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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

V/A – Archive Vol.2

V/A – Archive Vol.2
015

V/A

“Archive Vol.2”

V/A – Archive Vol.2
1.Asedub – Gladius

2.Cliff Tower – Dense

3.Frictional Transmission – Rotation Idea

4.Ginging – BEF

5.If I Had A Hi Fi – Won´t

6.Kratos – Fysis

7.Kris Dubinsky – A deep and Secret Place

8.OhmikRon – Clod

9.Substak – Matar al Bajo

10.Shimmer – Inertia

Master: Vtr

Cover: Erhtouch

Archive Vol.2 is our new compilation centered in the dub, ambient and deep sounds with an exquisite selection of national and international artists of the current underground scene.

Musical poetry rooted to a concept of contemporary ideas, sweet textures wrapped your brain environment and manage to make you forget the bad times.

A sound is an everlasting memory in your heart.

posted 04 February 2014

Relentless – Document #102013

Relentless – Document #102013
[insub41]

Relentless

“Document #102013”

Relentless – Document #102013
Sébastien Branche: Saxophone
Artur Vidal: Saxophone

Relentless is an experimental sound creation project based on saxophone. Coming from free improvisation, their current proposals are focused on different practices of sound art. Specificities of the performance space, exploration of their musical instruments and ways to relate with the public are the foundations of their work. For the past few years, they have been looking into the relations between dancing, video and improvised music. Relentless is, in a way, the sound layer that settled through these investigations. Long tones, circular breathing, multiphonics, objects, are some recurring elements always renewed in a dialog between an idiom that settles through practice, and the necessity to improvise to create a music that takes into account each sound and each instant in its composition.

posted 03 February 2014

Fundstücke – Live

Fundstücke – Live
zero157

Fundstücke

“Live”

Fundstücke – Live
Fundstücke, the duo project of Gunnar Lettow (Hamburg) and Gary Rouzer (Washington DC), began as an online collaboration in 2010. Their debut recording was released in November 2011. They first met and performed together at the 2012 Blurred Edges festival in Hamburg, Germany. The two tracks on Fundstücke Live were recorded later that year during a short East Coast US tour.

Der Erste was recorded on 30 September 2012 at the Atlas Theater in Washington, DC.
Der Zweite was recorded on 27 September 2012 at the Spectrum in NYC.

Gary Rouzer- prepared bass, amplified objects
Gunnar Lettow – präparierter e-bass, electronics

posted 02 February 2014

Laskfar Vortok – Scombussolato

Laskfar Vortok – Scombussolato
DLR094

Laskfar Vortok

“Scombussolato”

Laskfar Vortok – Scombussolato
Artist: Laskfar Vortok
Title: Scombussolato
Genre: Glitch
Country: USA
Format: MP3 [256 kbps; stereo; 44,1 kHz]

+++++++++++++++++++++++++++++++++++++++

Tracklist:
01 – Bridage Sta Avanzando 3:06
02 – Perugia 2:11
03 – Via Appia 2:44
04 – Cloaca Maxima 2:54
05 – Viva La Liberta! 2:30
06 – Circus Maximus 2:42
07 – Pompeii 2:00

posted 01 February 2014

Frank Wilke / Andrè D. – Vertical Theory

Frank Wilke / Andrè D. – Vertical Theory
[LBN024]

Frank Wilke / Andrè D.

“Vertical Theory”

Frank Wilke / Andrè D. – Vertical Theory
Vertical Theory is the joint work of two musicians, possessed of free improvised music. The music came over the distance of about 1.26843e-10 ly in their head mostly first at nocturnal walks in such diverse regions of Europe as the French Maritime Alps on the one hand and the West German Ruhr area on the other.
posted 01 February 2014

The Darkening MAchine – Progression In The Haze

The Darkening MAchine – Progression In The Haze
TXR066

The Darkening MAchine

“Progression In The Haze”

The Darkening MAchine – Progression In The Haze
A new album from the mysterious project called The darkening machine. As all previous releases, this album is more about creating a mood than calling attention of itself. The listener seems to plunge into a dark, viscous and claustrophobic endless night. The darkening machine uses layers of analog synthesizers drifting sometimes to dissonant tones and melts them with spare piano notes that evoke the last apparition of sunrays just before the sunset.

Artist : The Darkening Machine
Title : Progression In The Haze
Catalog # : TXR066
Duration : 36:18
Date of release : January 29, 2014
Genres : dark ambient, drone, noise
Format : digital (FLAC and MP3)

posted 31 January 2014

Unitone Soundimentional – Zion Chant

Unitone Soundimentional – Zion Chant
DUBKEY015

Unitone Soundimentional

“Zion Chant”

Unitone Soundimentional – Zion Chant
The first Dubkey release for 2014 is a crucial roots/steppers/dub album by UK producer Reuben Addis. A highly respected veteran of the British roots scene, Reuben gives us 10 glorious tracks, ranging from classic one drops to heavy digital steppers.

The main singers on the album are longtime Unitone collaborator Zebby Blax, the Junior Delgado-influenced Hatta Benji, and Reuben’s own daughter Dinah. Maltese melodica specialist David Magro (Mind’s Eye Dub) appears on the splendid 14-minute-long TROD MOUNT ZION CHANT extravaganza. Another Maltese connection on the album is Manwel Tabone’s old Reggae Club Radio Malta show which provides us with 2 exclusive Unitone dub plates from 2003.

Nuff intricate dubscapes spice things up throughout this spiritual offering, the experience enhanced by a mystical ETHIOPIAN DAWN photo by Niall Crotty on the cover.

posted 29 January 2014

Rete del disagio – Vino Balicio

Rete del disagio – Vino Balicio
0kbps054

Rete del disagio

“Vino Balicio”

Rete del disagio – Vino Balicio
Rete del Disagio

Vino Balicio [0kbps054]

01 – Quello che volevo sentire
02 – I king del burger king
03 – Post-punk post tutto
04 – Balice, il tuo furby ha problemi
05 – Quella roba che puzza di mangime per pesci
06 – Nessuno mi risponde a Milano a parte Teo
07 – Al binario
08 – Cipster, noccioline ed altro

gianpaolo fausto, marta blu, matteo donà, stefano balice, tommaso busatto: kazoo, bell, electronic, uneasiness guitar, mobile telephone, car, various percussion, chips and nuts
recorded live in turin and milan, 01-01-2014, 02-01-2014, 03-01-2014

Rete del disagio (the uneasiness network) is not a band, and has no stable line-up.
Rete del disagio was born when followers and supporters from different web communities as upupachan, vaporized art movement, deep lake records and mav [0kbps] records, start to physically meet to bring the noise from the net to the streets.

MAV [0kbps] Records, January 2013

posted 28 January 2014

Чокнутый Пропеллер – Глазами Детей

Чокнутый Пропеллер – Глазами Детей
SCL118

Чокнутый Пропеллер

“Глазами Детей”

Чокнутый Пропеллер – Глазами Детей
Artem Dr.Mozg – guitar, vocal
Dmitry Listick – guitar
Costa Rodi – bass, vox
Paul Bydanov – drums, vox

Recorded at Kukkovka Hell Studio
The sound producer – Dmitry “4ester” Makarov
Cover – Costa “Rodi” Rodionov

posted 27 January 2014

I.Z. aka IDzeroNo – Gain

I.Z. aka IDzeroNo – Gain
OnorezdiLP016

I.Z. aka IDzeroNo

“Gain”

I.Z. aka IDzeroNo – Gain
This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels
Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: Giovannie Hernandez; TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic
posted 26 January 2014

Mark Browne – The Prejudices of History

Mark Browne – The Prejudices of History
LOR049

Mark Browne

“The Prejudices of History”

Mark Browne – The Prejudices of History
British sound artist, saxophonist and noise maker Mark Browne follows up his 2012 album “Malapert and Erratic” with this EP- featuring improvisations on percussion, bowed guitar,thigh bone and saxophone recorded on the evening of the 7th December 2013.

“The Prejudices Of History”
Or as I remain pleased with part 1, “Malapert and Erratic part 2″
Over the years I have become increasingly aware of what I do as a musician and the need to at least appear to conform to some ideal whether real or imaginary. This may be an attempt to answer the question: What epitaph will adorn my headstone?
It has been documented that I play the saxophone, and indeed this has been the case for around 30 years. The problem comes with the definition of saxophonist. For me picking up a saxophone, alto initially, was required in an effort to undo the learning that I had acquired over several years of classical guitar playing. The guitar still has the feeling of being someone else’s territory and I could not see myself developing in a manner that would create an approach and style that I could call my own. The uniqueness of a musician’s approach struck me as being important at that time, aged 16.
And so the saxophone was selected as my new instrument: its methods and approach being the antithesis of those of the guitar. Looking at some notes from this period it seems that I believed the ideal piece of music (naturally an improvisation) should aspire to infinite variation in dynamics, timbre and colouration, and rhythm. In later years the need for and development of form (rhythm in a wider sense) has become more important.
So the saxophone is not a guitar. Neither are many other instruments. Am I a saxophonist? Am I a percussionist? Probably neither, I am a collector of sound making devices â the saxophone, in a single instrument, fulfils a number of those early requirements. The other instruments are used to augment the repertoire, adding contrast to the saxophone and expanding the music’s soundscape.
As well as a collector, I am an arranger of sounds and occasional organiser of people. Nothing more.
The pieces were all recorded evening Saturday 7th December 2013”
-Mark Browne (from the sleevenotes available as a PDF with the download.

posted 25 January 2014

Chris Whitehead – Habitats for Metal Plants

Chris Whitehead – Habitats for Metal Plants
LOR048

Chris Whitehead

“Habitats for Metal Plants”

Chris Whitehead – Habitats for Metal Plants
Linear Obsessional is delighted to present this new release from Chris Whitehead – A EP of sonic environments to encourage the cultivation of metal plants,with an accompanying detailed PDF guide…

This CD was released simultaneously with Mark Browne’s “The Prejudices of History” (LOR049) – with which it shares some concerns and sounds.

“Since the Industrial Revolution the soil in Britain has changed considerably in its formulation. Where once it almost exclusively consisted of organic matter, it is now likely to hold high levels of metallic elements such as iron, aluminium and copper. Areas where industrial processes took place in the past but have since been reclaimed by nature are particularly rich in this residual metal content.

Plants growing in these environments have, by means of Darwinian natural selection coupled with sheer determination to survive, managed to incorporate various metals into their very DNA. The resulting species display a variety of features only made possible at the point where biology and metallurgy combine.

The aim of this guide is to assist the amateur metallobotanist in identifying these enigmatic plants, and also to instil enthusiasm into those armchair readers who have never searched the disused foundries of Sheffield for a reclusive Cutleri silvaservicia or listened attentively on the hills of West Yorkshire for the soothing sound of a clump of Alpine Cog Daisies (Coggi interlockia) gently turning in the breeze.

The two sound recordings included here have been developed to aid the growth of these unusual plants. By placing a speaker at either side of the specimen (ideally they should be equidistant and each no closer than two feet away) the sound produced will acoustically recreate a very favourable growing environment. Once brought indoors and planted in any kind of container what these organisms miss most are sound vibrations of a metallic nature.

By regularly subjecting your plants to these carefully composed and scientifically tested sounds (about twice a week is the recommended frequency) you should begin to see them flourish and possibly even bear fruit. Of course not all varieties are suitable to collect. Some are protected by law and others are just too bad tempered, quite frankly”

-Chris Whitehead, from the introduction to the booklet “Flora Metallicum Britannica- a field guide to the metallic plants of the Britsh Isles” (included with this download)

posted 25 January 2014

Infecticide – Chansons Tristes

Infecticide – Chansons Tristes
D!HR-24

Infecticide

“Chansons Tristes”

Infecticide – Chansons Tristes
For its 24th release, Da! Heard It Records indulges in a wild irony doped with the borne absurdity of the three Infecticide trolls. With “Chansons Tristes” (“Sad Songs”), the trio proposes a first album, impossible to classify according to any musical catalog.

As an anthology of a five-year infected epic, “Chansons Tristes” takes us through the whims of its cold rhythms, distended synths, hopping basses, and crude and dirty riffs—a rare and jarring mix carried by a remarkable attention, where voice, keyboard, drums, and electric guitar harmonize to create a peculiarly offsetting universe.

Fifteen pieces with neo-Dadaist lyrics will leave speechless all spirit unable to go beyond the first degree and enrapture personalities in a displacing way. With its soft references to Liaisons Dangereuses, Detroit Grand Pubahs, or Front 242, the production’s finesse will caress the pointiest ears all the whilst (festively) readjusting the pointiest hats—dark and festive humor thus serving serious matters.

In addition to excelling in the production of these aural jewels dotted with electro-punk-wave sonorities, the three Infecticide lads distinguish themselves even more with their scenic presence (and cosmic costumes), which will motivate the jaded and depressed nobody in the back of the room to come closer to the stage and exchange sweat and liberating cries. Cathartic.

“Chansons Tristes,” Da ! Heard It Records’ 24th release is distributed under Creative Commons license BY-NC-ND. The album may be downloaded at the following address: http://www.daheardit-records.net/en/discography/dhr-24

posted 25 January 2014