In 2015 Dental Drill teamed up with Trixie Delight to create the track Urball for the compilation Ursonate on the Institute For Alien Research label. As the title of the album suggests the goal was to create a work of musique concrète inspired by the sound poem Ursonate by Kurt Schwitters.
ifarmusiqueconcretecompilation.bandcamp.com/album/kurt-schwitters-ursonate
Fantastique Plastique [Drillmix] is a collage of a work of the same name by Roofhare that appeared on the album of the same name released on the Mobius Spin label. mobiusspin.bandcamp.com/album/mbsspn010-fantastique-plastique
In 2020 dog park invited artists from across the world to create their own track using Furchick’s raw recording of making pancakes in her kitchen. Two and a bit kitchens is Dental Drill’s contribution dogparkrecords.bandcamp.com/album/kitchen
In the days before TCFSR launched on Bandcamp tourmaline hum created the track Strange Appetites for The Sound of FAG ASH Volume three released by FAG ASH Records. fagashrecords.bandcamp.com/album/the-sound-of-fag-ash-volume-three
Some artists from Burnt Seed Records contributed to the TCFSR Solo Word Project compilation EPOCH released in January 2024. In the same month the track 9224 by Dental Drill appeared on volume 3 of Burnt Seed’s annual showcase ‘Sprouted’. burntseedrecords.bandcamp.com/album/sprouted-volume-3
Fading Tapes was formed in 2014 by Krzysztof Siwkowski (guitars and synths) and Marcin Lasek (drums and other effects) in Szczytno, Poland, mainly playing space-rock / post-rock and ambient music. Their main inspirations are independent cinema and life itself.
Sátántangó (Part I), their debut album on Mahorka, is imagined and realised as an alternative soundtrack to the Béla Tarr’s movie, utilizing a guitar, a 1970s radio, drums and various effects.
Written and recorded by Krzysztof Siwkowski and Marcin Lasek in June, 2021.
Released February 24, 2024 on Mahorka as free (cc) digital download and a beautiful Digipak CD edition.
This is a dark experimental horror synth vaporwave MINI-ALBUM inspired on japanese horror movie saga: RINGU ( リング )
Humanfobia is a vaporgoth, horror synth, witch house, dark experimental project from Rancagua, Chile.
Members: Mist Spectra (lead female vocalist)
Sábila Orbe (sound programming, mixer, male vocals)
for more Humanfobia music visit:
humanfobia-official.bandcamp.com/
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/
credits:
all music mixed, cover artwork by Sabila Orbe.
Vocals, model in the cover: Mist Spectra.
track 1 stems provided by Sonic Kitchen.
track 4 some stems provided by DJ_ Iterate (public domain usage)
track 8 stems provided by Axis Project.
track 2 contain samples from the movie: Sadako 3D 2
track 6 contain samples from the movie: Ringu (1998)
The tenth anniversary of TCFSR on Bandcamp seems a good time to correct this oversight.
Vanishing Corridor is the synthesis of American sound experimenters Kingo Sleemer (Western Maryland) and Chris Campbell (St. Paul, Minnesota).
Campbell has been recording dark ambient/sound collage/field-recorded soundscapes as The Creeping Man since 2017, both as self-releases and on various labels (Hrea’m Recordings, Mono Time, Dub Cthonic, Veinte 33, Preston Capes Tapes, Wormhole World, and Shady Ridge Records), most recently finding inspiration via collaborations with like-minded artists.
Kingo has been part of the experimental music collective Halaka since the late 90s, with whom he’s recorded and released many albums in many formats; he has recently recorded and released music as Allele Cog Experiment, HOZ and Experimental College. He is also a co-founder of Pile Records.
The two share an affinity for the absurd, the obtuse, and the off-kilter.
Vanishing Corridor started as a back-and-forth exercise of sound sharing and manipulation, without preconceived themes or intentions.
The project debuts on February 18, 2024 on Mahorka with a beautiful self-titled cassette release.
Artwork by Tod Trexler / Ivo Petrov.
What might the latent sonorities of ‘traditional’ instruments sound like if their tunings were unlocked for different modernities? Where might the diasporas of trans-Asian sonics intersect and rematriate?
Recorded on September 15th and 16th, 2023 this album features new compositions and semi-improvised work from 8 trans-Asian artists exploring southeast Asian tonalities using traditional instruments, digitized tunings, and sampled recordings.
Thanks to cooperation with Haus der Indonesichen Kulturen – Rumah Budaya Indonesia – Berlin (RBI), select instruments from their Javanese gamelan ensemble were sampled to create Berlin’s first publicly accessible sonic archive of Indonesian instruments and temperaments for electronic musicians.
Following the creation of the sample pack and tuning files, a short residency, open studio, and final performance series of new work using the materials was produced in collaboration with Morphine Raum.
Included with this album download is a PDF booklet where you can get historical background on the instruments and read interviews with stewards, artists, and researchers involved in this project.
The companion site at https://www.latentsonorities.org hosts the sample pack and tuning files recorded and developed by Bilawa Ade Respati and Khyam Allami, an Ableton Live Pack with custom Ableton Instruments by Morgan Sully and Khyam, a Native Instruments Kontact Library, as well as other resources for artists and researchers curious to expand their gamelanic palette.
This open archive has already provoked and stimulated public discourse around the complexities and nuances of musical rematriation, trans-Asian identity, and its political expression through non-Western temperament and tonality.
We hope it serves as a starting point for future exploration of musical cosmologies you may be curious about, a recentering beyond what is sonically inculcated.
This project is co-funded by Musikfonds e.V., Die Beauftragte der Bundesregierung für Kultur und Medien/The Federal Government Commissioner for Culture and Media and supported by the National Arts Council of Singapore.
Album Credits:
Sample Pack Consultation, Recording & Digitization:
Bilawa Respati
Khyam Allami
Rabih Beaini
Morgan Sully
Musicians:
Bilawa Ade Respati
Cheryl Ong
Khyam Allami
Mo’ong Santoso Pribadi
Morgan Sully
Pinky Htut Aung
Tusa Montes
Wanton Witch
Mixed by:
Rabih Beaini @rabih__beaini
Mastered by:
Rashad Becker
Artistic Direction:
Morgan Sully
Album Artwork:
Cindy Putri @thckit
Booklet Layout:
Tina Lehnhardt @tina__lehnh
Jan Thedja @_jan_k_
Photography:
Eunice Maurice @hontoo9
Jan Thedja @_jan_k_
It felt right that this release should go out on S27, the label that helped start their journey.
So, here’s to the next decade, whatever it may bring. For now, enjoy Decayed – a hard-hitting celebration of isolation and collaboration.
Humanfobia is a ghostly experimental, dark electronic, witch house duo from Chile. Members: Sábila Orbe (sound programming, mixer)
& Mist Spectra (lead female vocals)
This is a long dark ambient track inspired in an abandoned radio station full of ghosts.
Mixed, composed, artwork collage by Sábila Orbe
Female vocals, model in the cover: Mist Spectra
Some stems by Strelokk.
For more humanfobia music visit:
humanfobia-official.bandcamp.com/
/open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/
‘Melding guitar twangs of John Fahey with the synth tone of Jean Michel Jarre’ -Grateful Web
‘Stunningly beautiful video’ -Parenthetical Recluse
Official music video:
https://geigervon.bandcamp.com/track/blue-moon-frequency-3-mk-remix
Since middle of 2023 Internet Daemon continue but only as a netlabel for the personal projects by Sábila Orbe. (Humanfobia/Filmy Ghost & Yaka-anima) /// But anyway will be V/A compilations with other artists involved in the form of remix compilations.
/// All stems, original tracks by the respective artists. Links:
– Sonic Kitchen: https://soundcloud.com/sonic_kitchen
– Axis Project: https://axisproject.net/
– Sona Nyl: https://www.youtube.com/@ludoviclepretre
– ImpulseGame: https://impulsegame.bandcamp.com/ // https://soundcloud.com/impulsegame
– MKN RADIO: https://soundcloud.com/mknradio/tracks // https://mknrekords.bandcamp.com/
– Black Market Brains: https://soundcloud.com/blackmarketbrains
– DJ Iterate: https://archive.org/details/ThomasParkBenchmarkHub
– John Lithium: https://lithiumindustries.bandcamp.com/
– Thoughtography: https://soundcloud.com/thoughtography
– Paploviante: https://soundcloud.com/paul-racle
– Strelokk: https://strelokk.bandcamp.com/
// Mixed, remixed, screwed by Sábila Orbe (Filmy Ghost/Yaka-anima).
artwork generated via bing image creator.-
Vocals in tracks: 1,3,5,11 & 16: Mist Spectra.
– Humanfobia duo project with Sábila Orbe & Mist Spectra:
humanfobia-official.bandcamp.com/
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
humanfobia.jimdo.com/
– Filmy Ghost:
humanfobia.jimdo.com/filmy-ghost/
open.spotify.com/intl-es/artist/0POUvA4r7hzETPMnrn59My
archive.org/details/fav-sabila_orbe02
– Yaka-anima:
archive.org/details/@yaka-anima_noise
hearthis.at/yaka-anima/
Square the circle, and circle the square –
Pi may transcend, but it’s out there somewhere.
Round and round, the fruitless proofs go,
Impossible things drive us more than we know.
This carousel-inspired music features square-wave heavy synthesizers, electric piano, a dubious 808, pandeiro, and effects.
Imaginemos un oído libre de las leyes de la perspectiva creadas por el hombre, un oído libre de prejuicios de la lógica compositiva, un oído que no responde al nombre de todo pero que debe conocer cada objeto que encuentra en la vida a través de una aventura de percepción. ¿Cuántos sonidos hay en un campo de hierba para que el bebé que gatea no se dé cuenta del sonido del “verde”? ¿Cuántos arcoíris puede crear la luz para el oído inexperto? ¿Qué tan consciente puede ser ese oído de las variaciones en las olas de calor? Imagine un mundo lleno de objetos incomprensibles y brillando con una infinita variedad de movimientos e innumerables gradaciones de color. Imaginemos un mundo antes de la palabra y el sonido, no para ser simplemente imitados, sino para combinarlos según nuestra fantasía. Nada es verdad, todo está permitido.
Imagine an ear free from the laws of perspective created by humans, an ear free from the prejudices of compositional logic, an ear that doesn’t respond to the name of everything but must know each object it encounters in life through a perception adventure. How many sounds are there in a field of grass for a crawling baby to be unaware of the sound of “green”? How many rainbows can light create for the inexperienced ear? How aware can that ear be of variations in heat waves? Imagine a world full of incomprehensible objects, shimmering with an infinite variety of movements and countless shades of color. Envision a world before words and sound, not to be merely imitated, but to be combined according to our fantasy. Nothing is true, everything is permitted.
BraKhaGe
(Santiago, Chile. Febrero / February 2024)
Insanely talented newcomer cluli’s 1st album.
Track Listing:
01. get a clu
02. tf we gon do in our thinking chair
03. the fog isn’t actually coming, right
04. i was never book smart im clue smart
05. good dog, smash city
06. we found a Spooky clue
07. what clue we finna find
08. they besties
09. holiday special
10. now its time for so long (for now)
Music & Artwork by cluli
released January 25, 2024
Ian Mikyska: viola da gamba
Jan Faix: live processing, sampling
Recorded live in Ostrava Days, Minimarathon of Electronic Music, Plato Bauhaus by Jan Faix, 26 August 2023.
Mastered by Mikuláš Mrva
Cover by Jan Polanský
EPP 256
