isteronproject – furniture music#2

[SPNet103]

isteronproject

“furniture music#2”

SPNet103 – isteronproject – furniture music #2
320kbps – 16 minutes, 15 seconds
File under: Furniture Music/Kraut Punk/Cheapadelic01 – isteronproject – furniture music #09 (2:31)
02 – isteronproject – furniture music #10 (2:41)
03 – isteronproject – furniture music #11 (2:21)
04 – isteronproject – furniture music #12 (1:18)
05 – isteronproject – furniture music #13 – corna prendete aria (2:53)
06 – isteronproject – furniture music #14 – cheap soundtrack for daily accidents (1:42)
07 – isteronproject – furniture music #15 (2:49)

Picking up right where the project last left its listeners, furniture music #2 is a high bitrate sequel to the lobit volume 1 released on the SPubsidiary SPTOtfSP (catalog number 011), consisting of all new material except for furniture music #14 – cheap soundtrack for daily accidents, which originally appeared on Hal McGee’s Cheap and Plastic compilation. isteronproject describes its sound as principally what it calls furniture music, “a low-budget parody of the commercial music, inspired by people as residents, devo and, of course, erik satie,” qualified with the further labels kraut punk and cheapadelic. The reference to the Residents feels particularly accurate, especially on the plodding, playful last piece; listeners familiar with the Residents’ Commercial Album will quickly find themselves anticipating the familiar refrain “I wish I was a picnic boy”. Much like the bands mentioned in the genre description, the structure and execution of the songs on furniture music #2 are simple, odd, and quite catchy, with the jovial quality of songs children sing to themselves. In fact, the melody to the song furniture music #13 – corna prendete aria, was first conceived between isteronproject’s Stefano Balice and his cousin when they were children. The instrumentation is also threadbare, consisting of two small Casio keyboards, a small circuit bent Yamaha keyboard, and two Korg pocket-sized ribbon synths. In its very essence, furniture music #2 exemplifies the lo-fi aesthetic, that stripped of complex songs and fancy recording setups, an artist’s true talent and ingenuity can shine through.

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VARIOUS ARTISTS – LA GRAMOLA NETLABEL – REWIND. UNA RETROSPECTIVA

[LGN021]

VARIOUS ARTISTS

“LA GRAMOLA NETLABEL – REWIND. UNA RETROSPECTIVA”

Tracklist:
01. El Pilar Azul: “Diciembre”. (Del disc “Diciembre”) – (LGN001)
02. Akauzazte: “Ezari Emanak”. (Del disc “Akauzazte Danok”) – (LGN007)
03. Gain: “Flores En Invierno”. (Del disc “Somos Aire”) – (LGN010)
04. Kyoto: “200 Millones De Veces”. (Del disc “Lo Que Vuelve Para Vengarse”) – (LGN013)
05. Nureyev: “Ciudades Griegas”. (Del disc “La Leyenda Del Esquimal”) – (LGN014)
06. Granjaescuela: “Gabana Karaoke”. (Del disc “Por El Poder De Greinjschool”) – (LGN015)
07. Mtu: “Les Flors”. (Del disc “Memòries Del Diable”) – (LGN016)
08. Hielo En Varsovia: “Nada”. (Del disc “Hielo En Varsovia”) – (LGN018)
09. Violeta Päivänkakkara: “Sateenkaari”. (Del disc “Kuu”) – (LGN017)
10. BeatLove: “Oscillations And Waves”. (Del disc “Oscillations”) – (LGN020)Portada: David Molón
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Joev – arc

[unpckd12]

Joev

“arc”

It gets even stranger when you realize that Joevs new EP Arc is not meant to be a sophisticated statement or a concept album. Instead, he simply wrote a letter. You know, like your parents did, to speak to someone dear and even more to themselves. The outcome is something heavy and haunting, carried by his Notwistesque voice and eventually broken by all sorts of distorted field recordings.
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Background Radiation – Uniform Static

[NS064]

Background Radiation

“Uniform Static”

Background Radiation, is the electronic pop duo Ludo Maas & Tim Dwyer. Their sound sits somewhere nicely between Tunng and Apparat. They have been slowly amassing music for this full length album since 2008. “Uniform Static” is a collection new work that is their most engaging, polished yet. It is an extremely percussive album, sharing similarities with their “False Start ep”. Electronic drums pulse and click along all twelve tracks. A lot the the instruments found on their “Moot Point ep” also make an appearance on this album. Many of the songs lyrics delve into ramblings of space, dreams, and memories.
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V.A. – INDIAVOLATI Basilicata Rock Tetris

[d34]

V.A.

“INDIAVOLATI Basilicata Rock Tetris”

INDIAVOLATI: BASILICATA ROCK TETRIS – DIAVOLETTO NETLABEL [2013]

Indie/Rock Compilation from Basilicata [Italy]

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Klaus-Peter Schneegass + Stefano Balice – Trittico martedizzato cannibalbo balla-balla net.futurista

[0kbps022]

Klaus-Peter Schneegass + Stefano Balice

“Trittico martedizzato cannibalbo balla-balla net.futurista”

KAMPF-KARNEVAL SPECIAL EDITION!

Klaus-Peter Schneegass + Stefano Balice

Trittico martedizzato cannibalbo balla-balla net.futurista [0kbps022]

01 – Kiku-Kiku Bongo Balla-Balla
02 – Wob-Wob Mob-Mob (Nada) Balla-Balla
03 – Búnga-Búnga Balbo Balla-Balla

Tre composizioni vocali di Klaus-Peter Schneegass aka NetAsino elettronicamente MARTEDIZZATE dai circuiti di Stefano Balice.
Pubblicato in occasione del martedì grasso.

MAV [0kbps] Records, February 2013

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Hospital – The Trees Were Higher

[MM094]

Hospital

“The Trees Were Higher”

Genre: Indie Rock | Brit Pop | Indie Pop
Location: Moscow (Russia)
Label: Mimonot Music (Digital)
Licenses: by-nc-nd (Creative Commons)
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Rho – Brace For Gravity

[NS062]

Rho

“Brace For Gravity”

Rho return to No-Source Netlabel with their first batch of new material since 2010’s album, ‘Cedarleaf.’ ‘Brace For Gravity’ is a brilliant, concise, and calculated release. It showcases the two distinct sides of Rho. One side is their quiet, ambient, acoustic side. Guitars tremble slowly through seas of effects in many of the shorter songs on this album. The other half of Rho is the sprawling, progressive, beat oriented instrumentals. In these pieces, rhythms, synths, and guitar work to take on an almost kraut rock nature. The title ‘Brace For Gravity’ suggests an epic release and these longer tracks definitely deliver. Brace yourself for Rho.
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Bredbery – Тля

[GT588]

Bredbery

“Тля”

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Will Bangs – Stay Golden

[NS061]

Will Bangs

“Stay Golden”

In 2011, No-Source Netlabel kicked off a remix contest for Will Bang’s album Stay Gold. As you may remember, Stay Gold was created as a starting point for musical collaboration. Now that the initial contest is over, No-Source brings to you the remix EP “Stay Golden”. The EP contains five tracks, remixing four of the songs off Stay Gold. These five tracks come across less as remixes and more as a compilation of songs by different artists. Interestingly enough all five tracks share a similar indietronic bond with each other. Ilona from Switzerland adds kick drums, effects drenched vocals and a wave of synths. Harvey Kreepar takes his remix to post-progtronic territory with an immense build of layers. Ford Madox Ford, a mysterious project from the mind that brought you Full-Source, takes on three tracks with reverberated vocals and distorted, arpeggiating synths. Stay Golden is a great way to wrap up the 2012 release year for No-Source. Enjoy!
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Electric Mirrors – Unlimited Dream Company

[NS060]

Electric Mirrors

“Unlimited Dream Company”

Electric Mirrors is an indietronic project from musicians Derek Rutter and Eddie Palmer. They collaborate entirely online, crafting electronic experiments. Once a structure forms, live instruments and vocals are added, steering their songs in a direction closer to the boundaries of pop music. There is a decidedly Americana element to their laid back vocals and dusty sounding lyrics. The vocals are paired next to instrumentation of the downtempo synthpop variety. The end result on “Unlimited Dream Company” sounds like The Flaming Lips remixed by Portishead. Electric Mirrors expertly molds electronic experimentation into layered hooks and song structure. “Unlimited Dream Company” is a great album that needs to be listened from start to finish. Electric Mirrors is definitely a band to watch in years to come.
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Tending to Huey – Apple Core EP

[djummi.003]

Tending to Huey

“Apple Core EP”

Tending to Huey’s music comes up with ease but is, at the same time, very complex in its design. Thrilling songs right from the start into which you can dive deeply – a fabulous and bravely composed listening-adventure. Not just pure Pop!

The Apple Core EP is in the truest sense of the word the quintessence of the longplayer Poison Apple. It concentrates the album in form of 5 well picked songs.

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PHYLOXERA – STRONGLIGHT

[NKS prod 83]

PHYLOXERA

“STRONGLIGHT”

Industrial Harsh Score Punk Live Beast.
Ядерная индивидуальная полоса.
ノイズ & ヴィジュアル系.
Parasite sonore pour ciné-concerts bruts.

Think BIG BLACK meet LIGHTNING BOLT meet STEVE REICH @ INLAND EMPIRE.

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Cocolixe – Doméstico EP

[NS059]

Cocolixe

“Doméstico EP”

Cocolixe brings us the new EP, “Doméstico.” After Cocolixe’s first EP “Futuro”, the Barcelona-based artist delivers us a more personal and song-oriented work. The longing for the past and puzzlement in front of the future coexist in these four warm electro-pop songs, leading us step by step from melancholy to enthusiasm. Referring to European 60’s and 70’s cinema and music, “Doméstico” invites us to enjoy cosmopolitanism quiet into our private space. “Le futur qui avance” starts off the EP with a trip-hop vibe, a slow beat, hushed vocals. and some nice guitar work. “Giving Myself To You” picks up the pace with a infectious electro beat topped off with a playful little lounge melody. The beat continues strong with the head nodding “Mai” and its guitar driven chorus. The final track, “Swing Low” was originally featured on No-Source’s 50th release compilation, “Another Day, Another Way.”
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All It Takes

[NS058]

Multi-Panel

“All It Takes”

“All It Takes” is the third album by Multi-Panel, the solo project of Ludo Maas. Native to the Netherlands, Ludo has been perfecting his style of loop based electronic music pared with vocals and acoustic guitar. On “All It Takes”, Maas blends Lo-fi IDM with Americana, creating a decidedly cinematic experience. Each track blends to the next like scenes in a movie. Nostalgic guitar rifts become the canvas for the synthetic flourishes and expressive synth work. Drum beats and vocals, come and go, on a tidal schedule. The end result is a rich and complex suite of songs that demands to be listened to from start to finish, like a good film. The album was inspired by Maas’ new found love for the cinema, and accompanying soundtracks. Notable inspirations include Tangerine Dream’s Risky Business, Howard Shore’s After Hours, Jon Brion’s Eternal Sunshine of the Spotless Mind, Patrick Leonard’s At Close Range, Ennio Morricone’s Days of Heaven, and Jon Hopkins’ Monsters. Maas’ musical influences include Nick Drake, Sufjan Stevens, Múm, Colleen, Fennesz, Boards of Canada, Neil Young, Four Tet, and Postal Service. Support the artist further by purchasing this release through Multi-Panel’s Bandcamp Page. http://multi-panel.bandcamp.com/album/all-it-takes
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r. – Grabaciones fantasmales

[MIST021]

r.

“Grabaciones fantasmales”

r. – Grabaciones Fantasmales (2012)

01.- Fantasmas (Demo 2006)
02.- Fiesta Funebre (2011)
03.- Ni La Cuarta Parte (2006)
04.- Maldita (Demo 2005)
05.- Mal Hábito (Acústico 2011)
06.- Distancia (Ensayo Junio 2007)
07.- Hurgar (2010)
08.- Revolución En Mis Días (2010)
09.- Noches De Marzo (2010)
10.- Pajaros Con Mirada De Gato (Ensayo 2009)
11.- 5:45 pm (2007)
12.- 10 Años Después (Demo 2006)

Art and music by Ruth Barrientos.
Mastered by C.N.Morgan.
Published by m.i.s.t. records

Contact: fanylis@gmail.com

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Azoora – A Thousand Ways EP

[077]

Azoora

” A Thousand Ways EP”

The grandfathers of ’23 Seconds Netlabel’ are back with a long-awaited and absolutely astounding EP. “A Thousand Ways EP” is our eight release by the mighty Azoora from London.

For years the band has been creating music on its own terms, which has resulted in a unique and very personal sound, often combining a lot of different genres like indie, post-rock, singer songwriter, trip-hop and a dose of experimental ideas.
Azoora consists today of singer and songwriter Paul Loader, producer, composer and multi instrumentalist John Purcell, drummer Ben Cochrane, and backing vocalist Trudi Lawrence. It was more than two years ago since the full band released something together and the result surpasses all expectations, comparable to the band’s best work. Perhaps the atmosphere is a little bit darker today and the music not so experimental, but the core of the music is the same as before, and the concept where the EP contains two alternative takes of each of their tracks.

So sit down, make yourself comfortable, listen, and be carried away by our flagship and most important artist: Azoora!

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dmyra – MotNiM

[NS056]

dmyra

“[MotNiM]”

[MotNiM] (short for Mystery of the Ninth Morning) is a new EP of music by dmyra. At only three songs, these are some of dmyra’s longest and deepest tracks to date. As the album and track titles suggest, this musical work is shrouded in mystery. Each minute is just as cryptic as the last. The final track, a complete epic, will still leave you wanting more. More music and more answers. dmyra told me that “interpretation is everything.” Perhaps that is the key to the meanings within. “goodbye parks and gardens…”
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Plusplus – Game Over

[LBN016]

Plusplus

“Game Over”

Here is the Return of Adam Radmall (aka PlusPlus), Plantman’s guitarist
 (WHO HAVE A NEW ALBUM COMING OUT ON ARLEN RECORD IN EARLY 2013).

After the extraordinary album “Evils” released in March 2011 by La bel netlabel,
 here is eight new electro-acoustic tracks with a subtle melancholy that characterizes the PlusPlus’s compositions.
Also available in limited CD edition with four extra bonus tracks.
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Sergi Boal – Nylon & Turtle

[027]

Sergi Boal

“Nylon & Turtle”

“My ear were literally staggered as soon as the first notes of this disk” La Grosse Radio Rock

“An album you can taste listening after listening” NetMusic Life

“An interesting and pleasing album” iThink magazine

Nylon and Turtle was recorded after that, while he was watching jazz pianist Brad Mehldau, Sergi boal, guitarist and composer, had a revelation: the necessity to create his own music. This necessity led him few months later to record this CD. There are 9 songs, most of them recorded in one or two takes, so it’s almost a live recording. It is an organic and intimate album, in which the guitarist tries to make a little travel. As in Ice Voice, where it can be appreciated the Nordic influences of Jose Gonzalez, or Yorke, where we can hear echoes of Radiohead. Fukushima is a tribute to the victims of the tsunami in Japan, in where it mixes anger and calm; The incident of the Bell features great tecnique and sounds with a mixture of pop and grunge music, all with the same nylon guitar. In Frontera, the flamenco sounds in his fingers, and take us to Orecchio di Dioniso, and then we get carried away through the last song of the album, “Is anybody out there?”, a composition that borrows the title from Pink Floyd, ending with a question. This album is the starting point of this guitarrist of Barcelona, who decided one day to make his own music with the guitar. Sit back and listen … is anybody out there?

(this album is a joint release with the No-source netlabel)

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Background Radiation – False Start EP

[NS055]

Background Radiation

“False Start EP”

No-Source Netlabel is pleased to bring you the re-release of Background Radiation’s debut EP. The amusingly titled “False Start” was originally released in 2008 on Jog/Shuttle. The 2012 version has been recently remastered and contains a previously unreleased bonus track. This new track, titled “Recovery Basin,” is based upon elements from their 2010 track “Discovery Basin.” “Discovery Basin” can be found on No-Source’s debut compilation “Hey You, Choose Your Own Adventure.” Like Background Radiation’s second EP, “Moot Point,” “False Start” combines acoustic instruments with downtempo electro-pop experimentalism.
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Hielo En Varsovia – Hielo En Varsovia

[LGN018]

Hielo En Varsovia

“Hielo En Varsovia”

Hielo en Varsovia was born in Madrid in 2010 crossing the dark talents of Narcoleptica (guitar) and the interest of ex-members of 8bits To Die, Ki (keyboard and vocals) and Buddy (drums and vocals), to explore other areas in his new musical project.

The noise accompanying their anguished melodies creating landscapes closer to the subconscious that in real life, opting for a sound that mixes the new/dark/cold wave, with its obvious post-punk will.

His first album with us is the same name and contains 13 songs full of abyss and sulfur. A prodigy.

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Nicolas Joseph Roncea – This is not my bed

Ganz nebenbei aber auch ganz nah dran eine wunderschöne Indie EP zum hinsetzen. Ma guckn was derweil die Welt macht.

http://www.yonetlabel.com/2012/05/nicolas-joseph-roncea-impossible-roncea.html

http://www.yonetlabel.com


Les Enfants à Points – Volume 1

[STQK003]

Les Enfants à Points

“Volume 1”

As a rainbow after the Dark Matter storm, here comes Volume 1, Les Enfants à Points’ first work.
Let your soul fly with the sound created by this brand new duo, composed by the Italian Franz S. from Totentanz and the French Romain.
Including 3 originals tracks and a Les Enfants à Points remix of Welcome Back Sailors’ “About Us”.
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Various Artists – La bèl’s friends

[LBN015]

Various Artists

“La bèl’s friends”

[LBN015] Various Artists – “La bèl’s friends”

The first La bèl compilation.

12 unreleased tracks.

12 La bèl’s friends.

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Apsis Lappet – The Fear of Farewell

[NS053]

Apsis Lappet

“The Fear of Farewell”

“The Fear of Farewell” is Apsis Lappet’s third release and second full length album. These nine songs are nothing less than face melting, tripped out, synth infused, pop music. Apsis Lappet has always been experimental in nature. Fans will be happy to know that “The Fear of Farewell” pushes new boundaries, contains many catchy hooks, and experiments in pop song structure. This album shares some sonic similarities with Apsis Lappet’s debut, “Suite Happy Sweet”. The track “Quickly Slow Me Down” has an infectious chorus, and an excellent keyboard solo outro. “Orgy” is a mellow, distorted fusion of heavy guitars, piano, and far-off vocoded vocals. The title track is builds with a simple chant into an instrumental crescendo. “Rejected” is a remixed version of an unreleased track. The Jenova 7 remix gives the track a heavy does of downtempo breakbeats. The album winds both up and down with “Anaerobic”, a short musical track with a long outro of static, radio hiss, and experimental electronics. “Hidden Track” closes the album with a melancholy piano ballad. “The Fear of Farewell” is Apsis Lappet’s most cohesive and mature batch of songs yet.
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Naked Polly – In a cat’s dream

[NS052]

Naked Polly

“In a cat’s dream”

Naked Polly returns to No-Source with “In a cat’s dream.” The five songs on this EP were recorded prior to Oscar’s debut album. The sounds on “In a cat’s dream” are very similar to “A day in a night.” The difference is in the more acoustic sound found on the EP, not to mention Spanish lyrics. The songwriting and elements on psych are still there. The first three tracks sit nicely next to each other with their indie acoustic tones. “Fragil(e)” is the EP’s lonely instrumental. The album closes with “Nunca más”, a track that leads the listener out with acoustic guitar, piano, tambourine, and a touch of electric guitar.
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