with musical arrangements of voices, guitars, bass, drums and synthesizers, passing through instrumental music to electronic music, which will undoubtedly make us feel the dance in our ears.

Felipe Baradit
(Concón, Chile. Abril / April 2022)

archive.org/download/pn204/pn204_04_jorge-grela_scrum.mp3

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posted 21 April 2022

Fryvolic Art – Afternoon on Boo’ya Moon

Fryvolic Art – Afternoon on Boo'ya Moon
[BM02R22]

Fryvolic Art

“Afternoon on Boo’ya Moon”

New Fryvolic Art’s album called “Afternoon on Boo’ya Moon” is strongly inspired by Stephen King’s novel “Lisey’s Story”. After 5 years Fryvolic Art is coming back with “soundtracky” material full of alternative-rock and cold-wave moods. Enjoy!

bonimedia.pl/samples/sample_booya_moon.mp3

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posted 21 February 2022

various artist – Tribute to The Conjuring Universe

various artist – Tribute to The Conjuring Universe

various artist

“Tribute to The Conjuring Universe”

Compiled by Sábila Orbe.

Released by Internet Daemon Netlabel / Post-Witch Music compilations section (Ex-Witch Spectra)
new-age-vapor-witch.bandcamp.com/
witchspectra.bandcamp.com/

Each track composed by the respective artist. Links:
– Smouldering Embers of Aggression: smoulderingembersofaggression.bandcamp.com/
– CALAVERA CALAVERA: calaveracalavera.bandcamp.com/
– fortcove: https://soundcloud.com/fortcove
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/
– Witchbeat: archive.org/details/MNMN346
– Devious Lee: https://soundcloud.com/devious-lee
– Cauchemar Chemin: cauchemarchemin.bandcamp.com/
– I††: eyedoublecross.bandcamp.com/
– My Own Cubic Stone: myowncubicstone.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/
– Plotnik Beats: https://soundcloud.com/plotnik105
– SVTVR: https://soundcloud.com/navid-fallahi
– Taylor Heath: https://soundcloud.com/taylorheath4real
– DOSICK: https://soundcloud.com/dosick-ibarra/tracks
– EISENLAGER: eisenlager.bandcamp.com
– Mean Flow: meanflow.bandcamp.com/
– finn loxi: https://soundcloud.com/finnloxi
– DJ_Iterate: archive.org/details/ThomasParkBenchmarkHub/01_Benchmark-Hub/
– CriticalMammal: https://soundcloud.com/criticalmammal
– iLeviathan: https://soundcloud.com/ileviathan
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/

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posted 25 December 2021

Valentina Villarroel – Como Convertirse en Piedra

Valentina Villarroel – Como Convertirse en Piedra
[pn198]

Valentina Villarroel

“Como Convertirse en Piedra”

This album by the Chilean sound artist Valentina Villarroel is part of the soundtrack for a theatre play and its divided in two sections, each of which contents thirteen and fourteen tracks respectively. According to the artist, these parts are distinguishable from each other based on the sound sources from which they were born, soundscape recordings in the first case and voice fragments in the second.

The sound world that Villarroel presents in the first part is mainly compound by solid and huge blocks of sound, as a dense mist which thickness seems to contain strong forces driving its own inner flux. In fact, spoken from a spectral perspective, in spite of the presence or absence of continuity in the sounds, namely prolonged atmospheres or iterative textures, there is often a wide coverture of the frequency domain. In this way, the general sensation is to be aurally exposed to burly entities, some of them with variations on their frequency, like glissandi or a sort of melisma (applying freely this notion to these non-acoustic and non-instrumental sounds). Within these huge spectral masses, there is space for details emerging from the mist, due to the occasional density dissipation. Whenever a piece has not such a density, it is shaped by a high contrast of spectral materials or, for instance, a specific block in the low range. This is the most characteristic aspect of the set, from which the pieces show their differences, for example being sometimes rough, sometimes smoother, but always maintaining an atmospheric nature, even when a piece is shaped by repetitions of an attack-impulsion sound as in the sixth work from the first part. Accordingly, the sonic discourse is not driven importantly by other aspects such as loudness or remarkable diachronic fluctuations of sounds.Obviously, there are some exceptions like the eighth work of this first part, a construction based on the sound of flowing water, or the twelfth piece, based on a textural irregular granulation.

The second part stands out from the first one, mainly due to the voice materials which are now mostly presented in such a way we can recognize them. I can recognise what I dare to name a ‘signature aesthetic’: the strong and rough treatment of the sound material, with abrupt attacks and again spectral thickness and slight variations of loudness. For instance, complex mass impulses and iterations (in the Schaefferian terminology) dialogue with vocal samples with some repetitions produced with a classic delay effect in the second work of the second part. There is not space for delicacy.Spoken word is delivered by what it seems to be a male voice or a female voice in different tracks (with so many possible electroacoustic transformations nowadays, you never know!). Sentences are repeated, the delay plays a simple (maybe naïve) rhythmic role. There is something I found interesting: the shifts of attention produced through movements between clear semantic content and dissolution of it. Sometimes the vocal material,within a specific piece, presents a total semantic dissolution (Albornoz 2018, pp. 39-40). Classic treatments of voice recordings are present as well, such as stretching by probably a form of granular synthesis and pitch shifting, perhaps the most predictable actions in the album, at least from my point of view. Space, in general terms, both in the first part and second part of the album, is not remarkably developed and it seems to be addressed essentially by means of demure positioning in the stereo panorama and the inclusion of reverberances. Another interesting kind of material is constituted by the isolation and stretching of phonetic particles, as in the case of a fricative in the twenty-fifth piece of the second part.

Clearly functional for a theatre play, the album presents short pieces with this particular aesthetic of huge spectral densities, minimalistic approaches to sound materials and a delicate sense of variations, solid blocks of sounds shaping solid pieces which in turn make up a solid album, everything solid and poeticas it could be the transformation of a being into a stone.

Dr. Alejandro Albornoz
Compositor / Composer.
(Valdivia, Chile. Noviembre / November 2021)

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posted 18 November 2021