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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Hafid Kurnia dan Tebatabata – The Day After We Were Alone

Hafid Kurnia dan Tebatabata – The Day After We Were Alone
[WAC09]

Hafid Kurnia dan Tebatabata

“The Day After We Were Alone”

Track list:

1. 3AM (1.44)
2. We waiting for the moon, but the sky was so tired (2.17)
3. Fajar (2.21)
4. 5AM (1.44)

all sound was created by guitar, by Hafid Kurnia
all track was recorded at Soda Pop Records
artwork by Tebatabata

instagram.com/hafid.kurnia
instagram.com/tebatabata

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posted 26 January 2018

Walt Thisney – Vaudou stellaire

Walt Thisney – Vaudou stellaire

Walt Thisney

“Vaudou stellaire”

The Necrophile Hummingbird presents Vaudou Stellaire by Walt Thisney & Chromatic.
A collaboration done like a new year gift to every listeners who keep their ears open as their mind.
Also one more attempt to break all the borders…
.
Tracks are recreations from Galactic Voodoo by Walt Thisney
http://freemusicarchive.org/music/Walt_Thisney/Galactic_Voodoo/
Created in the space between 2017 and 2018.
Chromatic was mostly a plunderphonic project but this time no sample were harmed during the process…
It was such a joy to walk the bridges between our both musical universe,
I hope you will enjoy the vibration.
Thanks a lot to the three Foucherans fairies for their voices on tracks 2/7/11.
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posted 25 January 2018

Tha Silent Partner – Touchin’ Gummy Bears Inappropriately

Tha Silent Partner – Touchin’ Gummy Bears Inappropriately
[BSOG0074]

Tha Silent Partner

“Touchin’ Gummy Bears Inappropriately”

Last month, Tha Silent Partner celebrated the ten year Anniversary of his incredible Platters series with BLUNTEDSESH. Today, he kicks off the year long celebration with the first of four releases that’s set to drop each quarter this year! With a title like Touchin’ Gummy Bears Inappropriately: The beattape that was playing while your aunty was getting her pums smashed to bits, you have to know that this isn’t safe for work… and probably not safe for the young and people with heart conditions, too! However… it’s DOPE, so you should not sleep.

As always, many thanks goes out to Tha Silent Partner for delivering the funk!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 24 January 2018

Suspektema – “to be done, to have done.”

Suspektema – “to be done, to have done.”
[SSSDlp14]

Suspektema

“to be done, to have done.”

“And if I failed to mention this detail in its proper place, it is because you cannot mention everything in its proper place, you must choose, between the things not worth mentioning and those even less so. For if you set out to mention everything you would never be done, and that’s what counts, to be done, to have done.” SB

“I have nothing to say and I am saying it.” JC

Composed by Suspektema
Produced by rr.gross
November 2016

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posted 11 January 2018

Tedium Swing – Reflection

Tedium Swing – Reflection
[WAC07]

Tedium Swing

“Reflection”

Tedium Swing adalah keisengan dari Zainal Arifin yang ingin tetap produktif di waktu luangnya. Tedium Swing memainkan musik lo-fi, atau swing, dan juga chillhop. Tak disangka keisengannya membuat musik sejak Juli 2017 hingga jadilah 18 lagu yang ia kemas dalam “Reflection”.

Jogja beberapa hari ini diguyur hujan tanpa ampun dari pagi hingga pagi keesokannya. Bahkan tidak memberikan jeda untuk sekedar menjemur pakaian; tidak memberikan kesempatan untuk berjalan ke warung burjo yang jaraknya hanya beberapa meter saja dari rumah tanpa kebasahan. Tapi kawan..masih ada payung jika tidak mau kebasahan. Atau kalau tidak mau basah-basah kehujanan kalian bisa hanya berdiam diri di rumah dan mendengarkan “Reflection”. Coba rasakan ‘percakapan ombak’ atau ‘reflection’ atau ‘saturdate’ yang kelabu. Atau track ‘doa minggu pagi’ dengan suara-suara oldiesnya membuat ingin bernostalgia.

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posted 04 January 2018

DJ Illiad Mendel – Curse of Dragon

DJ Illiad Mendel – Curse of Dragon
[WAC08]

DJ Illiad Mendel

“Curse of Dragon”

DJ Illiad Mendel merupakan proyek bermusik bergenre
DJ-elektronik yang terbentuk sejak tahun 2016. Tahun 2016, DJ Illiad merilis
single berjudul “Underground Dance
Clubs” di bandcamp. Setelah itu di awal tahun 2017 ikut dalam CD kompilasi “Bhinneka Tungal Ika” besutan dari PROGANIZER
x ERMUSIC RCRDS.
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posted 04 January 2018

Ölü Körpē – Travel

Ölü Körpē – Travel
[WAC01]

Ölü Körpē

“Travel”

“Travel” – A Collection of Sounds, Signals, Hums, and Noises

Only one permanent member (Achmad Luthfi), Ölü Körpē – “dead baby” in Azerbaijan – creates and carries instrumental/ambient/noise. The material ideas are based on readings and spectacles that are resistant to confusion, discomfort and jumble because that is what happens when a person is confronted with a strange situation; a dead baby.

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posted 04 January 2018

Fabio Keiner – Autumn Elegies

Fabio Keiner – Autumn Elegies
[IYE24]

Fabio Keiner

“Autumn Elegies “

A warm cold amniotic and cathartic liquid, find yourself on the edge of a wood, feel the leaves play for us. Ambient, neo classical, are just two of the adjectives we could give for this music by the composer Fabio Keiner, a master in creating atmospheres carved in Carrara marble or in the water of a lake at the passage of a swan. Fabio is Austrian and visiting his bandcamp https://fabiokeiner.bandcamp.com, you will discover a fantastic world of a true sonorous and visionary magician that will take you very far. We are honored to be able to publish a record of a musician of such stature, able to capture the heart as few, but above all to make the mind fly for a high-level ambient.

Un caldo freddo liquido solido amniotico e catartico, ritrovarsi sul limitare di un bosco, sentire le foglie suonare per noi. Ambient, neo classica, sono solo due degli aggettivi che potremmo dare per questa musica del compositore Fabio Keiner, un maestro nel creare atmosfere scolpite nel marmo di Carrara o nell’acqua di un lago al passaggio di un cigno. Fabio è austriaco e visitando il suo bandcamp https://fabiokeiner.bandcamp.com , scoprirete un mondo fantastico di un vero mago sonoro e visionario che vi porterà lontanissimo. Siamo onorati di poter pubblicare un disco di un musicista di tale levatura, capace di catturare il cuore come pochi, ma soprattutto di far volare le mente per un ambient di altissimo livello.

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posted 03 January 2018

Juan Antonio Nieto – Airports & Hotels

Juan Antonio Nieto – Airports & Hotels
[IHab131]

Juan Antonio Nieto

“Airports & Hotels”

Airports & Hotels is a compilation of the sounds I have found in the trips I have made in recent years.

The sources of these sounds are field recordings made at different airports, on airplanes and in hotels. In these last ones the recordings are improvisations with the elements that I found in them and their different stays. These recordings were made with the windows open to capture the sounds of the outside, rain, traffic, people talking, etc.

These sounds were mixed, trying to maintain, as much as possible, the spirit they had at their origin, and rather than identifying the sounds, I wanted them to be intuited.

The different titles of the tracks refer to the places where they were recorded. The majority were mastered and completed in Madrid.
– Juan Antonio Nieto

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posted 02 January 2018

Gozne – Fin del Tiempo

Gozne – Fin del Tiempo
[pn127]

Gozne

“Fin del Tiempo”

“‘Fin del Tiempo’ (‘End of Time’) is not a religious work, although in the creative process, passages from the Bible were the source of inspiration for the concept; for this reason, included along with the download of the album is a PDF document with the verses used.

The ‘Non Human‘ robot has been reduced to the minimum expression, a microchip with software. This allows his artificial brain to survive practically intact to the holocaust of the ‘Fin del Tiempo’.

‘Fin del Tiempo’ is the conclusion of a series of works under one concept with the aliases of Gozne and Zacarías Malden.

‘Fin del Tiempo’ initiates the definitive fusion of styles, where the rhythmic essence of Gozne merges with the purely experimental style of Zacarías Malden.

‘Nation will rise against nation; there will be earthquakes in many places, hunger and turmoil, terror and signs in the heavens; it is necessary for this to happen, but it is not yet the end. ‘ (Jesus of Nazareth). This is also the ‘Fin del Tiempo’, believe it or not, it is already happening.

For this described above, it was appropriate to write the review and / or presentation of the work myself (Gozne), to take the opportunity to thank my family, while ending a stage of my musical career and at the same time initiating another that is more abstract and primitive, minimalist and practically binary, both in audio and video.”

Eduardo Gozne
(Quilpué, Chile. Diciembre / December 2017)

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posted 25 December 2017

DAVID M. PAGANIN – Sonic Sand Mandala

DAVID M. PAGANIN – Sonic Sand Mandala
[earS088]

DAVID M. PAGANIN

“Sonic Sand Mandala”

This album of unusual music has ephemerality as its core theme.

Publication date 2017-12-04
Usage Attribution-Noncommercial-Share Alike 3.0
Topics Electronic, Industrial, Noise, Dark Ambient, Avant Garde, Electroacoustic, Experimental Music, Experimental, Sound Collage, Sound Art, Musique Concrete

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posted 10 December 2017

CRPTC – Peaks

CRPTC – Peaks
[159]

CRPTC

“Peaks”

::::::::::::::::::
Nuova apparizione e nuovo artista alle manopole
nelle pagine di EPHEDRINANETLABEL,
da un bellissimo posto che nessuno mai saprà, del pianeta terra,
arriva Mr CRPTC ed il suo mondo
fatto di suoni Techno filtrati tra maglie sonore IDM e richiami oscuri
che sicuramente vi piacerà ascoltare in cuffia mentre nella notte
vi affacciate dalle vostre finestre di casa,
per vedere se qualcuno vi ha seguito!!!!
::::::::::::::::::::::
M.Clike aka CRPTC – Italy.
The first approach to the music is when he starts around 1998 as hip hop dj/producer playing and sampling his personal collection of old and rare records.
Changed radically in 2002 pointing toward the electronic music, starting to mix breakbeat, house and techno.
Today he produces sperimental, ambient and electronic music in general.
:::::::::::::
[EPH159]
CRPTC – Peaks
::::::::::::::::::::
TRACKLIST:
01_CRPTC – Jumping haze
02_CRPTC – Landscapes textures
03_CRPTC – Don’t Hate Me
04_CRIPTURE (crptc + structure) – Lullaby
::::::::::::::::::::::::
M.Clike aka CRPTC – Italia.
Il primo approccio alla musica è quando inizia nel 1998 come dj / producer hip hop, suonando e remixando la sua collezione personale di record vecchi e rari.
È cambiato radicalmente nel 2002, puntando verso la musica elettronica, cominciando a mescolare breakbeat, house e techno.
Oggi produce tracce che spaziano dall’IDM, all’ambient sino ad arrivare nelle galassie più lontane.
::::::::::::::::::::::::::::::::::::::::::::
Special guest da MILANO Mr STRUCTURE che appare nella quarta traccia con un Lullaby per le vostre notte insonni….
::::::::::::::::::::::::::::::::
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posted 02 December 2017

Jørgen Brønlund Quartet – From A Logical Point Of View

Jørgen Brønlund Quartet – From A Logical Point Of View
[SCM-1704]

Jørgen Brønlund Quartet

“From A Logical Point Of View”

The sound of melting floe, captured by a hydrophone, crackling under a female enchanting voice that repeats the same words continuously, like a gentle mermaid calling towards fatal cliffs, and whirring sounds rotating like ghost ships passing.
The landscape is white and grey and cold but open to a myriad possibilities of northern lights and very distant fires in the sky.
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posted 01 December 2017

Haase+Santis – Dos Trazos

Haase+Santis – Dos Trazos
[pn126]

Haase+Santis

“Dos Trazos”

The second album by the improvisatory duo Johannes Haase (Germany) and Óscar Santis (Chile), in this work we find two strokes, each one with a particular character and energy, music born from an ambient minimalism of high contrast based on the energy and sonority of each of them, together they create these sonorous images of highly oneiric and aquatic depth, that revoke the dunes, the sea, and the factories near Ritoque.

Trazo uno (Stroke one); of an aggressive character, contained and defragmented, the sonorities created by the electric violin of Haase are hidden between textures blurred by processes and loops, these at moments, contrasted by the electronics of Santis, overwhelming, from aleatoric rhythms and great sonic density, almost pixelated, together they create landscapes that are deconstructed and assembled in an organic way, creating textures of high spatiality.

Trazo dos (Stroke two); a deep and spacious texture, of aquatic time that is constructed of subtle gestures that coexist in a state of contemplation, the temporal absence that they generate immerses us in a very deep listening almost like daydreaming, a continuous variation that little by little comes and goes transforming and giving rise to this fragmented minimalism that brings us back to that which is human.

A disc where temporality and form are given through the organic needs of the moment, which takes us into subtle states of listening, where we can manage to enter the fine interwoven fabric and the decisions through which the music was tacken on, at the personal level, a work of brief landscaping with an occultist essence, two strokes that propose contrasting states from the same nature, listening and freedom.

Cesar Bernal
(Valparaíso, Chile. Noviembre / November 2017)

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posted 29 November 2017