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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: ambient

Various Artist – The Asian Horror Cursed Tribute

Various Artist – The Asian Horror Cursed Tribute

Various Artist

“The Asian Horror Cursed Tribute”

Compiled by Sábila Orbe & Satomi Fukada.
cover collage: Sábila Orbe.

Each track composed by the respective artist. Links:

– Humanfobia: humanfobia-official.bandcamp.com/
– Yaka-anima: https://humanfobia.jimdofree.com/yaka-anima/
– Wivresse: https://soundcloud.com/bissecta
– Negative Headphone: negativeheadphone.bandcamp.com/
– AudioBake: https://soundcloud.com/audiobake
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/
– α Ori: – apsu.neocities.org/alpha_ori/
– UMAN: https://soundcloud.com/rudy-aka-green-terorist/tracks
– 純水少女: cianorbenetlabel.bandcamp.com/album/avant-garde-darkness-cior-224
– w FOO w: https://soundcloud.com/futoshi-wada-2
– MICBHAF: https://soundcloud.com/micbhaf
– Zombie Monkey: https://soundcloud.com/zombiemonkey
– ECE: https://soundcloud.com/cezary-grabski
– Naoya Sakamata: https://soundcloud.com/naoya-sakamata/
– Mora-tau: mora-tau.bandcamp.com/
– DJ Frankenstone: archive.org/details/ThomasParkBenchmarkHub
– Dariusz Jackowski: dariuszjackowski.bandcamp.com/
– Drayki: https://soundcloud.com/drayki
– Tripcore: https://soundcloud.com/tripcoremusic
– ангел – Catalyst: archive.org/search.php?query=creator%3A%22%D0%B0%D0%BD%D0%B3%D0%B5%D0%BB+-+Catalyst%22
– DJ_Iterate: archive.org/details/ThomasParkBenchmarkHub
– EISENLAGER: eisenlager.bandcamp.com/
– Da Jim: https://soundcloud.com/user-136587115

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https://archive.org/details/v-a-asian-horror-tribute
https://archive.org/details/fav-obscvre_triangle_compilations
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posted 21 January 2022

0 Hz – Immersion Into Wallbient

0 Hz – Immersion Into Wallbient
[USC-RM-1807.0003]

0 Hz

“Immersion Into Wallbient”

How does nothing sound? Physics categorically states that sound does not exist outside the environment. Whereas common sense tells us that nothing in itself represents just nothing, does not include anything anywhere, contains nothing nowhere and sounds nohow. However, for the purposes of artistic depiction of emptiness as the absence of the usual content of the surrounding space it is necessary to give some character sound even to such an order of things. Or it may be more accurate to say the absence of any order of any things, that is, the perfect primordial chaos. At this stage, natural science says that in fact there is no absolute vacuum, but only some degree of rarefaction of the substance. Even in the absence of usual matter, space itself incessantly boils like soup, creating an incalculable number of virtual particles that immediately annihilate. In addition, in real space a variety of types of radiation await us: from destructive gamma rays to a permanent relic microwave background, not to mention gravitational waves, unknown dark matter and dark energy, as well as the expansion of the very fabric of space. Let’s imagine that our cozy typical panel apartment was thrown into intergalactic space. Like an ideal membrane it collects every vibration at the micro scale. And now it is flying somewhere, interacting with everything that we remembered and that we forgot. The door of the apartment opens, inviting the sound traveler into the walls of ambient…

1 • 09:00 • Entrance Wall
2 • 10:00 • Bright Hall Wall
3 • 12:05 • Living Room Wall
4 • 07:55 • Balcony Wall

Composition – 0 Hz
Keyboards, synthesizers, programming, effects, writing, arrangement, recording, mixing – Jónn Veggursson
Photography – Roland Pippes, Simon Steinberger, Pexels
Mastering, design, artwork – USC-Team

You are free to playback, copy, distribute, broadcast, adapt and use this work otherwise. Creating a derivative work, you must state the author of original work and provide the source of material any possible way. Publishing a derivative work, you must use the same license. You are not allowed to state that author endorses your use prior to his approval. The licensor cannot revoke these freedoms, while you fulfill the license terms. Some rights reserved.

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https://unitedstudios.ru/rm/0-hz-immersion-into-wallbient
https://unitedstudios.ru
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posted 21 January 2022

Cousin Silas – Dreamsville

Cousin Silas – Dreamsville

Cousin Silas

“Dreamsville”

Dreamsville is a collection of tracks that contain a beat! There! You have been warned. All the tracks here have been released on WAAG, but this is the first time they have been collected into one volume, remastered and released on the Emporium label.
credits
released August 26, 2021

Cover & Design by Glenn Sogge, Bonus photo by Brian M. Talgo, with thanks.

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https://cousinsilas1.bandcamp.com/album/dreamsville
https://cousinsilas1.bandcamp.com
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posted 19 January 2022

A Symbiotic Experience – Oneiric Sound

A Symbiotic Experience – Oneiric Sound
[LCNLP141]

A Symbiotic Experience

“Oneiric Sound”

The Necrophile Hummingbird Netlabel & HAMFUGGI Records present Oneiric Sound by A Symbiotic Experience.
The second part of a trilogy began with Open Source and which will end with Original Subversion.
“Oneiric Music for Imaginary People”.

About the surface of this album :

Do you remember ?
The first time you closed your eyes to the outside and opened them inside to the infinite. The revelation when you found out you could be conscious in your dreams, and that the lessons learned from your lucid dreaming experiences there could help you to live better here.

At the very beginning of my musical journey, inspired among other things by the example of the Senoi and Achuar, I wanted that the dream time, so bloodless in occidental society, to find back its place.May dream and reality once again coexist equally in our lives. May it be once again this experimental crucible where one can learn by oneself to develop the qualities of his mind.

It seems to me that just as cyberspace has been colonized (its ethical rules atomized , its culture replaced by the entertainment of the winners. Sharing and mutual aid hidden by systematic commercialization) the place of the dream world is now occupied by the entertainment (video games, series, films, networks). With such egemony that it almost seems surprising when realities shifters rediscover the power of the imagination.

Unfortunately, the rules favoring flourishing that governed the dream environment have been replaced in the example of video games by rules designed by some humans and the substitution operates an insidious transformation: while we think we can learn the same way from this experience, we are actually formatted.Conditioned. Where the world of dreams is synonymous with diversity, its substitute, the world of entertrainement, seems to bring uniformity above all.

And as we bring back fragments of the dream world, the risk is huge that they will be distorted, their subtle properties neglected and only their forms replicated, transformed into industrial commodities. So much so that in the future the public will see its tastes altered, like some consumers who admit to preferring industrial flavors to those which are natural.

Dreams that turn into realities can easily turn into nightmares if we forget that they are the same things seen in different ways,
and that the potential of the mind is almost infinite.

I hope these six seedreams will grow up in your secret garden.

About beneath the surface :

These last years I noticed an increasingly large porosity between the themes and shapes explored by rADio eNd, Invisible Illusion and A Symbiotic Experience, the conceptual silo appears to be crumbling, unless it is the activation of the cryptic datas of the dormant cells…
Is the synthesis at the origin of the next era finally on the point to happen after such a long gestation period ?
This highly possible… or maybe it’s just my so old brain playing tricks on me.

Video Art Clips
The Sky Cry… https://www.youtube.com/watch?v=tGIG0nMvhnw or here www.bitchute.com/video/UOGIofCsDFfv/
Ephemeral Parade https://www.youtube.com/watch?v=p5K_eFc5Elg or here www.bitchute.com/video/XsEvu6pvVlCt/

The fifth album Open Source is here
archive.org/details/Open_Source_A_Symbiotic_Experience

The fourth album Gesamtkunstwerk is here
archive.org/details/Gesamkunstwerk_A_Symbiotic_Experience

The third Near Death Experience is here
archive.org/details/Near_Death_Experience_A_Symbiotic_Experience

The second Rebirth is here archive.org/details/Rebirth_A_Symbiotic_Experience

The first Renaskigo is here hamfuggirecords.bandcamp.com/album/renaskigo

Also there is a prequel to A Symbiotic Experience : Dawn of the Damned.
archive.org/details/Dawn_of_the_Damned_Gabriel_Pereira_Spurr_Yoshiwaku

A Symbiotic Experience is a project created for HAMFUGGI Records, but we really love Non Exclusive Concept so we chose to do a double release. More informations here hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience

Recorded between Buenos Aires (Argentina) and Foucherans (France).
Dedicated to everyone who harvest the fruits of dreams
and share their seeds freely with the whole world.

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https://archive.org/details/Oneiric_Sound_A_Symbiotic_Experience
https://hamfugi.wixsite.com/hamfuggirecords/a-symbiotic-experience
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posted 14 January 2022

vvaa & ethernet orchestra – Oceans Reimagined

vvaa & ethernet orchestra – Oceans Reimagined
[pn200]

vvaa & ethernet orchestra

“Oceans Reimagined”

Pueblo Nuevo Netlabel is pleased to present “Oceans Reimagined”, a remix album of intercultural online jamming by Various Artists and the network music ensemble Ethernet Orchestra.

Oceans Reimagined is a tele-collaborative remix project that seeks to further open the borders of telematic music making to encompass asynchronous telematic post-production. Selected artists were invited to reimagine one or more recordings, from Ethernet Orchestra’s 2020 album, Oceans between Sound (pn150). The aim was to extend the concept of the oceans and waterways separating geographically displaced performers, as a metaphor for the ebb and flow of networked data that traversed the Internet in the making of the work. Each track on this album is a digital reconfiguration of distributed audio streams captured as data pinging around the network.

Oceans Reimagined illustrates the creativity that can be shared and re-imagined through geographically dispersed collaboration between artists of different cultures.

For further information about the artists, their approaches and processes in reimaging the works, visit: oceansbetweensound.wordpress.com/oceans-reimagined

To stream or download source material from Oceans between Sound visit:
pueblonuevo.cl/oceans-between-sound

Roger Mills
(Sydney, Australia. January 2022)

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https://pueblonuevo.cl/oceans-reimagined/
https://pueblonuevo.cl
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posted 12 January 2022

Dagure – Blacksky Pathfinder

Dagure – Blacksky Pathfinder

Dagure

“Blacksky Pathfinder”

Guitar recorded live in 2021
Mixing and editing by Dagure
Guitar by Dagure
Artwork by Hervée Duchêne

Available at “pay what you want” price
Please donate as you see fit if you enjoy the music
Please tell everyone to download from the official sources only

Licensed under Creative Commons CC-BY-NC: you can freely share and adapt the music as long as you give me credit and don’t use it for commercial purposes (but feel free to contact me in that case)
credits
released July 5, 2021

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https://dagure.bandcamp.com/album/blacksky-pathfinder
https://dagure.bandcamp.com
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posted 11 January 2022

Toxic Chicken – Cool Bunny

Toxic Chicken – Cool Bunny
[earthrid-029]

Toxic Chicken

“Cool Bunny”

Toxic Chicken is Dutch musician and producer Kai Nobuko, who has released many albums under both those names and as Covolux. Fans of his work will surely agree, however, that the joyful sound of Cool Bunny definitely belongs under the Toxic Chicken banner. These bunnies are cool with being cool and are happy to jump about the room with complete abandon. Perhaps you will as well? If not, you can just sit it out and enjoy the show. That’s cool too.
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https://earthrid.bandcamp.com/album/cool-bunny
https://www.earthrid.com/releases/earthrid-029.html
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posted 10 January 2022

Autonomaton – The teknoiz commitment

Autonomaton – The teknoiz commitment
[mhrk294]

Autonomaton

“The teknoiz commitment”

“The teknoiz commitment” is Autonomaton’s second full length on Mahorka, coming out 7 years after his debut “Polarsternritual” from the start of 2015. In between we have continuously collaborated, having him featured on the “Music for elevators vol.5” and “Eastern Depths IV” VA compilations, remixing krāllār, Protuberance, Teeth of Divine, Sven Phalanx, collaborating with Abu Ama on his recently released “TOTEM” album, and releasing 2 EPs – “Picture in Picture” and “The Underwater Fires”. This new album also features collaborations with Abu Ama and (a very rare occasion) label manager Ivo Petrov (under once upon a time artistname skylined), sampling of Bryn Jones (a.k.a. Muslimgauze), a Vangelis tribute/rework and opening and closing tracks from the very personal alter-ego Tribes of fishes.

But what is teknoiz? “It is universal (in relation to the universe) electronic music. It is the teknological sound of the movement of all particles in their dance through the cosmos. The movement is chaotic and in all dimensions of space. It is not controlled and does not come down to point movements, it is just there, in the whole evolution. The sound comes from each atom and its subparticles after the big bang, the music is an echo of the creation of the universe. But why teknoiz? Because it before everything is tekno, think of the teknological process of creation and, of course, of the term techno. Noiz – because it’s not crystal clear, it’s not and cannot be explicitly defined in spectral and time domains, its roar comes on all frequencies from all angles of the known and unknown cosmos. Set your receivers and hear it all – a convolution of the crazy dance of the particles around and throughout us as living citizens of the universe, an obscure long delayed echo of the fanfares of creation and the symphony of drones of existence.”

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https://mahorka.org/release/294
https://mahorka.org
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posted 10 January 2022

Igor Karača – Cenozoic

Igor Karača – Cenozoic
[zen242]

Igor Karača

“Cenozoic”

a green ambience

+++

As human beings, the desire and necessity to explore the world has been with us from the beginning of our existence. From the basic act of looking for food and water, to traveling many miles to trade goods and engage in social exchange and dynamics, humans have had to travel at various scales.

“Cenozoic” is a sonic journey that explores the complexity of human movement at a landscape scale, delving into the main variables and factors that may have influenced mobility during prehistory.

Igor Karača: voice, percussion, Korg Radias synthesizer, Pittsburgh Modular Foundation 3.1+ synthesizer, NI Reaktor, Reason 11.

www.zenapolae.com/releases/zen242/zen242__Igor_Karaca__Cenozoic__01_The_First_Journey.mp3

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https://www.zenapolae.com/zen242
https://www.zenapolae.com
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posted 09 January 2022

Femboy Entropy / WG01 / TiO2 / Aby – Stares In Disbelief In The Sunflower Field

Femboy Entropy / WG01 / TiO2 / Aby – Stares In Disbelief In The Sunflower Field
[BFTG_118]

Femboy Entropy / WG01 / TiO2 / Aby

“Stares In Disbelief In The Sunflower Field”

Tracks 1-4: Femboy Entropy – Ballsack Suite, Opus No.1, Movements 1-4

Track 5: WG01 – Untitled

Tracks 6-8: TiO2 – Shacking Leaves And Morning Hum

Tracks 9-10: TiO2 / Aby – Untitled

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https://bvftg.bandcamp.com/album/stares-in-disbelief-in-the-sunflower-field
https://bvftg.bandcamp.com
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posted 07 January 2022

Fabio Keiner – shiva-rudra

Fabio Keiner – shiva-rudra
[VULP-0209]

Fabio Keiner

“shiva-rudra”

Fabio Keiner makes his debut on Vulpiano with a masterful droning-ambient work – quintessentially meditative, even ominous in its awesome scope. In the tradition of classic ambient it enchants, electrifies and transports the listener into different states of consciousness (if they are willing to give themselves over).

Words from the artist: ‘shiva-rudra’ – a longform ambient dronescape improvisation in honor of lord shiva, ecstatic creator and destroyer god of the hindu pantheon – was inspired to a great extent by the works and theoretical approach of italian vanguard composer and musician Giacinto Scelsi. I owe a lot to Scelsi’s music and understanding of sound; so ‘shiva-rudra’ shall be a modest tribute to his works.

‘shiva-rudra’ is a soundscape to be listened to as entire experience without interruption: eyes closed, ears open

for reference to and experience of Fabio Keiner’s works – now almost a 20 year time-span in ambient, minimalist and drone improvising noise-making, have a look and listen also at fabiokeiner.bandcamp.com and vimeo.com/fabiokeiner

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https://vulpianorecords.bandcamp.com/album/shiva-rudra
https://vulpianorecords.com/
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posted 01 January 2022

Wood Ship – Hunters

Wood Ship – Hunters

Wood Ship

“Hunters”

Laurie Akerman’s first appearance with Vulpiano is a deep and broad journey through manipulated recordings that transits through many phases and sonic environments: a Tarkovsky-esque space of peeling paint and trickling water, haunted church ruins, light falling upon a book on a desk, and the amplified expansions of prosaic actions (a phone call, washing dishes) that somehow tease out the quantum threads sprawling outward and therein.

Words from the artist: Wood Ship is a project by Laurie Akerman from the former English post-rock band This Sea Reflects Stars. Creating ambient drone pieces with field recordings and Contact and Electromagnetic microphones, these releases are usually conceptual and have their own ideas and themes behind them.

Hunters was recorded last year and hints at the notion of historical Royal Lodges and their trappings.

woodship.bandcamp.com
www.instagram.com/wood_ship_band

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https://vulpianorecords.bandcamp.com/album/hunters
https://vulpianorecords.bandcamp.com
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posted 01 January 2022

Ruoho Ruotsi – chalak’At’sit

Ruoho Ruotsi – chalak’At’sit

Ruoho Ruotsi

“chalak’At’sit”

Surrounded by and giving life to one of the northern-most, temperate rainforests in the world, the Pacific Northwest’s chalak’At’sit (Hoh River) carves its way from the glaciers of Mount Olympus towards the Pacific Coast.

Close your eyes and let the soundscape of chalak’At’sit envelope you in her emerald, verdant embrace. Layered embers of ethereal tones flicker, then quickly disappear across undulating waves of pirouetting idiphonic vibrations. Thus begins a psychedelic trip through exothermic rainforest-scapes and climaxes nestled in lush, majestic reverie.

Headphone listening recommended, for the sonic details.
The immersive audio-visual trip is best viewed in HD on Youtube:
http://www.youtube.com/watch?v=4_b8tHoI4jI

Read more about the Hoh people, their land and the inspiration for this work:
hohtribe-nsn.org/oral-traditions/
credits
released December 25, 2021

Recording, production & mixing by Ruoho Ruotsi
Mastered by Cem Oral @ Jammin Masters | Berlin

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https://ruohorecords.bandcamp.com/album/chalak-at-sit
https://ruohorecords.bandcamp.com
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posted 27 December 2021

various artist – Tribute to The Conjuring Universe

various artist – Tribute to The Conjuring Universe

various artist

“Tribute to The Conjuring Universe”

Compiled by Sábila Orbe.

Released by Internet Daemon Netlabel / Post-Witch Music compilations section (Ex-Witch Spectra)
new-age-vapor-witch.bandcamp.com/
witchspectra.bandcamp.com/

Each track composed by the respective artist. Links:
– Smouldering Embers of Aggression: smoulderingembersofaggression.bandcamp.com/
– CALAVERA CALAVERA: calaveracalavera.bandcamp.com/
– fortcove: https://soundcloud.com/fortcove
– Yaka-anima: humanfobia.jimdofree.com/yaka-anima/
– Witchbeat: archive.org/details/MNMN346
– Devious Lee: https://soundcloud.com/devious-lee
– Cauchemar Chemin: cauchemarchemin.bandcamp.com/
– I††: eyedoublecross.bandcamp.com/
– My Own Cubic Stone: myowncubicstone.bandcamp.com/
– Humanfobia: humanfobia-official.bandcamp.com/
– Plotnik Beats: https://soundcloud.com/plotnik105
– SVTVR: https://soundcloud.com/navid-fallahi
– Taylor Heath: https://soundcloud.com/taylorheath4real
– DOSICK: https://soundcloud.com/dosick-ibarra/tracks
– EISENLAGER: eisenlager.bandcamp.com
– Mean Flow: meanflow.bandcamp.com/
– finn loxi: https://soundcloud.com/finnloxi
– DJ_Iterate: archive.org/details/ThomasParkBenchmarkHub/01_Benchmark-Hub/
– CriticalMammal: https://soundcloud.com/criticalmammal
– iLeviathan: https://soundcloud.com/ileviathan
– Filmy Ghost: humanfobia.jimdofree.com/filmy-ghost/

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https://archive.org/details/v-a-tribute-to-the-conjuring-universe
https://new-age-vapor-witch.bandcamp.com/
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posted 25 December 2021

Abu Ama – TOTEM

Abu Ama – TOTEM
[mhrk292]

Abu Ama

“TOTEM”

“TOTEM” is Abu Ama’s most personal and most varied release to date, a heavy trip through his musical ways, moments and directions, a stunning album that has been in preparations and waves of reiterations for almost as long as the earliest incarnations of some of the songs were done and, finally, towards the end of 2021, reached the stable form, monumentized on a limited edition of two c90 tapes.

released December 24, 2021

“Abu Ama’s new album TOTEM is a feast for the ears and eyes. Abu Ama, the driving force behind Arabxo, brings dub, experimental, Arabic and Sufi dub in one. On this beautiful double binding he gives an overview of his work. A beauty of an album. As I have known Abu for a long time, full of dedication, always innovative, he takes this album to an amazing height.” — Pedro Maras a.k.a. BedouinDrone

“Abu Ama is an uprising worldwide artist in dub kind of music but presented in his very unique way and style. He’s giving it many names. Lets point out “arabxo”, as an abstract mixture of futuristic middle eastern scapes, voices and instruments with subsonic echoes of dubbed out bass. Sound manipulations far beyond the known in all its features. New and retrospective sounding at the same time. Messages in pads and atmospheres brought in a dub manner. All tunes recorded in one shot, one version at a time. Far further and further in dub science innovation his own way, Abu gladly represents his gypsy roots and creates his own roots mixture of beats and sounds that takes you on a journey with each tune. Each track has individual soul that can be literary felt from the speakers. Each tune carries different specific message, either spiritual, soul, social, ecological, political or related to many different things of today’s earth life he cares about. Abu is displaying a channel of communication between his soul and you, the receiver, whose radio is set to receive this frequent waves of music. Music at its best. Music representing earth and universe at the same moment. All computer made, all dubs and overdubs compiled and arranged as perfect matter wall of sound. Welcome to the world of Abu Ama and dance till you get excited and incredibly overjoyed with warmth and wealth.” –esoundc a.k.a. Autonomaton

All music and production by: Abu Ama

Additional music and production by: Zyontific Impact (track 7), Xiao Quan (track 13), BedouinDrone (track 21) and Autonomaton (track 25)

Artwork design: Ivo Petrov and Angel Draganov, utilizing public domain photos and bird photo by Ivan Ivanov

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https://mahorka.org/release/292
https://mahorka.org
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posted 25 December 2021