Martin Hoogeboom: objects, guitar, electronics / Juan Miñana: electronics
All tracks written and produced by Martin Hoogeboom and Juan Miñana.
Theo Calis: electronics (OLK 3), mastering / Paulo Chagas: oboe (GLIMM 1, 2 & 3)
The romantic idea I’m referring to is the existence of an actual performer (in the more traditional sense performer – instrument) for the music itself to have value.
To which we respond with this tracks.
Autómatas Sonoros was first and foremost an acousmatic music concert presented at the Adolfo Prieto school in Monterrey Mexico on September 2 2017.
The concert was part of a series of retribution events organized by Raúl Guerra Jimenez as a winner for the 2015 PECDA Jovenes Creadores prize.
credits
released February 12, 2018
All music composition and production is that of their respective composer.
Compiled and directed by: Jesús Antonio Vergara
Tracks Leveling: Charles Leal.
Design: Bryan Garcia
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Music by Artem Bemba
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Tracklist:
301. Arturo Fonzarello
302. Con tutto l’odio che posso
303. Cigno nero (lui l’eroina)
304. Natan
305. Negli abissi
306. Italia amore mio
307. Tortura anemica
308. The man that has no face
309. Anime perse
310. Requiem aeternam (El sueño de la razón produce monstruos)
+ Bonus Track. Odia! (Faster bootleg)
Canciones / Tracks:
1. Adira
2. Texturas
3. Tribal
4. De La Rue
5. Masai
6. X2
Track list:
1. My Lai, 1968
2. Yes, Vomit Comet.
3. Possibilities are Endless; Train Stations, Airports, Foreign Lands
So much had happened since my last collection of sounds. I decided to “embark” to new, unfriendly shores with drones, noises, and a bit of pseudo free-jazz. Not as melodic as “Travel,” I reckon, but no less fun.
As far as subject matter goes, “Mira, la bruja no esta quemada” (which means “look, the witch is unburnt” in english, by the way) rolls around things that can’t go away no matter how hard we wish them to disappear; maybe the mundane (desire to travel) or the somewhat heavy (massacre and cover-ups).
Please, do use headphones/headsets while listening to the tunes. There are some interesting movements there. Don’t forget to drink some water and watch the witch go unburnt.
Achmad Luthfi
1. Changing Someone’s Allegedly Deterministic Patterns And Education Begins With Creating Empathetic Trust And A Safe Buffer Zone 29:48
2. Rondo Alla Turka (To Go Along The Path Toward Self-Knowledge Is To Become One With It) 04:27
3. In The Country Of The Disabled, Someone About To Drive Off A Cliff Is Considered A Revolutionary 03:41
4. Only When You’ve Experienced Your Own Wisdom, Will You Actually Discover What Sadness Truly Entails 36:30
5. Personal Interpretation Of The Israeli National Anthem (Nationalism Is Criminally Underrated, Whereas Globalism Is Highly Overrated) 01:58
6. How Do You Say Nostalgia In Greek? (Stalia, Stalia) 02:23
This EP includes the very first track of Number Eleven. A sandbox where random ideas and experiments merged into incomplete forms while searching for sounds and compositions, which sometimes became source material for new tracks. From this sandbox emerged the first few ideas of the way the first album Indefinable should reach its end, how the Blur should start, and how Protrusion should sound.
W&P by Sacha Rush
Mastered by Retouched
Cover by John Brahms
.recorded
at Heinz Lieb’ studios (Rorschach, CH),
at Climnoizer’s studio (Berlin, DE),
at Lorenzo Brusci’s Timet-studio (Montevarchi, ITA),
March-June 2015
.re-composed, post-produced and mastered between June and October 2015 in
Montevarchi by Lorenzo Brusci at his Timet-studio
(Montevarchi, ITA).
———————————
Lorenzo Brusci – Electronics, Live Electronics, Compositions
Heinz Lieb – Acoustical Percussions, Cosmic Drums, free improvisations
guest artist:
Luca Canciello (alias Climnoizer),
Guitars on Mov. I / MIGRATION and on Mov. 3 / METAMORPHOSIS;
Monophonic Synthetizer on Mov. II / ADAPTATION
