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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

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Lovers’ Loving Love – Getting Myself Ready For Another Day In Heaven

Lovers' Loving Love – Getting Myself Ready For Another Day In Heaven
[BFTG_141]

Lovers’ Loving Love

“Getting Myself Ready For Another Day In Heaven”

Forgetting one’s fear
Ascending in truth
To be pure like a child
with Love as its root

Awakening from shadow
of a long night’s dream
and gaining great courage
To know the Drill
~ LLL

Button: by-sa
posted 24 February 2022

Sevensy – Reinvention Of The Sacred

Sevensy – Reinvention Of The Sacred
[mhrk300]

Sevensy

“Reinvention Of The Sacred”

“Reinvention of the Sacred” is a musical consideration of the after-effects of the ‘god is dead’ idea on Western society. Nothing has replaced the ideals represented in the best of spiritual thought, and our behaviours have changed as a result. For some, there is no longer any reason to behave in an ethical manner, nothing to live up to. The vacuum left by the decline in the perceived importance of the spiritual search calls for a reevaluation of what has meaning, what is important.

The music that comprises “Reinvention of the Sacred” is very minimalistic, almost ‘not here’ at times. This approach was taken in an attempt to aurally depict a non-dual continuum, wherein there is no separation between matter and Spirit, profane and divine.

released February 22, 2022

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posted 24 February 2022

Various Artist – Samsin Els

Various Artist – Samsin Els
[pn201]

Various Artist

“Samsin Els”

[To read with your own voice]

Behold, I have put my words in your mouth.
(Jeremiah 1:9)

The process of language formation, understood as a vertical, generational transfer, repeated and replicated with fidelity and precision, has evolved into the recognition of a horizontal, public reservoir, shared and in constant de/re/construction: inexhaustible, continuous, simultaneously giving and receiving, taking what already exists and giving it back, reformulated, recombined, reconfigured. Almost like a loop.

The media for storing information lost their static, inflexible and canonical character with digitalia, becoming malleable, like clay, and susceptible to multiple variations and articulations. The institutions of analog archiving, which may be understood almost like a cemetery, were disrupted by this oxymoron, this new plane of coexistence or cohabitation between conservation and re-elaboration. “Writing on electronic platform is not only writing but doubles as archiving,” says visual artist, DJ, non-creative writer, and amateur archivist Kenneth Goldsmith; «Both processes have become inseparable.»

In the same way, if we think of remixes as speaking with someone else’s words, we find ourselves in the middle of a fluid and incessant conversation, where each sound finds new containers and is reproduced according to the circumstantial emphases of those who emit them: first, as in early childhood, they are reiterated and repeated, to the beat of other rhythms and tempi; with more age, we concentrate on some and discard others; when youth arrives, we pervert them in frank confrontation or embrace and defend them in full identification; at the time we present final papers in higher education, they become the starting point for completely new discourses. What this mini album offers are, precisely, fully autonomous reworks of some pieces of mine, by new and active generations:

Orquesta Pandroginia rejoices recomposing “instant records” 4 and 5 and “instant album” #1, reflecting on the process in the previous text. Emilio Adasme chooses revisiting #soloshow, multiplying it by three and compacting it into eight minutes and more. Groovestastik, on the other hand, plays with sources as disparate as the fifth episode of Voltajes Aleatorios podcast, “Tsonaramps” radio play, and “Almost Automatic Remicc #0”, which came to light thanks to the invitation of Cristóbal Cornejo, who is always in our hearts. All this is braided by one of the passes that Seiten Wall made through Planderfonia five years ago, taken from a still unpublished call, shared through historic radio program Perdidos en el espacio (Lost in space). And concerning the cover art, the self-portrait shared by Leonor unconsciously dialogues with the poster for the film “Les hautes solitudes”, by French director Philippe Garrel.

The selection of works was random, as a result of an online dialogue, intensified during the first year of the pandemic; the carte to approach them, absolutely blanche. As results arrived, the country was trembling until reviving the plebiscite of 1988, with a new victory for the People. It is powerfully striking that, this time, the face and body of hope were the same people leading the student revolt during their university years a decade ago.

What else to do but to celebrate that the words said before, almost whispered, resonate in those who choose to share their creative expression from this corner of the globe. And more than happy with the role to play now: paving their way and cheering their arrival.

Gerardo Figueroa Rodríguez
(Santiago, Chile. Febrero / February 2022)

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posted 23 February 2022

Dental Drill Slips – 22222

Dental Drill Slips – 22222

Dental Drill Slips

“22222”

I’m probably not alone in deciding to create a release for 22 February this year. Frustratingly, I spent a month or more chiselling away bits of sound and moulding bits on to sound elsewhere but achieving nothing satisfactory. I sort of gave up.
Late last week I had an idea and was able to try it out on Friday and… EUREKA the dam burst and ideas came flooding through.
I was about two thirds of the way through creating 22222 when I had and idea to create a second track that is 22:22 long and (hopefully) sounds the same played in the traditional fashion or back to front. The trouble was that it was Saturday and I was committed to travelling half way across England to watch a non-league football match!
It wasn’t a case of just knocking up an 11:11 long track, duplicating it and flipping it for the second half. Some of the parts in Completely Contrary Composition run the entire length of the track and do not repeat (go figure).
A couple of very late nights (until 6.45 am on Sunday into Monday) and I completed this release with five and a half hours to spare. :)

An advantage of running the label is that I can put out releases at very short notice, although I had to suspend the “euphoria rule” – we give ourselves 14 days to be sure that a creation is as good as we thought it was when finished it.

Thank you for check this out. I hope that you find it interesting.

Dental Drill
credits
released February 22, 2022

Field recordings (it’s a pill box being shaken, not the sea breaking on a stony beach), composition, mixing, mastering and artwork: Dental Drill

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posted 22 February 2022

Yung Ethereal – with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.

Yung Ethereal – with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.
[gen009]

Yung Ethereal

“with black darkness as your veil is drawn. And in this special chamber of this underground, the light of his light shines with equal and greater force than is possible for humans to see.”

Button: by-sa
posted 21 February 2022

Kill Bill: The Rapper – Snowglobe Theory

Kill Bill: The Rapper – Snowglobe Theory

Kill Bill: The Rapper

“Snowglobe Theory”

You look like you’ve seen a…GHOST!

It hasn’t stopped snowing. We’re going to the moon.
credits
released November 26, 2021

1. Glass (Produced by Kill Bill: The Rapper) [Featuring vocals by Jessica Jacobs]
2. DoNotDisturb (Produced by Kunouii) [Featuring Scuare and Rav]
3. Cigarettes (Produced by Kill Bill: The Rapper)
4. A While (Produced by Tajima Hal)
5. What to Say (Produced by Kill Bill: The Rapper x FrankJavCee)
6. Ring Ring (Produced by Kill Bill: The Rapper)
7. snowdancer (Produced by Kill Bill: The Rapper)
8. Pearl (Produced by Kill Bill: The Rapper)
9. Poltergeist (The Boy Who Broke The Glass) (Produced by Kill Bill: The Rapper) [Featuring Airospace]
10. Destiny Bond (Produced by Flowers in Narnia)
11. ib (Produced by Kill Bill: The Rapper)
12. SPACEMAN (Produced by styn.)

Mixed and Mastered by Kill Bill: The Rapper
Recorded at the Aqualounge somewhere deep in the swamps of South Carolina.
Album art by @Pyawakit

exociety.

Button: by
posted 21 February 2022

Fryvolic Art – Afternoon on Boo’ya Moon

Fryvolic Art – Afternoon on Boo'ya Moon
[BM02R22]

Fryvolic Art

“Afternoon on Boo’ya Moon”

New Fryvolic Art’s album called “Afternoon on Boo’ya Moon” is strongly inspired by Stephen King’s novel “Lisey’s Story”. After 5 years Fryvolic Art is coming back with “soundtracky” material full of alternative-rock and cold-wave moods. Enjoy!

bonimedia.pl/samples/sample_booya_moon.mp3

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posted 21 February 2022

Brainquake + Sven Phalanx – From The Oblivion Lounge

Brainquake + Sven Phalanx – From The Oblivion Lounge
[mhrk299]

Brainquake + Sven Phalanx

“From The Oblivion Lounge”

Mahorka is more than a label, it is also a place where artists meet and collaborate. Sven Lemke (Sven Phalanx, Andreas Davids + Sven Phalanx, Schattenspiel, Schwarzwald) and Marc Ceulemans (Brainquake, Zonevreemd, Toxic Derwish, Psych Krist Kastrator) have both had already outstanding contributions to the catalog when Marc was invited to remix Sven’s “Klangtherapie” for the special remix album (mahorka.org/release/288) and they got to know and meet each other. Since they had many similarities in background and musical preference, they decided to compose and produce something together. This collaboration worked just perfectly and soon they suprised the label with the ten tracks of “From The Oblivion Lounge” album as presented here. From desolate ambient and rough rhythmic experimental to technoid industrial, they made this all sound very different but coherent. We can hear a lot of both of them here, but also something completely different, befitting the harshness of today’s society.

released February 20, 2022

cover artwork: Marc Ceulemans

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posted 20 February 2022

T.G.P. – Praha, Texas

T.G.P. – Praha, Texas

T.G.P.

“Praha, Texas”

Only digital download (NO CD / LP)
credits
released February 16, 2022

Šárka Dohnalová, drums, vocals
Gabriela Kiszová, vocals
Petr Onufer, guitar, lap steel, vocals
Tomáš Pácalt, guitar
Vít Penkala, bass
Ondřej Zátka, saxophones

Andrea Jarolímková, trumpet (2)
Helen Oyeyemi, vocals (10)

Music by Pácalt (1, 4, 6, 9, 10) & Onufer (2, 3, 5, 7, 8); lyrics by Onufer.
Recorded (at Klub Varšava) and mixed by Jan Kašpar; mastered by Michal Rataj.
Cover design by Pavel Růt.

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posted 16 February 2022

Charles Rice Goff III & Michael LaGrega – Indefinite Endeavor

Charles Rice Goff III & Michael LaGrega – Indefinite Endeavor

Charles Rice Goff III & Michael LaGrega

“Indefinite Endeavor”

The works of this presentation were edited from over two hours of live and unrehearsed recordings made on November 26, 2021, at LaGrega Studios in Leawood, Kansas. Editing and production by C. Goff III, January-February, 2022.

The Tools Of The Trek :

Goff:
Yamaha VSS-30 Sampler/Synthesizer
Korg R3 Vocoder/Synthesizer
Voice
Billiard The Theremin
Boss RC 20X Loop Station Loop Duplicator
Monkey Drums
Diane The Mannequin Hand

LaGrega:
Alesis Andromeda Synthesizer
Korg Prologue Synthesizer
Korg NTS-1 Synthesizer
Moog Matriarch Synthesizer
Korg 01/W Synthesizer
E-MU PX7 Command Station Synthesizer
Voice

Button: by-nc-nd
posted 15 February 2022

Hypnos – Vindictiveness

Hypnos – Vindictiveness
[mhrk298]

Hypnos

“Vindictiveness”

With his third album Hypnos drives us on a journey of sonic invasion, a journey into the personal ways of the artist in dealing with narcissistic and vindictive behavior in our society, where we are constantly exaggerating our life stories and achievements in an aura of overinflated importance, to the point that we become defensive when questioned or when someone challenges our conscious or subconscious idea of superiority.

“Vindictiveness” is Hypnos’ most structured, most complex release to date, revealing yet another side of the project, inspired by club techno aesthetics, with constructions derived from and building on early rave music rhythms and sequences and everything merged into swathes of ambient fields of long, calm and heavy drones.

released February 13, 2022

Thanks to:
– Ivo Petrov (for the trust, support and help releasing the album)
– Ivelin Iliev (for his fantastic work on the video promos)
– Kliment Dichev (for helping with the final polishing of the sound in his amazing studio)
– Martin Dimchev (for giving so many priceless tips on mixing and editing most of the tracks)
– Angel Draganov (for his talent and artwork)

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posted 15 February 2022