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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: fieldrecording

Miquel Parera & Gonzorobot – Hyperlife Book 1 : Abans que jo, tots els éssers.

Miquel Parera & Gonzorobot – Hyperlife Book 1 : Abans que jo, tots els éssers.
[hb1]

Miquel Parera & Gonzorobot

“Hyperlife Book 1 : Abans que jo, tots els éssers.”

Miquel Parera & Gonzorobot – Hyperlife Book 1 : Abans que jo, tots els éssers.
“Hyperlife Book 1. Before Me, All Beings.” consists of ten algorithmic compositions with a minimalist aesthetic. They combine electronic or acoustic instrumentation with field recordings and visual generators.
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posted 02 April 2025

Herbsthauch – Krater

Herbsthauch – Krater
[ACP 1438]

Herbsthauch

“Krater”

Herbsthauch – Krater
“Krater” explores Herbsthauch’s experimental side, combining focused synth work with intimate musique concrète and field recording collages. Inspired by recent collaborations with other artists (such as Bunte Luft Trio or Matteo Traverso) this collection showcases refined soundscapes. The title track, “Krater,” incorporates audio from Mars rover Perseverance, while “Hördrift” blends carefully edited field recordings from nature walks and daily life. The remaining three tracks transform modular synth improvisations into powerful drones, dynamic eruptions, and rich sonic textures.
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posted 25 March 2025

Luís Antero – Paisagens Sonoras_Soundscapes

Luís Antero – Paisagens Sonoras_Soundscapes
[mi332]

Luís Antero

“Paisagens Sonoras_Soundscapes”

Luís Antero – Paisagens Sonoras_Soundscapes
Paisagens Sonoras_Soundscapes is a sound work based on field recordings made between the Estrela and Açor mountain ranges, the territory where I live. From the original recordings, I created new sonic approaches to the landscape, anchored in my memory of the places within this vast mountainous region—like a kind of poem dedicated to the people who inhabit it.
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posted 24 March 2025

Various Artist – 3pr(iii)12ses

Various Artist – 3pr(iii)12ses
[earS120]

Various Artist

“3pr(iii)12ses”

Various Artist – 3pr(iii)12ses

Guillaume Beauron “Le respadou”
The sound work Le respadou uses one of the first recordings I made as a teenager, around 1993-94 with a walkman cassette recorder and a tiny microphone, no headphones. Please forgive some bad handling noises !
We visited with my family les Bru, a brother and a sister, farmers in Laveyron, in the South of France, where my family is from. I recorded the discussion in their house about the period of transition from patois/occitan to french language.
Various other soundscapes are being used with no treatments other than a bit of equalizing, mixing, and a touch of reverb here and there.

mundosonore.com/

Matías Ygielka “Twang”
Twang, a recording made in 2016 in the vicinity of a cathedral in Berlin.

instagram.com/serviciomagneticodeoccidente/

Philip Mill “Ant munching”
Ants Chewing, Communication, Walking, (background noise of cicadas and people talking)
a recording made in August 2019 in Athens, Greece.

soundcloud.com/phil-mill1

Cover art by Fritz Gessler
deviantart.com/fritzgessler

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posted 15 March 2025

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig – Schalltrichter & Scheibentank

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig – Schalltrichter & Scheibentank
[ACP 1430]

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig

“Schalltrichter & Scheibentank”

elektrojudas I Tom Simonetti & EMERGE I Gerald Fiebig – Schalltrichter & Scheibentank
cover photos by Susanne Thoma ° design by EMERGE
Scheibentank recording & event photos by Heinz Pichler
light design by Robert Herget
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posted 04 February 2025

alfa00 & LR Friberg – Aural Vault: Chapter Three

alfa00 & LR Friberg – Aural Vault: Chapter Three
[ACP 1437]

alfa00 & LR Friberg

“Aural Vault: Chapter Three”

alfa00 & LR Friberg – Aural Vault: Chapter Three
The third and final part of the Aural Vault series consists of three expansive, intricate tracks by Slavek Kwi (alfa00, Artificial Memory Trace) and Linn Friberg (LR Friberg, Nimbostrata). The tracks span a period of over a year, with Slavek creating them between 2022 and 2023, and Linn adding her contributions in late 2024. The gap in time was due to personal matters unrelated to the music, but the process remained remarkably consistent. Artistically, the material is highly refined, building on their 2022 collaborative album “Aura Colemount” on Mahorka. The work carries a timeless quality, evolving from the anxiety of 2022 into a more cautiously optimistic mood shaped by the passage of time.
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posted 26 January 2025

Premex Solus – Tales, a secret drawer deep down.

Premex Solus – Tales, a secret drawer deep down.
[ACP 1423]

Premex Solus

“Tales, a secret drawer deep down.”

Premex Solus – Tales, a secret drawer deep down.
Noisesculptor: bass guitar, effects, ambient and mechanical noises
Hideg Roncs: drone spaces
EMERGE: original field recordings
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posted 24 November 2024

SPBDD – WE

SPBDD – WE
[pn237]

SPBDD

“WE”

SPBDD – WE

WE significa Peores Enemigos (Worst Enemies) y es un paisaje sonoro elaborado únicamente con audios de retransmisiones de canales de noticias de algunos de los tiroteos masivos ocurridos en Estados Unidos en los años 80s y 90s. WE es un collage sonoro que evoca desesperación y violencia, crea un estado de ánimo oscuro y pretende inquietar y conmover a quienes escuchan hacia el reino del caos que emerge de las situaciones sociales que sirven de muestra sonora y visual. Un álbum para exorcizar la influencia de la propaganda estadounidense.

WE stands for Worst Enemies and is a soundscape elaborated solely with audio from news channel broadcasts of some of the mass shootings that occurred in the United States in the 80s and 90s. WE is a sound collage that evokes despair and violence, creates a dark mood and intends to disturb and move the listener into the realm of chaos that emerges from the social situations that serve as sound and visual samples. An album to exorcise the influence of American propaganda.

Sara Amor
(São Paulo, Brasil. Octubre / October 2024)

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posted 05 November 2024

dominykas niaura – bevietystė (placelessness)

dominykas niaura – bevietystė (placelessness)
[EEM073]

dominykas niaura

“bevietystė (placelessness)”

dominykas niaura – bevietystė (placelessness)
bevietystė (placelessness) tells a bittersweet docu-fictional story through field recordings, ambient, dub, electronic, and other musical experiments. Conceived in 2019, each track is dedicated to a different person, exploring the human condition via themes of mortality, the search for meaning, loneliness, loss, and more.
The result is a deeply atmospheric piece that plays with the tension between memory, imagination, and the passage of time.
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posted 28 October 2024

The Juge – Music To Listen To While Walking Through Abandoned Buildings

The Juge – Music To Listen To While Walking Through Abandoned Buildings
[ACP 1420]

The Juge

“Music To Listen To While Walking Through Abandoned Buildings”

The Juge – Music To Listen To While Walking Through Abandoned Buildings
All sounds used on this album, except for the synths and *some* of the kicks, were recorded inside the abandoned buildings that these songs were created for. The buildings can be seen on the @Juge Is Cuddly YouTube channel, where slightly different versions of these tracks can be heard.
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posted 27 September 2024

Takuyoshi Fujiyama – Sound Diaries

Takuyoshi Fujiyama – Sound Diaries
[[mi319]]

Takuyoshi Fujiyama

“Sound Diaries”

Takuyoshi Fujiyama – Sound Diaries

Based in Munich, Germany, Takuyoshi Fujiyama is a composer and sound designer. This is his first work on MiMi Records.

“Sound Diiaries” is a beautiful journey through Europe (we’ve Lisbon and Porto on the map) and Japan capturing the sounds of various places and improvising with them.

Fujiyama’s music is known for its evocative blend of electronic and acoustic elements, creating sonic landscapes that captivate audiences and enhance visual storytelling.

Now it’s time to relax and enjoy the ride!!!

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posted 09 September 2024

Philippe Neau – Terres Sonores

Philippe Neau – Terres Sonores
[mhrk407]

Philippe Neau

“Terres Sonores”

Philippe Neau – Terres Sonores

released August 29, 2024

“Ideas
between dreams and reality
concrete sounds and head in the clouds
look with eyes closed
listen inside/outside (mental/sight)

I wanted to mix field recordings and more “melodic” sounds, coming from instruments or atmospheres captured here and there
Play on passages, links between exterior and interiority
The sounds from outside: the landscape; the others being like words in the head, “inner melodies”
I tried to mix all this to create an imaginary place
The images came a little later, the tracks just finished, these spaces seemed obvious to me to clarify my feelings” –Philippe Neau

Music, master and pictures by Philippe Neau.

linktr.ee/philippe.neau

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posted 01 September 2024

Luis Antero & Toni Dimitrov – 𝘮​𝘦​𝘮​𝘰​𝘳​𝘺

Luis Antero & Toni Dimitrov – 𝘮​𝘦​𝘮​𝘰​𝘳​𝘺
[mi316]

Luis Antero & Toni Dimitrov

“𝘮​𝘦​𝘮​𝘰​𝘳​𝘺”

𝘮𝘦𝘮𝘰𝘳𝘺 is a hauntingly beautiful soundscape album that transports listeners to a world of eerie landscapes and forgotten memories.

Composed of two meticulously crafted tracks, the album weaves together a tapestry of whispers, creaks, and distant howls to create a sense of sonic unease.

From the hauntingly melodic parts to the atmospheric field recordings, each track is a masterclass in sonic storytelling, conjuring images of abandoned cities, haunted forests, and desolate landscapes.

𝘮𝘦𝘮𝘰𝘳𝘺 is a soundscape album that is a carefully crafted tapestry of textures, tones, and rhythms, designed to transport listeners to a world of mystery and contemplation. It is an immersive and unsettling journey that will leave you questioning the boundaries between reality and the unknown.

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posted 04 July 2024

François-Emmanuel Fodéré – Albanian Waves

François-Emmanuel Fodéré – Albanian Waves
[earS117]

François-Emmanuel Fodéré

“Albanian Waves”

François-Emmanuel Fodéré is back on earsheltering with a bewitching field recordings of Adriatic Sea waves. Have an hypnotic trip between torment and relaxation.

Recorded in July 2014, Adriatic Sea beaches, Albania
Sounds & visual art by François-Emmanuel Fodéré
https://aporee.org/maps/work/user.php?u=364

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posted 02 June 2024

neuheimeraltz – Hikari ga

neuheimeraltz – Hikari ga
[mi315]

neuheimeraltz

“Hikari ga”

After 3 years of silence, Sakanaka is back with a new solo project. Under the name neuheimeraltz Sakanaka brings us the sounds of field recording.

In his previous project we had techno, new wave and some noise, now we have soundscapes of Japan’s second largest city, mixed with industrial electronics.

Putting all the pieces together, we have yet another comprehensive view of what this duo does, revealing the potential in various sound styles.

Once again I tell you, this duo really is a surprise music box.

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posted 01 June 2024

Cartografías Reflectantes – Ana Estrada Zuñiga y valo sonoro

Cartografías Reflectantes – Ana Estrada Zuñiga y valo sonoro
[A22034]

Cartografías Reflectantes

“Ana Estrada Zuñiga y valo sonoro”

El disco fue grabado principalmente en la ciudad de Barcelona y en algunos sitios de Santiago. Recoge los recorridos de lxs autorxs por la ciudad, incorporando sus voces al relato y los sonidos que esta nos ofrece, con tal de dar cuenta que el “Paisaje Sonoro” se conforma también por las voces de las personas que le habitan, y que en ello existen vínculos que pasan por el afecto y la afectación de los distintos sucesos que acontecen en la urbe. Cada composición es fruto de una relación afectiva entre 2 personas, en donde una de ellas (Ana) invita a la otra (valo) a conocer y habitar este nuevo territorio. Siendo ambas migrantes, con Ana viviendo en Barcelona por una década, mientras que valo recién aterriza en esta ciudad. En definitiva, el disco manifesta el recorrida de 2 artistxs migras provenientes de un mismo territorio, quienes juntxs abren y comparten su escuha afectiva hacia un paisaje que es diferente al originario.

TRACKLIST

1 | Al mismo tiempo
2 | El equipo visitante
3 | Espacio compartido
4 | Superposición de tiempos

valo sonoro
artista sonorx y compositorx experimental, desarrollando trabajos principalmente en música para danza y audiovisuales. Actualmente investigando sobre la escucha y la intimidad, explorando en formato de documentales sonoros.

Ana Estrada Zuñiga
Artista sonora migrante que utiliza la noción de paisaje sonoro de manera expandida desde los inicios de su trabajo artístico (2021) Actualmente investiga la relación voz-escucha-cuerpa, por medio de una metodología autoetnográfica, que comprende la práctica como forma de investigar. Explora el acuerpamiento y la escucha afectiva con-hacia otras cuerpas feminizadas, desde el movimiento-danza y la escritura.

~

Producido por Ana Estrada Zuñiga y valo sonoro

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posted 22 April 2024