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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

ccm submitter

A submitter is everybody that submits netaudionews. You want to share great free music as well? Do it: post new releases

O Colecionador de Sons – A Voz do Mundo II (parte 1)

O Colecionador de Sons – A Voz do Mundo II (parte 1)
[emissão 102]

O Colecionador de Sons

“A Voz do Mundo II (parte 1)”

A emissão 102 d’O Colecionador de Sons apresenta pela primeira vez, depois do evento “Dar a Ouvir. Paisagens Sonoras da Cidade”, que entre julho e agosto marcou a programação cultural do Convento São Francisco, em Coimbra, em torno do universo da arte sonora, a 1ª parte da instalação sonora “A Voz do Mundo II”, com curadoria deste Colecionador de Sons, composta por 3 horas de duração com contributos da netlabel portuguesa Green Field Recordings (www.greenfieldrecordings.yolasite.com), da plataforma Audiotalaia, do artista sonoro espanhol Edu Comelles (http://www.audiotalaia.net) e também do mapa sonoro à escala mundial Cities & Memory, da responsabilidade do artista sonoro inglês Stuart Fowkes (https://citiesandmemory.com).

Para esta 1ª parte, apresentamos a composição sonora da responsabilidade da Green Field Recordings, seguindo-se nas emissões seguintes as duas restantes peças, antes da sua edição online, lá para o final do ano, na GFR.

Bem-vindos!

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posted 27 November 2022

Broken Machine Films – Broken Machine Films presents​.​.​. Porn Cult Club TV, Episode 23. [LIVE w_ Jay Good]

Broken Machine Films – Broken Machine Films presents​.​.​. Porn Cult Club TV, Episode 23. [LIVE w_ Jay Good]
[VSS135]

Broken Machine Films

“Broken Machine Films presents​.​.​. Porn Cult Club TV, Episode 23. [LIVE w_ Jay Good]”

Recorded live in Asheville NC cerca 2016.
Samples are from thrift store found cassettes. Remixed, chopped and deconstructed by Broken Machine Films accompanied with Jay Good’s magical drum kit.
all rights reserved
posted 27 November 2022

Pagalve – Universe

Pagalve – Universe
[KNOB004]

Pagalve

“Universe”

Usually a lover of a harder techno sound, Pagalve probably suprised himself after he made this special release for Knobs netlabel. Why “Universe”? Well, when your speakers will start to play this beauty, you’ll understand that is all about. Really deep tech stuff! Containing tracks built of TB-909 drums, beautiful stabs, lightly distorted basslines, clicks & cuts, various string structures together with stomping beats are doing a great job to make a feeling like you are somewhere in the universe…
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posted 27 November 2022

tim susa – 1982

tim susa – 1982
[144]

tim susa

“1982”

Tim Susa’s sound on his recent album is as personal as its title, which marks the year of Tim Susa’s birth. His debut album 1982 seem to be no less than a monument, dedicated to his very personal journey through techno history. It is unmistakable that Tim’s heart beats especially for the heyday of dark shuffled techno throughout the 90s. Produced on a mix of analog and digital devices, the tracks revel in the sound of dancefloor legends like Dave Clarke, whose Red series seems to reminisce more than once on the album, Luke Slater or Gez Varley. The latter’s minimalist proto-anthem „Quo Vadis“ seems to resonate again and again, too. Like Tim, the tracks seem to feel most at home on dark, foggy and strobe lighted dancefloors. Moments of deepness keep popping up though, as tracks like “A Feather” show, that reach already out into the current millennium. In a similar vein, the wonderfully industrial-tinged electro beats of „Leaf Blower“ spread a lot of industrial dancefloor confusion without having to resort to a straight bass drum. In between retrofuturism, history lessons and techno old school, 1982 always manages to simultaneously look ahead and make you want to go back in time.

Release-Date: 23.Juni 2022

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posted 27 November 2022

Philippe Neau – A Quiet Place

Philippe Neau – A Quiet Place
[mhrk325]

Philippe Neau

“A Quiet Place”

“”A quiet place” is an album where we are immersed in the imaginary and sound vision of a motionless traveller. This trip was built from field recordings recorded in real places, inside or outside. To these sounds are added analog ambient sounds. This sound mass is worked, mixed, kneaded, “sculpted” to create a “new landscape”, stratified and polyphonic. This vision took shape during more or less dreamy encounters and walks with the elements of the landscapes. The sounds mingled and overlapped, as did the places, gradually in my memory. From layer to layer, I let the “sound material do” in order to prolong its meditative states. I followed the vibrations. The sound material has thickened to give shape to a long reverie in one/several imagined/invented places, sort of separate spaces …. non-places? My thoughts and sounds are thus fixed around the trees, the clouds, the light, the movements of the sun, the sea, the water, the birds, the night, the wind, the little secret noises, the displacements. Of the fullness of the landscape, of the perception of the landscape, of the impressions. From the sound of my mind. From the presence…”

Released November 26, 2022 as free (cc) download and beautiful limited edition cassette

Composed and produced by Philippe Neau

Photo and painting by Philippe Neau

Cover design by Angel Draganov

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posted 27 November 2022

BRITNEY25 – forget mi note

BRITNEY25 – forget mi note
[LCNLP156]

BRITNEY25

“forget mi note”

English Translation Below)
Le netlabel le Colibri Nécrophile présente forget mi note par Britney25
“Unforgettable Music for the Forgotten People”

Quelles que soient les vagues, elles reviennent toujours à la plage, aussi surement que le bras d’un tourne-disque, même si celle-ci a disparu depuis longtemps sous les détritus, eux même recouverts d’algues vertes potentiellement mortelles.

Si un esprit punk existe, ce n’est pas un truc de poseur, mais bien viscéral, genre la rencontre de l’urgence du futur présent et de l’écorché vif qui refuse de se laisser broyer par la machine du système.
Exhibition d’une sensibilité à fleur de peau, l’écho de nos cauchemars, partagés, dans une orgie de son. La résistance face à la souffrance. Porteuse d’espoir : même pas mal.
Résistance à l’oubli, du sel sur les plaies et au milieu du vomi, du trop-plein d’émotion, des caillots de sang qui n’ont pas de prix.
Oscillant à la frontière du grotesque, révolutionnaire ? Seule l’authenticité change la donne et nous donne envie de hurler nous aussi.
On est toutes et tous nés pour crever. Alors autant s’éclater avec la grâce de celles et ceux qui n’ont rien à perdre. Même pas mort encore. N’oublie pas, n’oublie rien.

Il semble que la musique horsnorme ait toujours été trop punk pour le public de la musique expérimentale et trop expérimentale pour le public punk. La musique de Britney25 est horsnorme, sans place attitrée, toujours en mouvement, jamais là où on l’attend, vivante jusqu’au dernier instant… et au-delà.
C’est une joie d’accueillir le dernier rejeton de cette voyageuse apatride qui refuse de rentrer dans sa niche à la société du spectacle.

Au passage, un gros doigt à l’État français qui expérimente le R.S.A avec travail forcé pour faire disparaitre un peu plus celles et ceux qui créent dans les marges.

(Traduction française au-dessus)
The Necrophile Hummingbird netlabel presents forget mi notte by Britney25.
“Unforgettable Music for the Forgotten People”

Whatever the waves, they always come back to the beach, as surely as the arm of a record player, even if it disappeared long ago under the rubbish, themselves covered with potentially fatal green algae.

If a punk spirit exists, it’s not a poser thing, but a visceral one, like the meeting of the urgency of the now future and the living skinned who refuses to let oneself be crushed by the machine of the system. Exhibition of skin-deep sensitivity, the echo of our shared nightmares, in an orgy of sound. Resistance to suffering. Bearer of hope, not even hurt !
Resistance to oblivion, salt on the wounds and in the middle of the vomit, the overflow of emotion, blood clots that are priceless. Oscillating on the border of the sublime and the grotesque, revolutionary ? Only authenticity changes the game and makes us want to scream too. We are all born to die. So might as well have fun with the grace of those who have nothing to lose. Not even dead yet. Don’t forget, don’t forget anything.

It seems that horsnorme music has always been too punk for experimental music audiences and too experimental for punk audiences. Britney25’s music is horsnorme, with no assigned place, always on the move, never where you expect it, alive until the last moment… and beyond. It is a joy to welcome the latest offspring of this stateless traveler who refuses to return to her niche in the society of the spectacle.

By the way, a big fuck to the French State which is experimenting a new RSA (the french solidarity allowance) with forced labor to make those who create on the margins disappear a little more… in the hands of the firms.

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posted 26 November 2022

Alejandro Albornoz – La Lumiere Artificielle

Alejandro Albornoz – La Lumiere Artificielle
[pncd12]

Alejandro Albornoz

“La Lumiere Artificielle”

The cycle La lumière artificielle

This is an acousmatic octophonic cycle which was composed as part of my PhD Thesis portfolio (Albornoz 2018) between 2015 and 2018 at the University of Sheffield Sound Studios, UK. In this album you can listen to the five pieces of the cycle in stereo binaural versions. The original eight channel version and a coming soon special 5.1 version of the cycle can be downloaded using the link provided by Pueblo Nuevo netlabel.

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posted 25 November 2022

Gi Ahumada – Azar Objetivo

Gi Ahumada – Azar Objetivo

Gi Ahumada

“Azar Objetivo”

Influenciado por la sincronía y el ludismo, Azar objetivo explora un mundo de sonoridades que atraviesan y expanden los límites de la canción pop.
Los climas que van recorriendo las cinco canciones de este disco de pop experimental, se van transformando e influenciando por sonoridades del rock y el underground con bases electrónicas y sintetizadas.
credits
released November 21, 2022

Todas las canciones están compuestas por Gi Ahumada.
youtube.com/channel/UCzhIH1q4uR1gm8JX6lIXDDg
giahumada.bandcamp.com/album/la-r-a-2
soundcloud.com/gisella-natalia-ahumada

Producción y mezcla por Berenice Llorens.
berenicellorens.com www.instagram.com/berenicellorens/

Editado y masterizado por Ismael Verde en Kriptonîa.

Arte de tapa por Paula Cabero.
instagram.com/snac.the?igshid=MTg0ZDhmNDA=

Videoclip “Ice cream”
Pau Cabero y Alex Niu
adoptada.inc
Link: youtu.be/ezPXyzxPqlU

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posted 23 November 2022

Grosso Gadgetto – Come With Me

Grosso Gadgetto – Come With Me
[mhrk323]

Grosso Gadgetto

“Come With Me”

Since 2002, far away from the classic formats, Grosso Gadgetto puts his mark in contemporary indie hip-hop, the music of movies, contemporary shows and video games. He voluntarily destabilizes the listener by these sound deluges, under a fire nourished of scary atmospheres, drone layers, pervert breakbeats, metal guitars and catchy and addicting melodies, perfect soundtracks for a sick and claustrophobic science fiction movie that John Carpenter would probably not deny.

20 years on in Grosso Gadgetto’s extraordinary artistic endeavours, we are delighted and proud to present his Mahorka debut “Come with me”, coming out also as beautiful limited edition cassette, as a notable addition to his impressive discography.

Released November 19, 2022

Written, recorded and mixed by Grosso Gadgetto in Villeurbanne, France during June 2022

Mastered by Stazma the Junglechrist

Cover photo by Max Guy-Joseph

Sleeve design by Angel Draganov

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posted 23 November 2022

joseph – Utopie 13

joseph – Utopie 13
[1]

joseph

“Utopie 13”

Utopie 13 – A quel monde les adultes de demain rêvent-ils ?

Deux adolescents de 13 ans ont participé à cette création sonore. Durant un entretien improvisé, dans le sous-sol de leur lieu de villégiature estival, loin des autres adultes, sans consigne, sans censure, sans limite, les deux adolescents se plongent dans leurs fantaisies pour mettre les utopies issues de leur imagination à l’épreuve des expériences sensibles qu’ils ont vécues.

Comment se construit l’imaginaire des adultes en devenir ? L’utopie survivra-t-elle au récit qui en est fait ? La matière du rêve peut-elle être explorée, dite, partagée ? Peut-on la mettre à l’épreuve du vécu, des valeurs, des récits et de l’expérience que les adolescents ont acquis au cours de leur début de vie ? L’utopie est-elle amenée à advenir ?

Les mondes imaginaires des deux collégiens laissent deviner les préoccupations et les inquiétudes qui les habitent, mais aussi leurs espérances et leurs espoirs.

Utopie 13, une création sonore de joseph enregistrée en août 2022 au Havre (Seine-Maritime), production, réalisation, mixage en novembre 2022 à Gennevilliers (Hauts-de-Seine).

Toutes les illustrations musicales et visuelles ont été composées, interprétées et dessinées par joseph, explorateur sonore, musicien.

_______________________
The imaginary worlds of the two teenagers reveal the concerns and worries that inhabit them, but also their hopes and expectations.

Utopie 13, a sound creation by joseph recorded in August 2022 in Le Havre (Seine-Maritime), production, production, mixing in November 2022 in Gennevilliers (Hauts-de-Seine).

Domaine public, distribuez et diffusez librement
Public domain, please reuse and broadcast

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posted 22 November 2022

Asshole Galaxy – Irreparable Damage

Asshole Galaxy – Irreparable Damage
[mhrk324]

Asshole Galaxy

“Irreparable Damage”

“Irreparable Damage” is the debut album of Asshole Galaxy – a band of two angry artists really mad at all the assholes ruining the world, channelling some music through.

“You’re wrong […] I said quietly. “I’d love to have access to all this shit you believe. I’d love to be able to summon someone who’s responsible for this fuck-up of a creation. Because then I’d be able to kill them. Slowly.”
–Richard Morgan

Angry artist #1: Weldroid. The 8-bit emulation of an electrical engineer, a cgi artist and a coffee connoisseur merged into one person and left alone in the middle of a forest in the middle of a forgotten peninsula built of discarded and ancient electronic devices and lots of copper wire. Those little robotic things living in the forest tend to like the noises he makes…

Angry artist #2: Jeremy Rice. Boston-area lover of synthesizers and synth music, striving to make his own electronic music with a curious sense of introspection and mystery. As Abdicant and Curious Inversions he has notable releases on Kahvi Collective and Mahorka. Also in Cognition Delay with Paul Alexander (Pandacetamol, Fluffy Inside) on Rednetic and in The Hive Projectwith Anthony Paul Kerby (The Circular Ruins) on DataObscura.

“When you feel terrible about the unnecessary loss of life, value and sanity: get together with a friend, establish a band, make some noise. Somehow turn that murderous frustration into waveforms. […] not the last time you hear from us.” –Weldroid

Released 22.11.22 as free (cc) download and special digipak CD edition.

Composed and produced by Abdicant and Weldroid
Cover artwork graphics by Weldroid

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posted 22 November 2022

Cui – 随集 Major Glitch

Cui – 随集 Major Glitch
[AR 104]

Cui

“随集 Major Glitch”

“随集 Major Glitch” is a random selection of Cui‘s productions from 2018 to 2020. All the songs are different combinations of sounds that share similar elements such as glitch, IDM, and ambient. Cui is telling stories or describing moods through them.
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posted 22 November 2022

BUG – MESOSA NEBULOSA

BUG – MESOSA NEBULOSA
[ACL 1010 / brainhall 15]

BUG

“MESOSA NEBULOSA”

Christian Bucher: Schlagzeug / Percussion
Andreas Glauser: Manipulated Generators / MOOG Synthesizer

Mastering: Andreas Glauser
Artwork: Silvan Kälin
Produktion: Christian Bucher, Silvan Kälin

Tracks 1- 13
Recorded at brainhall Studio Zürich
Recording: Andreas Glauser
Mastering: Andreas Glauser

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posted 22 November 2022

Scuare x sow – Slippery People

Scuare x sow – Slippery People
[Slippery People]

Scuare x sow

“Slippery People”

“How can you pretend that you’re free when you’re so tied to yourself?”

“Slippery People” is a collaborative project between Austin based rapper Scuare, and Portland based production group sow. The catchy dark synth pop melodies coupled with a beat scene aesthetic serve to emphasize the themes of the project through their contrast to the subject matter. Scuare’s past works have mostly focused on his internal monologue and the way his interactions with the world shape negative feelings about himself and inform his growth. “Slippery People” aims to focus on external his observations of societal trends and mechanisms that seem to all operate on similar principles; leaching off of empathy for personal gain.

released November 18, 2022

Beats by sow
Mixed by Scuare
Mastered by Scuare
Artwork by: QED @soundsbyqed

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posted 21 November 2022

Cistem Failure – Cistem Failure

Cistem Failure – Cistem Failure

Cistem Failure

“Cistem Failure”

Content Warning for the album – in our songs we talk about sexual assault, misogyny, police abuse, animal exploitation, the prison system, and state repression as consequences of living under capitalism and patriarchy. Its important to discuss and open up space for these topics so that we can fight domination and hieriarchies, but this takes a lot of strength when we are surrounded by the reality of this brutal system and sometimes those reminders are too strong and triggering even in the things that we love. so we hope that by giving some content warnings (some songs have a bigger one than others) that everyone can make their own decisions about what to be confronted by.

After some times of playing music on the street together, and writing songs, this album and band was given life.
We feel that we life in a very absurd time, where alot of things are changing. We want to create more of a politcal presence within the punk and radical scene, and create a space for female associated people, queer and trans folk to play music, join campaigns, do direct actions and feel empowered. Patriarchy is alive and kicking, even within our radical movements and we feel that this has to be confronted.

We feel our music should be free to download for everyone, that is why our bandcamp says, name your price. But ofcourse, touring and making cds costs some money sometimes, so if you feel like supporting us in that way (if you can) then thats cool!

Released December 14, 2015

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posted 21 November 2022

Joko13 – Salami Tactics

Joko13 – Salami Tactics
[COM10]

Joko13

“Salami Tactics”

Joko13’s latest release takes you on a musical journey from 2004 back to 2001. Starting off with the brand new mech-warrior anthem ‘Salami Tactics’, the Austrian artist once again defines his trademark sound of dark stomping minimal where the specific sound aesthetic is based on the use of digital artifacts and tight repetitive beat structures supply the necessary framework. ‘Morphine’, a track created in 2002, refers to the same principle and the outcome is a uplifting tech-house tune with a casual swing. Going back another year, ‘Part Level Boredom’ with its extensive use of spoken word, delay effects and noise represents the somewhat more experimental side of Joko13’s musical work. Enjoy another fine Comatronic release!

Release Date: 2004/11/17

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posted 21 November 2022

Monopsia & Bleupulp – Music Makes Friends

Monopsia & Bleupulp – Music Makes Friends
[Pertin​-​nce 093]

Monopsia & Bleupulp

“Music Makes Friends”

1_Monopsia – Via San Felice
2_Monopsia – Nudy (Dubfuser remix)
3_Bleupulp – 333 Kind of Moods (Dubfuser remix)
4_Bleupulp – 333 Kind of Moods
5_Bleupulp – 333 Kind of Moods (Ehm remix)
6_Bleupulp – Lost Memories
7_Monopsia – gmbh1
8_Monopsia – Oumuamua – (Matija Milanovic Rework)

released November 18, 2022

Cover by Yanni Ehm.

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posted 20 November 2022

Mauro Sambo – “Senza titolo, senza tempo” volume 1

Mauro Sambo – “Senza titolo, senza tempo” volume 1
[PT137]

Mauro Sambo

““Senza titolo, senza tempo” volume 1”

Mauro Sambo: electronics, cumbus, zither, double bass, electric bass, electric guitar, flute, soprano and alto saxs, bass and contra-alto clarinets, percussion, gong.
Cover photo – Mauro Sambo
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posted 19 November 2022