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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

REfugEEs From Beyond – Live Peep Show

REfugEEs From Beyond – Live Peep Show
[LCNLP200]

REfugEEs From Beyond

“Live Peep Show”

The Necrophile Humingbird Netlabel presents Live Peep Show by REfugEEs From Beyond

“Queercore for Postcore Lovers”

Improvisation recorded live the 10th November 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

“The perfect soundtrack for your Genderfuck Party !” G.B. Jones

Despite the Artificial Intelligence did not help for the artwork, It seems obvious that this is the Queercore third part of the core trilogy…
Or is it a kind of stand alone episode like RFA for the VALIS trilogy ?

This album is dedicated to Ahou Daryaei and all the unsubdued people like her, because our bodies belong to us alone — whether we choose to reveal or conceal them is our choice. If someone is foolish enough to eroticize my chest, that’s their issue, not mine. Down with puritanism. Down with any religious fanaticism.

And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/

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posted 08 January 2025

Invisible Illusion – Bukowski A-Go-Go

Invisible Illusion – Bukowski A-Go-Go
[LCNLP199]

Invisible Illusion

“Bukowski A-Go-Go”

The Necrophile Hummingbird Netlabel presents Bukowski A-Go-Go

“Electro-Post-Punk for Beat Generation Lovers”

Years ago while creating toward the Beat Generation I did only one track with his poetry The Last Days Of Suicide Kids on Back Of The Beat Generation, which was quite unfair so this time I get back to made this little tribute to Bukowski’s poetry.
Musical Improvisation recorded live in September 2024 at the Cave Heaven in Foucherans. Voice lyrics overdub. Charles Bukowski poetry on all tracks, self reading on track 3.

Dedicated to all the hurt people who try to heal themselves by healing others.

Artwork is a mix of bleach photographies with an AI generated visual.

If you want to go on your trip with the beat poets try the Best of Beat Generation https://archive.org/details/BestOfBeatGeneration

And also don’t forget to visit Radio Free Albemuthorsnorme
https://www.horsnorme.org/Radio_Free_Albemuth/

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posted 05 January 2025

Talons’ – in retreat

Talons’ – in retreat

Talons’

“in retreat”

I wrote most of these songs in 2023. I’ve tried many times to record them on this old tenor guitar that Al K from Six Parts Seven gave to me. It won’t stay in tune and regardless, I just haven’t been able to get it done.

There’s a lot about the Covid era that I can’t get past. It changed me and largely not for the better. Everything is absurd and somehow we need to press on and go to work and pretend like things make sense.

Time is passing and I decided to sit down and play everything live to 1/4″ tape. Out of tune. Out of key. But here they are. Things are not OK. The near future is bleak, but we’ve gotta dig in and grind it out for the kids.

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posted 23 December 2024

Shortcuts – Strand EP

Shortcuts – Strand EP
[djummi.034]

Shortcuts

“Strand EP”

Shortcuts went on a beach holiday! They came back with an EP in their luggage, which is tellingly titled “Strand”.

It is sometimes about “lying in the sun” or “swimming in the sea”, “journey” in the literal and figurative sense is a recurring motif. But anyone who expects a kind of vacation report set to music or even concept music is thinking too short-sightedly.

There are a few things different on “Strand” than on the previous two releases. The record is not only the most electronic, but also the most guitar-heavy in the band’s history to date. The music is also much more straightforward this time, which brings the duo closer to their live sound. “Strand” is also the first Shortcuts record with completely German lyrics. Another special feature is that Jule does not play drums on any of the songs, as usual, but guitar.

The rest remains the same. On “Strand” Shortcuts again live up to their name: you can hear short, concise songs in which nothing more is said and played than necessary.

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posted 20 December 2024

REfugEEs From Beyond – Alien Pulp Weirdcore

REfugEEs From Beyond – Alien Pulp Weirdcore
[LCNLP198]

REfugEEs From Beyond

“Alien Pulp Weirdcore”

The Necrophile Hummingbird Netlabel presents Alien Pulp Weirdcore by REfugEEs From Beyond

“Noisecöre Röck for Industrial Nü Metal lovers”

Improvisation recorded live* the 22th August 2024 at the Cave Heaven in Foucherans.
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku

Video Art Clip here www.youtube.com/watch?v=VwcJ9UfPQ7U

As the insanely wiseguy said :
“There is a Butthole Surfer waiting to be high on acid in every children°. ”

So this album is dedicated to this crazy combo ^^
And also to those who seek behind the surface to find psychedelic contre-culture gems, like the readers of the Whole earth catalogue as well as the readers of Grant Morrison’s Invisibles…

Artwork done by a stoned artificial intelligence ^^

*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except few clicks removed…

More free music on the audio blog Radio Free Albemuthorsnorme https://radiofreealbemut.tumblr.com

Also the Webradio is streaming here https://www.horsnorme.org/Radio_Free_Albemuth/

° Next he said : Hey kids ! I was kidding… I do not take any longer any acid blotters…

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posted 19 December 2024

Invisible Illusion – Escaping The Memory Hole

Invisible Illusion – Escaping The Memory Hole
[LCNLP197]

Invisible Illusion

“Escaping The Memory Hole”

Seems this is part of a trilogy with Bukowski-A-Go-Go & Curse Of Knowledge

Still two days to take action as musician or fan “Over 600 musicians are speaking out to demand that major labels drop a lawsuit aimed to destroy the Internet Archive—and for their industry to take concrete actions to realign their actions with the interests of working artists. Sign their open letter now to show your support.”
https://www.savethearchive.com/

This is a little tribute to Internet Archive.
Musical Improvisation recorded live in October 2024 at the Cave Heaven in Foucherans.

Special Thanks to Enola for her hair extensions…

And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/

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posted 16 December 2024

D-Fried – Images sur la mer

D-Fried – Images sur la mer
[phokes151]

D-Fried

“Images sur la mer”

Boarding the flying ship, which is also a submarine.
Breathe in the molecules that tell stories.
Adventure stories of places beyond the known.

Jordi Saludes alias D-Fried has moved to a city by the sea and studies the waves and nature there, sitting right in front of the ocean when he produces music. One result is the album “Images sur la mer”, the images of the sea, an album that stimulates the imagination, a journey through soul and spirit.

Like with D-Fried’s first release on Phonocake, this release is presented with an amazing contemporary digitally version of an artwork by Buna. It is about the idea, that everything is connected and this idea reflects in oceans especially, since the oceans connect all the continents on our precious planet.
» artist shout outs:.

thanx to Buna, Dani, and Sven for their support

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posted 16 December 2024

Luka Prinčič – DRAGX​̶​FUNK

Luka Prinčič – DRAGX​̶​FUNK
[KAM073]

Luka Prinčič

“DRAGX​̶​FUNK”

Luka Prinčič recently also known as Prince Lucija (Crucial Pink, ex-Nova deViator and Deviant Funk) created a pile of music for a certain genre-transgressive stage show. On these originals and reworks of various degrees Prinčič is joined by bouquet of members from the collective The Feminalz. The shuffling team of collaborators presents itself in the usually peculiar and ambivalent light on the new productions, stealing melodic and textual images in a mix of instrumental club tracks and lyrically generous songs that function both as performative moments and repeatable musical hooks.

DRAGX̶FUNK is a transgenre mutation, a fluid entity, jagged pop, electro-funk, techno-cabaret, a schlager, and soft alternative, queer to the core, satire and tragedy, sharp and fun indulgence for the dance of bodies and brains, activism and hedonism, which would all like to steal your attention.

DRAGX̶FUNK is pronounced /dɹæɡɑːfʌŋk/.
credits
released December 5, 2024

Luka Prinčič · music, production, arrangment, recording, mix
Maja Delak · vocals and lyrics on Stoj Đoni, Hočem več, and Tossing Lawrence
Nataša Živković · vocals and lyrics adaptation on Lubricate Me and Ljubo
Veronika Valdés · vocals on Handy One
Daniel Petković · vocals and lyrics on Jst ga res ljubim
Leon Marič · vocals and lyrics on Aplauso
Jan Rozman · vocals and lyrics on Minica
Loup Abramovici · vocals on Heaven
The Feminalz · back vocals and co-writing

Josipa Tadić · graphic design
Maruša Hren · printing & usb booklet
Luka T. Zagoričnik, Luka Prinčič · executive production, promotion

Just Start The Funk contains percussion samples and music parts from Michael Jackson’s Don’t Stop ‘Til You Get Enough.

Handy One is based on “Why Don’t You Do It Right” composed by Kansas Joe McCoy, lyrics adapted by Bela Pikalo from “My Handy Man” by Andy Razaf and first recorded by Ethel Waters.

Lubricate Me lyrics adapted by Nataša Živković from “Shave ‘Em Dry” by Ma Rainey

Echoes is based on Olof Dreijer – ‘Echoes From Mamori’

Aplauso composed by José Antonio Farias Mackey as “Esmeralda” originally performed by Javier Rodriguez.

Heaven written and composed by David Byrne and Jerry Harrison

Music initially written for the stage show “Image Snatchers present: Mad Jakale in a Film We Haven’t Seen” by Maja Delak premiered on 9. December 2023 and produced by Emanat.

produced by Emanat emanat.si
released by Kamizdat kamizdat.si
with support from the City of Ljubljana

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posted 15 December 2024

Joan Lavandeira – Pain recordings

Joan Lavandeira – Pain recordings
[pn239]

Joan Lavandeira

“Pain recordings”

“Pain recordings” is a complex sound collage that delves into the fragments of memory emerging from personal relationships. Blending electronica, industrial, drone, noise, and bass music, the album offers an abstract and evocative experience, where traces of human connections manifest in structured forms.

This double album plays with the abbreviations M. and J., drawing from Robert Smith’s approach in the track “M” from “Seventeen Seconds”. The song references Albert Camus’ novel “La Mort Heureuse”, where the character Patrice Mersault feels jealous of his girlfriend Marthe’s other lovers, beginning with the phrase Hello image.

The album’s focus is not on raw emotion but rather on the ways memories—fuzzy, distorted, and at times disorienting—filter into consciousness. Each track acts as an autonomous yet interconnected fragment, reconstructing the vestiges of human interactions. Industrial landscapes, deep basslines, and the raw textures of noise create an unsettling atmosphere, where sounds echo past moments, reconstructed and deconstructed in a sonic quest for meaning through drone.

The music of “Pain recordings” embraces a fragmented sonic aesthetic, in which rhythms and melodies emerge and disappear like memories dissolving over time. It’s a work that captures the incomplete and fleeting nature of memory, offering an experience that is as challenging as it is hypnotic. Listeners are invited to navigate these passages of broken sounds and saturated textures, finding their own interpretations in what lingers between the sounds.

Rather than presenting a linear narrative, the album unfolds as a mosaic of sounds that invite reflection on the fragility of memory and how past events are reconstructed in fragmented ways in our minds. “Pain recordings” is, ultimately, an experimental sonic exercise, where relationships and memories become raw material for an exploration that feels as cerebral as it is emotional.

Joan Lavandeira aka randomVOLT
(Barcelona, Spain. December 2024)

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posted 15 December 2024

Various Artist – Earsheltering: 20 years of noise – RV 666

Various Artist – Earsheltering: 20 years of noise – RV 666
[earS119-RV666]

Various Artist

“Earsheltering: 20 years of noise – RV 666”

Radiovision vs. Earsheltering

EARSHELTERING: 20 years of noise

earsheltering celebrates is 20th anniversary in 2024 with a various artists release as a tribute to RADIOVISION.

Thanks to all artists & friends who supported this project & also EARSHELTERING since 20 years, especially Alkbazz providing a wonderful artwork within short timelines & Françis Baume for Amazing sampling from Radiovision to create interludes between each tracks.
The release is available as a free virtual double disc available on archives & bandcamp(s). Disc 1 is dedicated to Radiovision serie and disc 2 is dedicated to Radiovision Eveil serie.
1 video clips by CorteX is also made available.

Radiovision is an educational program which was launched in 1955, combining a school radio program with a slide show and a booklet. Forgotten today, it was a great success until the 1980s.

The slideshow and booklets were received on request by schools a few weeks before the radio program was broadcast. The colored slideshow pictures were larger and in a higher definition than the television image could offer. Paintings, engravings, manuscripts and old photographs were rendered with a higher quality than television couldn’t reach. It was therefore particularly useful for Geography, History of Arts and Natural Sciences classes.

The teacher had to manually ensure synchronization between images and sounds, triggering the transition to the next slide at each the sound signal.

During the 70s, in addition to the combination of sounds and still images, radiovisions became part of a more complete multimedia system, from an educational and tools point of view, and made up the radiovisual file. Each week, two programs from the “Radio-awakening” series would be associated with the radiovision, developing complementary aspects of the subject dealt with, along with educational documents gathered together in a file (15 to 20 pages of program content analysis, bibliography, texts, photographs, maps, etc.).

From the 1974-75 school year onwards, a flexy 7 inch disk would be part of the package for a few files, and then it developed to become more systematically; in the 80s, audio cassettes took over the flexy 7 inch disk.

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posted 11 December 2024

Laricchia, Matsumoto, Nitti, Papadopolus DUO – Le lettere di S. Paolo

Laricchia, Matsumoto, Nitti, Papadopolus DUO – Le lettere di S. Paolo

Laricchia, Matsumoto, Nitti, Papadopolus DUO

“Le lettere di S. Paolo”

Laricchia, Matsumoto, Nitti e Padapopolous formano un duo musicale innovativo, con Laricchia al piano e al trombone e Nitti alle batterie, mentre gli altri membri del gruppo non suonano strumenti.

ITA
Il duo si è formato durante un workshop di musica e spiritualità tenutosi nell’Abbazia di San Paolo fuori le mura a Roma nel 2024. Dotati di grandi capacità compositive e organizzative, ma scarsa attenzione, i quattro hanno imparato una lettera dell’alfabeto italiano a testa: la p, la a, la o e la l. Bastano infatti solo quattro lettere per sapere tutte le lettere di S. Paolo (la o viene ripetuta due volte e la S è muta).

Questo ensemble si distingue per la sua capacità di creare un’atmosfera unica e coinvolgente con semplici melodie tipiche di chi ha appena iniziato a suonare, ma vive l’urgenza di inondare il mercato musicale con il racconto della propria vita.

Con la speranza di fare cosa gradita, questo primo volume di una collana di album tutta da collezionare augura un futuro di serenità a: Corinzi, Colossesi, Efesini, Filippesi, Galati, Romani, Tessalonicesi.

“A voi ho trasmesso quello che anch’io ho ricevuto” (1 Corinzi 15:3).

ENG
Laricchia, Matsumoto, Nitti, and Padapopolous form an innovative musical duo, with Laricchia on piano and trombone and Nitti on drums, while the other members of the group do not play any instruments.

The duo was formed during a workshop on music and spirituality held at the Abbey of St. Paul Outside the Walls in Rome in 2024. Gifted with great compositional and organizational skills but lacking in attention, the four learned one letter of the Italian alphabet each: P, A, O, and L. Only four letters are needed to spell out “S. Paolo” (the O is repeated twice and the S is silent).

This ensemble stands out for its ability to create a unique and engaging atmosphere with simple melodies typical of those who have just started playing but feel the urgency to flood the music market with the story of their lives.

With the hope of being appreciated, this first volume of a collectible album series wishes a future of serenity to: Corinthians, Colossians, Ephesians, Philippians, Galatians, Romans, Thessalonians.

“I passed on to you what I also received” (1 Corinthians 15:3).

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posted 22 November 2024

El Buga – Campo de Deportes Mixtape

El Buga – Campo de Deportes Mixtape
[pnmxt008]

El Buga

“Campo de Deportes Mixtape”

Pueblo Nuevo Netlabel se complace en presentar “Campo de Deportes”, un mixtape creado por el productor electrónico chileno El Buga, conmemorando los 19 Años del sello.

Este mixtape es un ejercicio de tomar dentro del vasto catálogo de Pueblo Nuevo, pistas que se puedan llevar al plano de la pista de baile, siendo el baile una de las formas más completas de ejercicio. Desde el dub, al house, la cumbia y el hip-hop, la idea de conectar y poner en valor distintos ritmos es parte de mi exploración personal en la música, lo que me llevó a conectar desde el principio de mi búsqueda con el sello.

Pueblo Nuevo Netlabel is pleased to present “Campo de Deportes”, new mixtape by Chilean electronic producer El Buga, celebrating the label’s 19 years.

This mixtape is an exercise of taking from the vast Pueblo Nuevo catalog, tracks that can be taken to the dance floor, dance being one of the most complete forms of exercise. From dub, to house, cumbia and hip-hop, the idea of connecting and highlighting different rhythms is part of my personal exploration in music, which led me to connect from the beginning of my search with the label.

El Buga
(Santiago, Chile. Noviembre / November 2024)

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posted 16 November 2024

Warrego Valles – TURBO

Warrego Valles – TURBO

Warrego Valles

“TURBO”

After deconstruction comes the time for reconstruction. Holding a mirror to the dystopian world, Warrego Valles seek hope through humorous materialism. Returning from abstraction on last album to words and meanings, they juxtapose contemporary techno-pop electronic styles with activist utterances and ironic cynicism, queering both genres and languages in the process. On TURBO, Warrego Valles boldly present an authentic and highly potent fusion of pop and progressive sensibilities, ranging from avant-hyperpop with echoes of happy hardcore to trap, electroclash, and Balkan turbo-folk vibes. This masterfully produced sonic package sits firmly between underground club culture and radio-friendly wake-up calls.
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posted 15 November 2024

SPBDD – WE

SPBDD – WE
[pn237]

SPBDD

“WE”

WE significa Peores Enemigos (Worst Enemies) y es un paisaje sonoro elaborado únicamente con audios de retransmisiones de canales de noticias de algunos de los tiroteos masivos ocurridos en Estados Unidos en los años 80s y 90s. WE es un collage sonoro que evoca desesperación y violencia, crea un estado de ánimo oscuro y pretende inquietar y conmover a quienes escuchan hacia el reino del caos que emerge de las situaciones sociales que sirven de muestra sonora y visual. Un álbum para exorcizar la influencia de la propaganda estadounidense.

WE stands for Worst Enemies and is a soundscape elaborated solely with audio from news channel broadcasts of some of the mass shootings that occurred in the United States in the 80s and 90s. WE is a sound collage that evokes despair and violence, creates a dark mood and intends to disturb and move the listener into the realm of chaos that emerges from the social situations that serve as sound and visual samples. An album to exorcise the influence of American propaganda.

Sara Amor
(São Paulo, Brasil. Octubre / October 2024)

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posted 05 November 2024

Niclas Tamas – Roads Through the Mirror – 1. Spirituality: Climbing the Light

Niclas Tamas – Roads Through the Mirror – 1. Spirituality: Climbing the Light
[zen298]

Niclas Tamas

“Roads Through the Mirror – 1. Spirituality: Climbing the Light”

Roads Through the Mirror is a conceptual music project spanning 11 orchestral pieces, each approximately an hour long, with a completion timeline of 4-5 years.

Inspired by Andrei Tarkovsky’s films and Marcel Proust’s exploration of time, the series aims to musically articulate themes like spirituality, nostalgia, dreams, and nature.

The project delves into the Time-Space-Thought Theorem, utilizing Sonic Archetypes to explore the interconnectedness of human existence through music.

Theme 1: Spirituality – Climbing the Light
Exploring ascension and enlightenment through sound

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posted 22 October 2024

TKno BeurK – METAVERSE

TKno BeurK – METAVERSE
[LCNLP195]

TKno BeurK

“METAVERSE”

What a strange “Best Of” ?

“Electromotorik Hardtek for Post-Industrial lovers”

Outrageous long for a best of indeed, but how to make a smaller one with such a project ?
I wanted to make it since few years in fact, but it’s only with the DRACO accident that I understood I’ve got the final piece of this puzzle. I recorded a two hours session with my very enjoyable new set, I listened it and it was pretty like a new start for the project, but the morning after when I wanted to edit it, I was no more able to listen it, the sd card had a problem, and after the fix the data was moved on another track impossible to be read. Then I only had the seven last minutes on another track, this is this DRACO track. So I kept only that rescued part and decided that it’s fine like this. What would have been able to do with so many music when the two parts of METAVERSE are already 6h long ? I had planned to add already 2 other unreleased tracks Night And Day & Day And Night, but more would have been too much.

I need to explain a little the origin of this project it was at a time I noticed that in the concerts as well than beer drinkers only need a drummer for enjoy the music,
the same way the ravers only need a bumper. That’s why the early steps were without any rhythm at all. From this kind of enjoyable challenge came something like forty cassette tapes of improvisation called “Agonies”.
The reason of the name is because of the electric charge I was receiving while playing, doing the junction with my fingers in the electric circuit of old toy synthesizers.
It was a strange sensation, this electric venom making my glottis curl up all the session long. Next I began to use an electric frequency generator.
Strange “best of” because there is none of this agony tapes. From the early time I only kept two tracks from Necktar compilation. So no one will ear early tapes like the insane concerto for whales or the last state of euphoria…
Also in electronic music there is often remix albums, a way to connect with friends :
S K U M / Berthelot / Damaryliss / Flying Species / KHAOMAN / MARUDA / ardleg / Planetaldol / M. Nomized. The upgrade album being done by Studio112.
For METAVERSE, You have a first part track 01 to 17 only solo.
and the second part 18 to 33 with friends.

Video Art Clips are here https://www.youtube.com/playlist?list=PLAOQS2lpu2SShl82PfL74l5VirrmkDbkC

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posted 03 October 2024

mousemix100 (October 2024)

mousemix100 (October 2024)

Download: https://archive.org/details/mousemix100

  1. Unearth Noise with Henry Koek – the real way to the way out
    https://tcfsr.bandcamp.com/track/the-real-way-to-the-way-out
    https://creativecommons.org/licenses/by-nc-sa/3.0/
  2. Julien Palomo + Fabien Robbe – #12
    https://mahorka.bandcamp.com/track/12
    https://creativecommons.org/licenses/by-nc/3.0/
  3. Kevin Miller – imbued
    https://nachtstuckrecords.bandcamp.com/track/imbued
    https://creativecommons.org/licenses/by-nc-nd/3.0/
  4. Swamp Donkey – The Unknown And The Unanswered
    https://archive.org/details/when-the-sun-goes-down
    https://creativecommons.org/licenses/by-nc-nd/4.0/
  5. Wahn – Maybe Tomorrow
    https://mahorka.bandcamp.com/track/maybe-tomorrow
    https://creativecommons.org/licenses/by-nc/3.0/
  6. Ambi Case – Autumn Leaves
    https://petroglyphmusic.bandcamp.com/track/ambi-case-autumn-leaves
    https://creativecommons.org/licenses/by-nc-nd/3.0/
  7. Takuyoshi Fujiyama – Frankfurt, Germany
    https://mimirecords.bandcamp.com/track/frankfurt-germany
    https://creativecommons.org/licenses/by-nc-nd/3.0/
  8. Alessandro Ciccarelli / Theo Jörgensmann / Lorenzo Santoro – Caph
    https://plustimbre.bandcamp.com/track/caph
    https://creativecommons.org/licenses/by-nc-nd/3.0/
  9. XAVIER CORBERA – Nosfer i els Outsiders
    https://archive.org/details/XavierCorberaFissures
    https://creativecommons.org/licenses/by-nc-sa/4.0/
  10. Kecap Tuyul – The Horizon You Draw
    https://kecaptuyul.bandcamp.com/track/the-horizon-you-draw
    https://creativecommons.org/licenses/by-nc-sa/3.0/
posted 01 October 2024