Daäna serves with “Little Animals” three super designed tracks. All of them telling an intensive story full of colourful sounds, live and pulse.
Digital Committee delivers a remix with a more reduced and straight flavour.
We are bringing some soothing ambient waves in these days of autumn sunsets.
Hailing from a suburb outside of Los Angeles, California, Gilbert finds his inspiration in deep calm sounds after taking long night walks listening to the sounds of the world that help him open his imagination for new creative embodiments all the time. After countless hours of producing anywhere from progressive to dynamic underground electronic music Gilbert rest’s his productions in deep ambient dub sounds. Being a unique compelling producer Gilbert has a massive passion in music.
Welcome to our deep music family one more gifted producer that holds a lot to tell us.
STASIS024 “Gilbert Ramos – Another Day Gone”
http://energostatic.com/stasis024.html
Written, produced by Gilbert Ramos.
Mastered by Mar’yan Kitsenko
Artwork By — Vadi Tkachev
Lyrics By — Vladimir Berlizev
Music By — Vladimir Berlizev
Remastered By — Andrey Teterlev
Join Us!
https://soundcloud.com/tigerberry
https://vk.com/tigerberryband
PLAYLIST: Artist – Title – Netlabel – Year
1. King Imagine – Over The Earth – southerncitylab – 2014
2. [amt 23] – The Way We Are (Live) – enough records – 2014
3. Farishta & Arika Lane …
For full playlist and HQ download visit the release page below.
Tracklist:
01. Mischievous
02. Surreal
03. Marionette Opera
04. Karat
05. Lady Mercury
the newest weldroid record is a studied contrast between frenetic, aggressive textures and restrained, mellow interludes. the feverish energy from earlier releases is still present, but is now redirected into tightly focused bursts of glitch transmissions with a measured, melodic, thoughtful cadence.
(joshua saddler)
Artwork By – Семён Капралов
Music By – Фиорд (Игорь Фасхеев)
Vocals – Фиорд (Игорь Фасхеев)
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https://vk.com/club56823838
The Fat, a band based in the north of Paris, consists of two pillars: Jacques de Candé and Thomas Suire. Louis Pontvianne and Romain Drogoul join the two comrades live. One year after their first stage performance at Instants Chavirés, aside pioneers of Russian industrial music Vetrophonia, their first album, Meat Me, comes out.
The band aims to let the synths speak. Their qualities, their flaws, the damage they’ve suffered overtime are as utilized in the conception of the pieces as are lengthy improvisation sessions.
A festival of Moog, DSI, Roland, Aelita, Jomox, Oberheim, Eowave… The use of exclusively analog machines kindles a usually cold sound into a latent dampness. The construction of the pieces from a bass line, blurry yet well-framed, thanks to a crispy solid rhythm reminiscent of Oto, accentuates our indecision between choppy gesticulations and petrified emotion.
At the beginning of the album, a languorous beat skews all pulse of excitement and favors a listening focused on all of the subtleties in the variations of sonorous matters. When the rhythm accelerates later on, a tribal dialog settles in, where the roundness of the exchanges between melodies and the rhythm box’s primary pulses tangle in despair, as if bliss only ever belonged to the past. A few infecticidian gimmicks erupt on certain tracks, and our bodies appropriate this music in a measured gestural.
Now, it is your turn to appreciate and have your emotions ascend. Shh!… Listen, there…
That little repetitive sound, in the background, in a psychotic spiral, where is it taking us to ? Are we not heading towards Forbidden Planet?
To create the visuals on the sleeve, the band called on Pia-Mélissa Laroche, a graphic illustrator that cherishes lead. Pia’s universe is a mixture of anatomical imagery and geometric volumes where spheres, cubes, and organic cells intertwine. We lose ourselves, like children, in this very personal interpretation of an infinitely small world.
“Meat Me”, Da ! Heard It Records’ 26th release is distributed under a Creative Commons License BY-NC-ND. The album can be downloaded at the following address: http://www.daheardit-records.net/en/discography/dhr-26
Eyal Greengrass’ fulminant debut of amazing melodic electronics sends lovely harmonics and playful seriousness from Israels shores to the interested world. Crispy elements meet beautiful leads. Slower paced tracks go hand in hand with some upbeat tracks.
Tracklisting:
01. Lennert Hal – Kwick (5:58) download
02. Lennert Hal – Buzu (11:30) download
03. Lennert Hal – Boulzoek (6:55) download
04. Lennert Hal – Fodeld 1 (6:40) download
05. Lennert Hal – Bitrate (3:21) download
06. Lennert Hal – Straks (8:22) download
07. Lennert Hal – Fodeld 2 (6:18) download
08. Lennert Hal – Zotter (10:58) download
09. Lennert Hal – Ties (5:41) download
10. Lennert Hal – Step (8:16) download
11. Lennert Hal – Meer (7:28) download
12. Lennert Hal – Berski (7:44) download
13. Lennert Hal – Caligula (7:04) download
14. Lennert Hal – Trekzak (6:28) download
15. Lennert Hal – Obitary (7:42) download
Music & lyrics by Pk jazz Collective
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https://soundcloud.com/pkjazzcollective
https://vk.com/pkjazzcollective
Canciones:
1. Cosmic Dreams
2. Hal
3. M88 Entrance
4. The Alien Party
5. Apollo 808
6. Intergalactic holiday
7. Solar Storm
8. Scrap Robot
9. The After
10. M88 Entrance (MegaHast3r Remix)
11. The Alien Party (Ángel García Remix)
12. Solar Storm (Periodo Particular Remix)
13. Scarp Robot (No Human Remix)
Aquí tenemos nuestro primer LP, Langax se ha volcado con el netlabel y cede todo su material más reciente. Al escuchar la calidad de los canciones, no ha habido otro remedio que empaquetarlo conjuntamente. Nueve canciones dignas de los más ilustres exploradores de los confines del universo. Pura tensión Langax, oscuridad con toques dub y techno.
Soisloscerdos añade cuatro remixes de nuestros amigos MegaHast3r, Ángel García, No Human y Periodo Particular.
Gracias a todos!!!!!
Meta [0kbps068]
Meat A
Meta B
Meta C
Meta D
MAV [0kbps] Records, August 2014
–
Terra Australis, Terra Incognita.
Ventus magis placent.
Orate mare ut revertar in patriam.
(Island of while
surrounded by sea ice.
Hostile, at the end of the world.
Southern earth, unknown land.
Wind in favor.
We pray to the sea to return us home).
With these words pronounced in Latin(1) by our friend and colleague Frank Benkho “Insula in Remix” begins, a collection of remixes and versions of the pieces that gave form to our disc “Insula in albis” (Pueblo Nuevo/Eolo, 2013). In a way, it is the final link of a work that started nearly two years ago, when we traveled with the support of the Chilean Antarctic Institute (INACH) to a secluded place located on the borders of civilization: King George Island (South Shetlands, Antarctica). There we collected images and sounds, both natural and human in origin, in an environment in which the majestic landscapes contrast with the technology used to resist the onslaught of the elements. We met people of different nations and cultures, sharing together in this environment of water, stone, ice, and rusted metal.
We presented “Insula in albis” in the Teatro Municipal “José Bohr” in Punta Arenas in the Celebration of 50 years of the Chilean Antarctic Institute. At the beginning of 2014 we managed to return to King George Island and we presented the work before the personnel of the “Eduardo Frei” base, in what was our second recital in Antarctica. After having shown it in Buenos Aires and Santiago, we decided to invite other musicians to reinterpret our discoveries, to make them their own and give them new forms in their own style. We appreciate the time and effort each one invested in realizing their contributions. We hope that we manage to transmit once again to all those who follow our trajectory the excitement we feel when we put our feet on this island, where people live together in a way that the rest of the world should imitate. “Insula in Remix” is available here, to help you set forth on a sonic flight towards the Continent of Light.
(1) All Latin provided to us by online translation applications.
Lluvia Acida
(Punta Arenas, Magallanes, Chile, September 2014)
Very colorful and with fast pace tunes Drehton is back with his close to latest and some reworked tracks in hi tempo electronica synth beat adventure, in the format of a full length melodic n flowing album. Plus for you.
King Imagine
In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom — as remixer, co-author and remastering engineer.
>From Germany’s rough bank capital Frankfurt comes machine-musician Chris Geschwindner. The affiliate of the young label polen.rec woves «40h»’s pads and samples together with a shuffled house groove. His remix develops over eight minutes, leaving smiles everywhere with its airy and sunny atmosphere.
A totally different interpretation of «40h» comes from Llyphon. Terrorrhythmus’ mate from Bremen already released on his imprint Betonblume and DubKraftRecords. With stumbling bassdrums, flirring hi-hats and washed-out samples he transforms Terrorryhthmus’ trap track into a lush and varied piece of contemporary electronic music.
Also from Bremen comes producer and DJ in demand Tobs who just dropped his first vinyl on Drowned Records. His «Leaving Home»-version of «Post Smack» is full of warm pads and synths, unfolding sentimental feelings over a pretty straight house beat.
Uprising Belgian producer Take Away The Noise seems to have hardcore in his blood. His seven minute long adaption of «Post Smack» utilizes the original’s vocals in a stumping techno garment. Breaks and shuffled bassdrums penetrate the rough track which is designed to destroy dancefloors.
Audio Cephlon returns to Kahvi after a break of some months with a four track ep entitled.. Audio Cephlon!
Full of swirling arpeggios, yet minimal percussion and subtle vibes that wouldn’t go amiss on an autechre release, Audio Cephlon changes his style to include a refreshing twist from previous releases.
Track of choice for this fan is Staker with retro analogue goodness and a deep dark moody resonance.
