‘Don’t worry about changing your shirt. The party we’re headed to is for sloppy people.’
Uitled 1 by Holorime is now available on sub65
https://archive.org/details/s65015
#sloppyidm #electronic #lobit #sub65media
cover art by Claus Poulsen
design by EMERGE
Zhang Yi
bass, sequencer, synth, backing vocals, engineering
Equipment Used: Roland MC 50, Roland R8, Roland VS8, Clavia Nordlead 2, bass, guitar, mic.
These songs were recorded in a 2-day session in the end of May 2014. The bonus track was recorded in fall 2014.
Mastering by Chris McCormack for Blacklisted Mastering, UK.
All songs by DFHK.
All tracks played and recorded by Alexei Borisov during The 100 years of DaDa tour, November 2016.
Special thanks: Dave Phillips, Michael Kuzmin, Maxim Khaikin, Boris Shershenkov.
Lyrics by Alexei Kruchjonykh and Alexei Borisov.
Voices: Alexei Kruchjonykh, Alexei Borisov
photography by Felix Montfort
design by EMERGE
Total time: 00:33:22.49
About The Eternal Feedback of Existence:
It is an acousmatic diary. With the samples and images of each day an instrument for livecoding improvisation is built.
https://en.wikipedia.org/wiki/Acousmatic_sound
https://en.wikipedia.org/wiki/Live_coding
Open Source Music:
You can download the source code, the samples and the images on:
https://archive.org/details/TEFE023Source
#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic
License: CC-BY
https://creativecommons.org/licenses/by/2.0/
You are free to:
Share — copy and redistribute the material in any medium or format
Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Reverse Speech Patient remix of the swiss Duo Breschniev and Mech’s 2018 release Benchmarked V2 on 20kbps.
Reverse Speech Patient is a project that explores the artistic merits of the charlatan pseudo-scientific method of Reverse Speech.
‘RTFM.’
~
50 by COM surrogate is now available on sub65media https://archive.org/details/s65009/
#sub65media #digitalnoise #computers
Toxic Chicken – Trash On Tape
Side A
1 K-Josh
2 drumnbaseallinurface (part1)
3 drumnbaseallinurface (part2)
4 metal&tcbeats (toxic chicken & Herman Bilderberg)
5 Heile Selassi
6 do you dig anarchy?
side B
1 re
2 sick in the head (hi fi edition)
3 headstruck
4 Valececo2
5 Purple B (cheese music)
6 golden brown
7 thai32
8 ACI2
9 someone to love
~
Hey boss, not tryin to get anyone in trouble but the shift before me screwed up. They put this tape in the trash when it obviously belongs in the treasure bin.
~
Trash On Tape by Toxic Chicken is now available on sub65
Note from the the producer:
Some time a go, when I was digging in my graveyard to get rid of some bodies, I stumbled over some clay tablets with strange geometrical patterns on it. After much research I found out that they belong to the Sredni Stog Culture of the DDII settlements at the Dnieper valley and constitute the oldest musical notations known to archeology. Interestingly, they are a couple of centuries older than any known text so far.
I spent the last months deciphering the instructions to recreate the music of these pre-archaic indo-europeans using modern means of sound creation and processing. Of course we do not know what instruments they originally used to play these notations and which frequency correlates exactly to which note in the sheet – future research may shed some light on this topic; all I can do at this moment is to give you my subjective interpretation of these clay tablets.
—
The accuracy of this account is disputed.
