That imagery of flags fluttering in the wind as a sign of resistance and fight, takes real strength when you remain. The slogan is beautiful for an experimental and underground music label in Chile, but when it is done by publishing more than 160 titles from all over the world and during 15 years without interruption, I take a breath and shout: bravo!
A collage made with fragments taken from PN100 onwards to which are added recurring waves of masters Asuar, Becerra-Schmidt and Schumacher. A unique live take trying to represent the diverse and mixed ethos, but essentially the free spirit of this Pueblo Nuevo.
This no longer stops. Soon the silver wave and, afterwards, the golden wave.
Osvaldo Sotomayor aka Oss
(Santiago, Chile. Agosto / August 2020)
Having established itself as the leader in bleeding edge dancefloor subroutines. Digital Distortions in association with Six Sigma continues to manufacture music that offers unsurpassed capabilities, easy dancefloor integration and extensive connectivity between beats and bass.
credits
released August 7, 2020
W+P: Mark Seavers
Mastered by: Black Monolith Studio
Artwork: opticalsandwich
The nice people from netwaves radioshow at Radio Scorpio asked me for a mix of some of my ccmusic favorites.
Playlist:
Melting Clouds – hispid
http://silentflow.org
https://creativecommons.org/licenses/by-nc-nd/3.0/
KBLUM – Surmonte (V/A – Linge Records PANGOLINGE vol.1)
http://linge.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
Watoo Watoo -Les regards hostiles
http://watoowatoo.bandcamp.com
http://creativecommons.org/licenses/by-nc-sa/3.0/
Jude Cowan Montague – Manora Dogs
http://linearobsessional.bandcamp.com
http://creativecommons.org/licenses/by-nc-sa/3.0/
big blood – Sweet Talker
http://dontrustheruin.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
Kelebek Evrimi – On Living
http://silentflow.org
https://creativecommons.org/licenses/by-nc-nd/4.0/
Diego Lorenzini – Maite
http://uvarobot.cl
http://creativecommons.org/licenses/by-nc-sa/3.0/
pablosánchez – Kaleshi
http://pablosanchezmusica.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
Garay Palma – Incitacion A La Desobediencia Civil
http://dustedwax.org
https://creativecommons.org/licenses/by-nc-nd/3.0/
Tha Silent Partner – SeXXXy Walk Part.2
http://blocsonic.com
https://creativecommons.org/licenses/by-nc-sa/3.0/
Christoph Gallio / Omar Grandoso / Sam Nacht / Marcelo von Schultz – Ecce homo
http://plustimbre.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
CLOUDWARMER – That’s Gotta Be the One?
http://cloudwarmer.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
Fjaler -Lull
http://escrec.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
Nullva – Bongolon
http://electronemitter.net
https://creativecommons.org/licenses/by-nc/4.0/
SMOK – Old Signal Radio
http://modismo.cl
https://creativecommons.org/licenses/by-nc-nd/3.0/deed.es_ES
Bodro – Bad Symphony
http://digitaldistortions.co.uk
http://creativecommons.org/licenses/by-nc-nd/3.0/
Wankers United – Ciao Quentin
http://daheardit-records.net
http://creativecommons.org/licenses/by-nc-nd/3.0/
Terranigma – Deep Sea Oddities
http://terranigma.bandcamp.com
http://creativecommons.org/licenses/by-sa/3.0/
p1nkf1re – unemployed acid 137
http://p1nkf1re.bandcamp.com
http://creativecommons.org/licenses/by-nc-sa/3.0/
Juri-jah – Darcknes
http://motorlab.su
https://creativecommons.org/licenses/by-nc-nd/3.0/
Roy of the Ravers – Twilight Zone
http://thecentrifuge.bandcamp.com
http://creativecommons.org/licenses/by-nc-nd/3.0/
For more free music visit https://www.clongclongmoo.org
Get your free download of 3 fresh new mash-ups by Flipsyd of some of my tracks from Visa On Arrival with Bollywood/commercial hits.
Just perfect for appeasing that Saturday night crowd, whether it’s a gang of your college buds on Zoom, or the fam around the living room. Fingers crossed for clubs to re-open again!
Flipsyd has been one of my favorite Indian mash-up producers for a long time, I’m always dropping his tracks in my DJ sets and they’ve saved my #djlife more than a few times!
The title of the album refers of course to the novel by the Strugatzki brothers. But it is also the expression of the desperate realisation that the world is probably unsavable. The problems are obvious, everybody knows everything, but nobody is willing to do anything.
We oscillate faster and faster between hysteria and agony, blind actionism and panic. And again and again we get fast and easy answers to complex questions with the certainty of a placebo.
Clicktivism as a digital balm for the poor afflicted souls. The mistaken belief that you can save the world through your consumerism.
We dream of electric sheep.
Technomagic thinking.
The illusion of freedom.
Welcome to the age of transfiguration.
We rather bear those ills we have than fight them.
Our thoughts and prayers are with the victims.
From the very inception of Wayab – with “Tales from the transcendent” – the substance of the project has been finding ways to express the inexpressible through the development of abstract language based on sound. This release differs from the previous Wayab albums in its incorporation of verbal language alongside the purely sonic one, with quotations from ancient scriptures, both canonical and apocryphal.
The album is structured as a sonic triptych, representing three paths leading in the same direction. On the left is the path of knowledge – it begins with the desire to know, followed by the acquisition of knowledge and in the end – the becoming of the knowledge itself. In the center is the path of direct experience, of grace. Short and simple rhythmic structures are transfigured into spacious soundscapes embodying the formless timelessness at the center of existence. On the right is the path of devotion, of love – simultaneously a prayer for existence and an expression of gratefulness for it.
The development of a language capable of expressing the inexpressible is an infinite process that cannot reach completion and yet understanding this impossibility to be complete is its very completion. To quote one of the great translators of ancient knowledge from the Sanskrit, Juan Mascaró: “All true progress is an inner creation that leads to the joy of the Infinite.”
released August 1, 2020
All music by Nikola Marinov
Cover artwork by Boyan Avramov
Dedicated to Fredo. Farewell, dear friend!
hallycore (@hallycore_) / Twitter twitter.com/hallycore_
SoundCloud soundcloud.com/hallycore
His own label
brutshits (@brutshits) / Twitter twitter.com/brutshits
SoundCloud soundcloud.com/brutshits
credits
released July 31, 2020
The Portuguese netlabel Green Field Recordings joins, for the 10th year, the World Listening Project, through World Listening Day, with another field recording sound compilation.
01. Acoustic Mirror – 2020-03-17 19_44 (Lockdown Listening Diary Entry) (05:00)
02. Balan Ronan – Andador Francisco I. Madero, Centro Histórico, Querétaro, México (07:00)
03. Deep Dive Sound – Sunset Shoreline Sounds – Malapascua Island – Philipines (04:02)
04. Enrique Maraver – Tres Instancias De Una Nueva Quietud (07:11)
05. Heitor Alves – When peace is broken by whirling blades (03:56)
06. Luís Antero – Morning Birds I (05:31)
07. Mark Nazemi – MN_ThirdBeach_2019 (07:26)
08. Mikael Layoura – Encuentro, Verdiales, Puerto de la Torre
09. Robert Kroos – LEBANON, Morning at The Cedars (05:58)
10. Roberto Vodanović Čopor – sds (06:01)
11. Stefan Taylor – Lockdown nightingale and freght train (09:25)
Credits:
Style: Soundscape/Field Recordings
Original photos: Luís Antero
Artwork: GFR
(cc) 2020
GFR 133
Bralitz 2014 was special. Well, Bralitz is always special. But 2014 – „Aaahhwoo” – probably was our most distinctive and fun festival. Being our first two day festival, it took a lot of work preparing it. We even built an outside stage with our own hands, while getting eaten by mosquitoes.
Still we managed to record some music during the week. For the first time there was a song with German lyrics – that’s special, too.
Bralitz connoisseurs will surely miss Nicolas Falcon’s trade mark voice and songwriting – he couldn’t be there that year. But he will be back for one of the next chapters!
3 Dubtechno Tracks from Substak.
Insectorama#087
Cover and Mastering by Markus Masuhr
credits
released July 28, 2020
Music and production by Christian Fiesel CC 2020
Dedicated to Amy
photo and design by EMERGE
The music of the album Zealandia speaks the language of longing. It is about the eighth continent, on whose back lie the islands of New Zealand, among others. This album is very, very quiet and that’s the way it should be. It was recorded in March 2020 using only a memotron.
chicago, in the middle of deepest winter. snow covered. at this time of year, the title track of this e.p. was created as a collaboration between slow children (whom we welcome as a new artist) and area (most recently in 2009 on “objet trouvé” [tonatom.103]).
“zima” means winter and this is reflected in the meandering, powerful, deep, ambient opener. five alternative interpretations of this work take up different aspects in a new way, continue it with a new focus and complete this e.p. this is far from being a ” one original title and remixes” release, but rather presents six very different variations of a theme combined, which allows an attentive listening as one piece.
Original track by Kondensator: “Biological Agent:The Virus Conspiracy”
link: https://kondensator.bandcamp.com/album/biological-agent-the-virus-conspiracy
Additional sound effects, overdub mix, cover artwork design by Sábila Orbe.
Kondensator is an experimental, noise, synthwave music project from Québec City, Canadá.
For listen more music of this artist visit:
– https://kondensator.bandcamp.com/
Yaka-anima is an experimental, computer music project created by Sábila Orbe, from Rancagua, Chile.
website: https://archive.org/details/@yaka-anima_noise
https://hearthis.at/yaka-anima/
In July 2015 a new electronic music label was born in Brazil. Amidst the rise of many new talents in need of space to show their work, Tropical Twista Records started with the idea to give voice to these brilliant artists, from Brazil and the rest of the world.
Five years later, the label stays true to the mission of releasing new and interesting people, spotlighting Brazilian and South American artists. Beyond that, TTR feeds the underground electronic music scene, encouraging and sharing its music in a broad and accessible way.
“Quintessence” is the closure of this first 5 year cycle: we gathered all elements of the previous years to give birth to a new energy, expansive, dynamic, long lasting and capable of creating new ideas, breaking paradigms every time.
We brought together these 15 artists in this compilation to once again solidify our intention and our commitment with the underground electronic music, experimental and avant-garde, Tropical Twista’s trademark.
Compiled by Palmer and Felipe MD
Fm Outt is a romantic and a futuristic alter ego with a focus on the beautiful and the good of sadness.
This is music without reference to genre orientation, a rhythm cataloged or its complete absence.
Fm Outt try to write music from images, music for storytelling, music to reflect a calm environment.
He is inspired by his family. Watching his wife walk around the room, his daughter does her homework quietly and his son plays-I he makes compositions based on those feelings and moments, that is his inspiration.
He is inspired by the silence or lack of it.
He learned one simple thing from some people:
Everything is Sound…
Music is all around us the music is allways within us…
