Tokyo-based artist Ash Room presents a new sonic statement, pushing his exploration of rhythm and repetition into uncharted territory.
Building on previous experiments blending Nyabinghi influences with techno, this latest project replaces conventional percussion entirely with the powerful resonance of traditional Japanese Wadaiko drums.
Every sound source, texture, and sample originates from Japanese materials, creating a deeply immersive and culturally rooted sound palette.
Designed for private spaces rather than crowded dance floors, the music embraces loops, noise, accidents, and the unexpected. Hypnotic, raw, and intimate, Ash Room crafts a listening experience for the solitary listener.
All music by Black Market Brains.-
Mini-album Inspired by RING book by Koji Suzuki.-
For more Black Market Brains music visit:
soundcloud.com/blackmarketbrains
Full Ring album:
soundcloud.com/blackmarketbrains/sets/ring
Horror Synth, Electronics and Industrial celebrations of Sleazoid Cinema and EBM Grooves from US.
The Necrophile Hummingbird Non-Profit Netlabel presents Perceptronic by reFUGeeS From Beyond
“Psychotronic Cyberpunk for Biological Neural Networks”
Improvisation recorded the 1st March 2026 at Le Champ Du Possible (The Possibility’s Field) in Dole www.soloist.ai/atelierkol
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku
In 1941 in Berlin, Hermann Schmidt wrote a Memorandum in favor of the founding of an institute for regulatory technology. Control and Regulation wills gave birth to cybernetics. Science without conscience is, but the ruin of the soul said Français Rabelais, he didn’t know how right he was. It’s just a question of time for a process to achieve its purpose.
Whereas the main problem is still the earth resources massive destruction. Cybernetic is the key to understand the fundamental problem with Artificial Intelligence. But things can’t be solved by being against or for AI. It need a better understanding of the roots : the technofascism. So despite being about artificial intelligence topic this album is absolutely AI-Free Music.
Dedicated to the lost in Hallucination Humanity.
Since the storytelling turned the real into a fiction, we are all characters of an infamous Z movie. Press the button to turn off the movie. Shut down the dystopia by becoming real.
Artwork draw done by Psyché Pelik. Used as texture by Yoshiwaku.
V/A compilation inspired on classic vampire movies.
But mainly on Lust for a Vampire (1971)
Compiled, artwork collage by Sábila Orbe.-
“Rezumar” is configured as a transmission system from an aquatic and subterranean environment, where sound is not projected—it seeps through.
The work unfolds as a network of relationships between water, matter, and electricity, articulated through an assembly of hybrid devices. The water phone and the “Après-Baschet” resonators do not establish hierarchies; instead, they complement one another: one explores states of liquid resonance, impact, and friction, while the other oscillates between rhythmic pulses and extended atmospheres, generating a pendular movement that structures the listening experience.
The Oceanic tamtam and the Euphonic expand this field, activating micro-vibrations, displacements, and shifting densities. Each moment of the album corresponds to a transformation of the environment: from the opening of the ocean, through zones of pressure and instability, to the entrance into rocky cavities and an interior space of shelter.
A presence moves through this system. It does not observe—it calibrates, activates, and translates. Its movement is almost imperceptible, yet sufficient to alter the balance between elements.
“Rezumar” proposes a mode of listening in a state of immersion, where the boundaries between instrument, body, and environment dissolve.
Yadak + Kýmatha
(Santiago, Chile. Mayo / May 2026)
“The Dark Fungus,” a self-titled debut album forged in the sonic trenches of Roland MC-707, Bitwig Studio, Vital VST, and Novation Circuit Tracks, is a visceral descent into a nightmare both conceptual and auditory. The premise—a mycological war where a fungal infection forces humanity into a perpetual Witchhouse rave—is handled with terrifying dedication. This isn’t just an album; it’s the soundtrack to a civilization’s slow, rhythmic surrender.
From the first track, “The Mycelial Call (to Dance),” the gear synergy is evident. The MC-707’s tactical groovebox sequencing provides a heavy, slightly disjointed rhythmic anchor, while Vital’s spectral synthesis creates twisting, screeching leads that simulate the infection’s spread. Bitwig Studio acts as the chaotic conductor, processing these elements with ghosted delays and granular textures, making tracks like “Spores of War” feel like they are dissolving in real-time.
Standout track “The Infected’s Trance” perfectly encapsulates the album’s concept, using the Circuit Tracks for an aggressive, relentless Witchhouse beat that violently contrasts with a momentary, hauntingly beautiful melodic pad from the MC-707. The drop is a devastating cocktail of crushing distortion and sub-bass, marking the point where dancing becomes mandatory and grotesque. The album closes with “The Last Rave (of the Living),” a slow, ambient-industrial dirge, featuring chopped-and-screwed whispered vocals that sound like final warnings—or commands—from the fungus itself. “The Dark Fungus” is a dense, challenging masterclass in sonic storytelling, demanding listeners surrender to the dance of the infected.
Roads Through the Mirror is a conceptual music project spanning 11 orchestral pieces, each approximately an hour long, with a completion timeline of 4-5 years.
Inspired by Andrei Tarkovsky’s films and Marcel Proust’s exploration of time, the series aims to musically articulate themes like spirituality, nostalgia, dreams, and nature.
The project delves into the Time-Space-Thought Theorem, utilizing Sonic Archetypes to explore the interconnectedness of human existence through music.
Exploring ascension and enlightenment through sound
Available on Enough Records :
enoughrecords.scene.org/release/enrmp560
enoughrec.bandcamp.com/album/coruscant
Electronic ambient breaks album by French project Iliaque.
Un grand merci à Filipe
credits
released April 27, 2026
Rythm : Laurent Wirz (1-4) / Top of Bongo (CCMixter)(7)
Photo de Béa / Visuel de Iliaque
Arcs, is the new record of by Masato Abe inspired by a vast cosmic cycle, tracing the arc from the origin of life through explosive diversification, into the present age, and toward an eventual ending.
Each track reflects a moment within this imagined continuum, suggesting both repetition and parallel unfolding across time. Blending ambient and drone styles, the work creates immersive soundscapes that evoke scale, mystery, and quiet transformation.
Arcs invites listeners to contemplate existence, continuity, and renewal, offering a meditative journey that resonates beyond linear storytelling and into something expansive.
Patagonia, the region where I live, is a vast territory at the edge of the world, shared by Chile and Argentina. It has a low population density and hosts unique ecosystems, with a wide range of landscapes including rain-soaked forested archipelagos, mountains, ice fields, lake basins, and immense steppes.
It is no secret that it has been—and continues to be—subject to extractivism. Nor that its original inhabitants, the Southern Indigenous Peoples, were subjected to massacres and displacement in order to exploit their ancestral lands. What I present here is not just an album. It is also an exercise in memory and a reflection on the degradation of nature in the name of economic growth and employment—processes that ultimately benefit a few external interests.
It addresses both past and present actions that have severely damaged Patagonian ecosystems: the whaling industry, the introduction of beavers, and salmon farming. It reflects on disasters such as the oil spill of the tanker “Metula” in the Strait of Magellan, and the passage of a ghost fishing fleet through our waters. It also considers the invasion of “Didymo”, an exotic microalgae species that infests our rivers and lakes.
It speaks to the widely promoted hydrogen–ammonia industry, labeled as “green”, yet posing a threat to the biological integrity of the steppe and the Magellanic maritime territory. And to the wildfires that ravage our forests year after year, often under uncertain and troubling circumstances.
This album does not seek to soothe or provide comfort. Rather, through sound, it conveys my concern for the future of Patagonia—my place in the world, which I recognize as my home. A place that must remain a sanctuary for natural and human life, increasingly under threat on a global scale.
Rafael Cheuquelaf
(Punta Arenas, Chile. April 2026)
Moving away from sample based creations Iliaque says about his latest release
“These three tracks are working drafts that may maybe lead to something else.
But the idea was to release them as they are, these long soundscapes standing on their own in a raw version, to preserve their essence.”
iliaque.bandcamp.com
Iliaque is also half of Dormance
tcfsr.bandcamp.com/album/i
mahorka.bandcamp.com/album/ii
crédits
paru le 9 avril 2026
Photo by Béa
Cover desigh by Iliaque
Lossless formats available at:
https://districtlost.bandcamp.com/album/beyond-comprehension
All music by District Lost.-
District Lost is a Hobbyist producer/mixer based in Muskoka Canada.
The Necrophile Hummingbird Non-Profit Netlabel presents Stigmas From Past by reFUGeeS From Beyond
“Music against history repeating itself endlessly because of the masses’ oblivion.”
Improvisation session recorded the 17th October 2023 at the Cave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
Just a note about bad habits gone… Often in industrial music we steal imagery and sounds from the worst of humanity, the darkness from the past, often to reveal how for exemple today’s politicians, entreprises or influencers, youtubers, whoever from spectacle society starsystem, are not different using the same methods of control than yesterday, just each time more effective with the help of technology. Of course free AI will fight the control AI like always… What if not, the end of any freedom ? Is freedom something else than a luxe for the rich people ? While the poors care mostly to survive. I will not glide on a too much binary view because this is one of the oldest tool to control, separate to reign.
They said provocative… this was right maybe last century or this was more fascination or this was just marketing names and imagery drooping. But for this century, as stated in the presentation of mutation magazine : hope is actually the more provocative weapon.
So I was at a garage sale a few weeks ago. I found a record about the fall of the 3rd reich. I am certain that these speeches would have provided very intense sonic elements to nourish this record. But even if it was a testimony to its fall, it makes me nauseous to still use these materials because there are so many ordinary monsters today and whether they are those of the past or those of the present it is granting them way too much attention.
This text was written during the recording of the album, and it’s still revealing of the ignominy of French politicians. On February 17, 2026, a minute of silence was observed in the National Assembly in memory of a neo-Nazi, racist, and homophobic assailant who died with his victims’ blood on his hands because he refused medical treatment. The whole story is so farcical and stupid that if it weren’t so serious, it would be hard not to mock neo-Nazis. Meanwhile, there have been eleven murders by the far right in France since 2022, and none have received such a tribute. And that’s not all: the media massively attacked La France Insoumise (LFI) even though they had come to attack people attending their meetings! Furthermore, a public gathering was authorized by the state in the following days, complete with Nazi salutes and other horrors. The most ridiculous thing is that the neo-Nazis who organized the ambush near the meeting then hid his face for most of the media campaign, replacing it with an AI-generated portrait because he was mixed-race Latino, and also because it would have been difficult for racists to march with his picture. So even in death they betrayed him.
The worst is when the masses forget what is the real meaning of war,
the poor being killed for the riches benefits.
Like when Ferris Trump Fremont makes war inside with the ice and outside in Iran or other place with resources interesting to plunder.
Fuck War Forever.
The signal arrived without warning—Forgotten Moments by DF90, drifting through deep space like a memory that refused to fade.
Each track unlocked a layer of the ship’s consciousness. Frequency Drop dimmed the lights as gravity pulsed in slow dub chords. In Infinite Loop, time fractured, repeating corridors and footsteps that echoed into nothing. Inner Space revealed thoughts not my own—soft, melodic, endless.
By Passing Dub, I realized the ship was alive, speaking through delay and reverb. Retrograde reversed my memories, unspooling them into static. Then came System Error—a rupture, silence swallowing rhythm.
Only Winter Echoes remained, cold and distant, whispering across the void.
I was no longer piloting.
I was being played.
Insectorama225
all tracks by DF90
Mastering & Artwork by Markus Masuhr
