about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

elli mia – exonorm

elli mia – exonorm

elli mia

“exonorm”

elli mia – exonorm

elli mia’s 1st original album.

The planet where the girl lived flourished as a member of a star system centered around the Time God’s star. However, it drew too close to the Twin Serpent binary star system, forcing a period of civilizational regression while being ensnared within its gravitational sphere. The civilization, which managed to revive itself by adopting technology discovered on an exoplanet within the binary system, developed extraordinary information transmission and medical technologies. Yet, it built a society that was superficial, theocratic, and totalitarian.

A group emerged that recognized how the Serpent Star System functioned as a barrier, repelling information and domesticating its people. They raised the banner of the Eye, calling for liberation from Serpent rule. However, their migration involved switching star systems before approaching the comet swarm—an astronomical movement that had miraculously occurred periodically until now.

Then, millions of years ago—the song left behind by the stargazing girl from “one cycle ago” was discovered. Written in the same language as the outer planet technology, it conveyed this truth: the Serpent Era always ushered in dawn, though the comet’s approach invariably brought meteorite sacrifices. That they had migrated to disposable artificial planets to survive by minimizing casualties. And the harsh reality that the star of their time had become a black hole, its eyes already closed.
credits
released February 27, 2026

Music by elli mia
Artwork by パンチ (x.com/punch6789)
CAT#: LF321MP3

elli mia:
soundcloud.com/eli2k3
x.com/e11laa

https://lostfrog.bandcamp.com/album/exonorm
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posted 27 February 2026

Wahn – Echo Mist Light

Wahn – Echo Mist Light

Wahn

“Echo Mist Light”

Wahn – Echo Mist Light

Wahn is an electronic music producer based in Rennes, France, whose work explores the blurred edges between techno, ambient, and bass-driven sound design. His music is built around texture, weight, and duration – where rhythm exists as pressure rather than propulsion, and sound unfolds in slow, immersive layers.

The Drifted series marked a defining phase in his work: a body of releases rooted in rhythmless and slow-motion ambient music, shaped by heavy sub-bass, grain, and cinematic restraint. Each volume is released on a different label and in a different country, turning the series into an ongoing journey beyond comfort zones and algorithmic habits.

Across his releases, Wahn develops a deeply physical approach to sound. Sub-bass is central – not as impact, but as presence – while drones, echoes, and organic textures shape spaces that feel both intimate and unsettled. Melodic elements, often sparse and fragile, offer moments of breath and quiet clarity within darker emotional landscapes.

Whether working in ambient forms or moving toward more rhythmic territories – techno, dub-inflected structures, or hypnotic repetition – his music remains introspective and tactile. Wahn’s sound is less about narrative than sensation: a suspended state where tension, melancholy, and faint light coexist, resonating long after the music fades.

Echo Mist Light unfolds as a dense, inward form of techno – heavy, blurred, and suspended in echo. The music moves through foggy territories where rhythm is present but never dominant, shaped by pressure, repetition, and the slow accumulation of texture. Dub-inflected delays stretch time, while ambient drones linger beneath the surface, anchoring the listener in a space that feels both physical and psychological.

There is a constant tension throughout the album: unease without collapse, weight without aggression. Sub-bass plays a central role – not only as sound, but as sensation – pressing against the body, grounding the mind, reinforcing a feeling of persistence rather than momentum. The tracks seem to circle their own gravity, caught in loops, phases, and residual motion.

Yet Echo Mist Light is not closed or entirely dark. Within the mist, moments of clarity appear. Melodic fragments and restrained harmonies surface quietly, carrying a fragile sense of openness and release. Light does not arrive as resolution, but as something that holds – brief, subtle, and necessary. A glow rather than a breakthrough.

Balancing techno, ambient, and dub aesthetics, the album inhabits a liminal space where repetition becomes introspective and intensity turns inward. Echo Mist Light is music for suspended states – where pressure, doubt, and calm coexist, and where something continues to resonate long after the sound fades.

Composed, produced and mastered by Wahn
Artwork by Erwan Charier

https://mahorka.bandcamp.com/album/echo-mist-light
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posted 23 February 2026

Keith Helt – Unweaving

Keith Helt – Unweaving

Keith Helt

“Unweaving”

Keith Helt – Unweaving

This album was recorded between November of 2024 and November of 2025.

The songs were then mixed between November 2025 and January 2026.

The words were written throughout 2024 and 2025 and assembled into song lyric form in the fall of 2025.

All words and music written and performed by Keith Helt. Except for Stutter which is a song by Elastica.

Full album available for free download here: www.panyrosasdiscos.org

Any proceeds from this album will be donated to Assata’s Daughters. www.assatasdaughters.org
credits
released February 18, 2026

https://panyrosasdiscos.bandcamp.com/album/unweaving
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posted 19 February 2026

Door213 – None of My Friends Understand What It Means

Door213

“None of My Friends Understand What It Means”

Door213 is the new project of V. Von Jacquin (of J-1792 and Gottfried Ist Tot) and it’s dedicated to Jeffrey Dahmer. It mixes nu-metal, hip-hop and ethnic/folk influences, bringing out whimsical and poetic lyrics, influenced by sounds like System of a Down and Noga Erez, with a touch of a romantic and platonic vibe that reaches out to spirit and leads you on a spiritual journey through chaos.
https://enoughrecords.scene.org/release/enrmp558
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posted 18 February 2026

Philippe Petit – The Acoustic Cornet, an hommage to Leonora Carrington

Philippe Petit

“The Acoustic Cornet, an hommage to Leonora Carrington”

Released February 14, 2026 as free digital download and in limited audio cassette edition.

Long before her work was fully seen, Leonora Carrington lived in the margins of Surrealism.

First eclipsed by the figure of Max Ernst, then displaced – geographically, symbolically – to Mexico, where her world finally began to unfold.
A world shared with other insurgent imaginations, among them Remedios Varo. A world stubborn, occult, fiercely lucid.

The Acoustic Cornet takes its title from Carrington’s dark, delirious novel.
A book that asks a dangerous question:
Do “disturbed” women disturb because they are mad or because they hear too much?

The story follows Marion Leatherby. Ninety-nine years old. Almost deaf. Living quietly in Mexico, knitting cat hair, listening to the world fade.
Until a gift arrives: an acoustic cornet.
A ridiculous object.
A revelation.

Through it, Marion overhears what was never meant to be heard.
Her family plotting her disappearance.
Her future sealed inside a retirement home where nothing is what it claims to be.

From there, reality fractures.

Women inhabit houses shaped like igloos, cakes, fantasies.
A false doctor presides like a guru.
A libidinous abbess watches from the shadows.
Architecture bends. Time slips. Staircases multiply.
The institution reveals itself as a cosmological trap.

This album does not retell the story.

It listens to it.

Philippe Petit approaches Carrington’s text as one would approach a signal coming from another frequency.
Fragments. Resonances. Distorted transmissions.
The acoustic cornet becomes a metaphor for listening itself: an instrument that amplifies what society prefers to keep inaudible.

Here, sound behaves like Carrington’s prose.
Absurd, ominous, playful, cruel.
A black farce. An initiation.
An Alice in Wonderland whose mirror opens onto the occult.

The music wanders through hidden corridors, riddles, vertiginous descents. It inhabits the space between lucidity and delirium, between laughter and menace. Nothing settles. Everything listens.

The Acoustic Cornet is not a tribute cast in bronze.
It is a continuation.
An echo.

An invitation to lean closer.
To hear what was always there.

And to accept that once you listen this way, there is no going back.

Composed and produced by Philippe Petit

Cover artwork by Iglika Kodjakova

https://mahorka.org/release/480
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posted 18 February 2026

Various Artists – 𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!!

Various Artists

“𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!!”

NOP-440
𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! No Problema Tapes version

𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! is a collaborative mixtape curated by Obituary Hermit & ᴋᴀꜱꜱɪᴀɴ ᴋᴏᴜʏᴀᴋɪɴ, designed as a way to bring together different artists from the underground internet music community, regardless of their respective musical genres and offer them a way to experiment and express themselves with absolute creative freedom.
All of the artists present on the tape were asked to make one or two tracks with no limitation at all. This text below was sent to each of them to give them a bit of inspiration, but they were also allowed to decide not to follow the « lore » of the project.

« The world is in big trouble. Giant monsters known as « kaijus » are attacking all across the globe. The ground is trembling beneath their feet, countries are falling, governments are hopeless ; the world as we know it is on the verge of collapse. But as all hope seems lost, a secret order only known as « The Underground » unités once again to face the otherworldly threat.
Will they be able to stop this monstrous menace ? Or is earth doomed for good ? »

𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! is a unique and fun project with many previously unheard sounds from artists you enjoy :)

Iₙ ₜₕₑ ₕₒₚₑ ₜₕₐₜ ₜₕₑ ₘₒₙₛₜₑᵣₛ wᵢₗₗ bₑ ₙₑᵤₜᵣₐₗᵢzₑd by ₜₕₑ ₐᵣₘₑd fₒᵣcₑₛ, ₐₗₜₕₒᵤgₕ ₐₗₗ ₕₒₚₑ ₛₑₑₘₛ ᵥₐᵢₙ, yₒᵤ’ᵣₑ ₛₜᵢₗₗ ₗᵢₛₜₑₙᵢₙg ₜₒ ₛᵤₙₛₑₜ ᵣₐdᵢₒ, ₐₙd ᵢₙ cₐₛₑ yₒᵤ dₒₙ’ₜ cₐᵣₑ ₐbₒᵤₜ dyᵢₙg, ₚₗₑₐₛₑ ₛₜₐy wᵢₜₕ ᵤₛ fₒᵣ ₐₙₒₜₕₑᵣ ₛₒₙg.
ₜₕᵢₛ ᵢₛ ” 𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! “.

https://noproblematapes.bandcamp.com/album/–91
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posted 04 February 2026

AudioCompress & Polyklinik – Élővilág

AudioCompress & Polyklinik

“Élővilág”

The projects AudioCompress and Polyklinik have been collaborating on releases for over five years now. We have published a few of their sonic weavings of field recordings and cinematic drone ambience in the past and now present you their latest: Élővilág (translates to wildlife).
https://enoughrecords.scene.org/release/enrmp557
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posted 04 February 2026

Makunouchi Bento – Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)

Makunouchi Bento

“Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)”

The original soundtrack we made for Ioana Nicoară & Sergiu Negulici (Reniform) and Cinty Ionescu (Asociația Narative)’s “Ne/Re-văzut Muscel” project.
These are not songs, but background sonic illustrations, meant to play along with AR 3D animations and people telling their stories. Normally, they are designed to play continuously: there are 3 looped audio tracks, of different length, for each “song” – when played together, the overall sense of repetition is less obvious.
Here you can listen to short, ~3m rendered demos. We strongly advise you to download the album, find the 3 images included in the archive, install the Reniform app on your smartphone and use it to see the whole thing. The texts / vocal tracks are Romanian only.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Nouă instalații AR inserate în spațiul urban transformă orașul într-o arhivă vie. Fiecare punct de intervenție devine o poartă către povești personale și memorie colectivă. Cu ajutorul tehnologiei, aceste lucrări nu doar adaugă un strat vizual, ci deschid un altfel de dialog cu orașul în care privirea încetinește, iar memoria se reactivează pornind de la teme actuale identitarului colectiv. Cele 9 lucrări AR se construiesc pornind de la povești ale orașului, reprezentative pentru identitarul colectiv, atent selecționate și desprinse din arhiva artistei multimedia Cinty Ionescu. Aceste istorii sunt recontextualizate de artiștii vizuali Ioana Nicoară și Sergiu Negulici prin animații 3D și sunt incorporate în compoziții audio originale realizate de artiștii de sunet Makunouchi Bento, Sorin Păun și Alex Bălă. Lucrările AR au fost disponibile locuitorilor și vizitatorilor orașului prin folosirea unei aplicații gratuite instalate pe telefonul propriu. Amplasarea lucrărilor în spații publice sau neconvenționale ale orașului a fost însoțită de evenimente, activări și este inclusă pe o hartă fizică și digitală în catalogul interactiv NE/RE-VĂZUT: Muscel.

~

Nine AR installations embedded in the urban space transform the city into a living archive. Each intervention point becomes a gateway to personal stories and collective memory. Through the use of technology, these works do more than add a visual layer—they open up a different kind of dialogue with the city, one in which the gaze slows down and memory is reactivated through themes that resonate with contemporary collective identity.

The nine AR works are built around stories of the city that are representative of its collective identity, carefully selected and drawn from the archive of multimedia artist Cinty Ionescu. These stories are recontextualized by visual artists Ioana Nicoară and Sergiu Negulici through 3D animations and are embedded within original audio compositions created by sound artists Makunouchi Bento, Sorin Păun, and Alex Bălă.

The AR works were made available to residents and visitors through a free application installed on their personal smartphones. Their placement in public or unconventional urban spaces was accompanied by events and activations and is documented on both a physical and digital map included in the interactive catalogue NE/RE-VĂZUT: Muscel.

~

www.narative.ro/ne-re-vazut-muscel/

Written, produced, mixed and mastered by Felix Petrescu and Valentin Toma (Makunouchi Bento)

makunouchibento.org

https://makunouchibento.bandcamp.com/album/ne-re-v-zut-muscel-original-music-by-makunouchi-bento
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posted 04 February 2026

Câmera Analógica – even the softest hearts need somewhere to rest

Câmera Analógica – even the softest hearts need somewhere to rest

Câmera Analógica

“even the softest hearts need somewhere to rest”

Câmera Analógica – even the softest hearts need somewhere to rest

It is another beautiful debut in the MiMi Records catalogue.

This time, the project Câmera Analógica presents even the softest hearts need somewhere to rest, an EP built as a collection of small scenes, inspired by the aesthetics of visual novels and the soundtracks of the 2000s. Each track is presented with beautiful lo-fi beats that capture an intimate, quiet moment, where comfort, nostalgia, and emotional pause meet.

The record moves through urban landscapes, lighter weekends, and moments of contemplation, creating a safe space for feelings that don’t need to be explained. The track titles carry personal meanings, yet remain open to interpretation, inviting the listener to find their own stories within the sound.

An EP to listen to on repeat with headphones.

https://mimirecords.bandcamp.com/album/even-the-softest-hearts-need-somewhere-to-rest
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posted 01 February 2026

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea

“Demand the Impossible / The Sofia Intuition”

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

released February 1, 2026

A. Stefan Christoff – Demand the Impossible

01. A sky entrance
02. Arc
03. Turning in the Bosphorus
04. Demand the Impossible

An album recorded in Sofia, Bulgaria one late evening in October 2023
Recorded and mixed by Yoncho Pavlov at AD 57, Sofia, Bulgaria
All piano compositions are original improvisations by Stefan Christoff

B. Open to the Sea – The Sofia Intuition

1. Please stop loving me
2. I will not wake you up
3. I recognise you
4. Bodies in contact

Reworks of Stefan Christoff’s original piano recordings with:
Saverio Rosi – OP-1 with wind instruments, double bass, synths
Matteo Uggeri – laptop, samples, random drumming
Enrico Coniglio – guitars

Mastered by Ryan Morey
Original artwork by Catalina Villegas-Burgos
Layout by Angel Draganov

Síntesis boreal

Esta pieza surgió como una experimentación con la idea de los triángulos, sus búsquedas de balance y de síntesis. Me sentía atraída por la energía del sol y los eventos cósmicos como eclipses y auroras boreales, así que los puse a danzar y a atravesarse. Cuando escuché el álbum de Stefan ‘’Demand the Impossible’’ sentí que mi experimentación le venía perfectamente por el juego de voces entre el bajo y las notas un poco más agudas e insistentes de esta obra. De algún modo, veía también los triángulos en su música y los tonos ‘boreales’ sobre fondo oscuro. En ambas obras: la musical y la visual, percibo desplazamientos y formas que se cruzan. Cuando ambos triángulos se encuentran, ¿es el sol un testigo de aquel eclipse o es acaso una fuerza oculta?
– Catalina Villegas-Burgos. (album artwork artist)

///

It felt unlikely that this recording session would actually happen in Sofia, Bulgaria, but I am really happy that it did and I can share this moment in time. I had played a concert in Sofia that same evening hosted by Tsvetan Tsvetanov of the experimental Bulgarian National Radio program Alarma Punk Jazz. After the show finished I rushed over to the basement studio, AD 57, just before midnight. Sound engineer Yoncho Pavlov generously agreed to record this session super late and we recorded until just before 2 am in the morning. After the session I ran back to the apartment where I was staying with Canadian activist scholar Ezra Winton, packed my bags and rushed to the airport for a flight to Berlin that was set to depart at around 6am.

Despite all the rushing around this recording, the mood and feeling of the sound reminds me of the stars. In certain parts of Sofia there aren’t a lot of street lights and the sky feels close to touch. The mountains that shape the Bulgarian landscape also hold a presence and vibe in the capital city. While playing piano I was thinking of the sky above, the stars and the lands around Sofia and the Balkan region. This project is important to me because of my Bulgarian roots, my father is Macedonian Bulgarian. It was a long road from growing up in Canada to finally making it back to Bulgaria and to finding a path to work on this recording and music in Sofia. I hope that you can feel the emotional resonance in the piano tones.

Another layer to this recording is the fact that recording took place in the context of the Israeli state’s military attacks on the Palestinian people in Gaza. The recording took place in November and the horrifying news coming out of Gaza spanked an intense need to take action around the world. In the week before this recording I had been with friends at protests and events to mobilize for Palestine in Montréal, Amsterdam and London. I was often thinking about Palestine during this recording session and the critical importance of sustaining an involvement and finding ways to support Palestine throughout my lifetime. Walking with and supporting the Palestinian struggle for freedom and against colonialism is one of the essential progressive causes of our time, we must never be silent and always find ways to stand up when Palestine is in the headlines and critically when it is not. I certainly was thinking of my Palestinian friends and comrades around the world who have played such an important role in my life over the last decades throughout this recording, that is the honest truth. I hope that you can hear the sense of commitment and urgency around supporting Palestine that I have carried and acted upon my entire adult life.

Thank you for listening to this solo piano recording from Sofia, it means a lot to me, sending love from Montreal.
– Stefan Christoff.

[mhrk478]

https://mahorka.bandcamp.com/album/demand-the-impossible-the-sofia-intuition
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posted 01 February 2026

slowerpace 音楽 Рمشاغبون EP

slowerpace 音楽 Рمشاغبون EP

slowerpace 音楽

“مشاغبون EP”

slowerpace 音楽 Рمشاغبون EP
After nightfall, the lost boys take the streets, turning motion into raw roar.

RELEASE #42
愛を込めて作られ

⏐ Follow me on Instagram
⏐ instagram.com/slowerpacemusic
credits
released January 15, 2026

CREDITS TO PRODUCERS >>> SOUNDS LIKE WATER – LASZLO BENCKER – BLUE PILOTS PROJECT – NARCOSE – LUIS JR – JENS BUCHERT

Button: by
https://slowerpace.bandcamp.com/album/ep-2
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posted 28 January 2026

KYO – Outtemporary

KYO – Outtemporary
[Insectorama221]

KYO

“Outtemporary”

KYO – Outtemporary

In the orbital city of KYO, a new dubtechno signal dropped: Outtemporary. Static Flow powered the reactors, a steady pulse holding time in suspension. Along the Driftline, ships slid without thrust, guided by bass and delay. At the Peripher, shadows listened as Echoform folded memories into sound. When systems failed, Aftershape emerged—residual rhythms rebuilding the future from reverberation. The city survived by looping forward, forever out of time.
credits
released January 16, 2026

Insectorama221
all tracks by KYO
Mastering & Artwork by Markus Masuhr

Button: by-nc-nd
https://insectorama.bandcamp.com/album/outtemporary
https://insectorama.bandcamp.com
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posted 20 January 2026

Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz

Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz
[mhrk476]

Autonomаton

“Collected not lost 2015-2025 vol.1: drone and teknoiz”

Autonomаton – Collected not lost 2015-2025 vol.1: drone and teknoiz

“Collected not lost” is a decade of Autonomaton’s work, outside of LPs and EPs, collected. The music was released in the period from 2015 to the end of 2025. It’s done mostly through dubbing and overdubbing sound approaches. Both computer and hardware were used. Programmed or live. The tracks included have been released mostly on VA collections of works, through various online labels from around the globe: Animal Breaks (BE); Treetrunk (USA); DIGITAL DIZZY (UK) – dismissed; EcoSci (BG); eden.deeply (AU); Linear Obsessional Recordings (UK); Petroglyph Music (NOR); Studio 4632 (USA) – dismissed; Cian Orbe (CL); We are all ghosts (UK); Cousin Silas Emporium (UK); Doomcore Records (DE); L.O.T.R (FR); Attenuation Circuit (DE); Mahorka (BG); and couple of self-released entities. Included are various (re)mixes, versions and rebuilds for different artists like Cousin Silas, Passenger of Shit, Mystfied, Emerge!, Protuberance, Teeth of Divine and couple others. These three albums will take you mostly through 3 aspects of Autonomatons sound – teknoiz, ambient drone and dub breakz, reflected also in the title of each volume. The music on the albums will follow this trajectory, starting with noises and drones, then turning to more fluffy ambient and in the final chapter entering the zone of dub and breakz.

All music couresty of Nikolay Stanchev a.k.a. Autonomaton

Button: by-nc
https://mahorka.org/release/476
https://mahorka.org
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posted 20 January 2026

Various Artist – C O L O R S Q U A D 0 1 9

Various Artist – C O L O R S Q U A D 0 1 9

Various Artist

“C O L O R S Q U A D 0 1 9”

Various Artist – C O L O R S Q U A D 0 1 9

COLOR SQUAD RECORDS 117/COMP022
C O L O R S Q U A D 0 1 9

43 awesome banger tracks to keep us warm or refereshed depending on the emisphere !

Thank you everyone <3

peace peace peace

all rights reserved
https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-9
https://colorsquadrecords.bandcamp.com
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posted 03 January 2026

Various artist – Hiraeth

Various artist – Hiraeth

Various artist

“Hiraeth”

Various artist – Hiraeth

Artists were given the single word ‘HIRAETH’ to interpret with whatever audio they deemed appropriate. There were no instructions other than a deadline for contributions.

HIRAETH is Cymraeg (Welsh), the approximate meaning is a homesickness tinged with grief and sadness over the lost or departed, especially in the context of Wales and Welsh culture.

Releases by Audiomat (inc. Andreas Brüning), Dental Drill Slips, Eaten By Worms, GLOBAL SYSTEMS INTNL., Iliaque, Sobria Ebrietas, Substak and WarpCensor can be found elsewhere on the TCFSR bandcamp.
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Andreas Brüning, in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
Gruppe BASS tcfsr.bandcamp.com/album/extended-technique

Releases by Substak can be found at substak.bandcamp.com/music and all over Bandcamp.

Releases by Sobria Ebrietas are at sobriaebrietas.bandcamp.com

Scientia is on Burnt Seed at scientia.bandcamp.com and has audio on Instagram www.instagram.com/lelskaye/

Releases by vacant possession are at vacant possession records, Adventurous Music, <1 and on a range of compilations
vacantpossession.bandcamp.com
adventurousmusic.bandcamp.com/album/intimate-spaces-of-everyday-life
lessthanone.bandcamp.com/album/return-of-the-dark-ages

Iliaque is a project of one of the co-founders of Ziklibrenbib (www.ziklibrenbib.fr a French project to promote Creative Commons (CC) music in library) from Normandy (France). His releases from many labels are at iliaque.bandcamp.com

Autistatic releases are at autistatic.bandcamp.com Also, he runs the Zenflesh Records label zenfleshrecords.bandcamp.com

Releases by GLOBAL SYSTEMS INTNL. are on the Hand Canyon Label handcanyon.bandcamp.com and also at globalsystemsintnl.bandcamp.com

Hiraeth is the 18th TCFSR Solo Word project, following DECIMATE, Fool, EPOCH, Twilight, NEW, OLD, Agency, Zucker, Melancholy, Anteontem, Cloister, EARTH, Geräuschkörper, Yellow, Sentience, RUST and AIR.
tcfsr.bandcamp.com/album/decimate
tcfsr.bandcamp.com/album/fool
tcfsr.bandcamp.com/album/epoch
tcfsr.bandcamp.com/album/twilight
tcfsr.bandcamp.com/album/new
tcfsr.bandcamp.com/album/old
tcfsr.bandcamp.com/album/agency
tcfsr.bandcamp.com/album/zucker
tcfsr.bandcamp.com/album/melancholy
tcfsr.bandcamp.com/album/anteontem
tcfsr.bandcamp.com/album/cloister
tcfsr.bandcamp.com/album/earth
tcfsr.bandcamp.com/album/ger-uschk-rper
tcfsr.bandcamp.com/album/yellow
tcfsr.bandcamp.com/album/sentience
tcfsr.bandcamp.com/album/rust
tcfsr.bandcamp.com/album/air

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https://tcfsr.bandcamp.com/album/hiraeth
https://tcfsr.bandcamp.com
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posted 02 January 2026

Fallen – Our Endless Waltz between Wonder and Mud

Fallen – Our Endless Waltz between Wonder and Mud
[mhrk472]

Fallen

“Our Endless Waltz between Wonder and Mud”

Fallen – Our Endless Waltz between Wonder and Mud

Released December 21, 2025, Fallen’s brand new album “Our Endless Waltz between Wonder and Mud”, coming out in beautiful digipak CD edition, is the artist’s second with Mahorka after his debut on the label “Soft Skin Eternal Verses”, released in 2022 on cassette.

Fallen’s notes about the album:

“Our Endless Waltz..” came to light in a very delicate and intense period in my life, with great changes from many angles.

Musically, this very precious to me new album of mine, keeps going in the direction established by my very first Móatún 7 release in 2023 and after my most recent releases on Intellitronic Bubble, Neotantra, Shimmering Moods Recs and ROHS!, where my ways and approaches to electronic ambient music have started to become much more dynamic, whilst never losing (instead, enhancing it, in my opinion) my will/aim to sound as spontaneous as possible, without forcing anything, as usual.

This album is about Love and Resilience and how much this messed up world, keeps going ahead with his crazy race, losing grip day after day, in a cruel way we aren’t able to discuss with open heart, without the will of hurting each other. This is Our Endless Waltz.

I could say the album is pretty connected and tied up to the Victorian Era, in terms of literature and poetry before all. I grew up with that Era in my heart and this time I have done a concious tribute, including with graphic ides – references to the XIX century.

Written, Composed, Performed, Recorded, Mixed and Mastered by Fallen between January and March 2025

Instruments performed, recorded, processed:
Piano, Electric Piano, Organ, Acoustic and Electric Guitars, Bass, Synthesizers, Voice, Field Recordings

Artwork by Angel Draganov

“Thank You So Much to the Dearest Ivo, Angel and to my family”

thechildofacreek.bandcamp.com

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https://mahorka.org/release/472
https://mahorka.org
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posted 23 December 2025

Smooth Genestar – As if music would not be a message

Smooth Genestar – As if music would not be a message

Smooth Genestar

“As if music would not be a message”

Smooth Genestar – As if music would not be a message
Ladies & Gentlemen,

as if music would not be a message – We are very sure you know that and will listen. Music, no matter what musical genre you prefer, is always a message – and a language, spoken and understood by all.

Dear music lovers, Smooth Genestar did it again. Nearly 6 years passed since the release of his last album, and so he felt it has become time to cook some new, delicious groove snacks for you.

Within the last 18 months, he worked on a lot of tracks, all of them handcrafted for you with love. He worked obsessed on every little detail and every little feature, of course always with a subtle portion of humor, as you may notice on the one or other title of the tracks.

What can you expect from this brandnew release? Well, a handpicked choice of 22 tracks out of 30 tracks he has produced within the last 18 months. So, get ready for 4 hours and 3 minutes of deep, groovy, melancholic and tasty flavoured Downbeat, Lounge, NuHazz, TripHop and Chillout tunes – spiced with a good portion of retro flavours and deepness.

For that, he did some serious musical research and work to create authentic beatz, deep and rolling basslines and, of course, jazzy chords and dusty, livind pads and background atmospheres. Most of the musical spices is played and recorded live to keep the human touch.

Overall, you can say, his goal was to serve great tracks for your perfect or even unperfect moments. These 22 tracks will fit nearly all of your moods. May it be as background music while sitting with people you love, for doing your studies, for your way home after a hard day on work, for driving at night, for dreaming or just for your new years day chill out session.

Have a nice christmas and a happy new year!

And now… get into the tunez and enjoy the music!

With best wishes from germany,
CYAN

Smooth Genestar dedicates this music in love to Zeynep.

In addition, he pays tribute to Mr. Paul Hardcastle, a man and musician who influenced him absolutely most with his musically smoothness. Thank you for this kind of gentle smoothness!

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https://cyannetlabel.bandcamp.com/album/as-if-music-would-not-be-a-message
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posted 22 December 2025

Varios Artistas – Mixtape #15

Varios Artistas – Mixtape #15

Varios Artistas

“Mixtape #15”

Varios Artistas – Mixtape #15
El mixtape #15, bajo el título “Latir y combatir”, reúne una serie de canciones y piezas sonoras publicadas por Fuego Amigo Discos en el 2025. Combina su acción con el “Mixtape #14” publicado en el mes de Septiembre de éste año.

Éste compilado define un punto de encuentro real, en el que las vibraciones acústicas, las canciones pop sintetizadas, la sustancia rock y el pulso de la electrónica experimental coinciden y fluyen deliberadamente, sin marcaciomes ni fronteras.

Como desde hace 15 años, el sello vuelve a ampliar éste 2025 las márgenes sonoras. Las canciones, su composición, exposición y amplificación al universo suceden libremente y se combinan acá como un gesto sensible, artistico pero también como acción cultural beligerante.

Foto Portada: Diaz José
www.instagram.com/guerrilla_108/

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https://fuegoamigodiscos.bandcamp.com/album/mixtape-15
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posted 21 December 2025