Abstract ambient noise with rare and subtle bursts of techno.
The title means “Graves of Trees”.
Structurally difficult and non-paced attacking rhythms, getting more complex and running from rules dictated by background structures, while those rules fading away, anxious melodies which are trying to compensate the constant urge to lose the control of composition.
Isn’t it too simple? Made with a 10 year old software from basic 10 year old samples? Consider it like a fossil from times when the Matrix was still something new and sensational, and everyone was still listening to trance, not psytrance – the original trance. Like a can with a sample of air conserved with those moments.
Every track is a separate composition, every track has its own unique sound and mood, consider this album a compilation of 10 different stories. And even more – each of them has its own hand-drawn artwork which also is an anachronism in this computer graphic ruled world. Artworks are like impressions that pop into an abstract mind after listening to the sounds.
![Izvnе & [mikra] – Deformation](https://f4.bcbits.com/img/a3986383599_10.jpg "Izvnе & [mikra] – Deformation")
Split album “Deformation” consists of two “bonus” tracks, which were conceptually dropped from the current project material [mikra] and Izvнe. It turned out that the split all began to sound harmoniously and acquired its completeness.
Here you will hear aggressive rave beats, distorted synths and other electronic lo-fi sounds, mixed with some vocals here and there – music that will make you wanna lose your mind!
This bass heavy, experimental EP of techno-ish trap-like beats presents the process of machine learning in one particular specimen.
Tracks to the album ‘Journey’ were created each as a small story, without a monotonous oomth-oonth-oomth, so they do not tire and will not put you to sleep on the road. Pleasant listening and all – passing wave :)”
Dr. Insider
The album “czIiII” was recorded during 2015-2016 under the most different moods on the Soviet synthesizer Cadans. Mastered in March 2017th.
records on the street
dialogues extracts
audiovisual edits and converts of radio signals
uses a shortwave radio to capture foreign broadcasts
uses EVP
911 calls
Transforms, relentlessly, curtails, beheads and sews sound works from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.
His sound works do not drop below 20 minutes for just such narrative, where there is a development from defined introduction to epilogue.
Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.
His creative concepts pursues mysticism, the occult, time, religions, the process that leads to contemplation, the silence, the pause, the suspension, death and upstarts.
Abuse of rhythm and melody is a necessary evil for those who can not handle a drift.
It’s like being in a large room without light. You need to touch the walls and artifacts that fill the room to feel welcome in the position and perspective.
Transforms, relentlessly, curtails, beheads and sews sound works
from different backgrounds and authors, providing the glue that comes from analog-digital instruments and audio processors and resulting in a “sound narration” split into parts.
His sound works do not drop below 20 minutes for just such narrative,
where there is a development from defined introduction to epilogue.
Detests the “digital finishing” of sound with a computer. For that reason dirty, gnawing and saturated sounds prevail (but without spoiling the record), thus achieving kind of a sound archeology.
His creative concepts pursues mysticism, the occult, time,
religions, the process that leads to contemplation,
the silence, the pause, the suspension, death and upstarts.
About mini-album: “Are two works from 2014 which were remixed to form a single track. In both works the main concept was the phenomenologies of the suspended, the aural and the paramelodics.” Jimmy Watt
Paul’s Evtukhov album “Sleepy Train” – is a cool stuff summer preserved in the sounds. Will be useful in the autumn-winter. Relax and you’ll see a movie. The album also participated by Eugene Potapov.
All tracks written and produced by Pavel Evtuh.
Mastered by Technoid Mutant.
Cover art by Pavel Evtuh.
Album “Blik” recorded mostly in the “live” via MIDI keyboard. The concept of old: music software, film fragments and other “sound”, randomly snatched from the Internet.
Tracklist:
1. Goew (03:58)
2. Tension (03:23)
3. Erhert (02:13)
4. Rt5uyrey6 (ver. 3) (04:06)
5. Waerye4 (01:12)
6. Hawermoint (02:53)
7. PolPi (03:26)
8. Brompton cocktail part1 (04:23)
9. Brompton cocktail part2 (03:36)
10. Brompton cocktail part3 (07:08)
11. Rhapsody of Rubbish Tanks (01:01)
Artwork: Lia Stefanescu
500px.com/lia_stefanescu98
Also available at DaP Station / DaP 244:
dapstation.bandcamp.com/album/soundsphere-7
released April 26, 2015
The song features both West Coast and South Coast rappers, namely Tha Real U and Lil Stewy, accompanied by an Overberg artist known as The Essence.
It is the first Shaloma Muzik release by Lil Stewy, after joining the label in November 2014. The song anticipates the #ShalomaFuture series, proposed by the label for the year 2015. Upon release, ‘Break Free’ reached the Soundcloud Download Limit of 100 downloads after 3 hours and 38 minutes, making it the most rapidly downloaded Shaloma Muzik release to date.
It reflects the life of the three artist and their outlook at possible stardom. Knowing that they would need to increase their artistic reputation and build their careers in music, they each reflect on what it means to break free from everyday life through their passion for music and how this passion is interlinked with their reverence for God.
The song could be linked to a previous Shaloma Muzik release in 2012 known as ‘Long Nights’. This was the first Shaloma Muzik breakthrough release into the West Coast Hip-Hop community. Similarly, ‘Break Free’ became Shaloma’s breakthrough into various other communities – and audiences. It is the first release by the label after it’s redevelopment.
The first verse sees Lil Stewy introducing his ambitions with reference to his faith in the Lord and the promise he finds thereof.
The song continues with Tha Real U analyzing what his life feels like on a regular basis, and touches on what he aspires to withhold or reach. It also tickles the current state of Hip-Hop as Real U critiques and expresses his remorse thereof.
The concluding verse by The Essence provides a summary of both the previous two verses through the perspective of the rapper’s life.
Essence mentions that music is his release and expresses that although fame and stardom might not be reached, music is still a tool for expression.
He then adds that with God everything is possible to those who believe, motivating the listeners to put their faith in a Higher-being and striving to achieve their dreams.
