GvM has dropped ‘Slide Sonatas I.’, his new album of futuristic slide guitar sounds.
The neo-cubist, semi-deconstructionist blues protagonist returns in full swing, delivering 12 tunes of boogie, chill, inventiveness and craftsmanship. One, ‘Space Digger #1’, has already been out for a while as the first single, accompanied by a spectacular Lego Classic Space 1980’s retro sci-fi music video: https://youtu.be/S4dWDOW2dG0
bonimedia.pl/samples/sample_sonda_-_koniec_swiata.mp3
bonimedia.pl/samples/sample_hexogen2022.mp3
Un registro de catársis a través del ambient.
Leonardo Sacul – TidalCycles, livecoding
Ismael Verde – Mezcla y Mastering
Federico Bada – Samples de su piano
released August 8, 2022
released August 1, 2022
Na nahrávke znejú:
Tomáš Vravník – gitara, spev, perkusie
Lukáš Vravník – klávesy, spev
Michal Blaho – basgitara, spev
Juraj Gerek – bicie nástroje, perkusie
Dychová sekcia:
Jozef Chorvát – trombón, leader sekcie, aranžér dychov
Pavol Smolár – tenor saxofón, barytón saxofón, klarinet
Stanislav Ryban – lesný roh
Samuel Šimek – trúbka
Nahrané od jesene 2020 do jesene 2021 v Novej Cvernovke v Bratislave, nahalo Štúdio pod povrchom.
Filip Hittrich – majster zvuku, mix, master
Cover:
Vladimíra Vrbiňáková – grafika
Kristián Grupač – koncept
Daniel Gavenda – foto
released July 22, 2022
……………………………………………..
Letra, música y arreglos: Diego Lorenzini
Diego Lorenzini: Voz, ukelele, bajo, teclados y percusiones.
Alba Morena: Voz
Co-producido por Diego Lorenzini y Claudius Rieth en Barcelona
Materizado por Arturo Zegers en Estudio 050
Arte de portada: Diego Lorenzini junto a Pilar Quinteros y Patricio Blanche
……………………………………………..
Music, Lyrics and musical arrangements: Diego Lorenzini
Diego Lorenzini: Vocals, bass guitar, ukulele, keyboards and percussions.
Alba Morena: Vocals
Co-produced by Diego Lorenzini and Claudius Rieth in Barcelona.
Mastered on analog tape by Arturo Zegers in Estudio 050.
Cover artwork: Diego Lorenzini along with Pilar Quinteros and Patricio Blanche
released July 14, 2022
Out take z alba Tehilim, cesty šeré (vyjde po prázdninách 2022 na LP v nákladu 100ks; ale bez této písně…)
Obsazení:
Jan Faix – Hammondovy varhany
Zdeněk Hmyzák Novák – diatonická citera Hora, mbira, rámové bubny, trubka, šamanský buben, hlas,
zobcové flétny, Korg monotron, Korg Kaosspad, Korg Kaossilator,
tuboflaut, tonový generator, Kastle
Josef Jindrák – basová kytara, elektronický live processing
(mixpult, efektová jednotka, looper), Korg Kaoss DJ, kalimby, ukulele
René Pařez – elektrická kytara
Salvy poděkování: Ondřej Ježek, studio Jámor (nahrávka, míchání,
mastering)
The Necrophile Hummingbird Netlabel presents Oddschool by rADio eNd.
“Odd Music for Derealizationed People”.
About beneath and above the surface of this album :
Oddschool is the third album of rADio eNd with for members the same trio*. While Hum Antenna was more about psychedelic explosion, Underground Culture was… well, about the Underground Culture, OddSchool is focus perhaps more on the reality study. And maybe the way we can communicate through music. We could have stayed more in the comfort zone with a mostly instrumental music, but since the very beginning, rADio eNd is thought like a kind of sonar. That’s why OddSchool needed to be haunted by lyrics as well as by any kind of crypto mantras, to show how, each can unlock these mantras to get a personalized message, as I did.
Also, despite I far enjoy not straight political stuff, mostly because the way this music is created is far more political than any talk, and that Dead or Alive ! could have been more universal and timeless, only with the mantra about the reversing of the symbols. I will not do a list of how the world is in huge trouble these days, but the decision to overturn Roe v. Wade law in the United States is too much dramatic for so many women, to keep my mouth shut down.
It can be interesting also to notice, that despite I do not voluntary transposed them in this song, many ideas were already in the word I added to underground culture presentation, to understand the whole creation process.
About Ok with everything… the meaning is first at the edge of two interpretations, in the industrial music style. It needs to decipher it by yourself as you can do with a koan, then only, the mantra deliver its message. This could talk, as well about acceptation, as a way to upgrade oneself, as I experienced it in my own life, acceptation (not resignation), to be able to really integrate something. As well, about fake acceptation, the same way that the kind of stuff like being friend with everyone indeed lead to be friend with no one, avoiding conflict can, that way, make you stand up for wicked things, at the opposite to any values which could motivate to do this.
Next I added the lyrics about Karpman triangle, perhaps because to remove these roles is a fine way to solve this mantra. More generally, like if you learn to remove your own storytelling,
you’ll be able to remove the propaganda storytelling.
Last but not least, there is an educational dimension in the whole album. When I was younger I’ve been studying, a short time, in the “lycée expérimental de Saint-Nazaire”. A school based on active pedagogies. Where students are equal in right with the educative team members. Where everyone does as well administrative tasks, cleaning, cooking, etc. students choice what they want to study and vote for the establishment choices.
There are other ways to learn if we want another world. In france in ordinary colleges, things are very slowly changing, but what is the meaning to form the teachers to the caring without to let them do the criticism of the system ? While the whole society is build on violence, competition, exclusion, and so on. Also, if certain are still thinking like being superior because of their knowledge to the student. And often haven’t got experience outside of scholar system as human being. Or also the way sometime teachers can disgust students by showing art through the academic critic’s point of view, for example avoiding anything really subversive as well in the shape than in the essence.
Or still severing everything instead to show how linked all domains, learn to transpose, can help you to build yourself and live by yourself.
So many things to say about this kind of things, that I prefer to do not develop this more. An anecdote about the artwork, to complete the way things are linked, I made it with a glass photography of a school in ruin.
D-I-Y studies shall be a lifetime task, to experiment with art for example is a fine tool to learn, creations are meaningful fruits to help you to grow up.
* There is another album without Studio 112 here peter-hopes-explodingmind.bandcamp.com/album/purple-circle-the-french-dissection
Featuring :
Peter Hope on tracks 1/4/7
peter-hopes-explodingmind.bandcamp.com/
Studio 112 on all tracks except the 7th
studio112.bandcamp.com/
Ed End on all tracks
ello.co/ed_end
rADio eNd is a process more than a simple musical project…
More informations about rADio eNd on the official page
horsnorme.org/rADio_eNd/rADio_eNd_english.html
Special thanks to anyone, skeptical, non-dogmatic, learning the whole life length.
Dedicated to all the education underground pioneers, like Francisco Ferrer, helping their fellows to build their own system.
Video Art Clip soon here www.bitchute.com/channel/mixuptv/
Latest netlabel news on ello.co/ed_end
released June 26, 2022
RND:
S. d. Ch. – el. kytara, zpěv, hudba & texty
Josef Jindrák – el. kontrabas
Jana Viktorínová (nepřítomna)
hosté:
Jan Faix – klavír
Ondřej Ježek – el. kytara¨
koncertní nahrávka z klubu Kaštan, Praha, 2. 2. 2022
(bez úprav a dotáček)
mastering: Ondřej Ježek, studio Jámor
fotografie z koncertu: Radúz Dětinský
A four track EP by O.P.A.L. Further explorations on dream pop, post-rock, and shoegaze. Released June 26, 2022
For Christin.
All songs were performed, programmed, recorded, and produced by Jose E. Roman Garcia at The Perch in Los Angeles County, California between June 12th and June 25th, 2022. Copyright 2022 Rojo y Negro Records. Published by Rojo y Negro Music (ASCAP).
Artwork: “HUGE-B 500-NCBI PGT” by Elena Regina is marked with Public Domain Mark 1.0. To view the terms, visit creativecommons.org/publicdomain/mark/1.0/?ref=openverse.
Music, Lyrics and musical arrangements: Diego Lorenzini
Recording engineer (Barcelona): Claudius Rieth
Recording Engineer (Bogotá): Daniel Cortés
Mixing and master engineer: Daniel Cortés
Percussion: Javiera Paredes
Vocals:
Maite Pizarro
Santiago Navas
Thaisa Bula
Laura Otero
Catherine Torres
Federico Rincon
Daniel Cortes
Thomas Gubbins
Nicholas Lorenzini
Cover artwork: Maite Pizarro and Diego Lorenzini
We’re thrilled to present to you “Crimewave”, the new EP by Vietnam II! It’s hard to believe that it’s already been over a year and a half since we last heard from Jamarr & Eddie when they released the excellent “War on Christmas”. Well, here we are and we have a fresh batch of songs that deliver that addictive, moody surf rock sound that you’ve come to expect. If you’re new to the Vietnam II sound, well… what are you waiting for? Download and discover your new favorite group. Whether you’re new to them or not… enjoy.
Hey Jamarr & Eddie… thank you both once again for another incredible release! You guys never cease to impress me.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
s3.wasabisys.com/blocsonic/releases/maxblocs/bsmx0215/01-Crimewave_192kb.mp3
With this sampler, we present artists who have made Vulpiano across the span of 2021 and into early 2022. We find both continuity and renewal of the recurring themes solidified at our core over 12 years.
There are long-time pillars of the label: Richey Hackett’s tremendous growth branching into emotionally vital electronic compositions; the ever-versatile, 90s alternative-saturated introspections of King Elizabeth (furiously prolific since 2020 after a long absence since the early years of Vulpiano); the lush and transcendent playfulness of Brevyn’s synth work, with influences that distill how online music defies generational stereotyping.
And as ever newer artists arrived, like tributaries at the conflux of a river: a celestially noisy instrumental from Torre di Fine abstracts from the vast post-rock sound of his first Vulpiano release; immortal ebt returns triumphant with a new, crushingly hypnagogic sound after an 8-year absence; Lhas Fawn stirs a psychedelic whirlpool of aleatory ritual; Fabio Keiner’s meditative, microtonal opus adds to Vulpiano’s canon of masterful drone records; and Wood Ship’s subtly dissonant gaze at a winter horizon soothes, but begs contemplation.
released May 14, 2010
Recorded by:
David Freudl – Wurlitzer, Viscount Intercontinental organ, Siel Mono, Microkorg, Casiotone MT 68, electronics
Leoš Kropáček – drums
Tomáš Procházka – bass guitar, electric guitar, electronics, field recording, fuzz, tape player, coal scuttle, vocal
and
Markéta Brýlová – vocals
Sound:Federsel
Mastering: Ecson Waldez at Biotech studio
Cover: Roman Mikeš
Nachtreiter Lyrics: Philipp Schenker
Released by Polí5, 2010
Musiche e arrangiamenti di Fabio Pieri
Testi di Fabio Pieri, tranne La Crisi e Il Fastidio
di Fabio Pieri e Fabio Chiantini
Prodotto da Fabio Pieri e Fabio Chiantini
Registrazione di Fabio Pieri a casa e Fabio Chiantini
presso Strato Dischi, Roma
Mix e Mastering di Fabio Pieri presso Strato Dischi, Roma
Grafica di Fabio Pieri
Luca Pieri – Percussioni, Cori
Fabio Pieri – Percussioni, Basso, Chitarre, Voce
Fabio Chiantini – Cori, Basso
Stefano Buonamico – Chitarre, Cori
Lorenzo Declich – Chitarre
Gianluca D’Alessandria – Chitarre
Matilde Pieri, Sara Chiantini, Barbara Massi, Viola Fanfoni,
Marco Di Marco, Emanuela Rubano, Manuela Cenciarelli,
Farncesco Monachesi – Cori
The Necrophile Hummingbird Netlabel presents Darkness is knocking at my door by Ouranoise and Ed End.
“Witch Rock for Unborn People”.
About the surface of this album :
Do you remember ?
When the first time you really met another being.
No shapes matter.
I notice that sometime with very sensitive people, some may call this people empaths, it’s like we’ve never been severed.
This kind of unborn children may be still linked to everything, like perhaps before the birth. I can be wrong, but it seems the case of Ouranoise.
Also seems it’s my own case and maybe that’s half why, since my name is Ed End I feel non-binary, darkness and light melt in an inextricable way, the other half may be because of how the patriarchal society is violent against the women as well sometime disallow elementary right as well to own their bodies.
Or it’s just the fruit of my imagination. Indeed, like so many, my father was violent and my mother for example was unable to say or show that she loved me.
Anyway, that’s not the plot. So what would be music if not a fundamental element of the meeting process. The vibrations finding their phases. Tuning. Perhaps the result of love and life melt is o and i overlaid. One of the symbolism analysis possible is that the other dot is replicated inside the o becoming 2.
And again and again each time we meet someone. Sounds crazy ? I don’t know.
I’m walking through life with my eyes blinded to keep my other sens wide open.
No rational process in action. Only fluid moves thru the possible fields.
So Ouranoise musical universe met my musical universe and I’m so happy to share this music with you.
About the depths of this album :
Perhaps it would be not that far in the style index of death rock or darkwave or postpunk…
Let’s dig this with a little of the story about this improvised track. Many of the last tracks recorded are far too long for usual listeners habits.
So first I extracted the most significant parts of them or reduced them to the essential.
Thinking myself that I’m often listening to shorter tracks. But next because I like to think the long time listeners of the netlabel are really open mind, and also that I enjoy these tracks for the trance inducing repetitive effect, so I chose to do not mutilate them, thinking it could coin a new style : Mantra Wave.
Actually, this one is more created like a sort of 45 rpm Single track which really do not care of any limitations.
Last few days ago I was reading Twilight of the idols and was so disappointed with what it shows about Nietzsche, being very different of what I thought when I read Also Sprach Zarathustra…
I realized to what level it’s possible that a book can be far different of the writer thoughts behind. So I choose to keep sharing my point of view,
but I’m warning you to never forget that the music matter more than any of my words.
Or for this release my opinion is the more relevant thing to do is to really listen the poetry of Ouranoise :
An ode to the darkness
The obsessive compulsive of the literal captive disorder of tales and boiling horns lying on its side looks at you so that you smile and see your face in the
you caress with your voices the dream come true where the sweet sacred darkness kneels while kissing its hands of ether until the light appeared
faint whisper of the little birds that wake up to sing those who are being born among the trees their eyes of different colors twinkle to find the infinite seed of the sky and a fresh wind enters my soul to remember that my arms learned to fly like them
now the moon shines for me
now the sun does me good
I love you now and I will love you forever
I just want to be inside you and feel your soul melt with mine
those dreams that come true in the darkness so clear and full of your eyes
looking for delirium the mind closed looking for the void the present is felt and in a sung verse the sun grows as if it were the first day of life
through your hands the oracle of the magicians makes me read the creativity that I possess I am the sweet firmament of the golden in the sunset
I am the full cup of the magician and the heavenly love of lovers
I am that sky full of stars that become light to go through you and kiss you while I rise with you to the imagination of life.
Good listen & thanks a lot for the support.
Love+Share+DIY
ed end
Dedicated to all those who are aware that intuitive mode is the key to allow deep changes without their fundamental difference being block by rational deny mode or misguided by any ersatz process generating only superficial changes.
May self-knowledge be a blessing to walk out of the dark ages.
Ouranoise
www.instagram.com/ouranoise/
Ed End
www.instagram.com/abimamibe/
bonimedia.pl/samples/sample_cellar_pillow_heart_of_the_matter.mp3
released February 21, 2022
Recorded at home and in the car 11/21-2/22.
Silvertone, acoustic, Casio, Wurlitzer, P-Bass, MS-20 Mini, Eurorack, Echoplex, Ebow, Overdrive.
“Jerry” contains lines/references to Seinfeld “The Pilot” S4.E23
“Way She Goes” and “Notes” contain a reference to Trailer Park Boys “The F…in’ Way She Goes” S5.E3
released April 4, 2022
Zbytečný luxus jsou písně Petra Mazúra v aranžích Martina Strakoše, za doprovodu milých hostů. Album dokumentující putování donquijotského hrdiny od jara do zimy bylo nahráno v průběhu roku 2020 a 2021, povětšinou distanční formou.
Na albu se podíleli:
Petr – zpěv, akustická kytara, kvákavá elektrická kytara, klavír, klávesy, akordeon, bendžo, zobcová flétna, harmonium, terénní a archivní nahrávky
Martin – zpěv, syntezátor ewi, klarinet, příčná flétna, saxofon, melodika, foukací harmonika, okarína, elektrická kytara, basová kytara, saz, zvonkohra, kalimba, brumle, clave, guiro, tamburína, řehtačka, chrastítka, cajon, ruchy, terénní nahrávky
Martina Červenková – zpěv (4)
Heda Fialová – zpěv (2, 9)
Anežka Matoušková – zpěv (10)
Jana Havláková – housle (5)
Hudba a texty: Petr Mazúr
Mix a master: Honza Balcar (StudioBros.)
Ilustrace v bookletu: Helena Čubová, Tadeáš Polák, Alexandra Bílá, Karolína Bathory, Zuzana Beliš, Heda Fialová, Markéta Jelínková, Andrzej Cieslar.
Foto: Lukáš Hamáček, Petr Mazúr
Grafická úprava: Monika Paholok
V roce 2022 vydal Zbytečný luxus & Polí5 (Trojanova 9, Praha 8).
Made in Czech Republic, EU. www.poli5.cz
