Canciones:
1. HHVW (Do The Chaos Magic)
2. Ethyl Punks
3. No_Human – Cave Dweller (MÖ$QUE Dungeon Remix)
4. Black Techno
5. Swanson’s Authority C.O.P. Memorial
Nueva publicación, subiendo en intensidad, esta vez a base de ruido. Electrónica y techno de lo más sucia y punk que te puedas echar en cara, experimentos noise que abrasan los oídos. Subversivos sonidos para denunciar que este mundo sigue igual que siempre, apestando.
MÖ$Q añade un remix, que viene que ni pintado, de una canción del futuro lanzamiento de No Human también para Soisloscerdos.
Muy buena incorporación, sonido y maneras nuevas, diseños a la altura de su música.
after having released on the superb labels “der kleine grüne würfel”, basicsounds and pragmat we are happy to welcome erich schall on tonAtom. the straight 4/4 bass drum is mostly kept aside, instead he joins tonAtom with an autumn release. this time it is much gloomier and atmospheric than usual. and there is a completely new world to uncover: textures, areas, mist, leaves and sand. and eventually the walls from the album’s title.
1) Iof Fiord —- Braincrusher
2) Скобки Пуассона —- Телефон
3) Musical Tree —- If You Want
4) Язык Кошки —- Ночью темно
5) Синкопированная Тишина —- Джангл
6) Light Dope —- Agnessa
7) Скобки Пуассона —- Дурак
8) Iof Fiord —- Perfecto
9) Синкопированная Тишина —- Протобаян
10) Язык Кошки —- Север Юг
Colonna sonora di un giorno solo [0kbps073]
. Soundcheck
. Spaccamintothebody
Dedicato a Vale, cuore.
MAV [0kbps] Records, October 2014
REBUS [0kbps072]
. Abnormal Rewinder
. Mechanizmus
. Refragmentation
. Roll Fucking Mind
. Trigger Bored
MAV [0kbps] Records, October 2014
00 – Discknocked – Gilgames
01 – Randoom – DLSC1
02 – Retouched – Echo Response
03 – Randoom – Opal (Original Mix)
04 – Dsant – 21052014
05 – Frictional Transmission – Theory Of Elevation
06 – Jozef Nemček – Endless Journey
07 – Retouched – Buzz Earth
08 – Randoom – Acordes Filtrados (Retouched Remix)
09 – Liquom – SUmmER 14;41(Liquom mix)
10 – Retouched – Looking For An Exit
11 – Twin Peetz – Shades (3st shadow)
12 – Retouched – Mesosphere
13 – OhmikRon – Live in Love
14 – PeteBlas – Static Moves
15 – Frictional Transmission – Recovery Point
16 – Jozef Nemček – Vertical Line
17 – Retouched – Cosmos
18 – Josef Nemček – Dark Matter
19 – Retouched – Planet
20 – Brickman – Spectral Dub
21 – Aura Fresh – Empire
22 – Retouched – 1994
23 – Solef – Lost In Red Sky
24 – Frictional Transmission – Modulation Transformation
25 – Retouched – 107 (Frictional Transmission remix)
Mixed by Frictional Transmission
Cover by John Fhakner
Credits:
Recorded at Kukkovka Hell Studios in april-june’2014
Engineered by Nikolai Kuskov
Mixed by Alex Fry
Mastered by Anatoliy Nikulin
Alex Fry – Vocals, guitars, bass
Vadim Bogorodskiy – Guitar on «[Night/Day/On/Off]», Solo-guitar on «Sweet Pills», «Children In The Closet», «My Sick Friends», Slide-guitar on «Do You Believe In Love?»
All songs by Alex Fry
Thank You:
Nikolai Kuskov for beer and the work, Vadim Bogorodskiy for the help and skills, Yaroslav «Sweet boy» Tregubov for the bass-guitar, Julia Letto for the faith.
Join Us!
http://vk.com/breakthebans
https://soundcloud.com/breakthebans
Artist : Zoÿ Archa
Title : The Far Call
Catalog # : TXR096
Duration : 56:16
Date of release : November 11, 2014
Genres : dark ambient, drone, noise
Format : digital (FLAC and MP3)
The artwork, designed Solange Dalannais shows us a simple pencil drawing done in real time during a dance class. The incomplete capture of moving bodies suggests that fragile but deep part of our human condition that seeks liberation and self- transformation.
1. Clouds Inside
2. Sheets Of Rain Weave Silk
3. Static Chant
4. In The Tow
Written and produced by Alistair Stray
Cover by John Fhakner
Alistair Stray :
Stray has been involved in many areas of experimental and electronic music for the last 20 to 25 years, as well as being a visual artist, filmmaker and animator (8mm through video to digital). ‘Inference’ is his techno and dub techno solo project, the first releases of which ‘Reference’ and ‘Resistance is Mutable’ were released on the Kreislauf netlabel. This release is a new start, going back to the basics of groove programming and subtle modulation that are the roots of Dub Techno while referencing the early Detroit Techno sound and first Irdial label releases aesthetically.
During the 90s, his main project was a film improvisation group called Deconstructed Cinema. He was also a founder member of the Raya Collective who played various venue types from clubs to squats and had a brief residency at the Institute of Contemporary Arts (ICA) in London. Towards the end of the 90’s, Stray formed an improv group called Irritants that mostly played the free party and squat scene as well as at Hugh Metcalfe’s ‘Klinker’ club night in London. In recent times, he has collaborated with his partner Anna Flack (a vocalist and experimental digital musician) under the name Radical Elsewhere, releasing recordings on the DBS Sounds & Kreislauf labels. Stray has also released experimental music under the name Noosign on the HAZE and Zimmer labels as well as on Bandcamp. More recently he has been collaborating with another electronic musician, Dave Clarkson under the name ‘Psychic Frequencies’. They have released two sets so far, ‘Cut Ups and Fold Ins’ on HAZE and ‘Projecting Disorder’ on Test Tube.
Mixed by Owen NI
The artwork designed by Solange Dalannais describes the moment when a young girl is caught discovering music fiddling one of those antique furniture-sound systems that once were in the living rooms and generally, children were not allowed to mess with.
This album was originally released independently via bandcamp, in April 2014.
The artwork is a monotype by Solange Dalannais that shows an abstract porcupine with apparent zoochosis symptoms, animal disease caused by captivity, easily seen in any zoo.
This album was originally released independently via bandcamp, in February 2014.
“Don’t cry because it’s Tresky, smile because it Plesked.” Tr. Pleuss
“You only live once, but if you do it right, once is Tresky Plesky.” Trae Plest
“In two words I can sum up everything I’ve learned about life: Tresky Plesky.” Trobert Plost
“I Tresky Plesky to everyone in the same way, whether he is the garbage man or the president of the university.” Tralbert Pleinstein
“Everything you can imagine is Tresky Plesky.” Trablo Plicasso
“Life isn’t about finding yourself. Life is about creating Tresky Plesky.” Treorge Bernard Plaw
“I’m the one that’s got to die when it’s time for me to die, so let me live my life the way I Tresky Plesky.” Trimi Plendrix
“You cannot find peace by avoiding Tresky Plesky.” Trginia Ploolf
“Where there is love there is Tresky Plesky.” Trahatma Plandhi
credits
released 08 November 2014
Aomori
Primer 65
In Flux
Alpha Helix
Unspeakable
Kanlaon
Apostrophe Turning Away
Lumawig
Farewell To The Ark
Cartesian Dualism
Rosetta Stone
Aeons And Elementals
About Pankifared:
«He is definitely one of the most flexible and open composers in Kiev. His music is modern and up to date within any context,” – “Afisha” magazine, 2006 about Alexander Kohanovsky. His experience is huge and really impressive. Even the first project was a huge success. He joined the band «Сахар – белая смерть» (formed by Kohanovsky and his fellow mate). After the recording of «Манірна музика» they played at two festivals in Poland at the beginning of 90s. That was a great start. Gigs, performances, collaborations with various artists, recording soundtracks for German mute films such as “NOSFERATU, A SYMPHONY OF HORROR” by Murnau and “Der müde Tod” by Fritz Lang (It was an order of Goethe-Institut). About 12 years ago Alexander started to work in a theatre and he collaborated with a genious, Dmitry Bogomazov. Together they’ve done tens of various projects which were favoured by critics for an excellent composition.»
About King Imagine:
«Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics..and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors. In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom – as remixer, co-author and remastering engineer.»
Ben, already known for his EP “The Invisible Kingdom” on Ektoplazm / Drumlore, went the school of hard knocks and the result is extraordinary!
