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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Month: May 2012

(P.A.)Bries – rehi028

(P.A.)Bries – rehi028
[rehi028]

(P.A.)Bries

“rehi028”

(P.A.)Bries – rehi028
Rhein-Neckar-Beatprofessor (P.A.)Bries opens up his holy crates again for another excellent EP on Reh Incarnation.
All 4 tracks, recorded from 2001-2003, demonstrate his ability to tell unforgettable drum-and-melody-orientated stories straight out of his favourite piece of musical equipment.

Tracklist:
01. Green Love (5:25)
02. Winterbegegnung (3:37)
03. Mekka Bleibt Mekka (6:05)
04. Was Ich Glaub (5:35)

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posted 10 May 2012

Orquestra Por Ponto – #1

Orquestra Por Ponto – #1
[EdP055]

Orquestra Por Ponto

“#1”

Orquestra Por Ponto – #1

“Conjunto de quaisquer sons ou ruídos compassados e harmoniosos”

Constituída por músicos de diversas vertentes e diversificados percursos musicais, a Orquestra apresenta um improviso colectivo composto por, nada mais nada menos, um número variado de músicos que se uniram em diferentes registos musicais sintonizados.
É, acima de tudo, um conjunto de sons e ruídos compassados e harmoniosos, unidos pelo ténue e delicado fio da improvisação pura.
A linha condutora e a sua principal característica apresenta-se numa criativa lógica de construção pessoal, estimulando o improviso.

Ana Cancela

contributors:

miguel pipa – circuit bending, d.i.y. instruments;
igor dimitri – atari video system, d.i.y instruments;
mariana sardon – video toys;
maria joão – vinyl loop;
filipe caldeira – hacked korg modulator;
angel faraldo – improviser and digital instrument design;
miguel ramos – baixo com pedais alterados;
ivo gonçalves – no input mixer;
rebeca – pd noise synth;
paulo correia – radio hack bending s.w;
pedro aires – casio glitch toys;
carlos costa – d.i.y instruments;
bruno débrum – motors drum;
nuno barros – home made printer;
joão ricardo – micro modular synth sounds.

margarida ribeiro – live audio/video recording: http://vimeo.com/41801940

 

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posted 09 May 2012

Ganzha – Money Fest (Manifesto)

Ganzha – Money Fest (Manifesto)
[EdP054]

Ganzha

“Money Fest (Manifesto)”

Ganzha – Money Fest (Manifesto)
Money Fest (Manifesto) was recorded live for a www.electro-music.com streaming event in 2009.
Author is Vadim Ehrlich – founder of German project “Ganzha”. He “invented” his own style of sound paintings – named “ElectroAbsurd” in 1980. It is interactive music performance. Main feature is – no “harmony” – no 7 notes, no rules at all! Just improvisations with sounds and sound sequences. More information here: http://www.ziart.kz

 

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posted 09 May 2012

The Venture EP

The Venture EP
[003]

Electric-Control

“The Venture EP”

The Venture EP
Cat.: krata.net.oo3
Artist: Electric-Control (add. Remix by Taer & Fehder)
Title: The Venture EPWith their debut on krata.netlabel, “The Venture EP”, Electric-Control are showing us the roots of and the neverending love to Detroit Techno at its best!

Purists and Lovers of essential Techno will love it, for sure!

We have had A lot of fun dancing and listening to this release! Now you can too!

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posted 09 May 2012

Thuuooom – Uinua

Thuuooom – Uinua
[thump309]

Thuuooom

“Uinua”

Thuuooom – Uinua
Release date: 07.05.2012
Format: mp3 lp
Length: 6 tracks / 35:47
Genre: ambient

‘Uinua’ is the follow-up to Thuuooom’s 2008 debut ambient album ‘Aava’. As for re:Ep released as Thuoom in 2011, the material comes from his spring’09 sessions for which the starting point was to use sounds found from hard drive only. The material has remained unreleased until now, 3 years later, it’s time for this album to see daylight. The usual Thuuooom drones are here accompanied by more pronounced pulses and even beats as well as more – albeit minimal – melodies than before.

Instruments used on this record: bottles, digital camera (Samsung Digimax A7), electric guitar, glitch, human voice, music box.

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posted 07 May 2012

Mark Browne – Malapert and Erratic

Mark Browne – Malapert and Erratic
[LOR019]

Mark Browne

“Malapert and Erratic”

Mark Browne – Malapert and Erratic
New release by British free improviser Mark Browne- in “Malapert and Erratic” he gives himself 7 tasks to complete within 24 hours (with post production in the following week. The release asks questions about the nature of music and sound, and uses a variety of unusual instrumentaion as well as the artists usual soprano saxophone, including a burnt, charred piano, boiling liquids, guitar, percussion, field recordings and game calls. Release comes with an 11 page PDF booklet of notes and images by Mark Browne.

[wp_bandcamp_player type=”album” id=”2876152748″ size=”grande” bg_color=”#FFFFFF” link_color=”#CC00CC”]

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posted 06 May 2012

FJRicharts – Anders Als Alle

FJRicharts – Anders Als Alle
[CML016]

FJRicharts

“Anders Als Alle”

FJRicharts – Anders Als Alle
While listening to debute album “Anders als alle” by Germany’s FJRicharts, one could rightfully assume it being a study of the relationship between movement and stillness. I’d like to advance the idea that Florian’s music is never either of the two : in its most desolate, cold state emerges immense thrust and motion and, in other more active moments, you feel time coming to a stop. He plays within these parameters with grace and sobriety, resulting in a brooding epic that will justly accompany your spring cloudwatching.
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posted 06 May 2012

Ars Sonor & Co. – The End of a Road

Ars Sonor & Co. – The End of a Road
[ER084]

Ars Sonor & Co.

“The End of a Road [l1mbo central]”

Ars Sonor & Co. – The End of a Road
Once again here at Effluvia comes a release so profound, with so many hearts and minds involved that one cannot help but take a moment to reflect on how truly profound the world of artists can be. It amazes me that this album got made, and the artist behind it should be given more praise than she already deserves for simply being as prolific as she is, given her other life circumstances. Laetitia Schteinberg, the mastermind behind the hyperactive output of Ars Sonor (and iky iky) astounds me with her existence, tortured and brilliant, cathartic and emotional, simply speaking with her is a very immense experience. In times of great woe, she miraculously creates release upon release whose substance is so complex and savory, horrifying and uplifting, exasperating or unnerving, nightmarish or blissful, always so thoughtful and necessary with deliberate intent, all captured perfectly by brilliant mastering and layering of marvelous synth sounds ebbing and flowing with brilliant percussion and deep, eerie ambiance. These components transcend their own nature and become something very ethereal. With this release, there is an extra dimension mixed in that differs from her solo work, but that is not to take away from their respective strength. The extra dimension is the minds of 17 different artists! This is not the first time Ars Sonor has been joined by the company of various musicians she collaborates with on other records, but this is my favorite thus far (truly this is a work of genius). Clocking in at almost an hour at length, this behemoth of dark ambiance and dreamscape industrial brings to thought a very large and epic notion about what this community of artists has created. On netlabels and throughout the world of innovative free music, there is a beautiful collection of friendships through art. Countless records created, to the point of being overwhelming, all spread to other likeminded musicians so that they may be in a dialogue transcendent of simple words like these. As these artists perceive their respective worlds, interpret them through manipulating vibrations, and then articulate this to other artists, evoking anxiety or glee in their hearts, the body that is the sum of these separate, human components witness the world, interprets them through the brain, and then shares it with the rest of the body, evoking actions and decisions and will and vocalization! The brain here is Ars Sonor, and just like the cells of your body are mindlessly and blindly grateful to create you and you are mindlessly and blindly grateful to have been created by the earth, I know for a fact that all the artists that equal this celestial body are grateful to be a part of Laetitia’s masterworks, or to even know her at large, and they all wish the best for her in these times of distress. My heart prays that this is not the end of Ars Sonor’s road, and I want to thank all those who helped make this pathway, this organism, possible. Thank you Sean derrick Cooper Marquardt, Thank you M.Nomized. Thank you William Spivey. Thank you The Implicit Order. Thank you Elizabeth Veldon. Thank you Igor Har. Thank you Mutate. Thank you Peninsolar. Thank you noiseoftherose. thank you Randy Carter. Thank you Brownian Motion. Thank you 3bc. Thank you Bob Bucko Jr. Thank you Otolathe. Thank you Ronny Waerns. Thank you Dan Minoza. Thank you hyaena fierling reich. Thanks to all who listen, and please do.
posted 05 May 2012

Egidas – More Games

Egidas – More Games
[gargan065]

Egidas

“More Games”

Egidas – More Games
Egidas appeared last year in the scene with two EPs on Gargan Records and has established with recognition in a very short time. Egidas makes deep house music and this music feels like a full body massage. You will be pricked by beat-splinters and caressed by synth-waves. Deepness is equated with perceived intensity. With the EP More Games you will find relaxation, really.

All files are in a quality of 320 kbit/s for the (free) Download. MP3s, Cover and “all inclusive” ZIP-package are available here or on:

http://www.garganrecords.com

Artist: Egidas
Album: More Games
Release Date: 2012-05-04
Genre: Deep House / Tech-House
Label: Garganrecords
Catalog#: gargan065
Type: EP

Tracklist:

(01) More Games 05:45
(02) Mug Duo 05:45
(03) Sick Pulse 06:08
(04) Wall To Wall 05:54

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posted 05 May 2012

florconvenas – ley en das

florconvenas – ley en das
[pyr052]

florconvenas

“ley en das”

florconvenas – ley en das
florconvenas is sound explorer mariela arzadun’s solo project. she is an improviser, experimental musician and visual artist from buenos aires who focuses on field recordings, soundscapes, drones, poetry, collage and concrete music. she runs the amor loco netlabel and comprises half of the free improvisation duo, criadero en seres, both with leandro ramírez.

to create ley en das, mariela mixed together various elements such as: field recordings, keyboards, voices, barking dogs, cars, and hand tools. maquinaria agrícola was composed with the sound of hail falling on glass and various objects. the track titles are inspired by a trip through old books, celtic legends, dreams and poems.

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posted 04 May 2012

SOSTANZE RECORDS – Dont Believe The Hype PT. 2

SOSTANZE RECORDS – Dont Believe The Hype PT. 2
[SOSLP39]

SOSTANZE RECORDS

“Dont Believe The Hype PT. 2”

SOSTANZE RECORDS – Dont Believe The Hype PT. 2
On the eve of the second b-day of the label and following the success of the release Don’t believe the hype (part 1) (platinum record with over 40.000 downloads on the web), Sostanze Records’ mavericks are back with their usual energy and the maturity reached thanks to the experience on stage at national and international events to which the artists of the netlabel have attented during the last times. Maturity that has made precious a background already peculiar, finally allowing them to be on the spotlight of the media and rewarding the ambitious project aimed at spreading a musical culture where it is not compulsory to pay for listening to high quality beats. The compilation offered is a mix of electro, dubstep and drum’n’bass, ready to burn your stereos and give you the right music for a night among friends, through the different approaches to the electronic music proposed by the several artists, each of them with his unmistakable style. The Additive opens the atmosphere with its Sentient Beings, then follow NeZoomie with its Heavy Phat Gun, the show-man showman Bebop with its Scuola Benassi and the revelation Flux with its Fresh meat to eat. The most famous dubstep/drum’n’bass duo of the netlabel IlKobra e Red-.-box with Pissing to the bass and the BrokenSpud’s absolute bomb The Day Will Come close the loop. Don’t believe the hype.

http://ia601209.us.archive.org/22/items/SOSLP039/SOSLP039_01_The_Additive-Sentient_Beings.mp3

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posted 02 May 2012

Kebiin – Lonely Return From Nowhere

Kebiin – Lonely Return From Nowhere
[rwclass004]

Kebiin

“Lonely Return From Nowhere”

Kebiin – Lonely Return From Nowhere
“Lonely voyage to nowhere” was our 3th release in Rawmatroid Class sublabel, an album produced by Kebiin that brought us to far atmospheres and places. An experimental trip in search of sounds and textures that say goodbye with “Bleeding Tears“, leaving the sensation of “to be continued?” in the air.

“Lonely return from nowhere” is the return from that sensorial trip through sounds, a reinterpretation by Kebiin of his own work where the producer adds new ideas and experiences going back retracing his own steps in the returning way. The sparkles of light, the darkness, the strange and the beautiful are mixed in Kebiin language in this 4th reference of Rawmatroid Class.

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posted 02 May 2012

Various Artists – Somewhere on the edge

Various Artists – Somewhere on the edge
[Gruen 100]

Various Artists

“Somewhere on the edge”

Various Artists – Somewhere on the edge
47 Tracks (531′34″)
Soundscape Series by Gruenrekorder
Gruenrekorder / Germany / 2012 / Gruen 100 / MP3 & FLAC

Recordings by:
Brandstifter, jai, Matze Schmidt, Xabier Erkizia, Matthias Kispert, David Chapman, Mark Peter Wright, Joe Stevens, Sean O’Neill, Anton Mobin, Greg Hooper, Peter Cusack, John Arndt, elffriede, Nigel Simpson, Michael Peters, Frank Rowenta, Grit Ruhland, Luís Antero, lupov cokoliv*, Jay-Dea Lopez, Pierce Warnecke, Mark Lorenz Kysela, Gerald Fiebig, Merzouga, Roland Etzin, Enrico Coniglio, Alan Courtis, Pablo Sanz, Ben Owen, Gill Arno, Tobias Schmitt, Robin Parmar, Hubert Wińczyk, Alfred Harth, Grant Smith, murmer, SALA, Gilles Aubry, Rubén García, Rodolphe ALEXIS, Konrad Behr, Pietro Riparbelli, Chad Clark, Sally McIntyre, Bernhard Gál, Danny Mc Carthy

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posted 01 May 2012

trans alp – e blô kend

trans alp – e blô kend

trans alp

“e blô kend”

trans alp – e blô kend

Those pieces have been written for a performing arts event that can be considered to be a contemporary counterpart to a pagan ritual. It took place in september 2008 at the power station Klingenberg near Rummelsburger Bucht (Berlin, Germany) and is based on an idea and concept by Daniela Muschter.

According to this, the musical side embodies an attempt to reinvent germanic sound asthetics with modern media. The pieces represent ›mankind‹, ›nature‹ and ›spirit‹ and various kinds of dialogue between them.

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posted 01 May 2012