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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: electronic

DISCONTINUATION OF TREATMENT – A DEEP REMORSE

DISCONTINUATION OF TREATMENT – A DEEP REMORSE
[IYE032]

DISCONTINUATION OF TREATMENT

“A DEEP REMORSE”

Discontinuation Of Treatment is the creative project of Giuseppe D’aiuto. Behind this moniker he needs to get close the dark and deep sounds and treat them as a bad memory…when it’s gone, the past will remain in the past.
His urgent creative needs are mostly influenced by mental illness and behavioural disorders…Post-punk!

I confide in your ability to push back the obscure and noisy nightmare.

Many many thanks to Gufo Records !!! https://archive.org/details/guforecords

CREDITS :

~ A Deep Remorse ~
Music composed by Discontinuation Of Treatment https://discontinuationoftreatment.bandcamp.com/
Album Produced by MonkeYear https://monkeyear.bandcamp.com/
Album Art by Gianbattista Barbieri a.k.a. Jemba

Web:
https://www.instagram.com/memorialpaint/
https://www.instagram.com/jemba_g/

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posted 16 April 2019

The Anarchist Society of Youth Anger – Bekatul Maut

The Anarchist Society of Youth Anger  – Bekatul Maut
[WAC29]

The Anarchist Society of Youth Anger

“Bekatul Maut”

‘Bekatul Maut’ merupakan hasil gagasan tentang potensi pangan alternatif dari Johanes Handjono dan Gerry Pindonta lewat proyek elektronik, The Anarchist Society of Youth Anger atau yang disingkat TASYA. Bekatul sendiri merupakan hasil produk sampingan dari pengolahan padi yang sering dijadikan sebagai pakan ternak. Lewat proyek TASYA, duo personil Samber Nyawa ini mengubah fungsionalitas bekatul menjadi lebih menyehatkan, bermanfaat dan pastinya ‘maut’.
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posted 15 April 2019

Tonoptik / zll’ – Practical

Tonoptik / zll’ – Practical
[NN_LP079_04_19]

Tonoptik / zll’

“Practical”

Second digital album in Nostress for Tonoptik from Saint Petersburg (Russia). This new digital LP “Practical” was played and recorded with the artist zll’. Organic sound of analog synthesis is presented in the form of “sound sculptures” smoothly changing in time.
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posted 08 April 2019

Miquel Parera – TEFE025 | The Stone House of the Minairons

Miquel Parera – TEFE025 | The Stone House of the Minairons
[TEFE025]

Miquel Parera

“TEFE025 | The Stone House of the Minairons”

Title: TEFE025 | The Stone House of the Minairons.
Author: Miquel Parera.Gralla: Giovanna Parera.
https://en.wikipedia.org/wiki/Gralla_(instrument)

———————————————————————————-

Tracks:

01-The Aloja who sang to me in the Lake – TEFE-25-2019-04-07-08-55-36 – 00:03:45.14
02-I played Chess with a Bubota – TEFE-25-2019-04-07-09-00-51 – 00:03:24.34
03-The Cocollona flies with the Full Moon – TEFE-25-2019-04-07-09-04-46 – 00:04:26.75
04-I’ve been Bitten by a Dip! – TEFE-25-2019-04-07-09-11-32 – 00:04:11.89
05-The Cult of Marraco – TEFE-25-2019-04-07-09-18-02 – 00:06:30.84
06-Trip to Iltirta- TEFE-25-2019-04-07-09-24-55 – 00:03:28.79
07-Pesanta does not let me Breathe – TEFE-25-2019-04-07-16-09-13 – 00:05:38.08
08-The Birth of the Tombatossals during the Storm – TEFE-25-2019-04-07-16-17-03 – 00:07:08.73
09-Will you remind me if I Kill the Víbria?- TEFE-25-2019-04-07-16-25-17 – 00:02:30.84

Total time: 00:41:05.40

———————————————————————————-

About The Eternal Feedback of Existence:

It is an acousmatic diary. With the samples and images of each day an instrument for livecoding improvisation is built.

https://en.wikipedia.org/wiki/Acousmatic_sound
https://en.wikipedia.org/wiki/Live_coding

Some releases are collaborations:

TEFE025 | The Stone House of the Minairons (Gralla: Giovanna Parera)
TEFE014 | Piano Keys Inside the Quarks (Piano: José Guillén)
TEFE012 | The Flute that Sounds in the Center of the Universe (Flute: Javi)

If you play an instrument or have a group and you want your samples to be chopped, abused and mixed with noises and screams, you can send them to: theeternalfeedbackofexistence@gmail.com

———————————————————————————-

Open Source Music:

You can download the source code, the samples and the images on:
https://archive.org/details/TEFE025Source

———————————————————————————-

Bandcamp: https://tefe.bandcamp.com/

———————————————————————————-

#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic #gralla
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic,#gralla

———————————————————————————-

License: CC-BY
https://creativecommons.org/licenses/by/2.0/

You are free to:

Share — copy and redistribute the material in any medium or format

Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

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posted 07 April 2019

Aunt Jackie – I’m The Godmother

Aunt Jackie – I’m The Godmother
[nolimit027]

Aunt Jackie

“I’m The Godmother”

This track is about the narcissist mother of family murderer Chris Watts who in an interview blamed her pregnant dead daughter-in-law for her own killing as well as the killing of her two girls.

The second track is a rework by Willi. It was produced at Cadmium Studio.

This release ended in the disbandment of the band Das All that consisted of Willi and me. I offered Willi to mention Cadium Studio on the cover of this release after he mentioned to me he was looking for publicity. He thought the idea so ridiculous that he ended all collaboration with me.

Released in 2019 on L.A no Limits

posted 03 April 2019

John Novak – The Moon is a Strange God

John Novak – The Moon is a Strange God
[#420]

John Novak

“The Moon is a Strange God”

John Novak appeared on Kahvi a couple of times previously, both showing his versatility of different styles, from popular mainstream melodies, to IDM inspired by Tangerine Dream and Chemical Brothers.

This time around he’s back with passages of ambience, interspersed with addictive melodies in the shape of his new album ‘The Moon is a Strange God’.

Eight tracks of sublime chill, drifting between the stars.

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posted 01 April 2019

VVAA – Divertimento al Amanecer

VVAA – Divertimento al Amanecer
[pn140]

VVAA

“Divertimento al Amanecer”

“Divertimento al Amanecer”
José Vicente Asuar RemixesElectronic music by José Vicente Asuar has influenced several generations of composers, both within the realm of electroacoustic music and other genres using technology as a means, ranging from techno to hip-hop, the latter at least in Chile. This has been proven, especially in recent years, with the growing rediscovery of his figure and work and his definitive positioning in the musical spectrum via academic writings and , especially, his complete electroacoustic oeuvre release (“Obra Electroacústica” / pncd08 / Pueblo Nuevo 2011) and Variaciones Espectrales documentary, by Carlos Lértora (2013).Therefore, and after several tributes due to Asuar’s death in January 2017, we wanted to carry out a new tribute, this time inviting the entire community to revisit the electronic body of work of the Chilean pioneer.

We have got together two perspectives, two schools: the electroacoustic one, which creates new pieces up from short sounds or sections from pieces by the honouree; the other one, in the vein of remix and sampling, also creates from the same sources, generating new works or tracks located in techno, ambient, hip-hop, and other related aesthetics.

In this deconstructive exercise, which we have called Divertimento al Amanecer, the pieces to work with were, precisely, Divertimento (1967) and Amanecer (1977).

The restriction was the use of one piece as an only source for a version, remix, etc., not merging both pieces into a single new one. Each author had to choose one or another work to participate, since the result of this call would be organized into a two-part compilation (sides A and B, corresponding to one of the two pieces each), participants were required to concentrate their efforts into on of the options.

About Asuar original works:

Divertimento “is a piece with great dynamism and speed, full of very elaborated articulations which are constructing the musical discourse with its structural and spectro-morphological richness, that due to its great fluidity, organic liveliness and contrasts that could be said to have a certain baroque character. Something amazing at the same time are rough textures got by modulations and high-speed iterations, that somehow anticipate the birth of granular synthesis and could be related with some moments of works by later authors like Curtis Roads. This work would get the first prize of the Dartmouth Electronic Music International contest, USA, 1970” (Albornoz 2017).

On the other hand, Amanecer is a piece labeled by Asuar as impressionistic, “in the sense of trying to describe, by musical means, the sensations or impressions that the author has about some natural event. In this case it is about sleeping nature that little by little it begins to revive until arriving at a final dance full of life and energy” (Asuar 1989). From a certain point of view, we could say that it is a contemplative work, close to ambient.

Call for works was so successful we were forced to go through a long, steady listening task in order to get the final pace for this release; thus, it presents a wide collection of works inspired by, quoting and appropriating the sound materials straightforwardly, nourished by the expresive and adventurous spirit of José Vicente Asuar. We hope they interest, inspire, and and become sources of enjoyment for all.

Alejandro Albornoz
(Valle Hermoso, La Ligua, Chile, Marzo / March 2019)

(*) Albornoz, A. (2017) “Asuar: diez obras electroacústicas. Una breve reseña” (Unpublished).

(**) Asuar, J. (1989) “Música Electroacústica, José Vicente Asuar, Compositor Chileno” [Cassette] Santiago de Chile: Santiago Vera Producciones.

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posted 31 March 2019

WHΛLT THISИEY – Bothissattva

WHΛLT THISИEY – Bothissattva
SP 023

WHΛLT THISИEY

“Bothissattva”

released March 26, 2019

Produced, Recorded, Mixed & Performed by Whalt Thisney
Executive Production & Additional Mix on ‘Wordcore Ambient
Journey’ by 6 9 N & F

Design / Graphic Manipulation – fd
Original Photo – Samuel Silitonga

Published by Klappstuhl International.

posted 30 March 2019

illocanblo – Genotype EP

illocanblo – Genotype EP
[phokes132]

illocanblo

“Genotype EP”

In the mood … for evolution.
Walls of machine tones.
Soon to be upgraded. Again.The music by illocanblo can be perceived as rather contemporary art instead of classic electronic or IDM.
His production process consists certain artistic techniques. The machines are fed with his mood and
partially put in generative mode and automated. So illocanblo is like a duo of a human and a machine.

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posted 21 March 2019

Various – either long either cold to raise own nightmares in curious anger

Various – either long either cold to raise own nightmares in curious anger
[ACPS 1025]

Various

“either long either cold to raise own nightmares in curious anger”

01. REMETEMEN – Hopeless 09:04
02. MRS DINK – Circumstantiality 09:04
03. EISENLAGER – Native Processing 08:11
04. ESCAPED TREES – Chthonic Romance 06:24
05. XFnX – Elephant Speech 08:36cover art by Claus Poulsen
design by EMERGE
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posted 20 March 2019

Number Eleven – Drinkble Coolant

Number Eleven – Drinkble Coolant
[EEM045]

Number Eleven

“Drinkble Coolant”

Sticky and cold silicone sealants, spades and screwdrivers allow you to forget the crippling life threatening drama of Strict, Event and Resistance. Another pile-up of sand which was forcefully shaped into something comprehensible and mostly even danceable. Disclaimer – the danceable part is evaluated by the rhythmical insanity of the brain in control of the sequencer. Apply incorrectly and it’ll break your spine.
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posted 20 March 2019

Go Ask Alice – Go Ask Alice – Ten little dreams (and one bonus nightmare)

Go Ask Alice – Go Ask Alice – Ten little dreams (and one bonus nightmare)
[LBN046]

Go Ask Alice

“Go Ask Alice – Ten little dreams (and one bonus nightmare)”

Humankind has always looked to the stars as its own destiny. For this reason, indefatigable and willful, it has always climbed the highest peaks to get as close as possible. It knows that this is impossible, but it has the courage to try the same. This is written in the sign: the capricorn.
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posted 18 March 2019

bolus – perceived redness of an evening sky

bolus – perceived redness of an evening sky
[EEM044]

bolus

“perceived redness of an evening sky”

Qualia is ‘an unfamiliar term for something that could not be more familiar to us: the way things seem to us’, such as the perceived redness of an evening sky – it cannot be put into words. These compositions are an attempt to describe a space in the artist’s mind, a three dimensional region of emotion and feeling influenced by a fleeting yet intense period of saudade – an indescribable longing for something one never had.
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posted 08 March 2019

Nortas – AukÅ¡tai

Nortas – AukÅ¡tai
[EEM043]

Nortas

“Aukštai”

Aũkštai (“Floors”) is a result of how overthinking leads the mind to multiple directions while searching for answers in the surroundings. These 5 stories reflect on how the mind works in different situations, whether it’s a cup of coffee in the morning by the favourite clock ticking down the time of waiting, taking a dog for a walk with thoughts of self-doubt, or whether it’s stone-tied drowning in the sea of paralysed body cells.

Dreamlike walk through inner depths, as if you were walking on thick ice surrounded by misty void and could wake up any second. The sounds reflect a journey through grief, anxiety, finding peace in solitude.

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posted 05 March 2019

Wolf Wrams – Quant Bunker

Wolf Wrams – Quant Bunker
[EEM042]

Wolf Wrams

“Quant Bunker”

Written using virtual machines controlled by haunting Taoist infernal dreams inspired hands. Driven by the awareness of the plaguing fact that the artist has to compete with others by implementing his own ideas, not attached to anything in particular but his mind only. Showing features of artist’s body, heart and soul while he’s being in a state of a magical drive. A theater of mashing abstractions sampled and processed ideas, where complex beats and smashing sounds emerge to evoke energy and will inside the listener’s mind.
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posted 05 March 2019

NNYz? – Aetiology

NNYz? – Aetiology
[kahvi419]

NNYz?

“Aetiology”

NNYz? was last seen back at #375, and he returns to Kahvi with a short but sweet seven track EP called ‘Aetiology’.

Highly detailed textures with glitchy beats, field recordings and IDM arps combined into simply named but exotic sounding tracks.

Track of choice: 4am for deliciously sweeping eighths for emotive spine tingling nostalgia.

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posted 02 March 2019

Mika Martini – Mestizo

Mika Martini – Mestizo
[pn014]

Mika Martini

“Mestizo”

27 february 2007…12 years ago… My first album in Pueblo Nuevo Netlabel.

“‘Mestizo‘ fusiona electrónica con sonoridades autóctonas y voces ancestrales, con el objeto de encontrar un lenguaje que se posicione en el presente, pero que a su vez, tenga su base en nuestra memoria sonora histórica.

‘Mestizo‘ es un trabajo colaborativo, donde han aportado con sonidos y samples los siguientes músicos e investigadores: José Pérez de Arce (samples del disco “Son-Ido” en tracks 1-3-4-5-6), Matorral (samples de guitarra acústica en track 2, voces en track 5), Lluvia Acida (samples de zampoñas y ocarinas en tracks 2-3-4), Michel Durot (samples del tema “Ying Yang” en track 4), Pablo Cornejo (diversos samples en tracks 2-3-4), Tatevari (sample de ocarina jarra en track 3). Gracias a ustedes esta música fue posible.”

“‘Mestizo‘ is a mixture of electronics and ancient local sounds and voices. The idea is finding a language based in our historical sound memory, but firmly placed in the present day.

‘Mestizo‘ is a collaborative work, where the following musicians and researchers contributed the sounds and samples below: José Pérez de Arce (samples from “Son-Ido” album in tracks 1-3-4-5-6), Matorral (acoustic guitar samples in track 2; voice in track 5), Lluvia Acida (zampoñas and ocarinas samples in tracks 2-3-4), Michel Durot (samples from “Ying Yang” theme in track 4), Pablo Cornejo (assorted samples in tracks 2-3-4), Tatevari (ocarina jarra sample in track 3). Thanks for making this music come true.”

Mika Martini
(Santiago, Febrero / February 2007)

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posted 27 February 2019

Tryphème – Thanks God For Air Emotions

https://i1.sndcdn.com/artworks-000486639492-b2vs4e-t500x500.jpg
[D!HR-40]

Tryphème

“Thanks God For Air Emotions”

For its 40th release, Da ! Heard It went and got a creator of feelings who founds her music on the intimacy she builds with the listener.
Tryphème is a painter of enchanting landscapes. From these territories that transport with a singular atmosphere rather than flashy colors, she fashions an environment into which one must blend. No sudden dives or sheer falls; this music’s charm comes from insinuation—an invitation softly whispered into the hollow of the ear. And here we are, with Thanks God for Air Emotions, in the middle of this unknown region, suspended by strings controlled by the Parisian woman’s delicate hands.
We’ve known this power of seducation for two years already. Her first album, Online Dating with CPU Records, established the outline. It was the manifestation of an artist who is well-aware of the possibilities that musical creation has to offer. She navigated among the most subtle genres of this art of time and made herself the master of our emotions. Already.
With Thanks God for Air Emotions, we reach the next level. Succeeding the innocence of the first opus is an album purified of all dispersion, focused on the listening of her feelings. These notorious “air emotions,” overflowing with useless affects, form a continuous murmur that is used as raw material for the production of her healing music. They are the soft energy that drives the turbines of a mutant IDM with evanescent voices and synthetic layers. Too easily would we ogle the English ambient masters of yesteryear, if it weren’t for Tryphème coming to add to it here and there her personal inspirations, where the culture of the perpetually learning artist, from hip-hop to new wave, mixes.
The painting’s composition conforms to the hopes promised by Tryphème’s unique talent: a world beyond, formed by a power whose sensuality and mastery are formidable weapons.Thanks God For Air Emotions, Da ! Heard It Record’s 40th release, is distributed under a Creative Commons BY-NC-ND. The album can be listened to and downloaded freely at the following link: https://www.daheardit-records.net/en/discography/40

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posted 21 February 2019

Baradit – Revolucion Tecnologica

Baradit – Revolucion Tecnologica
[pn139]

Baradit

“Revolucion Tecnologica”

“Un recuerdo de infancia común de quienes nacimos en el siglo pasado es el haber leído enciclopedias, con coloridas ilustraciones que nos mostraban como sería el Futuro. En esos días, en que con expectación calculábamos cuanto quedaba para el año 2000, la Tecnología aparecía ante nosotros como el Santo Grial, como una promesa de un mañana mejor. El tiempo ha pasado y nos volvimos adultos, con preocupaciones y deudas, siendo gran parte de nuestras vidas pauteadas y gestionadas mediante máquinas. ¿Estamos viviendo en ese futuro que esperábamos? Claro que no. Como simples ciudadanos no podemos viajar al Espacio Exterior. No hay ciudades ni en la Luna ni orbitando la Tierra. No hay robots haciendo tareas domésticas en nuestras casas. En cambio, sí llegaron muchas otras cosas que no aparecían en esas optimistas enciclopedias. Y no todas son buenas.

Pero la Música Electrónica, especialmente en sus vertiente ligadas al Techno, tiene el poder de revivir esa sensación de asombro y maravilla ante los productos del ingenio humano. Justamente eso es lo que hace la música de Felipe Baradit, compositor y productor porteño de larga trayectoria. Un creador de una gran constancia, que cultiva un sonido fiel a sus raíces. Sin oportunismos ni imposturas, Baradit teje ritmos y melodías de atmósfera sintética que sugieren una vida cotidiana mediatizada, en una Latinoamérica multicultural y en contínuo cambio. “Revolución Tecnológica” es un disco de sonido estilizado, que evoca paisajes completamente humanizados, con formas de vida diseñadas que crecen y se desarrollan a nuestro alrededor. Escuchar este trabajo es unir nuestra imaginación a la de su autor y es abrir nuestros sentidos a su particular energía. Captar sus vibraciones, que alguien dotado de sinestesia quizás visualice con colores iridiscentes, es experiencia que personalmente recomiendo vivir.”

……………

“A common childhood memory of those who were born in the last century is to have read encyclopedias, with colorful illustrations that showed us what the future would be like. In those days, as we calculated with expectation how much time was left until the year 2000, technology appeared before us as the Holy Grail, as a promise of a better tomorrow. Time has passed and we became adults, with worries and debts, and with a large part of our lives influenced and managed by machines. Are we living in that future that we expected? Clearly not. As ordinary citizens we cannot travel to Outer Space. There are no cities on the Moon or orbiting the Earth. There are no robots doing housework in our homes. On the other hand, there were many other things that did not appear in these optimistic encyclopedias. And not all are good.

But Electronic Music, especially in its expressions linked to Techno, has the power to revive that feeling of amazement and wonder at the products of human ingenuity. This is precisely what defines the music of Felipe Baradit, a composer and producer from Valparaíso with a long career trajectory. A creator of great perseverance, who cultivates a sound true to his roots, without opportunism or posturing, Baradit weaves rhythms and melodies of synthetic atmosphere that suggest a mediated daily life, in a multicultural Latin America and continuously changing. “Revolución Tecnológica” (Technological Revolution) is a disc of stylized sound that evokes completely humanized landscapes, with forms of life designed to grow and develop around us. To listen to this work is to unite our imagination with that of its author and to open our senses to its peculiar energy. To capture its vibrations, which someone gifted with synesthesia might visualize with iridescent colors, is an experience that I personally recommend living.”

Rafael Cheuquelaf
Miembro del dúo Lluvia Ácida / Lluvia Ácida member.
(Punta Arenas, Chile. Febrero / February, 2019)

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posted 17 February 2019

Martin Rach – Unfinished Loops

Martin Rach – Unfinished Loops
[enrmp435]

Martin Rach

“Unfinished Loops”

Latest album from long term Enough Records collaborator Martin Rach from Lithuania, exploring some Unfinished Loops in his usual tripstep jazz influenced way. Expect eerie settings, deep wobbling bass sounds, cinematic constructs and strong silences dominating the structure of the tracks. Artwork by Martin Rach and ps.
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posted 15 February 2019