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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Boyan & Bon-Psy – Legacy (Bon-Psy Remix)

Boyan & Bon-Psy – Legacy (Bon-Psy Remix)
[SFX030821]

Boyan & Bon-Psy

“Legacy (Bon-Psy Remix)”

Melancholy and dance-friendly are moods that are uncommonly found in the same track, although that is exactly what UK producer Bon-Psy offers us on his interpolation of “Legacy (To Georgi)” – originally by Bulgarian piano whiz Boyan.

The two producers Boyan and Bon-Psy are not only worlds apart when it comes to location, they traverse different realms of genre too as Boyan leans towards soul and jazz-infused chillhop, while Bon-Psy pleasures audiences with forward-thinking electronica.

Through Stereofox Records a connection was established and the result… Bon-Psy transforms the serene and stripped-down composition “Legacy (to Georgi)” by Boyan into an electrifying remix by fleshing it out with glossy electronic textures, while keeping the melancholy of the original. Its Bon-Psy’s garden-fresh sound and his ability to take risks with his music that’s frequently garnered attention, and his “Legacy” (Remix) is yet another example of him pushing the boundaries of his genre.

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posted 03 August 2021

Blacky Daylight – The Noon Era

Blacky Daylight – The Noon Era
[USC-RM-2107.0057]

Blacky Daylight

“The Noon Era”

The path to truth is thorny, passing through the palisade of mistakes and dead ends. In the old days, the people themselves became an obstacle in the way of scientific knowledge – the conservative blinkered masses, led by the blinded by religion mighty of this world. Teachings questioning God’s spark and giving a natural scientific interpretation had a high chance of being declared heresy with fatal consequences for the founders. Wandering dissolutely in the labyrinth of thoughts, scientists of the past moved by touch, mixing the scientific worldview with the occult in search of true meanings. The Church then possessed full power and law, thus the theological view of the essence of being was the defining criterion of Universal acceptance. For any phenomenon and confluence of circumstances, basically, should be interpreted as a divine plan. So, born in gloomy palaces, the Science of the Name of the Lord God revealed the impossible alchemy of holy faith and exact sciences, determining for a millennium ahead the fate of the Civilization of Noon.

1 • 2:57 • Noon of the Man
2 • 5:34 • Sacral Vision
3 • 6:24 • Ceremony of Science
4 • 4:10 • A Slight Relief
5 • 5:45 • Obscurantism
6 • 6:00 • Born from Chaos
7 • 4:00 • Faith and Reason
8 • 3:50 • Condemned to Grace

Composition, keyboards, synthesizers, sampler, programming, effects, writing, arrangement, recording, mixing – Blacky Daylight
Photography – Min An, Craig Adderley, Pixabay
Musical and visual concept, mastering, design, artwork – USC-Team

You are free to playback, copy, distribute, broadcast, adapt and use this work otherwise. Creating a derivative work, you must state the author of original work and provide the source of material any possible way. Publishing a derivative work, you must use the same license. You are not allowed to state that author endorses your use prior to his approval. The licensor cannot revoke these freedoms, while you fulfill the license terms. Some rights reserved.

Visit official USC release page for more information.
unitedstudios.ru/rm/blacky-daylight-the-noon-era

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posted 03 August 2021

4T Thieves – Fame Is An Addiction

4T Thieves – Fame Is An Addiction
[mhrk280]

4T Thieves

“Fame Is An Addiction”

“Fame is an Addiction” sounds like a cassette you found while walking on the beach, half burried in the sand, case slightly warped by the heat of the sun, little pebbles and bits of seashells embedded inside, tape loose and almost melted. You rescue it, clean it up, spool it in, and when you play it you discover that the noise of the sea waves somehow got imprinted onto it and melded with the music.

Every tune is deep within its own comfortable bed of noise, each sound treading through thick viscous aural quicksand, beats pop in from behind lush canopies of strings and pads, flocks of melodies swirl above, clouds of frequencies cast their shadows on top of everything else and the place becomes that bit cooler. Every tune does paint a scenery indeed, each is really alike a place you inhabit for a few minutes. They all feel tangible and expansive, they welcome roaming and exploration, so much is happening there, so much to see/hear/feel, so much to discover each time you return.

It all sounds old and fresh, damaged yet fully contained, at the verge of collapse yet tightly controlled. There is certainly a story being told in this music, but it’s a different story for each different listener. It’s the kind of music that burrows in and pulls out of you as much as it brings and it’s that mix of the internal and the external, right here and right now, that makes it an entirely personal experience.

4T Thieves is a magician at the top of his game! — Angel Draganov

released July 31, 2021

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posted 01 August 2021

Me In The Bath – We Ain’t Got Time

Me In The Bath – We Ain't Got Time

Me In The Bath

“We Ain’t Got Time”

Me In The Bath is once again back with a new album looking toward, as of per usual, lofi rock, noisepop and garage. While this album has being produced over one year, between August 2020 and July 2021, tracks were published for streaming only all over this very year, and the album became finally available on July 14th for Netlabel Day for free download, with the publishing of the final track “Like A Gnat Drowned In A Glass”.

audio.clewn.org/audio/MeInTheBath-WeAintGotTime-03-YouReMarvelous.mp3

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posted 01 August 2021

Jo Jet i Maria Ribot – sant llorenç / cara b

Jo Jet i Maria Ribot – sant llorenç / cara b

Jo Jet i Maria Ribot

“sant llorenç / cara b”

‘sant llorenç / cara b’ és un EP que recull de cinc temes del disc ‘sant llorenç’ revisitats amb col·laboracions d’artistes que admirem i estimem molt.

Marala, El Noi de Tona, Carlota Flâneur, The Bird Yellow i Socunbohemio posen la veu i donen una mirada nova a les cançons.
credits
released May 28, 2021

Totes les cançons escrites i composades per Jordi Serra Morales excepte ‘invocar el silenci’, escrita i composada per Maria Ribot Farrés.

Jo Jet i Maria Ribot (guitarra i veus)
Josep Cordobés Miravitlles (bateria)
Mesclat i masteritzat per Jan Valls

Disseny per Elisabet Mateu i Ignasi Àvila.

Amb la col·aboració de:

El Noi de Tona a ‘ja t’havia escrit un cop’
Socunbohemio a ‘vinc del teu estiu’
Marala a ‘dies clars’
The Bird Yellow a ‘invocar el silenci’
Carlota Flâneur a ‘sant llorenç’

Aquest EP forma part del projecte artístic ‘sant llorenç’ i ha estat concebut pel seu propi equip creatiu: Elisabet Mateu, Raquel Albareda González i Ignasi Àvila i també per l’Anna i la Joana de Niu Management.

Editat i produït per Jo Jet i Maria Ribot. Tots els drets d’aquestes obres estan gestionats per JBC MUSIC info@jbcmusic.es / JBC MUSIC PUBLISHING Cristòfol Grober 4a local 29 17001 Girona ©

jojetimariaribot.cat

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posted 30 July 2021

Amplidyne Effect & Toni Dimitrov – Live at ToBeContinued​.​.​. 2021

Amplidyne Effect & Toni Dimitrov – Live at ToBeContinued​.​.​. 2021
[ACP 1322]

Amplidyne Effect & Toni Dimitrov

“Live at ToBeContinued​.​.​. 2021”

photo by Toni Dimitrov
design by EMERGE

Performance done for the 12th edition of ToBeContinued… 2021, original concert lasting 24 hours (from 00 to 24 of March 24th, Central Europe Time), during which musicians from many countries world-wide are connected to broadcast their live music.

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posted 30 July 2021

GOZNE – MCMLXX

GOZNE – MCMLXX
[pn193]

GOZNE

“MCMLXX”

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REVIEW IN ENGLISH:
ALBUM CREATED UNDER THE CONCEPT OF UNIX OR POSIX TIME, NON-LINEAR OR TRUE THAT STARTED ON JANUARY 1, 1970 UNTIL YOU READ. KEEP IN MIND THAT THE PRESENT TENSE DOES NOT EXIST.

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posted 26 July 2021

Callejas – Páramo

Callejas – Páramo
[MNF041]

Callejas

“Páramo”

Monofónicos Netlabel presenta orgullosamente el lanzamiento de Callejas con un brillante disco de texturas modernas, beats suaves acercándonos a la música Dub Techno con su toque futurista y emocional.

Mateo Callejas presenta una exploración espacial continua hasta el más allá. Alcanzando un lugar de máxima actividad con música cargada de Techno hipnótico, que se impone oscuro e imparable, con melodías que envuelven al oyente en una temática esencial: hipnótico, atemporal y potente.

Su concepto de la música trasciende lo habitual y brinda una experiencia única cargada de personalidad, fruto de una pasión y dedicación que siempre lleva al límite, re-codificando ideas y formando la música Techno como un elemento de peso, ordenado, poderoso, sólido y oscuro. Callejas es un artista local de esos completos que siempre logran crear un sonido muy personal.

Un disco que viene acompañado de 4 super estelares remixes, con el productor estadounidense Brendon Moeller, también conocido por sus alias de Echologist y Beat Pharmacy, tener en Monofónicos Netlabel a un artista como Brendon es un orgullo de primera clase por su sonido innovador, marcado por la estela del Techno rápido y planeador, que seguramente te llevará a lo más profundo del particular universo musical de Brendon Moeller.

El talento local llega con Magdalena y Archaic Revival, dos artistas locales con una respetada y admirada trayectoria por su sonidos futurista de Techno y experimentación por los sonidos densos, con una escencia que va creando atmósferas oscuras y siniestras. Mucha experiencia y dedicación se evidencia en estos dos remixes, demostrando toda la personalidad con una afinidad de ritmos vanguardistas, que marcan el talento exclusivo que posee Magdalena y Archaic Revival.

Por último tenemos el remix de Eviru Dibad, amigo de esta casa radicado en Estados Unidos y que lleva su propio sello Backdoor Records. Dsum nos lleva por su alias más experimental donde su maestría musical nos propone un sonido más ácido, vibrante, moderno y pistero para deleitar a todo el mundo con mucha clase.

Un disco muy bonito de Callejas destinado a mentes abiertas hacia un viaje sideral, que evita caer en cualquier clase de convencionalidad, para mantenerse fiel a la vertiente más ensoñadora y evocadora del sonido que nació hace casi 40 años en Detroit. Larga vida al Dub Techno.!

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posted 26 July 2021

Rien virgule – Trente Jours A Grande Echelle

Rien virgule – Trente Jours A Grande Echelle

Rien virgule

“Trente Jours A Grande Echelle”

Vinyle 12 pouce tiré à 500 exemplaires.
Enregistré par Manuel Duval & Stéphane Torre-Trueba.
Masterisé par Mathieu Berthet
Pochette : Anne Careil
Musiciens :
Mathias Pontévia
Jean-Marc Reilla
Anne Careil
Manuel Duval
credits
released November 1, 2015

Co-produced by :
La République Des Granges – Les Potagers Natures – Permafrost – micr0lab – Animal Biscuit – Attila Tralala – Phase! Records and Do It Youssef !

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posted 26 July 2021

Ana Foutel / Edgardo Palotta – Ritual

Ana Foutel / Edgardo Palotta – Ritual
[PT121]

Ana Foutel / Edgardo Palotta

“Ritual”

Edgardo Palotta: clarinete, clarinete bajo, flauta india, contrabajo y accesorios.
Ana Foutel: piano, spring drum, campana y cuenco.
Imagen de portada: Omar Grandoso
Grabado y masterizado por Gonzalo Manco. Mezclado por Gonzalo Manco y Edgardo Palotta en Estudio Libres, Buenos Aires, Argentina. Enero-Mayo 2021.
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posted 22 July 2021

Gleam – Empty Sounds

Gleam – Empty Sounds
[A22026]

Gleam

“Empty Sounds”

La creación de este disco vino por la necesidad de expresar las sensaciones sobre la situación que hemos estado viviendo a nivel global, por el Covid.
En un principio fue contemplado ser una continuación de un EP previo, sin embargo, durante la formación de éste el rumbo cambió, hacia la creación la historia de una persona que está viajando por el espacio en la búsqueda de sí mismo.
Aunque esta experiencia puede ser relacionada con todo lo vivido durante esta pandemia, las sensaciones de distancia, esperanza, dudas, miedos y todo lleva a indagar respuestas durante tiempos de incertidumbre.
Este trabajo fue grabado en el hogar del creador, de una forma muy sencilla: un laptop, un pendrive auxiliar de audio (micrófono), guitarra, bajo y baterías creadas en Guitar Pro.
El proceso comenzó a fines del 2020 y en febrero de este año ya tenía decidido poner en marcha la grabación, la cuál tomó un tiempo de un mes en grabar todo y casi dos meses en editar, masterizar, crear el arte de este disco. Cada tema que se encuentra en Bandcamp tiene una narración que va vinculada al relato del “protagonista” de esta obra.

TRACKLIST

1 | Echo
2 | Distant
3 | 119 mv
4 | Warped
5 | Gravity
6 | Hover
7 | Serenity
8 | Disturbance
9 | Disruption
10 | Void

Gleam (Camilo Vergara) es profesional del área del turismo y traductor inglés – español e incursiona en la música por curiosidad y el deseo de poder crear algo que viene desde su interior.

Composición, producción, grabación, mezcla, mastering y arte de portada por Gleam

gleamcl.bandcamp.com/

Lanzado el 22 de julio de 2021

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posted 22 July 2021

das_synthikat – end of file

das_synthikat – end of file

das_synthikat

“end of file”

No, this is not our last album – we promise. We’ve arranged with the apocalypse that they’ll wait a bit longer. Until then, listen to it, download it, spread it around – without copy protection and restrictions.

The bible has revealed it – everything is perishing. There is no point in following all its rules. Nobody really understands that book anyway: the language is outdated, the norms no longer make sense today. That’s how one may also feel when one goes to an office.

No wonder that mankind longs for the apocalypse – after all, the end of the world promises the end of bureaucracy, capitalism, church, and everything else that annoys us. At the end of the story only the frustration about the botched revolution remains, and the little note: end of file, that’s it. Or is it?

Maybe not quite. The world doesn’t end everywhere at once. In the niches over which cyberpunk dystopia no longer has control, a tender little plant is growing.
credits
released July 21, 2021

Nami (vocals + guitar, additional production), ph4nt. (synthesizers, production, additional vocals). Many thanks to Christoph Lefherz for the virtuoso saxophone in _unkraut and _womanhood, and vocals and accordion in _puzzle. Also to Mike the Dyke for the beautiful second voices in _womanhood and _puzzle. And many thanks to Adena Sead for the terrific album cover. <3

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posted 21 July 2021