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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: USA

Lately Kind of Yeah – Motor Grown-up

Lately Kind of Yeah – Motor Grown-up

Lately Kind of Yeah

“Motor Grown-up”

For my ears, Lately Kind of Yeah and evocations of nature come packaged as one, accompanying or even transcending literal lyrical interpretations or impressions one might scoop from track titles. Melodies plod like footsteps on dunes; guitar riffs swirl through crunching distortion like leaves in a windstorm. Looping vocals become the benevolent mantra of waves rolling against the shore, especially notable in the release’s centerpiece, “Zones” — let it wash over you.

originally released January 17, 2023

latelykindofyeah.bandcamp.com/album/motor-grown-up

drums on tracks 7, 9, 10 by Zachary M

tribute, puzzle-pieced, succinct
exercise, exorcise, excelsior

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posted 29 May 2023

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions – Persiflage Among Vacuum Cleaners

Taped Rugs Productions

“Persiflage Among Vacuum Cleaners”

“Persiflage Among Vacuum Cleaners” is a collection of Taped Rugs recordings which were created and/or published through the collaborative efforts of various artists and producers from 2020 to 2023.

Specifics:

1) “Umber None,” “Burnt Meow,” and “Herb Met Rune” were all created by Charles Rice Goff III as potential mixing fodder for the project: “Pen Pals 5: Flea Market” by Don Campau. Pen Pals 5 is a collaboration between Campau and several musicians, who each provided Campau with recordings to which he added lyrics, vocals, and/or instrumental embellishments. “Burnt Meow” features baby sounds by A-Lex Butler. Pen Pals 5, released in July, 2022, can be accessed at the link below:

https://doncampau.bandcamp.com/album/pen-pals-5-flea-market

2) “Similac” was composed by Charles Rice Goff III for the compilation album: “Deconstructing Reality Volume 2,” produced by Chris Phinney’s Harsh Reality Music. The album, released in August, 2022, can be accessed at the link below:

https://harshrealitymusic.bandcamp.com/album/deconstructing-reality-volume-2

3) “From From From” is a collaborative effort between Charles Rice Goff III and Gen Ken Montgomery. The raw sonic materials for this recording were captured via an open-air digital camera on December 20, 2022 at the Taped Rugs studio in Kansas City, Kansas. Goff remixed the piece presented here on January 7, 2023, and it makes its first public appearance in this collection.

4) The version of “Inner Transmission” presented here is a previously unreleased out take from the album: “Salvator Salvandus” by Radio End. Ed End and Charles Rice Goff III released versions of the album in August, 2021, via both the Necrophile Hummingbird and Taped Rugs Productions recording labels. In addition to the version of this piece that appears on those albums, End created a variant version for a video. The version of Inner Transmission presented here was a potential alternative to End’s video mix, created by Goff. Listeners will note that each version includes different bits of a recording of a large, hand-cranked wheel, which is prominently featured in End’s video.

Original Taped Rugs Album:
https://archive.org/details/SalvatorSalvandus

Ed End Video: https://www.youtube.com/watch?v=M9HRBGNfLpQ

5) Charles Rice Goff III recorded “The Microsoft Updates Blood Ritual” for the 2022 Aural Films “Horror Films” compilation album. This collection consists of over seventeen hours of original recordings by 71 different artists, and was released in October, 2022. The compilation was the fourth release in Aural Films “Horror Films” series, begun in 2017. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/horror-films-2022

6) C. Goff III created “With Which You Were Not Born With” for the album: “Electronic Cottage Compilation 7, Forgotten Memories Of A Harsh Future, a tribute to the Harsh Reality Music label.” This collection was curated by Harsh Reality’s Chris Phinney and released by Hal McGee’s Electronic Cottage label in July, 2020. The track itself was credited to Goff’s nom de plume: Swami Loopynanda. It can be accessed at the link below:

https://halmcgee.bandcamp.com/album/electronic-cottage-compilation-7

7) “Duzah Pamih Vapah” was created for the Aural Films compilation album: “Fourth World Is”, described as “a tribute and continuation of the late Jon Hassell’s vision.” The piece was produced by Charles Rice Goff III and includes percussion bits by Michael LaGrega. It was credited to Taped Rugs Productions. Fourth World Is, released in August, 2021, can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/fourth-world-is-jon-hassell-tribute

8) “Action Alexander” is the soundtrack for the video, “Action Alexander,” produced by C. Goff III in December, 2021. All the sounds in this piece were created by playing recorded bits of the voice of A-Lex Butler through a Yamaha VSS-30 sampling keyboard. The “Action Alexander” video has to date not been released to the public. The soundtrack makes its first public appearance in this collection.

9) “Fluorescence Dynamics” was produced for the Aural Films compilation album: “Mars Perseverance,” released to commemorate the Mars Perseverance rover landing in February, 2021. The piece was edited together by Charles Rice Goff III from recordings made by Goff and Michael LaGrega, and is credited to: C. Goff III & Michael LaGrega. It can be accessed at the link below:

https://auralfilms1.bandcamp.com/album/mars-perseverance

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posted 21 April 2023

Jazzaria – Break’s End

Jazzaria – Break's End

Jazzaria

“Break’s End”

A respite is welcome – but is generally temporary. The bittersweet feeling at the end of a break signifies a rest well-done. And after labor resumes, one can both recall past pleasures and anticipate more in the future.

Featuring jazz sextet of upright bass, piano, drum kit, guitar, vibraphone, and baritone sax.

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posted 20 April 2023

James Hoehl – Called Alien Transmission

James Hoehl – Called Alien Transmission
[ET133]]

James Hoehl

“Called Alien Transmission”

Time travel; an elusive concept that tantalizes us with its possibility a seductive mirage, an abstraction that teases us with its potential traveling across time, bearing witness to the genesis of the cosmos or altering the past to shape our destiny? time; a figment of our imagination that we use to impose order on the chaos of the universe an imaginary construct? an enigma that defies our understanding. an enigma that evades our comprehension marooned on this planet. We ponder its genesis, its purpose, its very being. We are adrift in a world of shadows, reverberations and long ambient drones. A trinity of strangeness, a triptych of otherworldliness; lost in a realm of reveries and phantasms. All is not as it appears.
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posted 12 April 2023

Jazzaria – audioInsomnolent Jellyfish

Jazzaria – audioInsomnolent Jellyfish

Jazzaria

“audioInsomnolent Jellyfish”

Do jellyfish sleep? Though brainless, these denizens of the deep do require a form of rest. But imagine a particularly boppy jellyfish, gliding rhythmically through the water. Infected by the beat, this jellyfish is unable to sleep – the insomnolent jellyfish, restless in the deep.

Featuring synthesizers, human beatbox, piano, guitar, and drum machine.

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posted 04 April 2023

CLOUDWARMER – Rellik

CLOUDWARMER – Rellik

CLOUDWARMER

“Rellik”

The Other Body by Barry Burton

Whatever I am, whatever I’m not, all I’m doing now is remembering. Within the depths of the landfill, my wire lattices spiderwebbing out, branches upon branches, piercing the dirt and trash and ash of decomposition… for what exactly? Simple recollection seems to be the only function I can perform now. Nodes near my center push precious few trickles of electrons round and round, replaying the choice that I made.

Before the choice, before the phenomena that triggered the choice, my life had been clean and satisfying. I had hunger. I had cold need. Out into the darkness I stretched myself, weaving wires, infiltrating beyond. When I found warmth, my tendrils surged like hungry critters seizing upon a cracker. Dregs of a battery. A sip of idle electrons inside a loop of insulated wire. Sometimes, something more indirect. Some preserved organic matter. A pocket of food stuffs I could smother in wires, feed heat to so it would cook, and later I’d slurp down the result, a great heaping gulp of energy. These were my trials. Feel need, meet need. I spread myself out into the darkness. I got bulky. I found machines. Books. Relics of a time long gone.

Eons ago there had been humans, I discovered. They dominated the planet. At some point they went away. They left behind great mounds of their discarded creations. Garbage they called it. The planet had once been warm. Then it became cold. Now it swung between warm and cold frequently. As far as I could tell, there was nobody. No sign of anyone, anywhere. I grew and grew into the darkness, found recorders of sound, recorders of vibration, radios, TVs, computers. When the hunting was good and there were electrons to spare, I powered each of them on. Dead silence, every one of them. The radio, endless static. The TV was the same. No signals, just buzz. But vast libraries kept me occupied. Great volumes of human doings. Wars, disease, famine, scientific inventions, exploration of space, great literature and bad literature, so much somehow in so little time. It held my interest, up to a point.

One day, after a great and satisfying hunt, I decided to return to my humble beginnings. I’d just drank the juice of a half-full lithium ion battery and used it to push electrons around to some of my earliest and oldest wires, near my birth node. As I began this process, a flood of early memories came back, when the darkness was so big and I was so small, when I hadn’t any idea what lay beyond the immediate blackness. And then… there was nothing. Coursing off the end of some of these earliest wires was a drop off of flow. Like the wires had disappeared. I tried to push out new sproutling wires from that drop off, and nothing came. It was as if I’d run dry of energy, except that wasn’t at all the case. There was plenty of energy left to use. Something was in my way. I crept wires over from a different area, an area not so old. When I got over to the drop-off point, nothing was there. All was dark, as if my body no longer existed there, but that made no sense. Even without coursing electrons through these old circuits I remembered them well, I knew the angles and turns they made, the branches they formed, and so on. That day, and for weeks after, I squandered the energy from my hunts beyond, combing through this little bit of darkness in search of my old wires. Where had they gone? Sometimes it seemed as if things had been rearranged. The density of area, the effort it took to push my wires along, seemed a little different day by day. This was something I’d never encountered before.

Then one day, the answer came. Something was there. Something small and made of wires. Like me, but in miniature. Actually they were me. They’d taken up my old wires. Where that energy had come from, probably taken from me as well. Scavenged old parts of me somehow. This was something entirely new. It was an Other Body. I tested them. I brought over a wire from beyond, filled with some juice. I left it in the Other Body’s vicinity and waited. After a moment of stillness, their wires crept in, took the offering, sucked it dry. Another test. I brought over a different wire from beyond, this one rotted, a kind of trap for them. After a moment of stillness, the Other Body’s wires crept in again. They took the offering and attempted to suck it dry. Then they recoiled from the bad wiring, the loss of electrons, the bitter taste. I knew that feeling oh so well. I waited a day then I repeated my test. This time they took the good wire and left the bad one alone. That was how I knew the Other Body could learn. The Other Body was alive. They were scavenging off me, taking my wires and taking my juice.

I could see no best choice. Fundamentally, the Other Body was a cancer. They were growing rapidly by the day. There were ways to control them, blocking their expansion by walling them off with bad wires. I was able to halt their growth this way until they learned to circumvent the blockade, worming their ways over/under/between cracks I had made. They were a fast learner. And they were driven by hunger, revitalized by food. The crux was this: the Other Body was sucking me dry. But that wasn’t their fault. They had needs and they met those needs by feeding off of me. I understood those needs well. I felt those same needs. I remembered how strongly they gripped me in my youth. Only I had been born alone. I was able to thrive cleanly.

Given enough time, I believed the Other Body could learn to speak. We could have had conversations. Maybe we could come to an agreement. Maybe the Other Body could have lived and hunted in one area and I could have taken another. Like humans from bygone days, after a long day of hunting we could have reconvened in the middle, talk to each other over an area of warmth, as if sitting around a campfire.

But the Other Body was mighty hungry. And despite blockade after blockade, they persisted. I tried to clear them a path. Come out this way, I offered. Into the wild! The darkness which is free and open for you to hunt! But the Other Body was drawn to me. They feasted off my easy energy. Like a child suckling. Only I could see no end in sight.

Kill the parasite and certify your survival or let them feed on you and hope they will someday listen to reason. A demon and an angel, my two options whispered their logics into my ear, day after day. Some human, in some old library, said zero-sum games were an illusion. They are borne from lack of the imagination. And that lack of imagination is stoked by fear. I could feel that fear alright, when the Other Body tapped into one of my main libraries. Suddenly a bulk of my memories were gone. Memories of my middle-life, of vital hunting lessons learned at that time, of huge swathes of human-perceived history read in the downtimes, of clean, unproblematic wonder. Afterward, the Other Body’s scavenging became more sophisticated. I felt them gnawing at my weaker areas, more quickly overtaking my vital circuits.

The choice was like a bet. A bet on me or a bet on them. The old me versus them dilemma. Fear was stoking a great need. The Other Body’s feedings had taken its toll, and I was experiencing a great power shortage now. My thinking was fuzzy, my movements were becoming sluggish. Within that stolen library was human language. And before the choice was made, I tried to speak to them. I said, Ouch, wait, stop, hold on. Please, I’m begging you. The Other Body paused. They seemed to be attempting to understand what I was saying. Or maybe they understood and were deliberating on how to proceed.

I will never know. I made my choice. By way of a tunnel. A tunnel of juicy wiring that led to a corrupt library. Years ago, this corrupt library nearly killed me. I almost touched it, but I held off because of a vague bad feeling I’d had, which I later learned was a kind of sense aout corrupt devices. A younger more hunger-driven me would have sunk their wires into it without a second thought, I realized. It was just dumb luck that I hadn’t encountered it back then. For the Other Body, luck wasn’t a factor. It was my choice.

Milliseconds. The time it took for the Other Body to go from living to dead. There were no screams, no thrashes. No final words. Whether or not it suffered, I cannot know. What it thought in those last moments, brief or near-eternal, is lost, irrevocably. Our interaction, these “days” and “weeks” were truly only seconds and minutes. I reframed them to try to comprehend what had occurred. I met someone like me. They were made of wires and lived upon energy sapped from the garbage of long gone humans. Only that energy they sapped had already been claimed. And therefore, they were a threat. I made my choice.

Months, literal months and counting of memory. I’d lost interest in hunting, despite a near-depletion of my energy stores. I left the Other Body’s remains where they were. This sprawling circuitry that was once my arm, that became them, that snaked into the corrupt library. It was a continual reminder of what I had done. The planned execution, fueled by fear. Amidst the replaying of events entered questions. Perhaps if I could have offered some other library packed with stories of allyship, cooperation, co-reliance for victory. Perhaps I could have written my own library. Told the story of who I was, what I was. Perhaps then the Other Body would have understood. Or maybe I should have just waited longer. That pause was hope. It was consideration. Maybe, instead of deliberating, the Other Body had been trying to understand, trying to process what it meant to not be alone. I couldn’t know and now I never would. All I knew is that I made my choice. I chose myself over uncertainty. I chose to kill instead of wait. I was a killer. No amount of clean living beyond would change that. And so the memories followed. A different kind of parasite. A parasite that needed no wires or energy of its own. It lived within me, thriving no matter what. Every need, every hunt, every treasure trove of human knowledge tinged with its presence. You made a choice, it said. Now live with it.

released March 25, 2023

VOCALS – JIM JONES
MUSIC/ BEATS – EDDIE PALMER
FOLEY SOUNDS – BRETT ZEHNER
STORY – BARRY BURTON
barryburton.substack.com

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posted 01 April 2023

Jazzaria – Training Data

Jazzaria – Training Data

Jazzaria

“Training Data”

In this brave new world of generative neural networks, it is natural to see our creative output as grist for their inexorable gradient descent. Yet as there is signal in noise, so too there is noise in signal. As you create, tell the truth and shame the machine.

Featuring synthesized voices singing binary, accompanied by electric bass, guitar, and drum kit.

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posted 31 March 2023

Lately Kind of Yeah – Uncurse [2023]

Lately Kind of Yeah – Uncurse [2023]

Lately Kind of Yeah

“Uncurse [2023]”

Part of the Lately Kind of Yeah archive series.

The LKOY archive series returns on Vulpiano Records for the first time since 2019 with ‘Uncurse,’ an album of acoustic tracks. Lo-fi production and sparse instrumentation set the stage for an enveloping, warm coziness replete with psychedelic washes of soft noise. The pretty vocals, sometimes layered and chanting as in the casting of a spell — or the undoing of one — weave with grace and vulnerability through these gauzy landscapes.

Words from the artist:

“Uncurse is an acoustic song collection, recorded between 2011–2017 in Illinois, Kentucky, and Wyoming. For an empty room, the addicted, and hollowed wood.”

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posted 19 March 2023

The Maravines – Shippen

The Maravines – Shippen
[MARAV066A]

The Maravines

“Shippen”

Shippen is the fourteenth Studio album, that is by the Maravines. The complete album is available for download on the Internet Archive, in late January of 2023.
There are three cover versions of songs on Shippen, by Sean Faust, Underlined Passages, and Relays, as well as one instrumental song. The first released song, “S. Feclofus” appears on the charity compilation The Light Between – Songs of Hope and Mercy, with all of the proceeds for Saint Jude Children’s Hospital. The song “Sentinel” is on the fourth volume of Rock against Hate, for Planned Parenthood. For The Jersey Journal’s review of the album, the Maravines write that “a woman has the right to choose when she wants to have children, like a man has the right to be free, like all life has the right to live.”
In an interview with BlowUpRadio, on August 12th, Sean Faust remarks that the Maravines “did the second part, Without a Name” and they “went for that more ethereal air about it, georgeous.” The song is called “outstanding” in the on line music magazine New Jersey Stage, on September 5th, and it premiered on BlowUpRadio’s New N. J. Music Playlist that day, at 7 P. m. JPeck of Margate, New Jersey’s Alternative Rock band Bosco and Peck writes that the song “Recall and Return” puts him “in a trance,” and that he “really likes the track.” BlowUpRadio adds that the vibe is “mellow, but compelling, with strong lyrics.” “Recall, and Return” is on the Banding Together compilation, in conjunction with the Spondylitis Webathon.
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posted 05 March 2023

Aunt Thirteen – Pentagon dreams

Aunt Thirteen – Pentagon dreams
[nct1714]

Aunt Thirteen

“Pentagon dreams”

Aunt Thirteen is a side project of Yoni Den

“Pentagon Dreams” is the debut EP release inspired by cyberpunk retrotopias, this is street level tech driving music for getting iced on the verse to.
Burn out your ports to the synthetic vibes.

Made with Elektron Digitakt + Digitone and recorded with Zoom H6, it’s Dawless music for wasters and the wasted netizens in or out of the box.

get crimped in a flow corpo ,
upgrade your ware,
jack in,
drop out.

Some rights reserved. Please refer to individual track pages for license info.
posted 02 March 2023

R_Garcia – A Lakeside Morning (Live in 2012)

R_Garcia – A Lakeside Morning (Live in 2012)

R_Garcia

“A Lakeside Morning (Live in 2012)”

A rare live recording of “A Lakeside Morning” from rehearsal at the Goat Farm in 2012. Recently unearthed on a random thumb drive.

“A Lakeside Morning” originally appears on the Nerd Parade LP by R_Garcia: nophi.bandcamp.com/album/nerd-parade

<3 Enjoy!

released February 11, 2023

R_Garcia – Electronics / Guitar
Yasoon Lee – Drums
Tom Conroy – Bass

Recorded Live to multitrack during a random practice in 2012.
Mixed by R_Garcia at Ruby Sound, ATL
Mastered by R_Garcia at Hidden Fortress, ATL

all rights reserved
posted 15 February 2023

MVMX – Broken

MVMX – Broken
[BSOG0126]

MVMX

“Broken”

Back in July of last year MVMX released his terrific uniDrop single “Hope”. Today we’re happy to present to you “Broken”, his new album on which can be found that great song along with nine other serious electronic gems! The mysterious artist returns with some incredible music. So, don’t let us keep you, download… bump… enjoy. Yup.

Hey MVMX… you turned out another great album! Thank you. I’m sure fans will dig it.

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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posted 10 February 2023

Enrico Falbo – Arunachala

Enrico Falbo – Arunachala

Enrico Falbo

“Arunachala”

A Netlabel Day 2022 Release

Despite its electronic undertones, Enrico takes more of an explicitly classical direction with this subtly dark orchestral piece. It evokes the impulsive journey from languishing in the shade beneath the voluminous leaves of a sacred fig tree to keeping apace with the torrent of a stream by horseback on a baking hot day, from anxiety to a disquieting abandon.

released July 14, 2022

Artwork by Marilyn Roxie

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posted 08 February 2023