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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

AVOIDANT – AVDN

AVOIDANT – AVDN
[enrmp392]

AVOIDANT

“AVDN”

AVOIDANT – AVDN
Drone ambient album by AVOIDANT following the them of the substitution of reckless passion for reclusion, the loss of drive to be intimate and the consequential manifestation of madness through anxiety. We’re dealing with visions of a perfect body, absent, above all: intangible. There is, although, a time for everything, and rising from the depths seems possible.
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posted 14 July 2016

I Neurologici, Miz Brown, Resina, Ras Moray, Shiny D – Dub Lucky Riddim

I Neurologici, Miz Brown, Resina, Ras Moray, Shiny D – Dub Lucky Riddim
[SDR032]

I Neurologici, Miz Brown, Resina, Ras Moray, Shiny D

“Dub Lucky Riddim”

I Neurologici, Miz Brown, Resina, Ras Moray, Shiny D – Dub Lucky Riddim
Scorching heat, but the Riddim To Riddim series does not stop. Although late, this riddim comes to refresh us, previously unreleased but tied to the second release of the series, Get Chicken as fraternal twins.
The first two tracks are interpretations of two exceptional female voices, which give us two shades as diverse as equally intimate and personal. The first marks the return of Miz Brown with her powerful voice and her confident style, the second is the debut in the reggae scene of Resina that gives more new sounds to the Roman dub collettive’s music.
The third track is another Ras Moray’s song from the album Out Of City, always with a new mix for the occasion.
Our last guest is another Riddim To Riddim’s assiduous: Shiny D with another perfectly fitting melodica version.
As always the riddim closes the release, for use of those who want to try their skills with I Neurologici’s productions.
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posted 06 July 2016

C-Doc – Quit

C-Doc – Quit
[BSMX0133]

C-Doc

“Quit”

C-Doc – Quit
After a month of keeping things rather quiet, we’re back to kick things off for July! Today we’ve got “Quit”, the brand new single from C-Doc’s forthcoming instrumental album Do Androids Die For Electric Sins?!

The album, along with new releases by Ant The Symbol, Donnie Ozone, Tha Silent Partner, The Impossebulls & mGee, is set to drop on Thursday, July 14th, also known as Netlabel Day! On that same day we also launch our brand new CC-BY licensed samplePack series… get ready!

Now back to today’s single… with it and the album C-Doc wanted to explore a more electronic sound to go with a theme that sonically pays homage to one of his favorite films, “Blade Runner”. So, BR fans, get ready to pour over every detail to catch every reference! Even if you’re not a fan of the film, the music is dope… so check it.

Thanks to C-Doc for yet again going above and beyond and delivering some incredible new music!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 05 July 2016

C. Reider / Tarkatak – Azure Bell, Midnight Well

C. Reider / Tarkatak – Azure Bell, Midnight Well
[vuzh051]

C. Reider / Tarkatak

“Azure Bell, Midnight Well “

C. Reider / Tarkatak – Azure Bell, Midnight Well
Collaborations with Lutz Pruditsch of Tarkatak seem to have an extremely long gestation period. When we first collaborated on The Druser Pricid, the recording was completed in 2000, but not released until 2003. The same is true of Azure Bell, Midnight Well. Lutz and I exchanged sources long enough ago that I completely have forgotten when it was. The sources sat for a long time, unused. Then music began to take form, then the unfinished mixes sat for a few more years. I determined myself to get the mixes finished sometime last year, only to find that my contact info for Lutz was out of date, and he no longer has much internet presence! I finally sent the masters to him in April 2016 and we agreed to go ahead with this release. Our first release together has always had a lot of admirers, I hope this one also finds receptive ears. ////////

All sounds on this release were manipulated, arranged and composed by C. Reider, using sound sources provided by Lutz Pruditsch.

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posted 05 July 2016

Various – Pfff! Monument to The Noise

Various – Pfff! Monument to The Noise
[0kbps001]

Various

“Pfff! Monument to The Noise”

Various – Pfff! Monument to The Noise
Pfff! Monument to The Noise

There’s no music here. Music has been outdated. This release is a Monument to The Noise.
It’s the hundredth and simultaneously the first release of MAV Records.
We adopted the dead drop method, ideated by Aram Bartholl and consisting of the installation of USB devices in public spaces. Anyone can use our dead drops for sharing, uploading or modifing audio files.
Pfff! flows and evolves through different realities, dis/integrating into the environment, getting vaporized.

———————————–

Pfff! Monumento al Rumore

Non c’è nessuna musica qua. La musica è stata superata. Questa pubblicazione costituisce un Monumento al Rumore.
È la centesima e contemporaneamente la prima pubblicazione della MAV Records; abbiamo adottato il metodo del dead drop, ideato da Aram Bartholl e consistente nell’installazione di dispositivi USB in spazi pubblici. Chiunque può usare i nostri dead drop per scaricare, caricare o modificare file audio.
Pfff fluisce e si evolve nelle varie realtà, dis/integrandosi nell’ambiente, vaporizzandosi.

00 – mAvvertenze
01 – hiyohiyoipseniyo – p o s t b L a b L a B L A
02 – Laika Facsimile – Tagli della morte
03 – Tommaso Busatto – Vvv
04 – Multimedia Sepulchri – Finding
05 – Rocco Perciante – snare75
06 – Vitaldo Conte + Antonio Saccoccio + Helena Velena – Sì solo po emi (Pulsional RU.MO.RE!)
07 – Jukka-Pekka Kervinen – calibration point
08 – Infector http:// – Phase One
09 – Stefano Balice – Mozzafiato (tattilofonia)
10 – Koobaatoo Asparagus – Uhh Man & Women
11 – The Finer Points Of Sadism – Cultivate
12 – NOS project – x-f
13 – 7tn4cc – MAV Helicopter E-attack
14 – Hank the Think Thank – ep1K oU!
15 – Nostra Orchestra Estemporanea – Gigi
16 – Sounddog65 – In Primis
17 – Nascitari – Breve introduzione alla dottrina dell’isolamento
18 – Eugene Furrno – zwischenheit
19 – Rome Kapone – Electrovoice Demo #-1 (voice altered by Moduler Gee)
20 – Ben Presto – Chanel Cristo n. 34 (Ipercoop approved)
21 – Marco Olivieri Circus – Dedicato a Viola nascitura
22 – Trapianto di Fegato – Zzzachete
23 – Toxic Chicken – I Want It
24 – Max Scordamaglia – Errore
25 – Hengedal – Sørvind
26 – Mustard-In-Law – Grey Poupon For Bing Bong
27 – Jesus Cremoso + Obasquiat – Embryonic
28 – DJ Crivellator – Sulle avanguardie pseudoartistiche nate nell’internet
29 – Blade Painnet – Pubblico di mmerda (musicoralità)
30 – Movimento per l’Arte Vaporizzata – Antidefinizione

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posted 01 July 2016

Laylah, I Neurologici – Amalgama

Laylah, I Neurologici – Amalgama
[SDR031]

Laylah, I Neurologici

“Amalgama”

Laylah, I Neurologici – Amalgama
Amálgama is: The mixture of different elements as a whole.
A chemistry between Mercury and Silver. Mercury is also the messenger of the gods (Greek mythology), fluid metal known as “prata-viva”.
Literally and peculiarly, Amálgama has the same meaning and basically the same spelling in a broad universe of languages, making it understandable for everyone.
In this album, refers to any influence that experiences (many of them unrelated to music itself) bring to the composition, such as family, places, everyday people , ethnic roots, common aspirations, everyday …
Amálgama is the willingness to talk about the world as living experiences.
The inspiration at the most unpretentious moments, which this album rescues, is the main compositions of the singjay Laylah along her way in Reggae Sound System culture, which began around 2005.
Amálgama is a fusion between music and truth.
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posted 23 June 2016

Phil Maguire – this this

Phil Maguire – this this
[LOR078]

Phil Maguire

“this this”

Phil Maguire – this this
“this this” is an extraordinary collection of sounds made with a Raspberry Pi (the credit card sized bit of circuitry which is used to teach kids about coding). Maguire manages to create a world of microscopic sounds, clicks, whirrs and fields of electrical noise that are compellingly alien, and yet capture something of the excitement of those early forays into “glitch” music of the mid ’90s. It’s a whole new delicate beauty..
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posted 22 June 2016

Solaris – Summer Edits

Solaris – Summer Edits
[LOR069]

Solaris

“Summer Edits”

Solaris – Summer Edits
Solaris was formed by Mark Sanderson, Richard Sanderson and Mark Spybey as young krautrock fans in Teesside in 1974, when they were aged 12 and 13. As the members grew up through post-punk, electronic music and free improv they have remained friends and still occasionally record together. These sessions were produced by Mark Spybey in Northumberland in 2010 and 2012 during the Summer holidays, and although the musicians have matured in the intervening decades, the influences of those original favourites (particularly the improvisational alchemy of Can and the cut-ups and aggression of Faust) are still audible.

Linear Obsessional is delighted to present their debut album- some 42 years after forming!

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posted 22 June 2016

José Gallardo A. – Sinfonía para un hombre solo… en su casa

José Gallardo A. – Sinfonía para un hombre solo… en su casa
[pn107]

José Gallardo A.

“Sinfonía para un hombre solo… en su casa”

José Gallardo A. – Sinfonía para un hombre solo… en su casa
“Sinfonía para un hombre solo… en su casa” (Symphony for a man alone… in his home), a piece composed in the second half of 2015 based on recordings made in the parks of the neighborhood of “Conquistadores” in the city of Medellin, in apartment 203 of the building “Los Vikingos” in the same neighborhood, and on the day of San Jose in the year 2013 or 2014 in the district of Santa Elena on the outskirts of Medellin. This piece is a tribute to Pierre Schaeffer and Pierre Henry, dedicated to María Juliana and our new home; to Peluza, Azuka, and Mizu and their new parks, and to the men alone in their houses full of possibly expressive sounds.

José Gallardo A.
(Medellín, Colombia, Junio / June 2016)

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posted 16 June 2016

Plasman 51 – Endless Wave

Plasman 51 – Endless Wave
[SE069]

Plasman 51

“Endless Wave”

Plasman 51 – Endless Wave
Plasman 51 searches for new forms of expression to communicate with extraterrestrial worlds. Long sessions with synthesizers made of endless arpeggios drive the listener toward distant horizons, where forms become blurry shapes, memory fades away leaving space to cosmic contemplation.

The release is collection of impro material recorded in 2015/2016. Gears used: Roland mks50, Roland sh101, Oberheim matrix1000, Novation nova, Gotarmann’s demoon, Dave Smith’s mopho, MAM map1, Roland analog echo, Electrix filterfactory.

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posted 15 June 2016

Gaetano Fontanazza – One Parsec Wide Pocket

Gaetano Fontanazza – One Parsec Wide Pocket
[SCM-1606]

Gaetano Fontanazza

“One Parsec Wide Pocket”

“One Parsec Wide Pocket” is Gaetano Fontanazza’s third release on Sucu Music.

Ambient guitar maestro presents us with a new series of tracks which are the perfect vehicle to explore sonic landscapes of different nature.

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posted 15 June 2016

Fake Cats Project – Russian Canon

Fake Cats Project – Russian Canon
[SCL183]

Fake Cats Project

“Russian Canon”

Fake Cats Project – Russian Canon
Russian Canon is the first CD of the Moscow based Fake Cats Project. The title certainly doesn’t mean our seventeen pieces form the Russian Canon, rather we are in search of it.
We try to avoid Russian cliches, but sometimes play with them. There are no folk songs accompanied by bayan (the Russian Accordion) though you will hear Kiriill Makushin playing bayan. We don’t play typical Russian rock, though Alexey Borisov is a luminary of Russian rock himself, of the bands Nochnoi Prospect and Tsentr. This is not an album of the Russian intelligentsia, singing their sad, simple songs around the kitchen table, though some fragments were recorded by Igor Levshin in Alexey’s kitchen.
Our Russian Canon is not confined to national culture: we use the Turkish saz and Latin percussion. Our electric guitars certainly do not originate from Russia, and Konstantin Sukhan’s trumpet is more akin to Free Jazz rather than any Russian tradition.
Any overlaps with industrial music or krautrock are sometimes coincidental and sometimes deliberate. Since there is a Russian tradition of fierce speculation on philosophy or revolution at the kitchen table, we use for our sound not cast iron rails, but a buffet filled with utensils, bottles, glasses and a trash bin. We’ve also added the creaks of rusty swings, screams, laughter and the songs of ordinary people in the Moscow streets. We include both the sane and insane, because no Russian Canon can go without a touch of insanity.
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posted 13 June 2016

Grande Oceaan – The Swans

Grande Oceaan – The Swans
[HAZE368]

Grande Oceaan

“The Swans”

Grande Oceaan – The Swans
The Swans is a radio documentary devoted to covering a particular topic in some depth. Animals in the wild can display very different vocalizations from those in captivity. Majins have existed since time immemorial, cycling between rampages and long hibernation, and were summoned once again 5 million years before Age by the evil swans.
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posted 01 June 2016

I Neurologici, Ras Moray, Shiny D, Jobba – Unity Riddim

I Neurologici, Ras Moray, Shiny D, Jobba – Unity Riddim
[SDR030]

I Neurologici, Ras Moray, Shiny D, Jobba

“Unity Riddim”

I Neurologici, Ras Moray, Shiny D, Jobba – Unity Riddim
Despite Strato Dischi Notlabel has currently no facility, we do not miss our monthly appointment with Riddim To Riddim.
This is the month of Unity Riddim, in this historical moment that instead brings to light division and social fragmentation.
The first interpretation is Ras Moray. A new mix of this song from his album Out of City and closely linked to the Youth Art Center, a project that the Kenyan artist is funding with its sales.
Following, Shiny D, again with us this time with an organ performance that bears witness to his skills and his deep knowledge of the genre.
Jobba’s vocal track is a new mix of the 7 ” published by Real Rock at the end of 2015 and inspired by the Voice Of The People Sound System’s experience.
The more purely “neurological” version is dominated by the solo guitar of Matteo Minetti, always guitarist and one of the founders of the roman dub collective
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posted 31 May 2016

Guerra & Rammsy – Torque EP

Guerra & Rammsy – Torque EP
[pn106]

Guerra & Rammsy

“Torque EP”

Guerra & Rammsy – Torque EP
Torque EP is the Pueblo Nuevo debut of the Chilean duo Guerra & Rammsy (Álvaro Guerra and Rodrigo Rammsy), renowned musicians and producers from the Santiago rock and electronica scene.

In a little more than 20 minutes and three tracks they take us on a danceable tour with a clear timbral influence in the rhythmic base of a more “classic” cut, this in the still young universe of electronic music, but to advance the disc leaves everything gradually entering a kind of sound tunnel, with some solid bass lines that seem carried from the underworld, to these they add, in a very subtle way, perplexing “pads” and arpeggios that enrich the harmonic palette, carrying us to risky sound moments, which arrive (commonly) to be distant to the style. And I think that’s what I like about Torque EP: that impression that seems at first like everything will go as it should be, but very subtly, without abusing typical resources such as excessive “reverbs” or “delays”, they go placing you in this sound maze and they leave you without an exit, unless you realize and unless you stop dancing.

Very good disc of Guerra & Rammsy, to go losing yourself dancing, without fear.

Jose Jünemann
(Santiago, Chile. Mayo / May 2016)

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posted 30 May 2016