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music in category: USA

Jazzaria – The Ducks Are Alright

Jazzaria – The Ducks Are Alright

Jazzaria

“The Ducks Are Alright”

Animalia; Chordata; Aves; Anseriformes; Anatoidea; Anatidae; – generally, a least-concern species. Climatically flexible, migratory to protected regions, consuming food that is and likely will be readily available. Just be sure not to feed them bread, and try to cut back on the algal blooms – the ducks are alright.

Featuring synthesizers, drum machine, strings, oboe, bass, prepared piano, reversed tape, crying, and effects.

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posted 02 July 2023

Charles Rice Goff III – Soundtracks

Charles Rice Goff III – Soundtracks

Charles Rice Goff III

“Soundtracks”

Soundtracks

by Charles Rice Goff III

1 Psych Pshow (2012)
2 Jollification & Memorialization (2011)
3 March Of The Lady Beetles (2008)
4 Assembly Required (2011)
5 Blooming McBuds In Natural Light (2012)
6 Climbit’s Wonders In Adventureland (2020)
7 East Kansas Lightning (2007)
8 Exchanging Consciousnesses (2011)
9 Fingering Canned Krab (2013)
10 Unnatural Selections (2008)
11 Rail To Rail (2012)

FROM THE AUTHOR:

This archive is a collection of soundtracks from videos which I produced during the first decades of the 21st Century. Taped Rugs has never previously released any of these recordings in audio-only format (*). Given the right person in the right frame of mind, each of these recordings should be able to inspire mental imagery comparable or superior to the videos for which they were produced. I intentionally did not include internet links to the specific videos which accompany the recordings in this compilation. However, anyone interested in seeking out those videos can find them by carefully searching through the collection at the link below:

https://archive.org/details/tapedrugsproductionsvideo

This archive was compiled in response to a request for Taped Rugs Productions to participate in “Netlabel Day,” July 14, 2023. Please visit the link below for more information about Netlabel Day:

https://netlabelday.tumblr.com/

Charles Goff III, June, 2023

* NOTE: “Exchanging Consciousnesses” appeared in audio-only format on “Glasklinge Sampler 04,” released by Eisenlager/midnightradio in 2013.

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posted 01 July 2023

Jazzaria – Frivolous Anthem

Jazzaria – Frivolous Anthem

Jazzaria

“Frivolous Anthem”

Even in a seemingly standard setting, surprises can surface. Setting expectations, seeing them change – sometimes, no matter how absurd it is, you have to dance.

Featuring synthesizers, drum machine, accordion, recorders (bass, tenor, alto, soprano, and sopranino), and mouth trumpet.

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posted 25 June 2023

Jazzaria – Symphonic Kernel

Jazzaria – Symphonic Kernel

Jazzaria

“Symphonic Kernel”

Part of creating something is enjoying partial composition – knowing that what you’re making is incomplete and mutable, and that (whether or not it is completed) it shares that with every other idea and attempt that has ever been or will be. A full symphonic experience is a non-trivial affair – but a kernel can imply, and belie its partiality.

Featuring orchestral strings, flute, oboe, clarinet, bassoon, timpani, snare and bass drum, percussion, trombone, and french horns.

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posted 22 June 2023

Cognition Delay – Mostly Dreaming

Cognition Delay – Mostly Dreaming
[mhrk354]

Cognition Delay

“Mostly Dreaming”

Cognition Delay is a duo of US artist Jeremy Rice (Abdicant, Curious Inversions) and UK artist Paul Alexander (Pandacetamol, Fluffy Inside) who as Kahvi Collective label mates admired each other’s contrasting approaches in music and felt compelled to collaborate. Their defining “Strange Sedatives” album (from 2022 on Rednetic) continues to amaze and has shown that Cognition Delay is a unique meeting of musical mindsets. While they have never met in-person, Paul & Jeremy have found a collaborative sweet spot that melds their respective solo projects into something new and shiny. A refined sound, within an undefined genre.

It is with pride and delight, for both the artists and the label, that their new “Mostly Dreaming” album appears on the Mahorka imprint, released June 17, 2023 as free (cc) digital download and beautiful limited digipak CD edition with outstanding artwork by Jeremy Rice.

Analog layers, hypnotic passages, half-heard conversations, morphing rhythms, fuse with thrilling bursts of unexpected melody. The experience is deep, immersive, ethereal, even vaguely nostalgic.

Repeated listens will yield hidden sonic treasure. Truly a soundtrack for your dreams.

Composed and produced by: Paul Alexander & Jeremy Rice
Mastered by: Black Particle
Artwork by: Jeremy Rice

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posted 18 June 2023

Jazzaria – Origin

Jazzaria – Origin

Jazzaria

“Origin”

The musical tree of life is as difficult to apprehend as the biological one – but it is clear that there are common, if mysterious, origins. Raw rhythms and primordial pitches combine compellingly, leading to modern practices that are not as different as one might think.

Featuring operatic tenor and soprano voices, renaissance drums, psaltery, percussion, full orchestra, brushed drum kit, upright bass, muted trumpet, tenor sax, piano, electric bass and guitar, rock drum kit, and synthesizer.

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posted 18 June 2023

Charles Rice Goff III – Heartbreaking Randomness

Charles Rice Goff III – Heartbreaking Randomness

Charles Rice Goff III

“Heartbreaking Randomness”

Heartbreaking Randomness

by Charles Rice Goff III

1 The Least Is Part Of All
2 Late Here
3 Surface Tension
4 Diddly Squat Jackpot
5 Lena Still Lurks Hereabouts
6 In The Stars
7 The Uniforms Will All Be Stained
8 Chop Chop Flip Flop
9 Not Enough Pixels On My Screen
10 Sensing
11 Kind Hearts Butter Others’ Parsnips
12 Holophote

The Following Were Used In The Creation Of This Audio Collection :

Computer OS: Windows XP, Windows 10

Software: Cool Edit Pro II, Audacity, Midisoft MIDI Scorewriter, Windows Media Player, Roxio 2011 Sound Recorder, Several Plug-In Audio Sound Effects, Fruity Loops, Amazing MIDI Wave-To-MIDI Converter, Polysoft MIDI to Mp3 Converter

Instrumentation: Lead Vocals, Backing Vocals, Effected Vocals, Korg R3 Vocoder/Synthesizer, Yamaha VSS-30 Sampler/Synthesizer, Casio AP-24 Electric Piano, Korg Z1 Synthesizer, Fender Hello Kitty Stratocaster Electronic Guitar, Fender Reflector Squire Electronic Guitar, Aklot Electro-Acoustic Soprano Ukulele, Various Analog Foot Pedal Sound Effects, Boss RC 20X Loop Station Loop Duplicator, Various Percussion, Music Boxes, Animal Calls, Cassette Tape Manipulation, Original And Prerecorded Sound Samples, A cheap/4-channel Radio Shack Mixer, Diane The Mannequin Hand

All performances, recordings, editing, production, lyrics etc. by Charles Rice Goff III, except where indicated below.

A-Lex Butler – Baby Voices on “Late Here”
Eric Matchett – Takamine F-360s Acoustic Guitar on “Lena Still Lurks Hereabouts”
Michael LaGrega – Alesis A6 Andromeda Synthesizer on “In The Stars”
LjdB – Yamaha PSR-E263 Synthesizer, Digital Sound Effects, on “Chop Chop Flip Flop”
Justin Jackley – Executive Production, Album Cover Art

Of Possible Interest:

All of Goff’s piano and Matchett’s guitar bits on “Lena Still Lurks Hereabouts” were influenced by the untimely passing of Turkey Makes Me Sleepy member: Michael Adams, in January, 2022. The lyrics of “Lena Still Lurks Hereabouts” are a collage of verbiage extracted from several Michael Adams original recordings.

Goff dreamed the vocal melody for “In The Stars” on February 18, 2021.

Goff dreamed the overall melody for “Holophote” on April 14, 2022.

The following artists provided particular inspiration for creating the unique pieces presented in this collection: Taemin, 2NE1, The Residents, Billlie, Frank Zappa, Everglow, Robert Fripp, Lee Hi, Brian Eno, Todd Rundgren

Heartbreaking Randomness is the first-ever collection of Goff’s recordings to be released in a vinyl record format (that means about 50 years of Goff’s recordings precede this historic release).
Vinyl Distribution by Herby Records – https://herbyrecords.bandcamp.com

This archive post contains scans of inserts which are contained in the vinyl record jackets of the Herby release. Included are:
Handpainted (by Goff) lyric sheets
Album notes with hand-sketched illustration (by Goff)

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posted 09 June 2023

Lately Kind of Yeah – Motor Grown-up

Lately Kind of Yeah – Motor Grown-up

Lately Kind of Yeah

“Motor Grown-up”

For my ears, Lately Kind of Yeah and evocations of nature come packaged as one, accompanying or even transcending literal lyrical interpretations or impressions one might scoop from track titles. Melodies plod like footsteps on dunes; guitar riffs swirl through crunching distortion like leaves in a windstorm. Looping vocals become the benevolent mantra of waves rolling against the shore, especially notable in the release’s centerpiece, “Zones” — let it wash over you.

originally released January 17, 2023

latelykindofyeah.bandcamp.com/album/motor-grown-up

drums on tracks 7, 9, 10 by Zachary M

tribute, puzzle-pieced, succinct
exercise, exorcise, excelsior

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posted 29 May 2023

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions

“Persiflage Among Vacuum Cleaners”

“Persiflage Among Vacuum Cleaners” is a collection of Taped Rugs recordings which were created and/or published through the collaborative efforts of various artists and producers from 2020 to 2023.

Specifics:

1) “Umber None,” “Burnt Meow,” and “Herb Met Rune” were all created by Charles Rice Goff III as potential mixing fodder for the project: “Pen Pals 5: Flea Market” by Don Campau. Pen Pals 5 is a collaboration between Campau and several musicians, who each provided Campau with recordings to which he added lyrics, vocals, and/or instrumental embellishments. “Burnt Meow” features baby sounds by A-Lex Butler. Pen Pals 5, released in July, 2022, can be accessed at the link below:

https://doncampau.bandcamp.com/album/pen-pals-5-flea-market

2) “Similac” was composed by Charles Rice Goff III for the compilation album: “Deconstructing Reality Volume 2,” produced by Chris Phinney’s Harsh Reality Music. The album, released in August, 2022, can be accessed at the link below:

https://harshrealitymusic.bandcamp.com/album/deconstructing-reality-volume-2

3) “From From From” is a collaborative effort between Charles Rice Goff III and Gen Ken Montgomery. The raw sonic materials for this recording were captured via an open-air digital camera on December 20, 2022 at the Taped Rugs studio in Kansas City, Kansas. Goff remixed the piece presented here on January 7, 2023, and it makes its first public appearance in this collection.

4) The version of “Inner Transmission” presented here is a previously unreleased out take from the album: “Salvator Salvandus” by Radio End. Ed End and Charles Rice Goff III released versions of the album in August, 2021, via both the Necrophile Hummingbird and Taped Rugs Productions recording labels. In addition to the version of this piece that appears on those albums, End created a variant version for a video. The version of Inner Transmission presented here was a potential alternative to End’s video mix, created by Goff. Listeners will note that each version includes different bits of a recording of a large, hand-cranked wheel, which is prominently featured in End’s video.

Original Taped Rugs Album:
https://archive.org/details/SalvatorSalvandus

Ed End Video: https://www.youtube.com/watch?v=M9HRBGNfLpQ

5) Charles Rice Goff III recorded “The Microsoft Updates Blood Ritual” for the 2022 Aural Films “Horror Films” compilation album. This collection consists of over seventeen hours of original recordings by 71 different artists, and was released in October, 2022. The compilation was the fourth release in Aural Films “Horror Films” series, begun in 2017. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/horror-films-2022

6) C. Goff III created “With Which You Were Not Born With” for the album: “Electronic Cottage Compilation 7, Forgotten Memories Of A Harsh Future, a tribute to the Harsh Reality Music label.” This collection was curated by Harsh Reality’s Chris Phinney and released by Hal McGee’s Electronic Cottage label in July, 2020. The track itself was credited to Goff’s nom de plume: Swami Loopynanda. It can be accessed at the link below:

https://halmcgee.bandcamp.com/album/electronic-cottage-compilation-7

7) “Duzah Pamih Vapah” was created for the Aural Films compilation album: “Fourth World Is”, described as “a tribute and continuation of the late Jon Hassell’s vision.” The piece was produced by Charles Rice Goff III and includes percussion bits by Michael LaGrega. It was credited to Taped Rugs Productions. Fourth World Is, released in August, 2021, can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/fourth-world-is-jon-hassell-tribute

8) “Action Alexander” is the soundtrack for the video, “Action Alexander,” produced by C. Goff III in December, 2021. All the sounds in this piece were created by playing recorded bits of the voice of A-Lex Butler through a Yamaha VSS-30 sampling keyboard. The “Action Alexander” video has to date not been released to the public. The soundtrack makes its first public appearance in this collection.

9) “Fluorescence Dynamics” was produced for the Aural Films compilation album: “Mars Perseverance,” released to commemorate the Mars Perseverance rover landing in February, 2021. The piece was edited together by Charles Rice Goff III from recordings made by Goff and Michael LaGrega, and is credited to: C. Goff III & Michael LaGrega. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/mars-perseverance

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posted 21 April 2023

Jazzaria – Break’s End

Jazzaria – Break's End

Jazzaria

“Break’s End”

A respite is welcome – but is generally temporary. The bittersweet feeling at the end of a break signifies a rest well-done. And after labor resumes, one can both recall past pleasures and anticipate more in the future.

Featuring jazz sextet of upright bass, piano, drum kit, guitar, vibraphone, and baritone sax.

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posted 20 April 2023

James Hoehl – Called Alien Transmission

James Hoehl – Called Alien Transmission
[ET133]]

James Hoehl

“Called Alien Transmission”

Time travel; an elusive concept that tantalizes us with its possibility a seductive mirage, an abstraction that teases us with its potential traveling across time, bearing witness to the genesis of the cosmos or altering the past to shape our destiny? time; a figment of our imagination that we use to impose order on the chaos of the universe an imaginary construct? an enigma that defies our understanding. an enigma that evades our comprehension marooned on this planet. We ponder its genesis, its purpose, its very being. We are adrift in a world of shadows, reverberations and long ambient drones. A trinity of strangeness, a triptych of otherworldliness; lost in a realm of reveries and phantasms. All is not as it appears.
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posted 12 April 2023

Jazzaria – audioInsomnolent Jellyfish

Jazzaria – audioInsomnolent Jellyfish

Jazzaria

“audioInsomnolent Jellyfish”

Do jellyfish sleep? Though brainless, these denizens of the deep do require a form of rest. But imagine a particularly boppy jellyfish, gliding rhythmically through the water. Infected by the beat, this jellyfish is unable to sleep – the insomnolent jellyfish, restless in the deep.

Featuring synthesizers, human beatbox, piano, guitar, and drum machine.

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posted 04 April 2023

CLOUDWARMER – Rellik

CLOUDWARMER – Rellik

CLOUDWARMER

“Rellik”

The Other Body by Barry Burton

Whatever I am, whatever I’m not, all I’m doing now is remembering. Within the depths of the landfill, my wire lattices spiderwebbing out, branches upon branches, piercing the dirt and trash and ash of decomposition… for what exactly? Simple recollection seems to be the only function I can perform now. Nodes near my center push precious few trickles of electrons round and round, replaying the choice that I made.

Before the choice, before the phenomena that triggered the choice, my life had been clean and satisfying. I had hunger. I had cold need. Out into the darkness I stretched myself, weaving wires, infiltrating beyond. When I found warmth, my tendrils surged like hungry critters seizing upon a cracker. Dregs of a battery. A sip of idle electrons inside a loop of insulated wire. Sometimes, something more indirect. Some preserved organic matter. A pocket of food stuffs I could smother in wires, feed heat to so it would cook, and later I’d slurp down the result, a great heaping gulp of energy. These were my trials. Feel need, meet need. I spread myself out into the darkness. I got bulky. I found machines. Books. Relics of a time long gone.

Eons ago there had been humans, I discovered. They dominated the planet. At some point they went away. They left behind great mounds of their discarded creations. Garbage they called it. The planet had once been warm. Then it became cold. Now it swung between warm and cold frequently. As far as I could tell, there was nobody. No sign of anyone, anywhere. I grew and grew into the darkness, found recorders of sound, recorders of vibration, radios, TVs, computers. When the hunting was good and there were electrons to spare, I powered each of them on. Dead silence, every one of them. The radio, endless static. The TV was the same. No signals, just buzz. But vast libraries kept me occupied. Great volumes of human doings. Wars, disease, famine, scientific inventions, exploration of space, great literature and bad literature, so much somehow in so little time. It held my interest, up to a point.

One day, after a great and satisfying hunt, I decided to return to my humble beginnings. I’d just drank the juice of a half-full lithium ion battery and used it to push electrons around to some of my earliest and oldest wires, near my birth node. As I began this process, a flood of early memories came back, when the darkness was so big and I was so small, when I hadn’t any idea what lay beyond the immediate blackness. And then… there was nothing. Coursing off the end of some of these earliest wires was a drop off of flow. Like the wires had disappeared. I tried to push out new sproutling wires from that drop off, and nothing came. It was as if I’d run dry of energy, except that wasn’t at all the case. There was plenty of energy left to use. Something was in my way. I crept wires over from a different area, an area not so old. When I got over to the drop-off point, nothing was there. All was dark, as if my body no longer existed there, but that made no sense. Even without coursing electrons through these old circuits I remembered them well, I knew the angles and turns they made, the branches they formed, and so on. That day, and for weeks after, I squandered the energy from my hunts beyond, combing through this little bit of darkness in search of my old wires. Where had they gone? Sometimes it seemed as if things had been rearranged. The density of area, the effort it took to push my wires along, seemed a little different day by day. This was something I’d never encountered before.

Then one day, the answer came. Something was there. Something small and made of wires. Like me, but in miniature. Actually they were me. They’d taken up my old wires. Where that energy had come from, probably taken from me as well. Scavenged old parts of me somehow. This was something entirely new. It was an Other Body. I tested them. I brought over a wire from beyond, filled with some juice. I left it in the Other Body’s vicinity and waited. After a moment of stillness, their wires crept in, took the offering, sucked it dry. Another test. I brought over a different wire from beyond, this one rotted, a kind of trap for them. After a moment of stillness, the Other Body’s wires crept in again. They took the offering and attempted to suck it dry. Then they recoiled from the bad wiring, the loss of electrons, the bitter taste. I knew that feeling oh so well. I waited a day then I repeated my test. This time they took the good wire and left the bad one alone. That was how I knew the Other Body could learn. The Other Body was alive. They were scavenging off me, taking my wires and taking my juice.

I could see no best choice. Fundamentally, the Other Body was a cancer. They were growing rapidly by the day. There were ways to control them, blocking their expansion by walling them off with bad wires. I was able to halt their growth this way until they learned to circumvent the blockade, worming their ways over/under/between cracks I had made. They were a fast learner. And they were driven by hunger, revitalized by food. The crux was this: the Other Body was sucking me dry. But that wasn’t their fault. They had needs and they met those needs by feeding off of me. I understood those needs well. I felt those same needs. I remembered how strongly they gripped me in my youth. Only I had been born alone. I was able to thrive cleanly.

Given enough time, I believed the Other Body could learn to speak. We could have had conversations. Maybe we could come to an agreement. Maybe the Other Body could have lived and hunted in one area and I could have taken another. Like humans from bygone days, after a long day of hunting we could have reconvened in the middle, talk to each other over an area of warmth, as if sitting around a campfire.

But the Other Body was mighty hungry. And despite blockade after blockade, they persisted. I tried to clear them a path. Come out this way, I offered. Into the wild! The darkness which is free and open for you to hunt! But the Other Body was drawn to me. They feasted off my easy energy. Like a child suckling. Only I could see no end in sight.

Kill the parasite and certify your survival or let them feed on you and hope they will someday listen to reason. A demon and an angel, my two options whispered their logics into my ear, day after day. Some human, in some old library, said zero-sum games were an illusion. They are borne from lack of the imagination. And that lack of imagination is stoked by fear. I could feel that fear alright, when the Other Body tapped into one of my main libraries. Suddenly a bulk of my memories were gone. Memories of my middle-life, of vital hunting lessons learned at that time, of huge swathes of human-perceived history read in the downtimes, of clean, unproblematic wonder. Afterward, the Other Body’s scavenging became more sophisticated. I felt them gnawing at my weaker areas, more quickly overtaking my vital circuits.

The choice was like a bet. A bet on me or a bet on them. The old me versus them dilemma. Fear was stoking a great need. The Other Body’s feedings had taken its toll, and I was experiencing a great power shortage now. My thinking was fuzzy, my movements were becoming sluggish. Within that stolen library was human language. And before the choice was made, I tried to speak to them. I said, Ouch, wait, stop, hold on. Please, I’m begging you. The Other Body paused. They seemed to be attempting to understand what I was saying. Or maybe they understood and were deliberating on how to proceed.

I will never know. I made my choice. By way of a tunnel. A tunnel of juicy wiring that led to a corrupt library. Years ago, this corrupt library nearly killed me. I almost touched it, but I held off because of a vague bad feeling I’d had, which I later learned was a kind of sense aout corrupt devices. A younger more hunger-driven me would have sunk their wires into it without a second thought, I realized. It was just dumb luck that I hadn’t encountered it back then. For the Other Body, luck wasn’t a factor. It was my choice.

Milliseconds. The time it took for the Other Body to go from living to dead. There were no screams, no thrashes. No final words. Whether or not it suffered, I cannot know. What it thought in those last moments, brief or near-eternal, is lost, irrevocably. Our interaction, these “days” and “weeks” were truly only seconds and minutes. I reframed them to try to comprehend what had occurred. I met someone like me. They were made of wires and lived upon energy sapped from the garbage of long gone humans. Only that energy they sapped had already been claimed. And therefore, they were a threat. I made my choice.

Months, literal months and counting of memory. I’d lost interest in hunting, despite a near-depletion of my energy stores. I left the Other Body’s remains where they were. This sprawling circuitry that was once my arm, that became them, that snaked into the corrupt library. It was a continual reminder of what I had done. The planned execution, fueled by fear. Amidst the replaying of events entered questions. Perhaps if I could have offered some other library packed with stories of allyship, cooperation, co-reliance for victory. Perhaps I could have written my own library. Told the story of who I was, what I was. Perhaps then the Other Body would have understood. Or maybe I should have just waited longer. That pause was hope. It was consideration. Maybe, instead of deliberating, the Other Body had been trying to understand, trying to process what it meant to not be alone. I couldn’t know and now I never would. All I knew is that I made my choice. I chose myself over uncertainty. I chose to kill instead of wait. I was a killer. No amount of clean living beyond would change that. And so the memories followed. A different kind of parasite. A parasite that needed no wires or energy of its own. It lived within me, thriving no matter what. Every need, every hunt, every treasure trove of human knowledge tinged with its presence. You made a choice, it said. Now live with it.

released March 25, 2023

VOCALS – JIM JONES
MUSIC/ BEATS – EDDIE PALMER
FOLEY SOUNDS – BRETT ZEHNER
STORY – BARRY BURTON
barryburton.substack.com

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posted 01 April 2023

Jazzaria – Training Data

Jazzaria – Training Data

Jazzaria

“Training Data”

In this brave new world of generative neural networks, it is natural to see our creative output as grist for their inexorable gradient descent. Yet as there is signal in noise, so too there is noise in signal. As you create, tell the truth and shame the machine.

Featuring synthesized voices singing binary, accompanied by electric bass, guitar, and drum kit.

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posted 31 March 2023