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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-nd

This license is the most restrictive of our six main licenses, only allowing others to download your works and share them with others as long as they credit you, but they can’t change them in any way or use them commercially.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

lauren redhead – hearmleoþ—gieddunga

lauren redhead – hearmleoþ—gieddunga
[pyr262]

lauren redhead

“hearmleoþ—gieddunga”

these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.
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posted 08 October 2018

Rocky Controlo – R​.​S​.​A (Rythmes Sévèrement Addictifs)

Rocky Controlo – R​.​S​.​A (Rythmes Sévèrement Addictifs)
[LINGE084]

Rocky Controlo

“R​.​S​.​A (Rythmes Sévèrement Addictifs)”

A la mémoire de Ana Prr Prr Perdoba
credits
released October 3, 2018Jean Rembarde : Vocals, Lyrics, FL Studio,Composition and Programming,
Claude Biscuit : Vocals, Lyrics, Philosophy, Artwork and respect

Ingénieur du Son : Jean Capdevieille
Mixage : Jean Rembarde, except “Justificatif” (no mixage)
Enregistré à New York, USA

DX11 sur Systems Of Love – Jean Rembarde

Enfermé Dans Le Gard – 2013
Systems Of Love – 2012
Des Devoirs Et Des Droits – 2015
On Est Chez Nous – 2011/2018
Jupiter vs DX7 – 2018
RMI Sans Famille – 2018
La Pena – 2010
Tete Dans Le Cul – 2012/2018
Cherchez La Couleur – 1998/2015

“Cherchez La Couleur” contains un sample of “Cherchez La Lumière” by Solar Quest. Le morceau est une réadaptation à la nouvelle sauce Rocky d’un vieux morceau de Rocky Controlo à l’époque de ses premiers essais (1998). Le Morceau s’appellait “Tiger’s Eye”. Réalisé avec Lucy Pons. Il y avait des dessins de pochettes provisoire à ce sujet, il reste encore à les retrouver.

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posted 04 October 2018

John Dikeman & Aleksander Skoric – Live

John Dikeman & Aleksander Skoric  – Live

John Dikeman & Aleksander Skoric

“Live”

John Dikeman (2.3.83, Rushville, NE, USA) is an American saxophonist currently residing in Amsterdam. Drawing inspiration from a wide range of sources, John’s playing runs the gamut of improvised music and technique. John has performed extensively in the Netherlands and USA as well as Canada, Brasil, Russia and throughout Europe and the Middle East.

John grew up in Wyoming and started performing professionally at the age of 16. Dikeman left Wyoming in 1999 to study saxophone and composition at the prestigious Interlochen Arts Academy. John later attended Bennington College in Vermont to study with Milford Graves while at the same time studying privately with the late Joe Maneri. After Bennington, John moved to Boston, then New York City and Philadelphia. While on the east coast John performed extensively with many of the top musicians from the USA including Nate Wooley, Mike Pride, Daniel Carter, Tatsuya Nakatani, etc… In 2004 Dikeman moved to Cairo, Egypt where he worked full time as a professional musician and educator, leading numerous ensembles as well as freelancing in a wide range of settings that included performing as a soloist for the Cairo Symphony Orchestra and being a long term member of the band of Nubian pop star Mohamed Mounir. After Egypt, John moved briefly to Budapest, Hungary, then Paris, France and finally settled in Amsterdam in 2008.

Since moving to Amsterdam, Dikeman has performed with Joe McPhee, Jeb Bishop, Han Bennink, members of The Ex, Roy Campbell, Ab Baars, and many others. John has been very active in the Dutch improvised music scene as both a performer and curator. John was selected for the 2012 Young VIP tour which featured the trio Cactus Truck plus guests on tour throughout the Netherlands. John was invited to join Stichting Doek as a core artistic member in 2012. In the fall of 2012 Cactus Truck completed a 37 concert tour of the USA. Their performance at Zebulon in New York City earned them a place on Andrey Henkin’s list of Best Concerts of 2012 for the New York City Jazz Record.

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posted 02 October 2018

Dub Riots & Indamouse ft. Bluez – Creation

Dub Riots & Indamouse ft. Bluez – Creation
[DPH036]

Dub Riots & Indamouse ft. Bluez

“Creation”

Dub Riots were formed in 2008 in Athens,Greece. They have been featured on a few compilations on Dubophonic (Explorations in Dub 2013, Legal Rmx 2016 and Reggae Sunjam Vol.I 2017 and Vol II 2018) and also on the Greek label Reggaewise with their first EP State Of Life in 2013. Having performed live as a dub duo all over Greece, but also in Cyprus, Belgium and Switzerland, it was about time to release their second EP and their first one on the label, doing their own dub-manipulations of some of the greatest reggae anthems.

On this release they meet Indamouse aka 3voice, another member of the Reggaewise crew based as well in Athens; a selector and producer influenced by the Jamaican soundsystem culture and the UK stepper style.

Alongside the mystical sound of Bluez on the melodica, they offer a fresh conception of well established tunes like Creation, Rat A Cut Bottle and Silence is Gold, tribute to the foundation artists of reggae music.

We hope you enjoy them!

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posted 30 September 2018

Minus Pilots – South Late Winter Dream​ / ​My Stars, My Perfect Silence

Minus Pilots – South Late Winter Dream​ / ​My Stars, My Perfect Silence
[Eg0_189]

Minus Pilots

“South Late Winter Dream​ / ​My Stars, My Perfect Silence”

Minus Pilots is percussionist Matt Pittori and bassist Adam Barringer. Together they weave sparse textures, crumbling atmospheres and fractured drones with currents of gentle crackle. Between post-rock and ambient, their music incline towards a form of refined abstraction, but always keeps a strong emotional side. And once again, on their new EP South Late Winter Dream​​/​​My Stars, My Perfect Silence, the duo masterfully mixes dreamy melodies with a complex work on sound textures and rhythmic micro-events.
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posted 27 September 2018

Airplanemusic – Elements

Airplanemusic – Elements
[TRANZ069]

Airplanemusic

“Elements”

RELEASE INFO:

ARTIST:Airplanemusic
RELEASE TITLE:Elements
CAT Nº:TRANZ069
RELEASE DATE:September20, 2018
FORMAT: Mp3 / 320kbps / 44.100MHZ
GENRE: Electronic
SUB-GENRE:IDM, Glitch, Experimental, Downtempo, Balearic, Chillout, Techno
TOTAL TIME:38:42
SIZE: 96,4MB

TRACKLIST:

01. Elements (4:50)
02. Amorphous Substance of Consciousness (4:02)
03. Geometrical Pulsation (5:42)
04. Microscopia (3:14)
05. Astral Hologram Disappear (5:25)
06. Feel The Shaman Spirit (4:36)
07. Elemental (3:14)
08. Awesome Dream Places (3:07)
09. Discovery Frequencies (4:32)

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posted 20 September 2018

Twilight Kamikaze – A Drive with Elise

Twilight Kamikaze – A Drive with Elise

Twilight Kamikaze

“A Drive with Elise”

WARNING!
Your head-cinema will do the rest if you listen to this EP.
First let yourself go into an atmospheric dystopia, made of organic mutant-house grooves, sick bass-lines, acid-leads and effected sequences.
Then this road-trip soundtrack of independent electronic music builds up upon the wall of sound.It can seriously influence your body chemistry by freak-frequencies.
The results may alter as unusual moments of Contemporary Utopic Listening.

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posted 16 September 2018

Insanity Circle – Ritual Of Colors

Insanity Circle – Ritual Of Colors
[MNF029]

Insanity Circle

“Ritual Of Colors”

Monofónicos Netlabel presenta orgullosamente el lanzamiento debut de Insanity Circle llamado “Ritual Of Colors”, un nuevo artista sobresaliente que llega a sumergirnos en la nueva era de la música con mucha vitalidad.

Insanity Circle nos presenta 4 increíbles canciones donde el house más energético fluye sobre toda las fronteras del baile, pero jugando con nuestro cuerpo y nuestra mente en este ritual de colores donde el resultado es sumamente sorprendente.

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posted 15 September 2018

Tiago Morais Morgado – Pataphysic Electromagnetic Piano Solos

Tiago Morais Morgado – Pataphysic Electromagnetic Piano Solos

Tiago Morais Morgado

“Pataphysic Electromagnetic Piano Solos”

PARENTAL ADVISORY: non-sense EVP data (electronic voice phenomena). 3 days of sleep depravation (possibly way too much neural stimulaton due to sitting for a lot of time in front of computer). doing fine at the moment. feeling sleepy like hell at time of posting this record. recording will be updated in a couple of days.
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posted 14 September 2018

daniel barbiero, ken moore, dave vosh – transparent points on four axes

daniel barbiero, ken moore, dave vosh – transparent points on four axes
[pyr260]

daniel barbiero, ken moore, dave vosh

“transparent points on four axes”

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion.

daniel barbiero: double bass (2, 5, 6, 7 & 8); sylosynth app (1 & 3); microbrute synthesizer (4).
ken moore: crackle box (2); minimoog (8); emax sampler (1, 5, 6) ; tam tams (3, 4, 7); steel pan drum (8); glockenspiel (8); bells, bowls and other percussion (all tracks).
dave vosh: analogue modular synthesizer (all tracks).

recorded january & february 2018 in silver spring md, upper marlboro md, and cuyahoga falls, oh.

assembled in cuyahoga falls, oh, february 2018, at anvil creations studio.
cover photography courtesy of hollishots by mark hollis, baltimore, maryland.

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posted 14 September 2018

Projekt Luty – Grzybnia

Projekt Luty – Grzybnia
[UPL 078]

Projekt Luty

“Grzybnia”

On the 14th anniversary of formation, Projekt Luty met in the Nad Garażen Studio for a 140-minute recording session, which after endless remixing and appendixing became the 14th album by the band.

For those of you who love genredropping: semi-improvised tranceful parakraut-grunge’otronic-post-punk-noiserock. Joyfully jittery in autumn spirit.

Issued on Underpolen, home of extatic lo-fi:

www.underpolen.bandcamp.com

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posted 14 September 2018

Half Evidence – Épiphytes

Half Evidence – Épiphytes
[Eg0_188]

Half Evidence

“Épiphytes”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016 but their story isn’t finished. Some new material will be published in 2019. Before finalizing these projects, the duo has selected four of their favorite tracks that were given to various compilations (namely Necktar 2017 curated by Ed End on his netlabel Le Colibri Nécrophile and Classwar Karaoke). The resulting album Épiphytes brings four insights on the duo’s works and can be a good way to discover their sound universe and its evolution across the years.
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posted 12 September 2018

Walt Thisney – Thistonnal

Walt Thisney – Thistonnal

Walt Thisney

“Thistonnal”

“Walt Thisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.”
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posted 07 September 2018

The Dubwegians – South of the river Clyde

The Dubwegians – South of the river Clyde
[DPH035]

The Dubwegians

“South of the river Clyde”

The Dubwegians where founded in the UK back in 2010, when Gary had the idea of starting a dub band. He, therefore, approached his old school friend Richy, whose guitar skills were always thought highly of. He just wanted to play bass in the band and not do any producing.

The band that Gary dreamed, never really managed to pull off. It kind of fizzled out after a while as people came and went, up for a jam and a smoke, but not up for putting in the hours of practice a band needs.

Gary and Richy decided to work as a duo, laying down some reworks of their favourite dub tracks. Having spent most of their life growing up in the south side of Glasgow, the River Clyde has been a great inspiration for them. This is how South of the River Clyde came about. The reference of course to the great Augustus Pablo is more than obvious.

Gary remembers: “We tried to capture the energy of a live band. In the absence of a drummer, it was a struggle for us to use a software, trying to capture the original warmth of analogue dub. It was a real learning experience; listening and trying to emulate these dub masterpieces. We have never done dub producing before and were slowly realizing some of the techniques used.”

South of the river Clyde includes 5 instrumental tracks; dub reworks of some great roots reggae masterpieces, produced back in 2011 with love and lots of passion. Richy played melodica and keyboards (and also guitar on “Sun is shining Dub), Gary played bass and covered all other sounds and production, using a laptop to overdub and edit their takes. Give thanks to Robert McWilliams for granting us the license to use the photo of the river Clyde in the artwork.

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posted 04 September 2018

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl – Where’s the Rainbow?

Karlheinz Essl

“Where’s the Rainbow? “

Between the years 1620 and 1636, Peter Paul Rubens created, without the prompting of any commission, his Landscape with Philemon and Baucis. He kept working on this image throughout his life. The painting tells the story of Philemon and Baucis as Ovid presented it in his Metamorphoses. In Ovid’s narrative, an old married couple receives a surprise visit from the gods Jupiter and Mercury, disguised as weary travelers who cannot find a place to spend the night. The old couple does not judge these travelers or question where they are from; they simply offer them kindness and hospitality. The two gods offer the couple a gift expressing their gratitude: they spare their lives when, the next day, a great flood comes crashing over the land.

In the painting, only a small group of figures makes reference to this fable. The main theme of the piece is the unpredictability of nature with its untamed, uncontrolled power: lightning and thunder, rain and storms, a cow screaming as its life ends within a torrent, a mother desperately trying to rescue her baby. This is an apocalyptic catastrophe of unimaginable proportions. And yet, Rubens included a hopeful sign in this image: in the lower left-hand corner of the tableau, you can see a rainbow…

“Somewhere over the rainbow, way up high,” sang Judy Garland in the well-loved film The Wizard of Oz (1939), a song promising hope and a wonderful world far from the darkness and ominous threats of the Second World War.

This image has much to tell us in our contemporary lives, as our current reality includes events such as the refugee crisis, global warming, and the threat of nuclear disaster. It acts as both a warning and a sign of hope.

For the theatre project Ganymed Nature, composer Karlheinz Essl worked extensively with Rubens’ Landscape with Philemon and Baucis, creating an immersive soundscape to reflect this painting. This sound work is based on algorithmically generated soundscapes taken from weather and other natural phenomena: the forest and the wind, a stream that swells and overflows, thunder and lightning. We also hear sounds that refer to human activity: rustling steps through foliage that turn into the ringing of high heels, in which a woman stalks on asphalt. And then there are signaling sounds: a firebell extends into an unending tolling that spins onward into infinity.

The poetry of the rainbow overarches everything; the promise of salvation, a glimmer of hope. To express this, Essl worked with an a-capella-choir to create chord structures which he then recorded and electronically transformed. The highlighted melodic fragments are reminiscent of the famous rainbow song yet appear in a peculiar harmonic disguise which let you sense the atmospheres of other planets.

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posted 02 September 2018

V.A. – Solo Duo Trio #02

V.A. – Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)
[Eg0_187]

V.A.

“Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)”

Second edition of the Solo Duo Trio project co-organized by labels Apocope & eg0cide productions. This serie of live concerts follows a simple format: three parts, one solo, one duo, one trio. Artists are invited to present new projects, and to try to new encounters (for one live set or more). All concerts are later published jointly by Apocope & eg0cide. The 2nd event of the serie took place on may 29 at Les Instants Chavirés (Montreuil), one of the most lasting and notable venues devoted to free improvisation and experimental music around Paris.

This show featured 6 french experimental musicians active in the free improvisation and noise scene (more info on the artists below)

Solo : Laurent Di Biase (electronics)
Duo : Sig Valax (analog syntheziser & DIY electronics) & ZARAZ WAM ZAGRAM (electronics)
Trio : Camille Émaille (percussion), Nina Garcia (guitar) & Arnaud Rivière (DIY electronics)

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posted 29 August 2018

Jah Cob Dehli – Y’a Comme Un Beat Dans Le Potage

Jah Cob Dehli – Y’a Comme Un Beat Dans Le Potage
[LINGE082 ]

Jah Cob Dehli

“Y’a Comme Un Beat Dans Le Potage”

Pierre Guilhem il faisait des dessins mais aussi de la musique alors voilà son album de Dub qui date de 2005, il l’avait fait en CD et Claude Biscuit en avait un exemplaire qu’il a maintenant égaré. Mais Reno Leplat Torti nous en a retrouvé un que voici, la pochette scanée est à venir, car voici une detestable miniature qui a pourtant son charme. Un album réalisé avec un synthé (Casio, il nous semble) et qui a été composé à Nîmes. Il a d’abord été promu sur la page de Nunu Editions, autour de 2005. De la dub pour plage à savourer entre amis, avec un pastis, dans la mesure du possible.

Music + Production + Artwork : Pierre Guilhem aka Jah Cob Dehli

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posted 23 August 2018

In Vitro – Transdimensional Woods

In Vitro – Transdimensional Woods
[Nu-Logic091]

In Vitro

“Transdimensional Woods “

We return after a break with a new release of the mexican producer already known in Nulogic Netlabel as In Vitro. Creator of the wonderful label Breathe, In Vitro offers us a fascinating Ep of four tracks whose main pattern is based on the roots of Techno. But there is much more than Techno in this work. Brushstrokes of a precious electronics, deep bass lines and a groove that dances on the edge of the dark side. These are just some of the surprises that “Transdimensional Woods” offers us.
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posted 19 August 2018