released October 16, 2025
Music and lyrics by BearCloud
Mastering by Kryštof Kříček
Recorded, mixed and produced by Šimon Havelka at home studio in 2025
Cover art by Šimon Havelka
Se trata de una improvisación grabada en una sola toma, sin edición, que se desarrolla con un clima denso y por momentos agobiante. Los bucles y samples están presentes como en trabajos anteriores pero en este caso se suman elementos melódicos que contribuyen a la espesura del ambiente creado.
El arte de tapa forma parte de una serie de imágenes creadas con inteligencia artificial, continuando lo propuesto en la portada de 19225, anterior lanzamiento por Fuego Amigo Discos.
——
22825 is the fourth solo release by Jus Recondo, and the second through the label Fuego Amigo Discos.
It is an improvisation recorded in a single take, without editing, that unfolds in a dense and at times overwhelming atmosphere. Loops and samples are present, as in previous works, but this time melodic elements are added, contributing to the thickness of the created environment.
The cover art is part of a series of images created with artificial intelligence, continuing the concept introduced on the cover of 19225, Recondo’s previous release with Fuego Amigo Discos.
There’s something strange – and clearly, not good. Life, stifled. Free expression, caged.
The next chapter is unwritten. Consider picking up a pen.
Featuring clarinet.
Abig thanks to all artists involved
Enjoy the Country Music!
Redeem codes
petroglyphmusic.bandcamp.com/yum
released October 16, 2025
Luboš Fidler – classical guitar, bass guitar, field recording, mix & remix
Matěj Fidler – handpan
guests:
Zdeněk Konopásek – drums and cymbals, trumpet
Štěpán Pečírka – voice
Jan Štolba – sax
music:
Luboš Fidler, Matěj Fidler
played and recorded 2022 – 2024 at Studio Albern, Albeř (cz)
sax recorded at Dvacítka, Prague (cz), díky Jano
trumpet and drums recorded by Zdeněk in Zadní Třebaň (cz)
https://23diskettes.bandcamp.com/track/notturno-10
The Necrophile Hummingbird netlabel presents GLAUKO PSYCHE by Multiple Personality 3
“Darkwave Psychedelic Rock for Desperate Triphop Lovers”
Don’t you see it’s not the end of your world,
but the end of the old one?
A seed has slipped into the well-oiled machine.
A seed has grown, and the gears have come undone.
A seed transforms —
its roots grow within each of us
and join beyond.
The source is love,
and our minds are trees whose branches brush one another,
whose leaves dance together
in a vast, living whole.
They play with the light,
and on our faces appear
new shapes —
unthought,
unthinkable.
Our bodies rest on the sand,
and our minds drift upon the ocean.
Don’t you see it’s no longer the shore of the old world,
but the dawn of the new one?
It took me 3 years to get the definitive lyrics. 5 years since the first track recorded. But at least it’s done.
The Xerces blue butterfly (Glaucopsyche xerces) is the first US insect species that scientists recognized went extinct because of humans.
The short version of the first track is here
https://zonefusion.bandcamp.com/track/dont-let-the-pupa-waste-her-life-part-1
Rácz Mihály (HR+, Hideg Roncs – ambient, drone revisions)
Sipos Róbert (ROBotron, NoiseSculptor – techno, noise, drone revisions)
Jäger Ádám (jagarin – artwork, vocals, samples from Search At)
„ReSearch At” is HiNoGar’s second full-length manifestation, created at 2025 spring from the first album, „Search At” tracks and a compilation track with some new sounds. The performers on the re-worked, but absolutely new album are HiNoGar members – but under other aliases.
1, 2. 1 te 2 te. 1-ti-te-ta 2-ti-te-ta. 1-ta-la-ta-li-ta 2-ta-la-ta-li-ta. Hamburger.
Featuring a Wittner wooden metronome and clarinet.
![Koichiro Okada – [Pertin-nce 108] Koichiro Okada – Aqua](https://f4.bcbits.com/img/a3747681270_10.jpg "Koichiro Okada – [Pertin-nce 108] Koichiro Okada – Aqua")
I hope you will enjoy it as much as i do.
Koichiro Okada
soundcloud.com/koi
Pertin-nce
soundcloud.com/pertin-nce
Finally, the origin is discovered – the home planet of counterpoint, the source of fugues. It was always implausible that such balanced beauty was chained to one planet – and now we confirm that these semi-symmetric vibrations are at home throughout the universe.
Featuring Bach’s otherworldly organ prelude BWV 649, chromatically shifted and with effects.
Σφαῖρα, an EP inspired by ancient Greece, wasn’t just a geometric shape, it influenced their understanding of both the Earth and the universe.
What begins as light ambient soundscapes slowly transforms, drawing you into a world of resonant drones. It’s an exploration of sonic depth, from the subtle to the profound.
Larv is an intimate diary for the future, moved by water and constant change. Human, as a water body — fluid, permeable, and susceptible to internal tides — is an integral motif behind the compositions that gently unfold through drifting voices, crunchy field recordings, modulated electro-acoustic samples, and synthetic glitch-style tones. Imperfections, artifacts, and instability are not hidden but embraced, sounding the traces of a connected body in flux. Through exploration and learning, the water body can become a body of quiet resistance, communicating through shifting states.
Originally self-released in 2021 and later physically released by Liminal Garden and Hushtones, Everywhere At The End Of Bikini Bottom is now will available from No Problema Tapes in a brand new double cassette edition.
“memories shifting and fading away like sand
i’m sorry, friends”
A surreal ambient/vaporwave parody of The Caretaker’s legendary album Everywhere At The End Of Time is a cult favourite by The Spongetaker (aka Vappasko), capturing the slow dissolution of memory in the depths of Bikini Bottom.
