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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: ambient

Worker Street UNION – (739) 7 Minutes

Worker Street UNION – (739) 7 Minutes

Worker Street UNION

“(739) 7 Minutes”

Worker Street UNION – (739) 7 Minutes

A big welcome to Brandon Scott Duncan and his exciting music project, Worker Street UNION!
Get ready to dive into a unique fusion of Experimental Ambient, Glitch, and some very interesting beats that will take your ears on an unforgettable journey. Whether you’re chilling out or looking for something fresh and innovative, Brandon’s soundscapes are sure to captivate and inspire. Stay tuned for some truly boundary-pushing tunes!

This album is basically a nod to poverty and their attempts
at elegance.
This album is a romanticized pink flamingo. Love.
An audio version of seven minutes in heaven. Spinning the bottle,
hoping it lands on who you want and stepping into heaven with them. Falling in love and the awkward walk of shame through society.

https://petroglyphmusic.bandcamp.com/album/739-7-minutes
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posted 27 July 2026

Philippe Blache – Embodied Shadow Of Thy Secret Mind

Philippe Blache – Embodied Shadow Of Thy Secret Mind

Philippe Blache

“Embodied Shadow Of Thy Secret Mind”

Philippe Blache – Embodied Shadow Of Thy Secret Mind

Mastermind behind the veteran neoclassic dark ambient project Day Before Us is back on Mahorka with a new solo album whose conceptual background explores unsettling “liminal spaces”, paramnesia and flowing affective memories. In this new release Philippe Blache teamed up with photographer and visual story teller objet-fantôme (Angela Caro). Liminal spaces are often marked with a sense of wander and vertigonous wonder to apprehend parapsychology and new possibilities of meaning with a subject trapped in unusual mental structures. The atmosphere of the pieces is based on meandering immersive textures and thrilling tones of high emotional value, depicting with sonorous analogies some imaginary territories, diving the listener in profound headscapes. All in all this new effort is a beautifully instrumental and carefully crafted musical excursion in melancholia and repetition. It is delivered in a nice package as limited physical edition (beautiful digisleeve CD), accompanied by the free (cc) digital version.

Written, recorded and arranged in Dole by Philippe Blache (alias Day Before Us)
Original artwork and layout by Angela Caro (objet-fantôme)

Special thanks to Ivo Petrov, Angela Caro, Giuseppe Verticchio, to new and loyal listeners.

https://mahorka.org/release/501
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posted 25 July 2026

Lu Joyce – Amphibia

Lu Joyce – Amphibia

Lu Joyce

“Amphibia”

Lu Joyce – Amphibia

Amphibia drifted beyond mapped constellations, communicating through pressure waves instead of language. Omni Dub awakened the vessel, its dub chords folding space into shimmering echoes. Leave dissolved gravity, allowing memories to float like luminous spores. Expo unfolded impossible architectures where experimental soundscapes replaced matter. On ignited a pulse—minimalistic rhythm structures guiding silent navigation across liquid galaxies. Orchid Dub bloomed in the vacuum, each resonance painting unseen atmospheres around forgotten moons. Pastele blurred the horizon into soft spectral colors, where time expanded between distant reflections. At the journey’s end, Dolphine surfaced from a cosmic ocean, singing through infinite delays until every echo became a new beginning. No destination remained, only endless drift inside the breathing resonance of Amphibia, where silence itself learned to bloom.

Insectorama234
all tracks by Lu Joyce
Mastering & Artwork by Markus Masuhr

https://insectorama.bandcamp.com/album/amphibia
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posted 25 July 2026

Takashi Izeki – Life

Takashi Izeki – Life

Takashi Izeki

“Life”

Takashi Izeki – Life

Takashi Izeki presents Life, a sonic universe where the guitar breathes through ambient and atmospheric sound.

His music blends hypnotic rhythms with lush textures, guiding the listener on a serene and deeply emotional journey.

Between Memories, echoes of the past illuminate the present; Deep Sea and Labyrinth plunge into the depths of the soul; Wish transforms hope into a distant horizon.

His environmental music reveals minimalist, warm, and beautifully crafted synthesizer compositions, where every sonic landscape invites contemplation, inner balance, and discovery.

A contemplative, intense, and deeply immersive album, meant to be experienced without haste.

https://mimirecords.bandcamp.com/album/life
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posted 21 July 2026

ONO x ILLER – .D.Y.S.T.O.P.I.A.

ONO x ILLER – .D.Y.S.T.O.P.I.A.

ONO x ILLER

“.D.Y.S.T.O.P.I.A.”

ONO x ILLER – .D.Y.S.T.O.P.I.A.
–
■ EPV_232
–
artwork ＆ vocal by ILLER (https://lit.link/illerakamaa)
–
■ ILLER’s latest song
Aesthetic(prod.pipebomb)
https://www.youtube.com/watch?v=DYT66AGlhZw
–
The Frontrooms(prod.pipebomb)
https://www.youtube.com/watch?v=FKehqVQ3kGU
—————————————–
■ Special Thanks
This release is a curated archive of tracks originally created for the vocal compilation hosted by Fukuoka Digital.
–
Explore the full compilation here:
music-compilation.com/archives/album/vocalsongmusic2026
–
https://elementperspective-04.bandcamp.com/album/d-y-s-t-o-p-i-a
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posted 17 July 2026

room101 – The Desiring-Machines (15th Anniversary Edition)

room101 – The Desiring-Machines (15th Anniversary Edition)

room101

“The Desiring-Machines (15th Anniversary Edition)”

room101 – The Desiring-Machines (15th Anniversary Edition)
A remastered reissue of the 2009 EP, capturing a pivotal moment in the
room101 evolution. This release weaves driving electronic pulses and raw
techno textures with original classical compositions, creating a
cinematic soundscape where tradition meets the dancefloor. It is a
definitive exploration of the signature room101 aesthetic—dark,
sophisticated, and timeless.
https://archive.org/details/room101_desiring_machines
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posted 17 July 2026

Various Artist – 👽 I want to Believe (X-files Tribute)🔍

Various Artist – 👽 I want to Believe (X-files Tribute)🔍

Various Artist

” I want to Believe (X-files Tribute)”

Various Artist – 👽 I want to Believe (X-files Tribute)🔍

Compiled, artwork collage by Sábila Orbe.

Each track composed by respective artists. Links:
– Innocent Darkness: soundcloud.com/innocentdarkness
– el_masmore: elmasmore.bandcamp.com/
– Zazie Productions: zazieproductions.bandcamp.com/
– Pizzabox: soundcloud.com/pizzabox92
– PressureWorks: soundcloud.com/pressureworks6/tracks
– UFO Sighting: ufosighting.bandcamp.com/
– Cafec: cafec.bandcamp.com/
– Double C: soundcloud.com/double-c-77891164
– Delsocks: open.spotify.com/intl-es/artist/4Da0og3qSCtXRVpfV2ol4W
– gon pulvo: soundcloud.com/poruvo/tracks
– Kleinhirnkammer: archive.org/details/@kontakt_kleinhirnkammer_de
– Humanfobia: humanfobia-official.bandcamp.com/

https://archive.org/details/v-a-i-want-to-believe
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posted 17 July 2026

Christophe Bailleau O'Farrell – Romantic, Visceral

Christophe Bailleau O'Farrell – Romantic, Visceral

Christophe Bailleau O’Farrell

“Romantic, Visceral”

Christophe Bailleau O'Farrell – Romantic, Visceral

Released July 3, 2026 as free (cc) digital download and in beautiful limited CD edition.

“Rare Moments … There are times when a musician seems possessed by an extraordinary creative energy. Christophe Bailleau O’Farrell is undeniably going through one of these periods. His albums follow one another at a steady pace, yet this abundance is never accompanied by any loss of momentum: each new release enriches a constantly expanding universe.

With “Romantic, Visceral”, Bailleau O’Farrell continues this inspired dynamic. A composer, programmer, pianist, guitarist, flutist, and soundscape artist, the musician from the Liège province also knows how to surround himself with the most relevant collaborators: Julien Ash, A Limb, Kozik, or Jordane Prestrot.

“My vision of Romantism: a quest of beauty and mystery, truth…” specifies Christophe.

“Romantic, Visceral” approaches its subject with a discreetly brilliant touch. Here, the displayed romanticism has nothing to do with outdated nostalgia. It is a permanent quest for mystery, infatuated with that murky, Baudelairean, exhilarating beauty!

Christophe Bailleau O’Farrell is a musician in a state of absolute grace!”
–Ilian Mirov, June 2026

“My friend, my mentor is dead. The universe has split in two, me in the middle.
How to find your way back to dreams, to yourself?
Romanticism (and the internal transformations it brings about) is a necessity in a world parched with age.
Fall into darkness. Get up. Recover, leave, hope, continue.
Romantism, visceral.
>From the manure comes the rose.”
–Christophe Bailleau O’Farrell, June 2026

Christophe Bailleau O’Farrell : production, programming, piano, guitar, flute, synths.

with
Julien Ash : sax, violin, synths on tracks 10 & 11
A Limb : sounds and madness on track 6
Kozik : charango on track 6
Jordane Prestrot : keyboards on track 4

Artwork : Christophe Bailleau (bummy style)
Mastering : Julien Ash

My vision of Romantism : a quest of beauty and mystery, truth, a way to calm down never found but approaching / too old to die.

PLEASE RESET THE WORLD

Thanks to Philippe Franck, my family, Ivo, Zorg…

https://mahorka.org/release/499
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posted 13 July 2026

alcyon – Selected Works 2000-2026

alcyon – Selected Works 2000-2026

alcyon

“Selected Works 2000-2026”

alcyon – Selected Works 2000-2026

Another new addition to the MiMi Records catalogue.
Selected Works 2000–2026 brings together more than two decades of Alcyon’s musical output, tracing a journey where ambient music intersects with memory, stillness, and emotion.

Inspired by feelings of familiarity, nostalgia, romance, and “saudade”, the album invites listeners into a contemplative experience, unfolding delicate and timeless sonic landscapes.

More than a retrospective, Selected Works 2000–2026 stands as a testament to Alcyon’s artistic evolution between 2000 and 2026.

https://mimirecords.bandcamp.com/album/selected-works-2000-2026
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posted 07 July 2026

Bohdan Stupak – spring

Bohdan Stupak – spring

Bohdan Stupak

“spring”

Bohdan Stupak – spring

As part of our digital series, Naviar Records is proud to release “Spring” by Ukrainian producer Bohdan Stupak. An immersive journey through field recordings and subtle guitar layers, where nature and the listener merge and experience the slow, relentless passing of time as one.

About the album, Bohdan Stupak says:

“Late autumn and winter of 2024 was really hard time for me, so when spring came, I decided to focus on it as a time of renewal and shedding away the past. Starting from early March and up to late May, I did a lot of field recordings in a local park to capture subtle changes that occur in nature and may be unnoticed by people who are too busy and preoccupied with their routines. Then I added some heavily processed guitar, although I tried to keep it as minimal as possible, so the nature would be the main performer.”

https://naviarrecords.bandcamp.com/album/spring
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posted 02 July 2026

Sora Fujishima – Wind Of Lament

Sora Fujishima – Wind Of Lament

Sora Fujishima

“Wind Of Lament”

Sora Fujishima – Wind Of Lament

A new artist joins the MiMi Records catalog. Sora Fujishima presents Wind Of Lament, a four-track EP that drifts between ambient, field recordings, and drone. Inspired by the image of wind as a carrier of memories and emotions, the release unfolds through delicate and immersive sonic landscapes.

Ambient textures flow like ever-changing breezes, while field recordings capture echoes from the physical world and weave them into a contemplative narrative. Extended drones move through the compositions like deep air currents, expanding the listener’s sense of space and time.

Between the breath of ambient music and the gusts of drone, Wind Of Lament emerges as a subtle and engaging listening experience, where silence, atmosphere, and attentive listening take center stage.

https://mimirecords.bandcamp.com/album/wind-of-lament
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posted 25 June 2026

Bourbon Military – Roark 243

Bourbon Military – Roark 243

Bourbon Military

“Roark 243”

Bourbon Military – Roark 243

Dark Layers of granulated endlessness.
Block chain spirits, that free themselves.
XR travelling with sound implants.

We end the year 2025 like it began: with some darker sound art IDM by Bourbon Military. Beginning with a new/an old year’s speech to the masses (transcription & translation included in the zip file), the release then transforms into a multi layered adventure in sound, session elements, neural stimulation, a concert of despair, hope and light , which is quite matching for the year. This is the soundtrack for a next virtual Blade Runner movie. For the time when Hollywood Hans will be retired.

en: www.phonocake.org/roark243
de: www.phonocake.org/roark243_de

https://www.phonocake.org/roark243
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posted 14 June 2026

Takuro Takeda – TEXTET

Takuro Takeda – TEXTET

Takuro Takeda

“TEXTET”

Takuro Takeda – TEXTET

TEXTET was produced by Takuro Takeda some time ago, but is only now seeing the light of day. In this work, Takeda explores ambient drone landscapes marked by silence, resonance, and urban atmosphere.

The title evokes a fragmented transmission, while the cover — a building beneath a dark blue sky — suggests a space suspended between memory and emptiness.

Throughout the album, slow-moving drones, analog feedback, and degraded textures create an immersive and contemplative experience. Inspired by Japanese environmental minimalism and industrial drone, Takeda builds dense yet subtle compositions where sound seems to slowly expand through space.

A hypnotic, nocturnal, and deeply atmospheric record.

https://mimirecords.bandcamp.com/album/textet
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posted 09 June 2026

Ash Room – Japanese Nyabinghi

Ash Room – Japanese Nyabinghi

Ash Room

“Japanese Nyabinghi”

Ash Room – Japanese Nyabinghi

Tokyo-based artist Ash Room presents a new sonic statement, pushing his exploration of rhythm and repetition into uncharted territory.

Building on previous experiments blending Nyabinghi influences with techno, this latest project replaces conventional percussion entirely with the powerful resonance of traditional Japanese Wadaiko drums.

Every sound source, texture, and sample originates from Japanese materials, creating a deeply immersive and culturally rooted sound palette.

Designed for private spaces rather than crowded dance floors, the music embraces loops, noise, accidents, and the unexpected. Hypnotic, raw, and intimate, Ash Room crafts a listening experience for the solitary listener.

https://mimirecords.bandcamp.com/album/japanese-nyabinghi
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posted 26 May 2026

Black Market Brains – Ring

Black Market Brains – Ring

Black Market Brains

“Ring”

Black Market Brains – Ring

All music by Black Market Brains.-
Mini-album Inspired by RING book by Koji Suzuki.-

For more Black Market Brains music visit:
soundcloud.com/blackmarketbrains

Full Ring album:
soundcloud.com/blackmarketbrains/sets/ring

Horror Synth, Electronics and Industrial celebrations of Sleazoid Cinema and EBM Grooves from US.

https://archive.org/details/ring-black-market-brains
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posted 22 May 2026

reFUGeeS From Beyond – Perceptronic

reFUGeeS From Beyond – Perceptronic

reFUGeeS From Beyond

“Perceptronic”

reFUGeeS From Beyond – Perceptronic

The Necrophile Hummingbird Non-Profit Netlabel presents Perceptronic by reFUGeeS From Beyond

“Psychotronic Cyberpunk for Biological Neural Networks”

Improvisation recorded the 1st March 2026 at Le Champ Du Possible (The Possibility’s Field) in Dole www.soloist.ai/atelierkol
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku

In 1941 in Berlin, Hermann Schmidt wrote a Memorandum in favor of the founding of an institute for regulatory technology. Control and Regulation wills gave birth to cybernetics. Science without conscience is, but the ruin of the soul said Français Rabelais, he didn’t know how right he was. It’s just a question of time for a process to achieve its purpose.

Whereas the main problem is still the earth resources massive destruction. Cybernetic is the key to understand the fundamental problem with Artificial Intelligence. But things can’t be solved by being against or for AI. It need a better understanding of the roots : the technofascism. So despite being about artificial intelligence topic this album is absolutely AI-Free Music.

Dedicated to the lost in Hallucination Humanity.
Since the storytelling turned the real into a fiction, we are all characters of an infamous Z movie. Press the button to turn off the movie. Shut down the dystopia by becoming real.

Artwork draw done by Psyché Pelik. Used as texture by Yoshiwaku.

https://archive.org/details/refugees-from-beyond-perceptronic/
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posted 17 May 2026

Yadak + Kymatha – Rezumar

Yadak + Kymatha – Rezumar

Yadak + Kymatha

“Rezumar”

Yadak + Kymatha – Rezumar

“Rezumar” is configured as a transmission system from an aquatic and subterranean environment, where sound is not projected—it seeps through.

The work unfolds as a network of relationships between water, matter, and electricity, articulated through an assembly of hybrid devices. The water phone and the “Après-Baschet” resonators do not establish hierarchies; instead, they complement one another: one explores states of liquid resonance, impact, and friction, while the other oscillates between rhythmic pulses and extended atmospheres, generating a pendular movement that structures the listening experience.

The Oceanic tamtam and the Euphonic expand this field, activating micro-vibrations, displacements, and shifting densities. Each moment of the album corresponds to a transformation of the environment: from the opening of the ocean, through zones of pressure and instability, to the entrance into rocky cavities and an interior space of shelter.

A presence moves through this system. It does not observe—it calibrates, activates, and translates. Its movement is almost imperceptible, yet sufficient to alter the balance between elements.

“Rezumar” proposes a mode of listening in a state of immersion, where the boundaries between instrument, body, and environment dissolve.

Yadak + Kýmatha
(Santiago, Chile. Mayo / May 2026)

https://pueblonuevo.cl/catalogo/rezumar/
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posted 13 May 2026

Innocent Darkness – The Dark Fungus

Innocent Darkness – The Dark Fungus

Innocent Darkness

“The Dark Fungus”

Innocent Darkness – The Dark Fungus

“The Dark Fungus,” a self-titled debut album forged in the sonic trenches of Roland MC-707, Bitwig Studio, Vital VST, and Novation Circuit Tracks, is a visceral descent into a nightmare both conceptual and auditory. The premise—a mycological war where a fungal infection forces humanity into a perpetual Witchhouse rave—is handled with terrifying dedication. This isn’t just an album; it’s the soundtrack to a civilization’s slow, rhythmic surrender.

From the first track, “The Mycelial Call (to Dance),” the gear synergy is evident. The MC-707’s tactical groovebox sequencing provides a heavy, slightly disjointed rhythmic anchor, while Vital’s spectral synthesis creates twisting, screeching leads that simulate the infection’s spread. Bitwig Studio acts as the chaotic conductor, processing these elements with ghosted delays and granular textures, making tracks like “Spores of War” feel like they are dissolving in real-time.

Standout track “The Infected’s Trance” perfectly encapsulates the album’s concept, using the Circuit Tracks for an aggressive, relentless Witchhouse beat that violently contrasts with a momentary, hauntingly beautiful melodic pad from the MC-707. The drop is a devastating cocktail of crushing distortion and sub-bass, marking the point where dancing becomes mandatory and grotesque. The album closes with “The Last Rave (of the Living),” a slow, ambient-industrial dirge, featuring chopped-and-screwed whispered vocals that sound like final warnings—or commands—from the fungus itself. “The Dark Fungus” is a dense, challenging masterclass in sonic storytelling, demanding listeners surrender to the dance of the infected.

https://soundcloud.com/innocentdarkness/sets/the-dark-fungus
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posted 04 May 2026

Niclas Tamas – Roads Through the Mirror – 4. Time: Seasons in a Day

Niclas Tamas – Roads Through the Mirror – 4. Time: Seasons in a Day

Niclas Tamas

“Roads Through the Mirror – 4. Time: Seasons in a Day”

Niclas Tamas – Roads Through the Mirror – 4. Time: Seasons in a Day

Roads Through the Mirror is a conceptual music project spanning 11 orchestral pieces, each approximately an hour long, with a completion timeline of 4-5 years.

Inspired by Andrei Tarkovsky’s films and Marcel Proust’s exploration of time, the series aims to musically articulate themes like spirituality, nostalgia, dreams, and nature.

The project delves into the Time-Space-Thought Theorem, utilizing Sonic Archetypes to explore the interconnectedness of human existence through music.

Exploring ascension and enlightenment through sound

https://www.zenapolae.com/zen331
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posted 03 May 2026