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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

entropija – genealogija A: 2017-2018

entropija – genealogija A: 2017-2018
[EEM054]

entropija

“genealogija A: 2017-2018”

The first part of a retrospective collection, documenting live concert excerpts and private experiments between October 2017 and June 2018. Dynamic, rhythmically active, contrasting motifs dominate the album, emanating shades of IDM, glich, and post-industrial music. Beats and tonalities assemble, clash together and disintegrate, giving way to the next cycle of entropic interactions. The album attempts to construct a sonic narrative from disparate recordings, recontextualizing them into a new whole, but retaining the eclectic nature of entropija‘s live performance.
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posted 23 April 2020

Amerigo Gazaway – Angst (Original Game Soundtrack)

Amerigo Gazaway – Angst (Original Game Soundtrack)

Amerigo Gazaway

“Angst (Original Game Soundtrack)”

Original Soundtrack for the videogame “Angst”, with music composed by Amerigo Gazaway. The entire game was made in just under 72 hours for Ludum Dare 46.

Play the game here: enigmadragons.itch.io/angst

About:

Angst is a 2D adventure-exploration game about fighting one’s inner demons.

Help a socially anxious lady to make it through a day at her office job without having a panic attack.

Learn how to fight your inner demons by finding healthy ways to discover comfort in a busy and crazy world! You’ll encounter various demons inside her “mind forest”, use the environment to push them away and get back to the office.
credits
released April 21, 2020

Music Composer: Amerigo Gazaway

Artwork by Ludmila Sosa:
www.instagram.com/kamuihand

Game Credits

Enigma Dragons:
enigmadragons.com

Max Louis Creative:
maxlouiscreative.com

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posted 22 April 2020

Kaelin Bougneit & Devon Ford – Hayagriva

Kaelin Bougneit & Devon Ford – Hayagriva

Kaelin Bougneit & Devon Ford

“Hayagriva”

Vulpiano Records is pleased to present the enchanting ‘Hayagriva’ – five psychedelic, drone-drenched landscapes that inspire the imagination and offer an escape into another world.

Cassette (Limited edition gold cassette in jewel case w/full color 2-sided J-card. Comes with a download card for the album!): kaelinbougneit.bandcamp.com/merch/kaelin-bougneit-devon-ford-hayagriva-cassette

12 x 12 Hayagriva Print & Cassette Package:
kaelinbougneit.bandcamp.com/merch/12-x-12-hayagriva-print-cassette-package

Words from Kaelin Bougneit:
Devon and I recorded this (almost) entirely improvised record in short, scattered sessions in early 2019. There was essentially no planning between us and no communication between our equipment, and I think the tenuous, spontaneous nature of that was liberating for both of us. For the first half of this album I focused mostly on guitar and granular resampling; the last half is mostly vocal improv, all within Ableton Live. Thanks for your ears.

Bandcamp: kaelinbougneit.bandcamp.com
Twitter: twitter.com/KaelinBougneit
Subviolet Records (Kaelin’s Music): subviolet.com

Words from Devon Ford:
My part of the project comes from a 9U/312HP Eurorack built around drones, granular synthesis, tape splice/samples, and heavy modulation. I knew I wanted to get into this style when I was first introduced to the sounds of Lustmord. I have always been into crazy psychedelic music as well, so the sound takes on a mix of dark ambient and psychedelia.

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posted 22 April 2020

Various Artists – Nevrosia

Various Artists – Nevrosia
[CR120]

Various Artists

“Nevrosia”

The diabolical force known as Nevrosia has been unleashed upon a quarantined world to inflict a mutated and distorted blend of breakcore contagion. This album represents an audio pandemic of terror. Breathe deeply and descend.

Crivellator hails from Latina, Italy and is the founder of the Musica Bella netlabel.

Cover artwork by SEKI.

DISCLAIMER: “Hell is empty and all the devils are here.”

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posted 22 April 2020

Soul Flask – The Cassandra Complex

Soul Flask – The Cassandra Complex
[mhrk240]

Soul Flask

“The Cassandra Complex”

“Basically the project came into being from the job I do. I work in the waste/recycling industry and have done for 3 years. When I first started I was absolutely mortified at how wasteful we are in this country and likely most of the developed world. There is so much food waste (tins, dried goods that get thrown away even though they are perfectly fine). I eat what I think is OKay. Me and others also find gold, silver, rolex watches etc. I found a bottle of whiskey valued at 1400 pounds. So i was seeing all this waste and then seeing homeless people in the street asking me for money. I would buy them a sandwich and a drink. I sank into a place of strange but thoughtful depression and anxiety. Then we had this idea that you could look inside a skip and come up with a quality band name. I came up with ‘Half eaten loaf’, The rotten carpets, Then I saw a broken thermos flask with all these old photos next to it. Peoples memories… Soul Flask just popped in my head. I then set about taking inspiration for a musical project with influences taken directly from rubbish. Some musical instruments and old vhs tapes provided a catalyst of at least creating a musical message to this madness.

The flask appeared empty, but it wasn’t. It triggered a thought.. That our bodies are vessels. Our Soul can either be damaged or enlightened throughout life. We boil down our whole life’s experience, knowledge and thought, then we carry forward that knowledge and information within ourselves. Within our Flasks, keeping that liquid warm. It’s important that when the liquid overflows out of our Flask, that it does so in a positive way. A helpful and responsible way that can only promote good, so as that other peoples flasks don’t get contaminated. It’s only by following that lifestyle that we can truly transform and then together, we can all go into the future.

With a clarity of soul.

Most tracks have a direct message to them. Usually just questioning our accepted culture as normal without challenging it. But when looking at the bigger picture of which society does its very best to hide. You can’t help but wonder just how long we can sustain ourselves like this. I mean, we all need things to survive. But when these things come to their expiry. We cannot just bury them in landfill. That behaviour is the equivalent to the whole of the human race burying its head in the sand.”

released April 22, 2020

on the occasion of Earth Day

Recorded between July 2019 and March 2020

Artwork by Remona Poortman De Roos

“Much love to Jeffers, Sandie, Ivo, Pietro (IglooMag), WastedCake, Alec & Clay, Steven (LFM), All the Andyʼs, Jared (Gabbermaster 2000), Esa Juhani Ruoho and of course my family”

Special thanks to Babs Graham (for the additional artwork circa 1930)

“Civilisation is in a race between education and catastrophe.” – H.G Wells

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posted 22 April 2020

JOTA ESE – Fabergé ESE

JOTA ESE – Fabergé ESE
[#DOR080]

JOTA ESE

“Fabergé ESE”

Produced by JOTA ESE for Trilobite Donuts
Additional Production by Mitch Jones, Brainweight, Ron Gallo, Justin Kalk, and Kyle Davis
Engineered by JOTA ESE and Mitch Jones
Mixed and Mastered by JOTA ESE
Vocals, Guitar, Bass, and Samples by JOTA ESE
Keyboards by Mitch Jones
Guitar by Tyler Davis, Matt Man, Justin Kalk, and Ron Gallo
Saxophone by Caleb Hickman
Samples and Scratches by Brainweight
Percussion by Kyle Davis
Background Vocals by Chiara and Ron Gallo
Artwork by Deathspan Studio
Recorded at Day Old Studio B, Nashville TN
2020 Day Old Records
#DOR080
credits
released April 20, 2020

(j. stout, m. jones, t. davis, m. menold, j. kalk, r. gallo, c. hickman, c. breaux, c. d’anzieri)

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posted 20 April 2020

Various – manual influence negating isotropic mutable arsenic lentils

Various – manual influence negating isotropic mutable arsenic lentils
[ACPS 1039]

Various

“manual influence negating isotropic mutable arsenic lentils”

1. Linn Friberg – Aerial (excerpt) 10:00
2. CHAINBLOCKER – Jungle-216 (Original Mix) 10:49
3. The Murmurous Playground – Vorwort (EBE Plunderphonic) 05:00
4. Boban Ristevski – Inner Engineering 08:56
5. B.P. Hughes / {AN} EeL – the feeding and mating habits of mature incubus & succubus in near space 08:58

cover art by Claus Poulsen
design by EMERGE

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posted 20 April 2020

Robodrum – 808909303

Robodrum – 808909303

Robodrum

“808909303”

The Robodrum subroutines contained within this EP set the standard for the next generation of bass loving dancefloor inhabitants. The beat and bass circuits are contained in eight-layer three-dimensional modules and offer an effective throughput up to 12 times more booming than previous systems.
credits
released February 19, 2020

W+P: Przemek Kuduk

Artwork: John Bushby

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posted 19 April 2020

Toni Dimitrov – Bucharest Sketches

Toni Dimitrov – Bucharest Sketches
[GFR, 129]

Toni Dimitrov

“Bucharest Sketches”

Toni Dimitrov – Bucharest Sketches (GFR, 129)

This is the fifth in the series of field recordings albums from the field recordist and sound artist Toni Dimitrov dedicated to a city. After the field recordings from Athens (released on Green Field Recordings), Milan and Ioannina (released on Auriculab), and Belgrade (released on Silber Records), this time the sketches are recorded in Bucharest during his stay in Romania for field recordings residency in the Danube delta, in the summer of 2019. In the piece you can hear the recordings from the Bucharest streets, parks, the noise from the rain, fountains, etc., interweaving subtly, blurring the line between field recording and sound art.

Toni Dimitrov

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posted 17 April 2020

big blood – Do You Wanna Have A Skeleton Dream?

big blood – Do You Wanna Have A Skeleton Dream?

big blood

“Do You Wanna Have A Skeleton Dream?”

Big Blood is:
Colleen Kinsella
Caleb Mulkerin
Quinnisa Kinsella Mulkerin

Written and recorded at home by Big Blood.
This album is dedicated to Paul Yves Reny, Greta Thunberg and Fred Cole. Thank You to Feeding Tube Records.

Taken From Feeding Tube Records:
Wow! Great new LP by the full trio version of Maine’s Big Blood. Colleen, Caleb and Quinnisa are all present and accounted for at every turn on this one!

Unlike their last LP, The Daughter’s Union (FTR 459) (which seemed like some sort of experiment involving glam-rock-readymades), Do You Wanna? is awash with crazily re-imagined girl group dynamics. Some of these tight-sparkly-dress recreations have a savage teenage authority, but others wiggle more like dreams stolen from the nodes of Julee Cruise, Angelo Badalmanetti or David Lynch. Sometimes there are style-ghosts standing in all the expected places, but none of them are behaving the way we’d expect.

But I do not wish to paint the sound here as monochromatic. There are many of Big Blood’s classic elements employed with trademark pluck — witchy patches recalling early Spires That in the Sunset Rise, small balloons filled with glitter & gas-pulses, bubbling pools of pure psychedelic confusion. But the strange sophistication of children wearing Diana Ross masks is something new. And it’s such a mesmerizing vision, I find myself paying extra attention to it.

But then again, that’s just the surface. The lyrics here are of a piece with Big Blood’s patented approach of creating surrealist poetry in a rural and arrestingly original American style. Quinissa’s newly rampant influence seems to be grounding some of the lyrical imagery in more quotidian scenes (”Insecure Kids,” etc.), but with the parental examples she’s afforded on a daily basis, this may just be a phase. But whatever else it is, Do You Wanna? is another amazing spin from Big Blood. And there’s even a poster you can pin on your memory board. Talk about your win/win situations!

-Byron Coley
credits
released February 28, 2020

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posted 17 April 2020

Javier Moraga – Violence is in the air

Javier Moraga – Violence is in the air
[pn152]

Javier Moraga

“Violence is in the air”

In times of social revolution against an abusive economic system, in a Valparaíso that does not yield to brutal police repression, there is also a strong cultural response to this unpopular government that does not listen to any slogan. The artistic expressions that confront this whirlwind of state violence are varied, contributing with creative beauty influenced by the social movement, and it is there where electronic music is also present.

Javier Moraga is one of the most important representatives and diffusers of this musical style in the Valparaíso region. Week after week he delights us with records on his radio program “Sala de Máquinas” (Room of Machines) on the radio Valentín Letelier, broadcasting on the modulated frequency of the “V Costa”, new albums by producers of national and international electronica. His musical knowledge is vast, he has publications in the most important Buenos Aires netlabels such as Modismo and Epasonidos. Furthermore, as a sound technician, we can affirm that his new album “Violence is in the air” leaves no doubt about his great musical experience. We will listen to nine songs that cross the sounds of ambient, glitch and experimental, with great sonic amplitude, expressive frequencies, varied and enveloping samples with a clear avant-garde tendency both musically and conceptually, understanding that, in Chile, today more than ever there exist winds of profound social change.

Felipe Baradit Stevenson
(Concón, Chile, abril / April 2020)

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posted 17 April 2020

Doctrina Natura – The Cult to the Trimorphic Hécate

Doctrina Natura – The Cult to the Trimorphic Hécate
[ST014]

Doctrina Natura

“The Cult to the Trimorphic Hécate”

Doctrina Natura
[Spain]

Format: Digital
Release Date: April 13 2020
Cat: ST014

The Doctrina Natura’s project was born at the end of 2017, with the need of experiment with instructive, organic, hypnotic music, a sound intimately linked to nature. Ambient, experimental, slow techno rhythms and the influence of ethnic sounds, is what best captures this project.

This album represents fantasy and mythology through sound. Reading a book is imagining stories through words. In music, those words are transformed into sounds; this is a story to be told through the sounds.
>From the shadows stands, oh Queen of ghosts, Goddess of Sorcery.
Protective of the roads, observer, guardian of the crossroads.
Goddess of the three forms, bearer of keys, maker of light and darkness.
Half goddess, half witch, the moon and fire coexist there.
Guardian of the woods, connoisseur of magical plants, priestess, healer.
THE CULT TO THE TRIMORPHIC HÉCATE

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posted 14 April 2020