To learn, and to make – fingers are frequently waggled. Levers depressed – strings struck – hammers rebounded. Somewhere in there, the millionth note.
Featuring piano.
Experimental artist Dagshenma returns to MiMi Records with his new album titled nut(s) — an intense dive into the emotional and sensory cacophony of contemporary life.
Blending elements of noise, ambient, and musique concrète, nut(s) gives voice to inner disorder — a sonic confusion that unsettles and liberates in equal measure. The work challenges the listener to find beauty in noise, and structure within rupture.
Dagshenma, known for exploring the outer edges of conventional music, once again delivers a stimulus to strangeness, much like in his previous album Kyoto Japan Walk.
nut(s) is less an album and more an experience – a lucid cacophony that turns chaos into art.
The most we can readily fit in our head is three things, and so achieving more requires the focus to complete those tasks, and the discipline to proceed to the next. Staying in place requires motion – making progress requires acceleration.
Featuring clarinet.
Compiled, cover collage by Sábila Orbe.-
Each track composed by the respective artists. Links:
– Filmy Ghost: archive.org/details/fav-sabila_orbe02 / /// https://hearthis.at/filmy-ghost/
– el_masmore: elmasmore.bandcamp.com/
– cruxrgxx: soundcloud.com/gxxpy
– fourthousandblackbirds: fourthousandblackbirds.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/ // open.spotify.com/intl-es/artist/04WVEhq4UDRTKpWEfMSeZT
– Reece Kirby: soundcloud.com/user-905286115
– Zazie Productions: zazieproductions.bandcamp.com /// linktr.ee/zazieproductions
– Phargoomax: youtube.com/@Phargoomax
– Waving Ant: soundcloud.com/wavingant
– RDKPL: rdkpl.bandcamp.com/
– Sonvol: –
On a journey through the tide of impermanence, in this sonic Koan, we capture the notes of silence and, between each one, its echo. Flowers of Emptiness opens the door to a slow fire and here, as we burn, we become presence.
Flowers of Emptiness is an exercise in minimalism, desired with the intensity of a mantra. Inspired in equal parts by Hiroshi Yoshimura’s Japanese architectural minimalism and Terry Riley’s sonic mandalas, both seek to embody the cosmic void of Dōgen’s poetry, the guiding thread of this album.
Cobramor is an author, performer, sonic explorer, writer, translator, editor, and cultural mutineer.
Written by Ana Guimil (Cultural curator in New York)
Semi-structured plans. Partial tonality. Improvised approach. Musical outcomes?
Fingers find things.
Featuring improvised baritone saxophone accompanied by a randomly generated modal sequence of synthesized voice and electric keys. Released on Netlabel Day 2025.
In this spirit we are supporting the annual celebration of netlabel culture on the Netlabel Day every July 14th. netlabelday.org
=== ABOUT THE ARTISTS ===
G04T combines the rhythms of contemporary post-club music with glitch elements, fragmented structures, and experimental sound layers in their production. soundcloud.com/g04t69
Kikiriki (Nina Farič) is a noise artist playing experimental freestyle noise of all kinds. She uses different DIY gadgets such as synths and micro theremins. She has released numerous albums of studio and live recordings. kikiriki.bandcamp.com
Kovač FM is a producer, visual artist, and radio creator. Her production is mostly (but not always) the result of transforming and synthesizing poetry or various samples into new mutants and spells. This track is a morbid transformation of a verse from some lament or dirge into the next mutation. instagram.com/kovacfm
Notwithstanding the genre variety in her selection and production,
msn gf (Ustanova, Nimaš Izbire) stays committed to the bitersweet drama of forgotten pop ballads, spiced up by contemporary production. A regular at Ljubljana’s club circuit, she has also performed DJ and live sets at local festivals such as MENT, SONICA, Tresk, Grounded and Spider. You don’t know her, she goes to a different school. soundcloud.com/msn_gf
Oka (Eva Mulej) is a vocalist, producer, performer and sound artist. Her work moves between electro-acoustic, ambient and experimental music with a focus on poetics of the voice. She explores the tonal qualities of melodies, words and sounds, using a variety of acoustic instruments, field recordings and objects to create an intimate sound world. Together with Karmen Ponikvar, she also works in the duo Lip Rouge. instagram.com/oka
Periklea (Petra Hrovatin) is an artist who intertwines their work with activism through the media of video, film, sound, and poetry. With their sound poetry projects, they have performed at various literary events, such as Ignor at Channel Zero, World Poetry Day, LGBTIQ+ readings, and the Lesbian Quarter Festival at Gallery Škuc, the Great Lesbian Reading at Club Monokel, and Young Rhymes in Ljubljana, Koper, and Maribor. They are also a member of the music collective Croon.
periklea.eu & soundcloud.com/periklea
Prince Lucija is a gender-queer artist exploring computer sound and artistic expressions of technofeminism and corporeal desire through composition of time, language, software, community, and machines. prin.lu
Raketa (Veronika Černe) is a Slovenian DJ and producer of UK bass genres with a ghettotech twist. She delivers her eclectic sets in an energetic manner, infusing flavors of footwork, grime, ghettotech, jungle, and more. soundcloud.com/rak3ta
Ribeiroia, emerging from the new generation of the Ljubljana electronic underground, presents a wheighty track from the upcoming album, or rather, from an introspective musical intervention, which is coming out towards the end of the year. It rawly and thoughtfully scratches at the collective consciousness, into which she has been thrown against her will. soundcloud.com/niribeiroia
Umdhlebi is the sound embodiment of hatred towards civilization and our culture. He praises industrial collapse and the end of civilized man. Umdhlebi supports violence against all forms of government, because the terrorists of today are the heroes of the future. Noise is protest, not art! umdhlebi.bandcamp.com
Kanashibari World is a 9-track journey through memory and machine, crafted by electronic artist Isien. Drawing inspiration from the hazy, analog warmth of Boards of Canada and the neon-lit pulse of 1980s synth pioneers like Gary Numan and Depeche Mode, the album fuses nostalgic IDM textures, lo-fi rhythms, and melancholic synth melodies. Each track feels like a dream half-remembered – equal parts eerie and beautiful -immersing the listener in a retro-futuristic soundscape haunted by the ghosts of VHS tapes, analog static, and synthetic emotion.
Charm, lost – innocent. For want of clasp, the charm descended unexpectedly to locales unforeseen. It joins other once-charming brethren, evolving from expressions of personal joy to memories of the strangeness of circumstances. Retrieval is unlikely, but if you do discover charms, remember from whence they came.
Featuring piano, synth, and arpeggiator.
Paulo Chagas: Soprano sax, flute, tibetan bell
Matilde Sambo: Electronics, field recordings
Cover Art : Still from video “Flussi”
Courtesy Matilde Sambo
CONNECTION LOST
Backs of past lovers and friends
Disappearing in the crowd
Connection lost, secrets forgotten
Fade away
I loved and I loved and I always will
And you’ll never look back
COLD WHITE LIGHT
in your world I no longer exist
but in mine you are painfully real
at dark hours
I stare at my phone
hoping its cold white light would wake up and light the room
like the moon
and tell me
you suddenly remembered that I do exist
«This is not a recording.
This is an emergence .
The album was born from tension — inner and outer.
It was not composed.
It came into being , as if spoken from another layer of reality.
There are no melodies here. No comfort. Only the density of sound, where every noise is an echo of something lost , and every silence holds the shape of what once was.
It does not offer joy.
It does not provide solace.
It simply stands , like a monument to what happened — and to what remained unsaid.
If you’ve ever heard speech in static , felt form in distortion , understood that noise can have a soul — then you are ready to listen.
Static Psalm is not music.
It is an address — one you can only hear if you are prepared to face the silence that follows.
This album is not for everyone.
But if it found you…
then you already know what it’s about.»
the soundscapes on “the deep space” are exactly that: deep, vast, immersive. while earlier releases like exoplanet and antipode charted stellar phenomena and inner contrasts, this new work seems to drift further outward — into uncharted dimensions between ambient, industrial atmospheres, intricate electronica, and classic techno/electro motifs. the boundaries dissolve, but the structure remains: each track is a unique constellation, orbiting within a carefully mapped sonic system.
in a time where much of electronic music gravitates toward formula, sternenspringer continue to embrace risk, nuance, and depth. this release is not just another chapter, but a reaffirmation of their commitment to sonic integrity and artistic independence.
and yet another fine tonAtom.net netaudio release.
A reflection on a world of feeling—human, artistic, and political—through the natural dynamic of the master-disciple relationship.
RōSHI explores the ineffable within this bond, emphasizing a chain of transmission where the hidden essence is perpetually renewed.
The installation (Dec 2022):
Music and video engage with Francisco Trabulo’s work in a timeless dialogue, suggesting a continuous, universal essence where death holds no meaning.
The performance (17 Dec 2022):
Ephemeral sonic elements are added to this ongoing flow, marking a unique moment that complements the installation. Life stories intersect, and transmission occurs.
Recorded live at the Vila Nova de Cerveira International Art Biennial, by Marco Lima (Hertzcontrol)
Note/Thanks:
The performance includes excerpts of Francisco Trabulo’s voice from a 2006 academic documentary by Joana Ferreira, Ana Maria Silva, and Bruno Costa (ESE-IPVC), produced within the Olhar o Real workshop – Ao Norte.
“Fim Do Maio Ou O Princípio Da Incerteza” is the latest album release by Anomalia Rodrigues (the project of the multifaceted Paulo Couto) and the artist’s second album with another alter ego on MiMi Records.
Here we have a project of free and experimental improvisation, recorded in a single take with a primitive smartphone and no post-production editing.
This lo-fi work captures the raw and spontaneous essence of sound creation, exploring minimalist textures and dense atmospheres. With six tracks that move between ambient, no-wave, and post-rock. It’s an album that challenges conventions and invites attentive listening.
An album that is a manifesto of artistic freedom and sonic authenticity.
Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.
Featuring improvised bass clarinet.
cruxrgxx is a necrotrap producer from New Zealand.
for more tracks visit:
soundcloud.com/gxxpy
soundcloud.com/gxx2y
soundcloud.com/gxx3y
Released by Dawn of Darkness netlabel under cc license attribution.-
All music composed by cruxrgxx.-
“Interesting” times imply high future variance, but usually begin during relative stability. A calm before a storm, a moment of misleading respite – but a bit of peace, nonetheless. Clouds come and clouds go, and only some have lingering impact. What peace will last, and what will come after?
Featuring 8-bit sounds from the Famicom, also known as the Nintendo Entertainment System (NES).
“Interesting” times imply high future variance, but usually begin during relative stability. A calm before a storm, a moment of misleading respite – but a bit of peace, nonetheless. What peace will last, and what will come after?
Featuring 8-bit sounds from the Famicom, also known as the Nintendo Entertainment System (NES).
Initially, I intended to revive a series of experimental recordings, which I use as a kind of training ground, and complete the series planned back in the late 00’s – Sapphire, Ruby, Emerald, Amethyst. Amber was supposed to be the last one, but never showed up. This track was conceived as its starting point, and was recorded this spring, but due to lack of my time and health problems, there was no follow-up.
Maybe something will change in the future, but for now it will remain a single.
released June 22, 2025
Recorded in March 2025.
Music by Andrey Vasilyev (Piano, Acoustic Guitar, Melodica, Effects, Synths) | fellirium.bandcamp.com
Photo by Olga Glyadeshkina | @owlhen
Starting from somewhere, and going someplace. Mislaid mariachi, mothballed in space. Is it a party? Is it a wake? Perhaps it is neither, but is simply displaced.
Featuring a mariachi band from “El Mariachi”, a virtual instrument developed by Libre Wave.
