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This album is a revised and remixed version of my first work “Tanz Padaniske, Tanz”. Why this Album? ‘Cause i loved Tanz Padaniske Tanz since it was my first LP, and I wanted to make him justice with another version.
Special thanks to: Jieko, Pioggia D’Ambra, R.Lobster and Tommaso Busatto.
ZEUS LP is the first collection of sounds that were discovered by the Zeus Scientist Research Group, led by physicist Eric Rogers at Princeton University from 1942 until 1971. The twelve sounds which can be heard are in chronological order, dating back to the 19th century. Strange as it seems, ZEUS LP follows musical structures that were completely ahead of its time. How could these sounds be made? Who made them? And why would someone do that?
“He who has cast off the world has linked it to yellow dust
Your body is like unto a wound, and you are like unto a madman.
This entire world is a yellow arrow which has pierced you through
The yellow arrow is the train on which you ride towards a ruined bridge” – Victor Pelevin “The Yellow Arrow”00:00 Aram Saroyan – Crickets [recorded in the wind-off grooves of side two] (1965)
01:55 Dariush Dolat-Shahi – Shabistan (Sehtar and Electronic) (1985)
08:18 Alexander Mossolov – Zavod, Symphony Of Machines (1926-28)
11:14 John Cage – Imaginary Landscape No.1 (1939)
18:43 Lawrence Weiner – Nothing to Lose, Side 1 (1976)
34:38 Walter Steding – Entry (1980)
36:59 Remko Scha – Guitar Mural 1 (featuring The Machines), Side A (1981)
46:22 Victor Pelevin – The Yellow Arrow (1993)
1. It’s The Final Night Before The Next Big Bang, So While Everybody Is Busy Feeling Blue And Crestfallen… I’m Having The Best Time Of My Life!
2. My Tri-Headed Tibetan Skull Bead Necklace Is The Only Protection I Need On Doomsday… As Friendship Is Now Cosmically Worthless!
3. The Terrible Ambience Was Everywhere, Inescapable, Earthshaking, Horrifying. People All Over The World Were Locked Within It As If They Were Animals In A Zoo
4. Perhaps I’ve Failed, Perhaps I’ve Been Wrong My Entire Life, But My Lifelong Sadness Has Never Been As Beautiful As It Has Been On This Everlasting Night
5. Sages Often Proclaim That It’s Never Too Late To Love Your Child… They Just Didn’t Take Into Account ‘The End Of The World’ Scenario
6. Kadosh, Kadosh, Kadosh (The Gruesome Resurrection Of All The Dead Messiahs)
7. The Ancient Art Of Depression (Engulfed In Unspeakable Sadness, As Though Silence Had Lost Its Voice)
8. Therein Hide My Beautiful Shadows Of Self Destruction (Your Tenderness Cannot Save Me Anymore…)
the new album from the electronic krautrock pionier der schlachter (former of eisenlager) with his project. midnightradio11
gueststar: silentport
dark trash sounds – nightmare
free download at: http://midnightradio11.de
watch: http://www.eisenlager.com
After all,
the hole is open to imagine how we can interpret,
I can not get to the answer.
Into a mixture of order and the reality
in the “delusion” and “nightmare”.
We are lured into the labyrinth with no exit…
–
■ bonus item
wallpaper for iPhone 4 & 5 (lock & home screen) ,
wallpaper for PC
His music is that rather than toward the outside,
Towards the inner surface of the human.
:: web ::
jp.myspace.com/1884188418841884
–
■ Akita Yoshiko / akkki (cover art)
Graphic Design / Movie / VJ
A base is moved from Kansai to Kanto and the graphic design and Web design which were based on graphic arts are made.
She is making much artwork and the feminine and delicate expression has the hot support from music and fashion industry.
Moreover, it is working also as VJ in the name of akkki.
Her image performance which is in sympathy with a beat decorates many club events and peak times.
Abstral Compost: voix & texte
Cyril Bondi: percussions, objets
d’incise: percussions, objets, feedbacks
Luc Müller: Percussions, objets, micro contact
Vincent Barras: Voix & texte (Face A)Karst brings together three musicians/percussionists/improvisors, playing in a fusional, abstract, eletroacoustic way, and voice/text/word/sound. This LP, third publication of the ensemble, grows around the theme/word “corps” (body). On the first side, the Abstral Compost’s random text is put in regard of the improvised speech by Vincent Barras (facinatinf character, speaker, medecin historian, sound poet, Cage’s translater, sound anthropogist, etc).
Karst present as well in 2012 a sound theatre play, “Besoin modeste assiette plate”, around Samuel Ernest Daibe’s outsider writings.
Cyril Bondi and d’incise team together since years, mainly with their duo Diatribes. Luc Müller is involved in the Lausanne based collective Rue du Nord. Abstral Compost oscillats between sound poetry and wild rap with the Labrats Bugband.
“Free music from “the last dictatorship in Europe”. Spontaneous improvisation. Operative composing. Something at the intercrossing of free-jazz, folk, academic and electronic music. All compositions were created together, alive, “here and now” and without the using of phonograms or rehearse fragments.” – Viktar Siamashka & Co
‘For Angel’ was my last performance with a set-up I had been touring around the world for many years. This always involved amplified percussion (snare drum, floor tom or bass drum) and electronics (at first computer, later analog synthesizer). But whatever the configuration of the instruments used, in these performances I always felt the main instrument I was playing was the concert space, using the resonance of my percussion to explore the sonic properties of the different rooms I played in. I essentially used feedback from a microphones placed over and under a drum to ‘sound out’ a space. With electronics I was able to hone in on certain frequencies, emphasizing some or canceling others out, stretching the acoustics of a space like a sculpture works with clay or stone. This concert took place in the chapel of the monestary La Cartuja de Cazalla, a space rich in acoustical possibilites. Much like in surfing, I ride out the sound waves in these concerts, pushing and pulling with the space as, much like the Pacific Ocean where I grew up, the sound surges around me, at times nearly knocking me off my balance or hurling me headlong to crash. ‘For Angel’ didn’t end in a crash, but slowly blended out into the evening, hanging above La Cartuja de Cazalla like a starry cloak.
so afters years of thinking about it i finally decided to start a music project under my real name. at all it necessary now.
well this project will have some different sound as you know usally from me :)01. Bernd Gessler – sehr kuschlig [6:00]
This album is guitarist that he respected,
respect to John Fahey” Womblife”.
Baby’s in the womb listening noise.
Womb in the sense of primordial life.
Red to imagine the womb.
Uterus, womb, noise, chords, dissonance, feedback is the theme,
experimental album Saito Koji.
–
■ bonus item
wallpaper for iPhone 4 & 5 (lock & home screen) ,
wallpaper for PC, another artwork
–
all tracks by Saito Koji
photo by Saito Koji
–
■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
track by Saito Koji
artwork by ono (elementperspective)
–
■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
track by Saito Koji
artwork by ono (elementperspective)
–
■ Saito Koji
Saito Koji, born December 25, 1978, is a musician currently
living in Fukushima city, Fukushima prefecture. He played in
several bands, then went solo in 2003 after being influenced
by Otomo Yoshihide’s live performances, Derek Bailey’s CDs,
and Kaoru Abe’s videos. Saito is engaged in the pursuit of
an original kind of minimalism / improvisation.
Regilion is a new series of nudes i am doing as well as a new moniker i will use to create music. The music is noise mixed in with trap-hop, rap and electronica.
Music and photography by Vincent Fugère / Muhr
philip corner is an: action musician. trombone/alphornist, occasional vocalist, pianist, percussionist, theorist, visual artist. composer, improvisor, educator, collageur, assembleur, calligrapher. student of jahoda, cowell, messiaen, luening, borduas, cage, taubman. teacher in new york high schools and livingston college. fluxologist, resident composer for judson dance theatre, experimental intermedia foundation. member of: tone roads chamber ensemble. sounds out of silent spaces. gamelan son of lion. his focus is: listen. silence. resonance. surroundings. action. ecstasy.
philip corner’s second album for pan y rosas, java improvs, is a box set that collects eight improvisations that were recorded over the course of a year during his travels in indonesia. from philip:
Surely what drew me to Indonesia was the gamelan. A connection through years of practice with the New York new-music group “Son Of Lion.” And there I met three marvelous musicians and played with them, drawn together by shared mind-in-the-moment music making – the only way it becomes an “universal language.”
the collection is divided into three boxes and contains six and a half hours of music. the first box consists of two separate performances with percussionist yasudah s. and the dancers susana miranti kroeber and phoebe neville. the second box consists of four performances with the singer and dancer restu kusumaningrum. the third box consists of two performances with the percussionist jalu pratidina and dancer phoebe neville.
DELTA-SLEEP-INDUCING PEPTIDE (DSIP) was founded in 1989 by Dieter Mauson + Siegmar Fricke. Until 1994 DSIP produced around 25 cassettes, published on various tape-labels all around the world and on the privately run DSIP-cassette-label. The music was recorded with electronic equipment on analogue tape-recorders and cassette-decks in their own homestudios in Hamburg, Mainz and Wilhelmshaven/Germany. DSIP exclusively concentrated on the realisation of experimental + subtle soundtracks which can be described as mind-cinema of the subconscious. The stages of sleep + phenomena of dreams have been musically explored in an idiosyncratic sound-approach. After 19 years of silence a brandnew studio-album entitled “Narkoklang” has been produced after DSIP’s reactivation in 2013. “Narkoklang” contains six sonic movements of very narcotic nature, arranged in complex stereoacoustic fields of floating ambient spheres, micro-organic particles and pulsating rhythm-oscillations. A highly meditative and intense work, exploring the effects of deep + subliminal sound-morphing during the aural process.
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