Always zip, (and also latch)
Ensure your cargo is attached.
Failure to heed this mandate
Lets your goods fall to their fate.
Tumbling can be quite tragic,
Requiring repair to restore the magic.
So, remember this simple quip:
Secure your latches, and always zip!
Featuring bass clarinet.
Mastermind behind the veteran neoclassic dark ambient project Day Before Us is back on Mahorka with a new solo album whose conceptual background explores unsettling “liminal spaces”, paramnesia and flowing affective memories. In this new release Philippe Blache teamed up with photographer and visual story teller objet-fantôme (Angela Caro). Liminal spaces are often marked with a sense of wander and vertigonous wonder to apprehend parapsychology and new possibilities of meaning with a subject trapped in unusual mental structures. The atmosphere of the pieces is based on meandering immersive textures and thrilling tones of high emotional value, depicting with sonorous analogies some imaginary territories, diving the listener in profound headscapes. All in all this new effort is a beautifully instrumental and carefully crafted musical excursion in melancholia and repetition. It is delivered in a nice package as limited physical edition (beautiful digisleeve CD), accompanied by the free (cc) digital version.
Written, recorded and arranged in Dole by Philippe Blache (alias Day Before Us)
Original artwork and layout by Angela Caro (objet-fantôme)
Special thanks to Ivo Petrov, Angela Caro, Giuseppe Verticchio, to new and loyal listeners.
Amphibia drifted beyond mapped constellations, communicating through pressure waves instead of language. Omni Dub awakened the vessel, its dub chords folding space into shimmering echoes. Leave dissolved gravity, allowing memories to float like luminous spores. Expo unfolded impossible architectures where experimental soundscapes replaced matter. On ignited a pulse—minimalistic rhythm structures guiding silent navigation across liquid galaxies. Orchid Dub bloomed in the vacuum, each resonance painting unseen atmospheres around forgotten moons. Pastele blurred the horizon into soft spectral colors, where time expanded between distant reflections. At the journey’s end, Dolphine surfaced from a cosmic ocean, singing through infinite delays until every echo became a new beginning. No destination remained, only endless drift inside the breathing resonance of Amphibia, where silence itself learned to bloom.
Insectorama234
all tracks by Lu Joyce
Mastering & Artwork by Markus Masuhr
Resignation. So here we are, after all. And why not? “Shooting the messenger” has become a national sport. “Evidence-based science” is now just a dirty word. A shrug is the answer to everything. Giving up is the only—albeit last—option. No pity for those who see empathy as a weakness. “Never again” was yesterday. Now it’s too late. The dead don’t protest.
If you like, you can listen to the album as a concept album. A wise woman travels through the land, carrying the light of the Enlightenment before her. Hardly anyone is willing to listen to her. People are dominated by anti-science doomsday cults. She is arrested, tortured, but manages to escape. She finds refuge with a small resistance group. But no uprising takes place. Friendly but determined, she moves on. She performs an ancient, arcane ritual in preparation for an ultimate sacrifice. She writes one last pamphlet and delivers one final impassioned speech. Then comes the realization: People do not want to be saved. What follows is retreat, introspection, resignation, and, in the end, a farewell to the world. The light of the Enlightenment is extinguished forever.
released July 14, 2026
To celebrate a monumental historic milestone, Mahorka brings together a curated constellation of producers from its immediate family and close inner galaxy for its 500th release, dropping officially on Netlabel Day 2026.
“Re: Echo Mist Light” is a collective reinterpretation of Wahn’s acclaimed full-length album “Echo Mist Light”, an opus heavily validated by key tastemakers of the electronic scene – including icons like The Bug and Scanner – and proudly selected in the Bandcamp Monthly features. The original LP was widely lauded for its massive cinematic scope, shifting dub-infused techno pulses, and physically tangible sub-bass textures.
Rather than delivering a standard remix album, each contributing artist has remarkably captured the deep, tactile essence and introspective core of Wahn’s original tracks, seamlessly transposing that energy into their own signature sound.
Across the tracklist, the album pieces together an explosive variety of sonic languages, ripping through fragmented IDM, hypnotic techno, scorched-earth glitch abstractions, industrial minimalism, and deep ambient drifts. “Re: Echo Mist Light” stands as a profound testament to underground electronic synergy – a celebration of community where Wahn’s narrative is brilliantly reborn through the diverse minds of the Mahorka galaxy.
Featuring remixes by:
Fluffy Inside · Nonima + Abdicant · Cognition Delay · Mas&Delayer · MEION · Substak · Signalstoerung · Dissolved · Mentome Moir · Valance Drakes · Méconium · Grosso Gadgetto · Genda · Captive Portal · Attaché · Flint Glass · Mitoma · Brainquake
Inner is a seven-track album by Pittsburgh electronic artist Incentive, released through Tri-Labs. The album moves through post-industrial, ambient, IDM, noise, and krautrock-influenced music and features vocals from Sia De La Paz (FrequensiaSound).
01 Conversations With the Mirror (10:33)
02 alone again (and again [and again]) (09:07)
03 spineless (12:17)
04 DAMNATION NOW (10:23)
05 shit’s confusing (05:43)
06 i don’t trust you (03:34)
07 deserve how i feel (12:31)
All tracks written by Incentive
Tracks 4, 5, and 7 co-written by Sia De La Paz
Incentive – music, production, mixing
Sia De La Paz – vocals, vocal production
Mastered by Machine Listener at Tri-Labs West
Dawn Hartman – photography
Michaela Briglia – model
released via Tri-Labs on July 13, 2026
tri-labs.org
tri-labs.bandcamp.com
Alexander (.WAV.) Wagner – electroguitar, synths, drumpad, e-bow.
Alexey (Vampire) Vokhmyakov – soprano saxophone, percussion, drumpad, voice.
This is a recording of a live performance by musicians from the projects “Ad Lux Tenebrae” and “.WAV.” each of whom is independent and original. This complete improvisation, roughly divided into sections, was performed at an INDUSTRIAL/NOISE FORUM at the Tarkus rock store in Yekaterinburg, Russia.
Recording – march 14, 2026 (3dekb studio)
Takashi Izeki presents Life, a sonic universe where the guitar breathes through ambient and atmospheric sound.
His music blends hypnotic rhythms with lush textures, guiding the listener on a serene and deeply emotional journey.
Between Memories, echoes of the past illuminate the present; Deep Sea and Labyrinth plunge into the depths of the soul; Wish transforms hope into a distant horizon.
His environmental music reveals minimalist, warm, and beautifully crafted synthesizer compositions, where every sonic landscape invites contemplation, inner balance, and discovery.
A contemplative, intense, and deeply immersive album, meant to be experienced without haste.
If you’ve ever tried hiking up scree, you’ve likely hiked down.
It’s called the scree shuffle – one step up, two steps back.
Featuring rocks.
The Necrophile Hummingbird non profit netlabel presents “La Journée Sans Fin De La Femme” by Psyché Pelik + Valérie Bourquin + Yoshiwaku Mushotoku
“Antipatriarchy Music for the self-liberated women”
The Endless Woman’s Day…
Improvisation recorded the 8th March 2026 at Le Champ Du Possible (The Possibility’s Field) in Dole.
This was our first steps under our real names.
We keep it to remember from where we came.
The slightly different other part of the session is here twinrealitiesdreamers.bandcamp.com/album/bulungu-tame
This album is dedicated to all the victims of the men.
This album is part of Netlabel day 2026
For more than two decades, Batard Tronique has been building a body of work that is as prolific as it is elusive. Originally from the Saint-Malo area in western France, this self-taught musician has continuously explored the outer edges of breakcore, experimental hip-hop, drum & bass and adventurous electronic music. Behind his many aliases – including Batard Tronique, Slawowycz, Psykoxxx and Khadim – lies a single driving force: a relentless desire to push sonic boundaries and allow each project to develop its own identity.
Working entirely outside conventional music industry pathways, Batard Tronique writes, records and releases his music independently. Choosing the solitude of the studio over live performances, he has spent years crafting a deeply personal universe fueled by constant experimentation. His extensive discography, spread across multiple projects and complemented by his own Paris Zombie Netlabel, reflects an inexhaustible creative drive and a lasting commitment to underground culture and the free circulation of music.
With Parasite, he continues his pursuit of uncompromising, unpredictable electronic music. Fractured rhythms collide with abrasive textures, hip-hop influences intertwine with breakcore explosions, while atmospheric passages emerge unexpectedly from the chaos. Each track behaves like a living organism, constantly shifting between tension, collapse and reconstruction, refusing to settle into familiar forms.
More than simply an album, Parasite is an immersion into a constantly mutating sonic world. It resists categorization, challenges listening habits, and transforms unpredictability into a creative force.
A new chapter in Batard Tronique’s ongoing collaboration with Camembert Électrique, Parasite once again demonstrates his commitment to fearless experimentation, artistic independence and uncompromising underground music.
LOW PRESSURE SYSTEMS is a compilation released by Camembert Électrique, dedicated to slow, dense and immersive sonic forms.
Following MONOLITHIC BLOCKS, this project continues the exploration of an aesthetic grounded in bass, repetition and pressure-based dynamics. The tracks gathered here do not follow a single direction, but they share a common focus on sonic material, its internal movement, and the way it can occupy space.
Some pieces unfold very slowly, while others introduce clearer pulses or more present rhythmic elements. Some inhabit brighter spaces, others more opaque atmospheres, yet all maintain an immersive approach, where sound is conceived as an environment rather than a frontal statement.
Listening unfolds as a gradual immersion into textures that transform, layer and expand. Bass often plays a structural role, not as a dominant feature, but as a gravitational force that helps organise the whole.
LOW PRESSURE SYSTEMS thus explores different states of tension and release, between suspension, internal motion and a sense of depth.
Compiled, artwork collage by Sábila Orbe.
Each track composed by respective artists. Links:
– Innocent Darkness: soundcloud.com/innocentdarkness
– el_masmore: elmasmore.bandcamp.com/
– Zazie Productions: zazieproductions.bandcamp.com/
– Pizzabox: soundcloud.com/pizzabox92
– PressureWorks: soundcloud.com/pressureworks6/tracks
– UFO Sighting: ufosighting.bandcamp.com/
– Cafec: cafec.bandcamp.com/
– Double C: soundcloud.com/double-c-77891164
– Delsocks: open.spotify.com/intl-es/artist/4Da0og3qSCtXRVpfV2ol4W
– gon pulvo: soundcloud.com/poruvo/tracks
– Kleinhirnkammer: archive.org/details/@kontakt_kleinhirnkammer_de
– Humanfobia: humanfobia-official.bandcamp.com/
Released July 3, 2026 as free (cc) digital download and in beautiful limited CD edition.
“Rare Moments … There are times when a musician seems possessed by an extraordinary creative energy. Christophe Bailleau O’Farrell is undeniably going through one of these periods. His albums follow one another at a steady pace, yet this abundance is never accompanied by any loss of momentum: each new release enriches a constantly expanding universe.
With “Romantic, Visceral”, Bailleau O’Farrell continues this inspired dynamic. A composer, programmer, pianist, guitarist, flutist, and soundscape artist, the musician from the Liège province also knows how to surround himself with the most relevant collaborators: Julien Ash, A Limb, Kozik, or Jordane Prestrot.
“My vision of Romantism: a quest of beauty and mystery, truth…” specifies Christophe.
“Romantic, Visceral” approaches its subject with a discreetly brilliant touch. Here, the displayed romanticism has nothing to do with outdated nostalgia. It is a permanent quest for mystery, infatuated with that murky, Baudelairean, exhilarating beauty!
Christophe Bailleau O’Farrell is a musician in a state of absolute grace!”
–Ilian Mirov, June 2026
“My friend, my mentor is dead. The universe has split in two, me in the middle.
How to find your way back to dreams, to yourself?
Romanticism (and the internal transformations it brings about) is a necessity in a world parched with age.
Fall into darkness. Get up. Recover, leave, hope, continue.
Romantism, visceral.
>From the manure comes the rose.”
–Christophe Bailleau O’Farrell, June 2026
Christophe Bailleau O’Farrell : production, programming, piano, guitar, flute, synths.
with
Julien Ash : sax, violin, synths on tracks 10 & 11
A Limb : sounds and madness on track 6
Kozik : charango on track 6
Jordane Prestrot : keyboards on track 4
Artwork : Christophe Bailleau (bummy style)
Mastering : Julien Ash
My vision of Romantism : a quest of beauty and mystery, truth, a way to calm down never found but approaching / too old to die.
PLEASE RESET THE WORLD
Thanks to Philippe Franck, my family, Ivo, Zorg…
What is a vacuum? What does it accomplish?
If it functions well, it achieves nothing.
Featuring clarinet and robot vacuum.
Stefano Grasso – drumset, mixer, microphone, portable loudspeakers
Recorded by Stefano Grasso on May 12th, 2025.
Mixed and mastered by Volker Böhm in winter 2025.
Another new addition to the MiMi Records catalogue.
Selected Works 2000–2026 brings together more than two decades of Alcyon’s musical output, tracing a journey where ambient music intersects with memory, stillness, and emotion.
Inspired by feelings of familiarity, nostalgia, romance, and “saudade”, the album invites listeners into a contemplative experience, unfolding delicate and timeless sonic landscapes.
More than a retrospective, Selected Works 2000–2026 stands as a testament to Alcyon’s artistic evolution between 2000 and 2026.
