about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Kristallo – Persecucion

Kristallo – Persecucion
[pn225]

Kristallo

“Persecucion”

Kristallo is an alternate project by the Argentine artist Pablo Reche, which he defines as his ‘B side.’ With this alias, he explores the sonic possibilities of noise in a field with a stronger presence of rhythm and pulsations, further away from the sound composed of drones. The pieces that make up the EP “Persecución” have a brief format, with a predominant sound of a primitive and rough nature that tends towards pure abstraction.

T1 > Everything begins with a mass of interference and sounds that appear as discoveries in the gaps left in the tuning bands of a radio. These units are waves with changes in their dynamics, which gradually form a constructive process of noise.

T2 > Accents in a hiss grow to form a polyrhythmic block that dissolves into a state close to silence. It’s a structure whose spectrum emerges and lingers.

T3 > In an industrially charged environment, you can feel the pulses and folds as time progresses. Each layer has its own space and communicates with the others as if in conversation. Noise bursts create the grid where everything is organized.

T4 > What remains after a burst is the shape of an echo that extends like a drone. Things become recognizable under a faint layer of sand.

T5 > In the resonant space of a tube, digital rhythmic gestures bounce, moving away from the organic roughness of the previous ones, forming a slow melody. There are openings that mark its development, transitioning from a contemplative tone to a dramatic one.

This set of tracks has the virtue of creating a calm atmosphere in which the subtlest intervals can be perceived.

Oscar Santis
(Santiago, Chile. October 2023)

Button: by-nc-sa
posted 13 October 2023