01. Doc Wör Mirran – I Got The Pfizer In Me 07:14
02. Stefan Schmidt – Basalt 08:02
03. Sprengmeister – 1 new mix 04:52
04. The Oval Language – room 1 04:49
05. Carsten Vollmer – Sticky Jazz Muzak (Suck RMX) 01:38
06. EMERGE – minuscule 4 06:29
photo by Dan Penschuck (feindesign.de)
design by EMERGE
re:flexions logo by Heinz Stempfle
ALL TRACKS EXCLUSIVE FOR THIS COMPILATION
Recorded in November 2020 in Skierniewice, Poland.
“Flock” Visuals available here:
http://www.youtube.com/watch?v=JOUpipoMUkA&feature=youtu.be
Что такое Sil(ence)inside? Это тишина внутри. Не остановка мысленного потока, а свободное наблюдение за ним. Когда внешние шторма проходят мимо, не вызывая и ряби во внутреннем море. Состояние просто быть, здесь и сейчас.
credits
released May 24, 2021
Original tracks by sergeysheerman.bandcamp.com
Remixes by:
illocanblo – ill-o-can-b-lo.bandcamp.com
Potential differenSe – potentialdifferense.bandcamp.com
Jari – jari.bandcamp.com
f4.bcbits.com/img/a1656300577_10.jpg
Filmy Ghost is a dark experimental, horror noise project from Rancagua, Chile. websites:
– humanfobia.jimdo.com/filmy-ghost/
– hearthis.at/filmy-ghost/
– archive.org/details/fav-sabila_orbe02
– freemusicarchive.org/music/Filmy_Ghost
Mixed, cover design: Filmy Ghost [Sábila Orbe]
out now the new release on Insectorama.
The Release is free as always, but you can also pay what you want to support the Label!!!!
Radosław Kobus – Symbiosis
Radoslaw Kobus presents his new 10-track album. A journey from dubtechno to ambient and soundscapes to field recordings. An unbelievably dense depth of the sub-basses that mixes with a very special soundscape. The heaviness and depth of each individual track is surrounded by echoes and reverbs that will enchant you and take you on a journey. an absolute masterpiece.
Tracklist:
1.synergy
2.strange day
3.black forest
4.bias
5.geology
6.towards the sun
7.blue planet
8.symbiosis
9.organic frequency
10.true
he musical mater for the album „Symbiosis” was created for several years. This includes field recordings and studio experiments with sound processing. Passing it through various types of tapes and multi-layering different sound samples. The songs were recorded in real time on the A&H Gl 3800 analog mixer and 4 trace Tascam with the addition of a frequency filter and various types of reverberation and delays.
Insectormama102
all tracks by Radoslaw Kobus
Mastering and Design by Markus Masuhr
BJ Piggo
– soundcloud.com/bjpiggo
– www.instagram.com/bjpiggo/
– linktr.ee/BjPiggo
– universalplayground.world
Artwork by Yulya Esipova (Jenzo)
– www.instagram.com/yulyajenzo/
Mastering / additional mastering
– www.gaex.org/
released May 17, 2021
[Version Française en dessous]
The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm
Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit
Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.
Sleeve Artwork “PAS ENCORE” by Dida de Mayo.
Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
[English version at the top]
Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm
Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit
Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.
Illustration de pochette “PAS ENCORE” par Dida de Mayo.
Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
Drinking from a section Poems with Ink by Animateatro, I proposed a multiplication of it.
Joining the various stimuli, a diary is born that unites so many, the self in will, the word felt in a poetic way, the image seen in singularity, the music that as a spice packs this multiplicity of contributions.
For those who do not know Rafael Diogo this is an excellent record to start the demand about his work.
Repetitive and sometimes minimal, this is the incursion into this Anima Space. Rafael, or more specifically 9VoltDisaster, seeks to capture the moment, his space and time. Composer of and with nature, his field recordings make this record a whirlwind of sensations, intensities, endless searches for the ideal scenario.
Anima Space are stories, some shorter, others longer, with common places and others at opposite ends. Stories drawn in a space and time appropriate to the language of its composer. A record full of seeds in germination. Rafael takes us from the city’s dance to rural tranquility in 8 fascinating tracks.
To listen in tune with the nature that surrounds us. 9VoltDisaster ─ this is the name to keep.
1 – Robert Cole Rizzi “Wind, Water, Wood”
I went out sound hunting on february 26th 2021. Had an idea about recording the ambient sound as well as a contact mic recording of a tree simultaneously… Went to a nearby place by a stream, where I knew there would be reasonably quiet.
It was kind of windy, so there’s some low rumble in the recording from the tall trees
3 channels 2 from Lewitt LCT 540S’s in NOS and 1 from the Schertler “tree bug” microphone, mixed into stereo
www.facebook.com/robertcole.rizzi
2 – Frédéric Nogray “Hydroboulisme cauchemar d’une sardine en boite”
C’est avec étonnement et fascination que nous sommes invités à partager les tribulations ombrageuses d’une sardine en ivresse parmi quelques unes de ses consoeurs sur la piste de danse d’un recoin reculé du Canal de l’Ourcq à Paris capturées lors d’une chaude journée de printemps 2015 par la membrane attendrie d’un microphone jeté là par dépit par son propriétaire qui recherchait rageusement la roue avant de son vélocipède ayant de toute évidence du se jeter dans les eaux tumultueuses du canal dans le but plus qu’évident de se rafraichir. An extraordinary and historic document of such things that sometimes happened far from the ears of a common nature.
fredericnogray.bandcamp.com/
3 – Acoustic Mirror “Threshold”
“Threshold” is the result of one of many work processes I engaged with while researching the condition of listening under confinement. In this case, I resorted to the sound-activated recording feature of a small handheld recorder. Sound-activated recording needs an indication of what sound level is to be recorded – this is the so-called threshold. I configured it and set it up in my studio, and went around my usual chores.
The resulting recordings ranged from basic room tone, footsteps, housekeeping and other domestic soundscapes, and the occasional street noise, all starting with a particular sound that went, so to speak, over the threshold.
acousticmirror.tumblr.com
Produced by JOTA ESE for Trilobite Donuts
Engineered by Mitch Jones
Mixed and Mastered by JOTA ESE
Additional Production by Kyle Davis, Caleb Hickman, Mitch Jones, and Charlie Shea
Vocals, Guitar, Bass, Drums, and Samples by JOTA ESE
Guitars by Tyler Davis, RICHIE, Evan Penza, and Charlie Shea
Keys by Mitch Jones
Saxophones by Caleb Hickman
Percussion by Kyle Davis
Background Vocals by Alicia Gail and Tyler Davis
Artwork by Tyler Davis
Recorded at Mitch’s Studio, Nashville TN USA
2021 Day Old Records
#DOR083
www.DayOldRecords.com
credits
released May 14, 2021
(j. stout, m. jones, k. davis, c. hickman, c. shea, r. kirkpatrick, t. davis, e. penza, a. gail)
Composed from September 2020 to May 2021, home-crafted in Jard-sur-Mer (H6 zoom, Acid pro).
credits
released May 15, 2021
Classical guitar Cuenca, fretless micro-bass, voices, arrangements (sample work on synths, drums, brass, FX) – Kohree aka Mournful Skank
Thanks to Joseph Sardin for his free sounds and Erin O’Rourke for her reading of ‘A vampire’ of Luigi Capuana on ‘Fangs’.
To Lucie.
Higgledy-piggledy dedicated to : Djob’, Likma, Vinzou, Tat’, Bav’, Manoche, Brujita, Le Matt’, So, Le Sarg’, Bloody Hell, Ladj’, Pa & Ma, Philou, Le Baron, Christophe ‘Le doc’, Ze Struff family, Djé, Jij’, La Ratch’.
(Under ccbyncsa licence : you can freely download, sample, play even in public provided you name the source properly, indicate changes, publish under the same licence and never use comercially)
May free culture live long !!
Do not hesitate to contact me for infos, use of my songs or projects :)
“Inspiration found between four walls: a new and exciting package of electronic music on a split digital release of two young music producers”
dvidevat and Nulla are among the youngest Ljubljana-based electronic producers. Electronic music culture is what drives them: they both started as DJs, researching different types of electronic and non-electronic music and DJing in many clubs in Ljubljana, and both evolved their listening skills as electronic music producers through institutional and mostly non-institutional education. The split digital release 068/078-1 presents their first longer music work and unveils their musical influences, which inspire them again and again and give them the drive to re-enter the four walls of their studios and their favourite clubs.
The split digital release seems to be a one-piece album, but attentive listeners will find a clear line between the two prominent electronic artists. The joint release may paint their music similar, but it also shows their differences. Where dvidevat tends to develop the sound of the Detroit old-school electro and short but memorable melodies, Nulla progresses with darker UK experimental electro with a touch of breaks, IDM and bleep. It’s clear that they… more
credits
released May 11, 2021
dvidevat · music, mixing (tracks 1-4)
Nulla · music, mixing (tracks 5-9)
Igor Vuk · mastering
Luka Prinčič · webcover design, production
Andrej Pervanje · promotion, production
Special thanks: Tine Vrabič, Črt Trkman, Bojan Georgievski (RSN)
Album “VII” is conceptual in nature. The single line that connects the tracks to each other is a journey in a lucid dream.
The album contains 7 tracks. Each composition is one cycle of lucid dream.
1 circle. Выход из тела (Вступление) “Out of the body (Introduction)” – immersion in the state of the astral plane and the exit of human consciousness from the body.
2 circle. В ожидании чуда “Waiting for a miracle” – everyone in dreams and reality dreams of seeing a miracle and believe in it. And everyone will not believe in it when they personally encounter it. The track uses Stalker’s monologue from Andrei Tarkovsky’s film “Stalker”.
3 circle. Поджигатель “The Pyro“ – a journey along the course of the sacred river Ganges. The connection of the consciousness with space.
4 circle. Свет далеких планет “Light of distant planets” – observation of the body from the height of the stars, travel to different planets that are inaccessible to humans in reality.
5 circle. Песок “Sand” – a record of the time until the body wakes up. Attempts of consciousness to escape from reality.
6 circle. Частица Бога “Particle of God” – a state of night alarm. Fear of the greatest invention of humanity, which is capable of destroying the planet.
7 circle. Пробуждение (Финал) “Awakening (Final)” – the return of consciousness to the human body.
Music: Luboš Fidler, Zdeněk Konopásek, Štěpán Pečírka
Lyrics: Štěpán Pečírka (1, 6, 7); Carmen Bernos de Gasztold (2, 3, 5); Štěpán Pečírka/Karel Kahovec (5); Štěpán Pečírka/Enya (7)
Cover: Luboš Fidler, photo: archiv Pecirka
Lineup and recording:
Luboš Fidler – bass (1–5, 7); cyclophone (2, 3); Romo T57 (5); electric guitar (6); steel spring (6); playPET* (6); PSS-270* (7)
Zdeněk Konopásek – drums and cymbals (1–7); trumpet* (2, 6); EtherPad* (3); tiny banjo* (4)
Štěpán Pečírka (permanent guest) – voice (1, 5–7); electric guitar (1, 4); bass (5, 6); bassoon* (6); field recordings* (6)
Radka Fiedlerová – voice* (2, 3, 5)
The original tracks (guitars, drums, voice of Štěpán Pečírka, cyclophone, Romo T57 and steel spring) were recorded live during rehearsals (1-5) and concert (6, 7) of Noční pták in Albeř, August 2019. Instruments marked * and Radka Fiedlerová’s voice were added in 2021.
nocniptak.cz (in Czech and English)
Noční pták (Nightbird) was formed ten years ago as a project of Luboš Fidler and Zdeněk Konopásek. Luboš Fidler is one of the most important and uncompromising performers of the Czech alternative scene. As a bass/acoustic guitar player, he was founding member of alternative rock groups of 1970s and 80s, such as Stehlík or Švehlík, he played with MCH Band, Kilhets etc. In early 1980s he was involved in the minimalist-experimental trio Janota-Fidler-Richter (together with Oldřich Janota and Pavel Richter). Zdeněk Konopásek was drummer of the early and late 1980s band Dvouletá fáma. He also played, e.g., in the Dr. Konopný Quartet (together with Joe Karafiát, Jan Štolba and Radomil Uhlíř) and also collaborated with Oldřich Janota. Currently he is involved in theatrical-musical performances of Divadlo Vizita and, as a second drummer, in the band Fish, Flesh, Field & Henry $. Occasionally, he plays solo on his drum set. The two are joined, in recent years, by a “permanent guest” Štěpán Pečírka (Vyšší popular, Kolotoč theater, Richter band).
The album “I am healthy and things are going well” is based on live recordings from rehearsals and home concert that took place in summer 2019. These recordings were revisited and reworked into original compositions by Luboš Fidler in early 2021.
Fidler explains the title of the album as follows: The phrase “I am healthy and things are going well” (or: I am healthy and fine) was pre-printed in all languages of Austrian-Hungarian monarchy on postcards sent by soldiers from the trenches of the First World War. This album can be understood as a flare fired from the trenches in which we have been for more than a year in 2020-21.
