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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: experimental

Telegraphy – Earth Stereo

Telegraphy – Earth Stereo
ono-17

Telegraphy

“Earth Stereo”

Influenced by the genius renegade electrical engineer and teacher Eric P. Dollard who is better known as the modern day living Tesla. “Earth Stereo”by Telegraphy is a sound journey through the mind of this brilliant inventor. If synthesizers could speak of his work – they would sound like this. Speaking in occult mathematics and higher understanding of fundamental electronics, Telegraphy puts in motion the fundamentals of sound. With a full range of dub techno echos and reverb, each track contains hidden aspects of natural math and tonalities. Pushing the boundaries of the low end spectrum with base and plenty of it (just like with Eric’s experiments) Telegraphy opens up a new door to revel a new direction for dub techno to go in.
posted 10 October 2014

Wings of an Angel – In My Darkest Dreams (night diary of a poète maudit in earthly exile)

Wings of an Angel – In My Darkest Dreams (night diary of a poète maudit in earthly exile)
Self-Releae

Wings of an Angel

“In My Darkest Dreams (night diary of a poète maudit in earthly exile)”

Wings of an Angel es un artista envuelto en un halo de misterio; enigmático, quizá como todo verdadero artista, y que crea su obra desde al anonimato. Su concepción del arte va en dirección completamente opuesta a la de la popularidad o el éxito, no digamos ya los fines comerciales, algo que le repugna:
“…proclamo: dejen de vender el arte y de tratarlo como bienes comerciales. ¿Por qué lo hacen? En mi caso, quiero que mi arte llegue a todo el mundo … no soy un artista comercial y no estoy interesado en vender mi música, no tengo que romperme la cabeza con todas esas ridículas leyes de Copyright. Que, por cierto, son un insulto criminal a la creatividad.” (Intangible23)
Su obra no busca entretener sino una comunión espiritual y trascendental con el oyente. Su poesía sonora le habla siempre al espíritu del individuo, a su subconsciente mas profundo, recóndito y escondido. Y es que en la obra de Wings of an Angel, todos los caminos conducen al yo interior, el verdadero, mas allá de convenciones formales o sociales. En este “misticismo postmoderno”, como el mismo lo define, todo termina cayendo por los abismos infinitos del alma.
En esta ocasión lleva al extremo su pasión y predilección por la oscuridad, para aplicarla al sonido; prescinde totalmente del uso de voces (spoken word), referencias Hip-Hop, instrumentos sampleados o mezclas con elementos de música tradicional como ha sólido hacer, de manera magistral, en trabajos anteriores, como por ejemplo en el espectacular (“Requiem For An Anonymous Genius (The Breath Of Life, Carnal Annihilation And Miraculous Resurrection Of The Job Of Art)”).
En este ultimo trabajo usa únicamente drones y sonidos abstractos que generan atmósferas realmente oscuras, intensas y profundas: “Diría que el sonido, en su más pura ausencia de forma, es probablemente la expresión más espiritual de lo divino…” (Intangible23)
En “In my darkest dream”, publicada de nuevo por el netlabel paralucid, Wings of an Angel nos invita a un viaje por sus sueños mas oscuros, que a este nivel son quizá iguales a los tuyos y los míos.
Estos sueños, por los textos que acompañan cada pista, tienen como escenario una ciudad vacía; son recorridos nocturnos por calles recónditas, zonas aisladas, infraestructuras semiabandonadas de ciudades decadentes por cuyas grietas y fallas también se filtra el subconsciente colectivo. En una oscuridad rodeada de lagrimas, con la luz de una tenue luna, son paseos en los que escapar de una soledad elegida, autoimpuesta pero también insoportable; en busca de lo sublime, el infinito trascendental.
posted 09 October 2014

Radiomaniac – Syndrome

Radiomaniac – Syndrome
MZ010

Radiomaniac

“Syndrome”

Artist: Radiomaniac
Title: Syndrome
Genre: Post-Rock/Experimental/Altanative
Country: Russia

Tracklist:
01. Endorphin
02. Nevazhno
03. Samozvantsy
04. Deti Tsvetov
05. Leto
06. Gorod
07. Sensatsia
08. 12.8 (~13)
09. Plohoy Otets
10. O4
11. Sindrom
12. Sad Zemnyh Naslazhdeniy
13. Vse Chto Ty Mog Skazat’

posted 08 October 2014

Wings of an Angel – Revenge Of The Less Powerful

Wings of an Angel – Revenge Of The Less Powerful
Self-Releae

Wings of an Angel

“Revenge Of The Less Powerful”

My whole life, I’ve marveled at the ease in which so-called charismatic leaders – political, educational, spiritual, therapeutic etc’ – have led their followers and others in their surrounding to total oblivion.
If there’s one and single insight that you are ought to fetch from my ruminations, it is this: THINK AND STAND FOR YOURSELF, DON’T LOCK YOURSELF IN A HELL THAT YOU AND/OR OTHERS CREATE FOR YOU.
In my perception, It’s always better to answer for your own actions, for better or for worse, than to act by proxy and hide behind bullies, real or imaginary. Such is the path of truly brave men and women.
So, are you truly brave or do you prefer to hide behind your chosen dogma and skydive unto an inescapable hell?
posted 02 October 2014

The Fat – Meat Me

The Fat – Meat Me
D!HR-26

The Fat

“Meat Me”

For its 26th release, Da ! Heard It Records invites you to come meet The Fat, with their first album: “Meat Me”.

The Fat, a band based in the north of Paris, consists of two pillars: Jacques de Candé and Thomas Suire. Louis Pontvianne and Romain Drogoul join the two comrades live. One year after their first stage performance at Instants Chavirés, aside pioneers of Russian industrial music Vetrophonia, their first album, Meat Me, comes out.

The band aims to let the synths speak. Their qualities, their flaws, the damage they’ve suffered overtime are as utilized in the conception of the pieces as are lengthy improvisation sessions.
A festival of Moog, DSI, Roland, Aelita, Jomox, Oberheim, Eowave… The use of exclusively analog machines kindles a usually cold sound into a latent dampness. The construction of the pieces from a bass line, blurry yet well-framed, thanks to a crispy solid rhythm reminiscent of Oto, accentuates our indecision between choppy gesticulations and petrified emotion.

At the beginning of the album, a languorous beat skews all pulse of excitement and favors a listening focused on all of the subtleties in the variations of sonorous matters. When the rhythm accelerates later on, a tribal dialog settles in, where the roundness of the exchanges between melodies and the rhythm box’s primary pulses tangle in despair, as if bliss only ever belonged to the past. A few infecticidian gimmicks erupt on certain tracks, and our bodies appropriate this music in a measured gestural.

Now, it is your turn to appreciate and have your emotions ascend. Shh!… Listen, there…
That little repetitive sound, in the background, in a psychotic spiral, where is it taking us to ? Are we not heading towards Forbidden Planet?
To create the visuals on the sleeve, the band called on Pia-Mélissa Laroche, a graphic illustrator that cherishes lead. Pia’s universe is a mixture of anatomical imagery and geometric volumes where spheres, cubes, and organic cells intertwine. We lose ourselves, like children, in this very personal interpretation of an infinitely small world.

“Meat Me”, Da ! Heard It Records’ 26th release is distributed under a Creative Commons License BY-NC-ND. The album can be downloaded at the following address: http://www.daheardit-records.net/en/discography/dhr-26

posted 30 September 2014

Uglisse – Lepperle

Uglisse – Lepperle
0kbps070

Uglisse

“Lepperle”

Uglisse

Lepperle [0kbps070]

01 – Imbruttisco tutto quello che tocco
02 – DELI-RAP (feat Mickey noise)
03 – FORMA SENZA SOSTANZA
04 – MIRAGGI (feat. Terroristi musicali)
05 – i ragazzetti finti alternativi
06 – La situazione (feat. Busatto)
07 – S.C.R.O.P.H.A.
08 – MORIRE( ma senza fretta)
09 – Te lo dico con dolore, te lo dico con gioia (feat. FabioD)
10 – bisbetico vs buonista
11 – Rapporti occasionali (feat. YAMIXEAST)
12 – La cicala e la formica (feat. Heather Parèsi)

MAV [0kbps] Records, September 2014

posted 26 September 2014

Trepan Riot – Transistor Paradox

Trepan Riot – Transistor Paradox
TXR091

Trepan Riot

“Transistor Paradox”

harsh noise wall//black metal//shoegaze
Artist : Trepan Riot
Title : Transistor Paradox
Catalog # : TXR091
Duration : 40:59
Date of release : September 24, 2014
Genres : noise, black metal, shoegaze
Format : digital (FLAC and MP3)
Free download link :
https://trepanriot.bandcamp.com/album/transistor-paradox
http://textural-rec.com/transistor-paradox/
posted 24 September 2014

C. Reider – Awkward Hugs

C. Reider – Awkward Hugs
foot229

C. Reider

“Awkward Hugs”

Awkward Hugs is by C. Reider, a guest from Vuzh Music netlabel. “This is some work I did in 2007, directly after ending my work with the drone collective Drone Forest. I wanted to do some music that fell far outside of that group’s constraints (no beat, no melody). This music reflects an interest in minimal techno that I had at the time. The exploration of beat-oriented material during this time eventually led to the series of releases I called The Electret Quintet, which merged the accessible material presented here with a more experimental approach.”
posted 21 September 2014

LLuvia Acida + Friends – Insula in Remix

LLuvia Acida + Friends – Insula in Remix
pn089

LLuvia Acida + Friends

“Insula in Remix”

Insula in albis
circumdederunt per glaciem maris,
infesta, in fine mundi.

Terra Australis, Terra Incognita.
Ventus magis placent.
Orate mare ut revertar in patriam.

(Island of while
surrounded by sea ice.
Hostile, at the end of the world.

Southern earth, unknown land.
Wind in favor.
We pray to the sea to return us home).

With these words pronounced in Latin(1) by our friend and colleague Frank Benkho “Insula in Remix” begins, a collection of remixes and versions of the pieces that gave form to our disc “Insula in albis” (Pueblo Nuevo/Eolo, 2013). In a way, it is the final link of a work that started nearly two years ago, when we traveled with the support of the Chilean Antarctic Institute (INACH) to a secluded place located on the borders of civilization: King George Island (South Shetlands, Antarctica). There we collected images and sounds, both natural and human in origin, in an environment in which the majestic landscapes contrast with the technology used to resist the onslaught of the elements. We met people of different nations and cultures, sharing together in this environment of water, stone, ice, and rusted metal.

We presented “Insula in albis” in the Teatro Municipal “José Bohr” in Punta Arenas in the Celebration of 50 years of the Chilean Antarctic Institute. At the beginning of 2014 we managed to return to King George Island and we presented the work before the personnel of the “Eduardo Frei” base, in what was our second recital in Antarctica. After having shown it in Buenos Aires and Santiago, we decided to invite other musicians to reinterpret our discoveries, to make them their own and give them new forms in their own style. We appreciate the time and effort each one invested in realizing their contributions. We hope that we manage to transmit once again to all those who follow our trajectory the excitement we feel when we put our feet on this island, where people live together in a way that the rest of the world should imitate. “Insula in Remix” is available here, to help you set forth on a sonic flight towards the Continent of Light.

(1) All Latin provided to us by online translation applications.

Lluvia Acida
(Punta Arenas, Magallanes, Chile, September 2014)

posted 18 September 2014

Metal Wind – Cracking And Hissing

Metal Wind – Cracking And Hissing
TXR089

Metal Wind

“Cracking And Hissing”

Disquieting and tumultuous clouds of amplified noises and sounds.
Artist : Metal Wind
Title : Cracking And Hissing
Catalog # : TXR089
Duration : 43:38
Date of release : September 10, 2014
Genres : noise, experimental, drone noise
Format : digital (FLAC and MP3)
posted 10 September 2014

Dream Park – DP

Dream Park – DP
YARNLP01

Dream Park

“DP”

DP is the first long-player by Dream Park, with real name Patrick Bernet. He is a producer from Syracuse / New York who found into electronic music with the «Drum’n’Bass for Papa» LP / EPs by Plug. You can clearly hear a lot of Luke Vibert’s influence in his tracks, as well as Jean-Jacques Perrey, Squarepusher, old school techno and acid.
The album has been released on Patricks label Dream Park Records in June, on Yarn Audio it is now getting a re-release under a Creative Commons license.
posted 08 September 2014

Darvillers Ghost – Hardcore Ice

Darvillers Ghost – Hardcore Ice
TXR088

Darvillers Ghost

“Hardcore Ice”

Deep dark minimal dissonant ambient.
Artist : Darvillers Ghost
Title : Hardcore Ice
Catalog # : TXR088
Duration : 33:29
Date of release : September 03, 2014
Genres : drone, dark ambient
Format : digital (FLAC and MP3)
Free download link :
https://darvillersghost.bandcamp.com/album/hardcore-ice/
http://textural-rec.com/hardcore-ice/
posted 04 September 2014

Myth Magic – Myth Magic

Myth Magic – Myth Magic
earS075

Myth Magic

“Myth Magic”

Hi,

Samuel Glaser is back on earsheltering with Rebecca Ramirez with a new amazing project called Myth Magic

Enjoy !

deep house; dark; minimal; techno; tribal; jazz; house; indie; idm; groovy; electronic; elecronic dupstep; deep techno; beats; bakermat; acid; nature; groove; gaiser; weed; wave; wake up; vocals; vocal; uplifting; upbeat; uk garage; trip-hop; trip hop; trip trap; techhouse; tech house; ambient; experimental; electronica; glitch; chill; downtempo; techno; deep house; drone; minimal techno; electro; abstract; breakcore; glitch; hop; Ambient; industrial; Ambient house; Dark ambient; Drone music; Acid techno; Detroit techno; Dub techno; Free tekno; Hardtechno; Minimal techno; Acid trance; Dream trance; Goa; trance; Hard trance; Ibiza trance; Nitzhonot; Psychedelic trance; Dark psytrance; Full on Psybreaks; Suomisaundi; Progressive trance; Tech trance; Uplifting trance; Vocal trance; Chill out; Chill Ethnic; electronica; Psybient; New-age music; weird; dark electro-acoustic found sound abstract; sound design; organic dsp; abstract; field recordings; chaos; instrumental; monster; electricity; vibration; netlabel; waves; vst; software; daw; plugins; synth; synths; effects; Ambient Breakbeat; Downbeat; Electronica; Experimental Electro; Experimental Techno; Funky; Breaks; Gabba; Progressive House; gulch; guilty; guilt; glut; ditch glide; delight; agility; gauche; tight; go to gaiety; tilt dilute; crotchet; curiosity; eccentricity; erraticism; individualism; kink; mannerism; oddity; peculiarity; quiddity; quip; quirk; singularity; TIC; TOC; trick; twist; OUTGROWTH.

posted 01 September 2014

Data Snow – Phases

Data Snow – Phases
TXR087

Data Snow

“Phases”

A squirt of deep atonal vibrant pieces.
Artist : Data Snow
Title : Phases
Catalog # : TXR087
Duration : 40:12
Date of release : August 26, 2014
Genres : experimental, drone, dark ambient, noise
Format : digital (FLAC and MP3)
Free download link :
https://datasnow.bandcamp.com/album/phases/
http://textural-rec.com/phases/
https://www.facebook.com/data.snow/
posted 27 August 2014

.Zigo – Drupas Migrantes

.Zigo – Drupas Migrantes
pn088

.Zigo

“Drupas Migrantes”

.Zigo has an apocalyptic “Blade Runner” world in his sonic conception. He swings comfortably between sulfuric sunrises, romantic evenings to the cyberpunk distopians.

This work, like his others; and many other things that I have enjoyed in concert, has its own peculiar character, the detail that blows the mind and that eccentricity carries it to work every detail like a careless tide, but he has the control, so many years on the path have not made him aloof, and he applies every consciousness, every experience.

It shows in the quality of the sound and in the domain of reaching the very edge of the break, without breaking.

Tiny pearls invade each of the tracks, and yes, he is one of the masters in this sense, in showing us that heavy noise with delicate sonic touches, that are not lost, on the contrary, he makes them be noticed.

In “Drupas migrantes” we hear from the beginning with “Zaxsibulan”, mantric drones that invade, and leave us almost perplexed to wait any longer.

We pass through quasi organic states like those in “Drupa” and “Ralokhao”, cyber-robotic moments like “Aeasxoolar” and “Drirl” to descend to the shamanic poetry of “Xeticanteral”.

Can this work be classified? It cannot – you can only listen and enjoy- qualifications do not count, just immerse yourself or be engulfed by it.

.Zigo without a doubt “is” in past, present and he shows the future, and all this comes together for capture us to hear.

———————

.Zigo tiene el apocalipsis Bladeraniano (de “Blade Runner”) en su concepción del sonido. Se hamaca cómodamente entre amaneceres sulfúricos y atardeceres románticos a lo cyberpunk.

Este disco, como otros y muchas otras cosas que he disfrutado en vivo, tiene su peculiar sello, el detalle de la voladura de cabeza y esa excentricidad que lo lleva a trabajar cada detalle como en una descuidada marea, pero él tiene el control, tantos años de carrera no le son esquivos, y aplica cada conocimiento, cada experiencia.

Se nota en la calidad del sonido y en ese dominio de llegar hasta el borde mismo del quiebre, sin llegar a quebrarse.

Diminutas perlitas invaden cada uno de los tracks, y si, es uno de los maestros en este sentido, en mostrarnos ese heavy noise con delicados toques sonoros, que no se pierden, al contrario, los hace notar.

En “Drupas Migrantes” oímos desde el comienzo con “Zaxsibulan” drones mántricos que se nos vienen encima para invadirnos y dejarnos casi perplejos para esperar más.

Pasamos por estados cuasi orgánicos como en “Drupa” y “Ralonkhao”, ratos cyber-robóticos como “Aeasxoolar” y “Drirl” para descender a la poesía chamánica de “Xeticanteral”.

¿Cómo podemos calificar este disco señores? No se puede, solo se puede escuchar y disfrutar, los calificativos no cuentan en una obra tan completa, solo meterse en ella o ser engullida por ella.

.Zigo sin duda está en el pasado, el presente y nos muestra el futuro, y todo conjugado para que lo tomemos, para que lo oigamos.

Luis Marte
(Buenos Aires, agosto 2014)

posted 19 August 2014

Whitely – सन लाइफ मौत

Whitely – सन लाइफ मौत
TWG020

Whitely

“सन लाइफ मौत”

TWG has always prided itself in its genre diversity. With the fourth in our line of final releases, Whitely brings us what is easily his most surprising and one of his best realised pieces yet. Indian influenced ambient music, with ethereal vocals provided by Whitely himself, thick in atmosphere, emotion and tension.
There is not much else that can be said about this release, other than it’s Whitely as you’ve never heard him before, a listening experience that is an experience as much as it is a journey, and that we’re incredibly proud to have this here on TWG. Not necessarily chiptune, but incredible all the same.
Chiptune is dead anyway, right?
posted 18 August 2014

HODSON – Colours That Glow In The Dark

HODSON – Colours That Glow In The Dark
TWG019

HODSON

“Colours That Glow In The Dark”

Number three of the finals sees the release debut of ‘Manchester’s Top Geeza’ HODSON, of ex-Skin Walker fame, flexing his musical muscles under the weight of this titanic mixture of spoken word, dnb, glitch and trip hop.

Dispelling specific genre focus in favour of atmospheric and tonal meanderings, HODSON’s five track effort covers aeons of ground, self-regarded in genre terms by HODSON himself as one only named ‘Particular’. Using chiptune as just one of several instruments, only adding further colour to the rich patchwork of influences on show, HODSON also adds sampled vocals and his own spoken word to weigh down tracks with an emotional vibrancy not seen often within the scene. From the delicate duality of guitar tones and big beat-esque drums in ‘Pink & Blue’, to the thick, suffocated dnb in ‘Somewhere Down In The West’ or the throbbing almost acidic bass in ‘Out To Pasture’, Colours That Glow In The Dark is as surprising as it is diverse, and another welcome addition to the TWG roster that we are estatic to be bringing to you.

posted 14 August 2014