“Sinwave”, the second album of Sinage, a neurotic and chaotic trip to the depths of the emotion and feeling. It’s a refined and melodic album filled with dance beats packed inside a unique sound aesthetic that clashes chiptune synths and rave sounds.
Jogja beberapa hari ini diguyur hujan tanpa ampun dari pagi hingga pagi keesokannya. Bahkan tidak memberikan jeda untuk sekedar menjemur pakaian; tidak memberikan kesempatan untuk berjalan ke warung burjo yang jaraknya hanya beberapa meter saja dari rumah tanpa kebasahan. Tapi kawan..masih ada payung jika tidak mau kebasahan. Atau kalau tidak mau basah-basah kehujanan kalian bisa hanya berdiam diri di rumah dan mendengarkan “Reflection”. Coba rasakan ‘percakapan ombak’ atau ‘reflection’ atau ‘saturdate’ yang kelabu. Atau track ‘doa minggu pagi’ dengan suara-suara oldiesnya membuat ingin bernostalgia.
Here you will hear aggressive rave beats, distorted synths and other electronic lo-fi sounds, mixed with some vocals here and there – music that will make you wanna lose your mind!
No Respect [0kbps091]
01 – No Respect
02 – No Respect (still no respect version)
03 – No Respect (Chicken_mix)
04 – No Respect (Kai Nobuko remix)
MAV [0kbps] Records
picture credits:
Sho’Nuff! by Pat Lolka
www.flickr.com/photos/patloika/7079287837
edited by chēēZ π
license: creativecommons.org/licenses/by/2.0/
track credits:
composed & produced by chēēZ π
album credits:
researched, compiled and skillfully cloned
by DJ BOWIE
So instead say that from 1979 to 2015, Terse Tapes made compilations, and here is more of the same. You could put it on a cassette if that matters.
I invited a few people I know, and they invited a few people they know, and music started to arrive in my inbox. I refused to listen to any of it until April Fools day. No one curated anything, although some people were nice enough to chase up their friends.
Having heard this music over the last 24 hours I can divide it into some useful ‘sides’, but keep in mind you are able to arrange it however you like in this non-linear wonderland in which we are trapped.
Side A: people who have doubts about music.
Side B: people who do not fear a pretty tune.
Side C: people that make graphs and grids.
Side D: people who could plausibly perform in a public ale house
Side T: time lords
Although supplied for no payment, there are specific rights attached to the recordings, which remain the property of the artists. Do not sell this music for a profit, do not use this music for any commercial purpose, including but not limited to, placement alongside advertisements or behind paywalls.
credits
released 01 April 2015
Organised by Tom Ellard at Terse Tapes, Sydney, Australia. Contents made in the USA, UK, Canada, Switzerland, Australia and other parts of the universe that man may visit from time to time. May contain nuts.
perfect imperfect, simple complex, happy melancholic!
https://ephedrinanetlabel.wordpress.com/2013/06/25/eph067-beira-microradio-1/
Featuring chilled vaporware-by-R&B footwork cuts like ‘c-a n..a d..i a_n __d..r..u-g s_t-o-r e-‘, sampled vox-heavy tracks like the near vocaloid ‘i want to hold u but i can’t’, and pieces more in line with his older output (‘indie.fuckboy’), ‘transient portals’ is eight tracks of eclectic perfection, taking a single overarching genre and fucking it every way possible. ‘transient portals’ takes barbeque’s recorded outputs to a new level, being easily his most condensed and realised release to date, ambition realised.
Dispelling specific genre focus in favour of atmospheric and tonal meanderings, HODSON’s five track effort covers aeons of ground, self-regarded in genre terms by HODSON himself as one only named ‘Particular’. Using chiptune as just one of several instruments, only adding further colour to the rich patchwork of influences on show, HODSON also adds sampled vocals and his own spoken word to weigh down tracks with an emotional vibrancy not seen often within the scene. From the delicate duality of guitar tones and big beat-esque drums in ‘Pink & Blue’, to the thick, suffocated dnb in ‘Somewhere Down In The West’ or the throbbing almost acidic bass in ‘Out To Pasture’, Colours That Glow In The Dark is as surprising as it is diverse, and another welcome addition to the TWG roster that we are estatic to be bringing to you.
Canciones:
1. Detonation
2. Short Circuit
3. Funking Beat
4. Questions Of Identity
5. Arrhythmia
6. Drum Rotator
7. I.O.A.
8. One, Two, Three, Four
9. Toy Army
10. Robotic Activity
“No Human nos presenta sus más tensos pensamientos. Razonamiento industrial, mecánica techno a merced de seres sintéticos. Ruido y dolor como solo ellos lo entienden. Comunicación a 8 bits, duros ritmos maquinales, kaos en la factoría.
Disfruta de la reconversión industrial, deja de ser humano!”
Sounding almost like soundtrack to a giallo film crossed with a haunted tape deck, Goblin via Trent Reznor, sleepytimejesse carves out an 18 minute cascade sounding more like tonal poetry than anything else in the chiptune scene today. This release also does a good job of summarising TWG’s long-held mission statement: esoteric music full of emotion, the experimental and the affective glued together.
It’s hard to describe a piece of work that is as much felt as it is heard, so instead, celebrate our anniversary with us by turning off the lights and the music up: it’s definitely a journey worth taking.
Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution 3.0
Lumina sees Analog reaching the peak of his rave composition skills, with three tracks spitting kinetic grooves through an unrelenting fourteen minutes. With frequent nods to Latin and House music, Analog has crafted his most eclectic, condensed, affective and somehow sprawling release yet.
Whilst The Waveform Generator usually deals in the esoteric, the Deep House tones, Nanoloop manipulation and lofi attitude of Lumina give an irresistibly unorthodox take on very modern dance and club music, a maelstrom of mainstream numbers frothing with tomes of leftfield ideas just below the surface. Made for neon nights and strobing smoke-filled pits, Lumina is just as effective in a home environment. And you’ll still get as sweaty.
Musically, the release traverses more ground than possibly any TWG before it: chipbreak dripped in dissonance, serene and glitched out melodic passages, mind-bending sample work, downtempo lurching, pure unaccommodating noise, to name but a few. Walking the tightrope between pure genius and unlistenable garbage, Love Through Cannibalism has made a name for himself by being unrestrictive, distinct and with incredible talent, and here, on ‘Serial Experiments Tangela 2’, we find him reaching his apex, further forwarding TWG’s propagandic push towards experimental chiptune. A release that needs to be listened to rather than glanced at to be appreciated, take some time out, draw the curtains and become infused in the pure esotericism of it all. Or he’s trolling us all. You never know with LxTxC…
