rebelo and monoritmo – Farowest

[024]

rebelo and monoritmo

” Farowest “

illogical kit netlabel electronic music rebelo monoritmo
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ono – cha​-​ken

[EPV_202 ]

ono

“cha​-​ken”


■ EPV_202

Theme for “Kansai-Cha-han-Reserch-Project”

■ bonus item
wallpaper for iMac & iphone6&7

:: Rule of Cha-ken(Kansai Cha-han Reserch Project) ::

First rule of Cha-ken : You do not talk about Cha-ken.

Second rule of Cha-ken : You do not talk about Cha-ken.

Third rule of Cha-ken : When someone sads stop or goes limp,Cha-han is over.

Fourth rule of Cha-ken : Only two guys in a Cha-han.

Fifth rule of Cha-ken : One fight at a time.

Sixth rule of Cha-ken : No Cleanliness,No Prejudice.

Seventh rule of Cha-ken : Cha-han go on as long as they have to.

Eighth rule of Cha-ken : If this is your first night at Cha-ken ,you have to fight.

■ artist info
:: ono ::
http://epv-artists.tumblr.com/post/59677262412/ono

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clongclongmoo – netaudiomix

clongclongmoo

“netaudiomix”

Playlist:
  1. Natalie Oliveri – Sweet Harmony
    http://natalieoliveri.bandcamp.com
  2. Tesslesstess – Talseher Nacht A
    http://dramacore.com
  3. umio – remain (KenKoTaiji Remix)
    http://otherman-records.com
  4. Pierlo – Daje De Zion
    http://upitup.com
  5. wisp – gummiklischeeherstellung
    meep (http://david.madhc.com/meep
  6. au2pilot – MAGNETIC_FIELDS_(Remix)
    http://illphabetik.com
  7. Paul Blackford – Numbers (Kraftwerk)
    http://audioaubergine.com
  8. OffTheLatch – Emphasis
    http://micromusic.net
  9. Clemens Acidus – Rewind Your Body
    http://obc-records.com
  10. Mesu Kasumai – Algezebra
    http://8bitpeoples.com
  11. Echo Delta – Prana Vortex
    http://coldtearrecords.bandcamp.com
  12. wk[es] – Abyss (Erratic remix)
    http://hz-records.bandcamp.com
  13. dagshenma – arhat10
    http://elementperspective.com
  14. Mr.Dee – D4-3
    http://picpack.org.ua
  15. Dessben – Proyecto Langosta
    http://offaudio.com
  16. All shall be well (and all shall be well and all manner of things shall be well) – Satie’s ‘Gymnopedie No. 1’, reimagined
    http://allshallbewell.bandcamp.com

BeatMyth – One Hand Clap

[KAM024]

BeatMyth

“One Hand Clap “

Myth: a sacred story, a set of beliefs, a way to make sense of the world, to connect the dots. A notion that is also the name of one of the first tracks made by BeatMyth (in 2007). It was one of many pieces in that raw and forward-thinking style, characteristic for the next half decade. But, the mythical narrative can be said to have started in Novo mesto, that town just halfway between Ljubljana and Zagreb. Exchanging the guitar and the amp with two turntables was the best deal ever. And there we also have the beginnings of the praised jazz-funk-rock group Moveknowledgment, and PlankTon’s turntables and records were part of it. Dance parties soon ensued at the local pub and the locals were going bat-shit-crazy, driven by the fast jump-up breakbeat science from the UK. It was all LTJ Bukem’s fault. And perhaps Fatboy Slim’s too.

After a few years in the urban setting of Ljubljana, there was more and more electronic music knowledge on the table. Igor and his flatmate Mitja Pritržnik were dabbling in writing and production, laying down some charged breakbeat tracks, inviting N’toko – PlankTon’s partner MC at many drum’n’bass gigs – for an ad-hoc recording session. And Mitja’s sister giveth the project the name. At the backdrop of that time were musical influences such as Adam Freeland and Hyper, gigs with the “Illegal crew”, a drum’n’bass crew on the rise, and production discussions with its chief MarkoMan. Lots of hours of tedious work behind the computer resulted in BeatMyth’s debut: “Your Own Two Heads”, an industrial electro-punk collection of bangers.

In the poetics of this work, one can sense the history of personal musical growth: the beginnings in doom metal and the sense of immediacy of jump-up and harder strains of drum’n’bass. Active as a DJ in the last decade, PlankTon moved exceedingly firmly into the contemporary breakbeat scene, very much in line with what can be found on BeatMyth’s first two albums. However, proper appreciation of this project is not possible without taking into account the live performance of PlankTon and N’toko, who have until now always presented BeatMyth in an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting, animating many a sleepy auditorium into something akin to a small riot. And to furthermore bring the tentacles of this project’s context to light, it must be said that at the core of the project stands a multiskilled producer and audio engineer, whose areas of work go beyond mere clicking around his DAW: robotics workshops for kids, technical support for art installations, analogue synthesizer repairs, audio studio building, mastering and mixing a variety of different projects, and live sound.

And finally, this, the third album maturely brings up musical material created through a different approach, a different attitude, and mixes it up with that signature outgoing electro-punk vibe of the previous two albums. This attitude is purposefully playful. It’s a move away from the dance floor, away from the dictate of the live spectacle into an exploration of sound-based sample-heavy trickery. Still, it by no means represents an abandonment of the basic, ever-present principle, the pillar of this sound: firm musical decisiveness and a never-ending search for dynamics in balance.

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Channel Surfing – Paradox In The Bathroom

[LBN039]

Channel Surfing

“Paradox In The Bathroom”

Channel Surfing is a quasi-vaporwave project. Meaning that it predates vaporwave, and was initially influenced by the glitch and idm scenes of the 90′s and early 2000′s. With Channel Surfing, the focus is on microhouse and shoegaze. On ‘Paradox In The Bathroom’. . . I took a detour, and focused on lyrics. This time, it was the political solitude of an uncertain future. The in-between moments, of both turmoil and tranquility in America. Sonically, ‘Paradox’ uses Sound Design as a songwriting tool. Drum machines were treated like synthesizers, field recordings were processed like guitars. It is a very environmental spin on the “rock formula”. Channel Surfing is the band from the Mojave Desert. The locus of Channel Surfing is “Ethereal Synthesis” in all it’s various forms. From album to album, the locus changes, falling together or falling apart, but the same ethereal techniques apply in different ways. Sometimes, outspoken and political, other times, quiet and interspective. Enjoy. . .
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J4ck Sh4rk – Anthology ’11: Pushing Envelopes – The Remixes

[EE023]

J4ck Sh4rk

“Anthology ’11: Pushing Envelopes – The Remixes”

J4ck Sh4rk open their wings and display the array of sounds that interests them. Tracks that show weight, such as “Longest Road” and “Blind”, and others have elegance and subtlety, such as “Preta Pretinha” and “Don’t Stop ‘Til You Get Enough”. 2011 was the peak of sonic expansion and exploration.
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Floating Machine – Convergence EP

[DigitalDiamonds049]

Floating Machine

“Convergence EP”

Finally, Floating Machine (aka 50% of Code Therapy) delivers his debut EP “Convergence” on Digital Diamonds. This trippy release is packed with three original tracks, deep and hypnotic as we love it, plus a rolling and progressive remix of Luis M’s track “Interferenz”.
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Art Electronix – Backspace

[deepx370]

Art Electronix

“Backspace”

Label: Deep-X Recordings
Catalog#: deepx370
Format: 5 x File, MP3, EP, 320 kbps
Country: Russia
Released: 12 Apr 2017
Genres: Electronic
Styles: Minimal Techno, Tech House

Tracklist:
01 – Maya (5:13)
02 – DopeX (4:15)
03 – Not Too Late For Anything (4:40)
04 – HypeMachine (5:55)
05 – Little Bit More Acid (6:34)

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Cubenx – Hollow (feat. Guilhem)

Cubenx

“Hollow (feat. Guilhem)”

artwork photography by Amira Fritz
credits
released April 10, 2017
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KiB – Short Message Service

[EEM017]

KiB

“Short Message Service”

Acronymed sounds and acronymed artwork in acronymed world. Pulsing rhythms, that give an abstract feeling. But it’s not minimal, more like suspended power.
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Zambeach – Smocking Mountain EP

[TRANZ063]

Zambeach

“Smocking Mountain EP”

RELEASE INFO:

ARTIST: Zambeach
RELEASE TITLE: Smocking Mountain EP
CAT Nº: TRANZ063
RELEASE DATE: March 07, 2017
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Minimal, Techno, Tech-house, Experimental
TOTAL TIME: 35:54
SIZE: 83,8 MB

TRACKLIST:

01. Zambeach – Combustion Flame (6:54)
02. Zambeach – Combustion Flame (SEROT’09 Rootz Remix ) (7:02)
03. Zambeach – Exothermic Process (6:41)
04. Zambeach – Ignition Light (6:44)
05. Zambeach – Ignition Light (Holocaos Remix) (8:33)

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Futurguerra – Kraftwerk 2017 – Trans Human Express (Clone Music)

[0kbps111]

Futurguerra

“Kraftwerk 2017 – Trans Human Express (Clone Music)”

Futurguerra

Kraftwerk 2017 – Trans Human Express (Clone Music) [0kbps111]

Autobahn mix 2′ 33”
Computer Welt mix 3′ 47”
Die Roboter mix 5′ 31”
Electric Café mix 3′ 09”
Europe Endless mix 1′ 55”
Franz Schubert mix 2′ 48”
Klink Klang mix 5′ 48”
Kometenmelody mix 4′ 05”
Kristallo mix 4′ 40”
Minicalcolatore mix 2′ 32”
Radioactivity mix 2′ 46”
Sex Object mix 5′ 04”
Telephone Line 5′ 58”
The Man Machine mix 1′ 40”
Tour de France mix 3′ 48”*
(remix words Futurguerra)
Trans Europe (Human) Express mix 2′ 42”

*Virtual Vocalist Futurguerra

“La tecno-fantasia «suggerisce un rapporto vivente con l’estetica della realtà», nota Roberto Guerra, che la trasferisce nella visionarietà dei suoi video e testi”
Vitaldo Conte (Pulsional Gender Art, Avanguardia 21, 2011)

Tra poesia sonora e musica elettronica, tra dada, futurismo e situazionismo… Da anni i Kraftwerk fans attendono un nuovo album, solo un paio ex novo in oltre 30 anni (Electric Café – 1986 e Tour de France-2004, oltre a Expo2000, ma straordinari mix e remix dei Kraftwerk stessi: al punto che live, tour non stop e negli ultimi anni in 3D sembrano incredibilmente album e canzoni elettroniche (e Video) ex novo. Futuristi e quindi anche transumanisti, autopotenzianti i brani dei Kraftwerk, (Ralf Hutter e Florian Schneider, il duo originario e fondatore, poi via diversi altri robot musicisti- è rimasto da tempo il solo Hutter), padri della musica elettronica, canzoni tecnhopop (nato con i Kraftwerk) letteralmente “immortali”, mind up loading songs non stop. Ecco quindi, da un fan poeta, spesso ispirato a tarda notte mentre scriviamo poesie o saggi, il nuovo virtuale album dei Kraftwerk. Operazione di arte estrema, mix di sconcertante semplicità, musica per cloni! Un giocattolo “elettronico” sia ben chiaro, ma forse davvero queste soundtrack kraftwerkiane della computer age sembrano una volta di più (ri)composte il giorno prima…
(Roberto Guerra)

MAV [0kbps] Records, March 2017

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Various Artists – POSEV II

[PSVC2]

Various Artists

“POSEV II”

Siberian cohesive post-industrial creative association POSEV presents the second compilation of tracks from its members and their sympathizers. All tracks are exclusive to this release and have never been presented before.

Our music is always the part of us, our personalities, and our lives. It describes the perception and exploration of the world. We make music because we have something to say and we must talk. We make music because we can’t but do it. Thus, our legacy is given to the world.

Our creation is a self-decrypting manifesto for ones who want to feel the other side of synthesizer music and look beyond the rhythm and sounds. We are too far from any scenes to imitate them. We’re too original to meet someone’s standards. We don’t do what others want to hear from us. We do what we want to hear ourselves.

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Gassman – Violet taste

[M022]

Gassman

“Violet taste”

If we talk about versatile electronic music, “Violet Taste” EP by Gassman has all those characteristics that makes it stand out; from its elaboration to its rythmic treatment, its bass lines, melodies, and voice and synthesizer samples. It’s such an intriguing trip with diverse nuances and hidden places that we can travel to different times from one moment to another. We swing in a multiple galaxy taken by the hand of a very accomplished producer. He openly challenges us to follow him in his musical path. As a whole, we hope to leave our referente to contribute to a scene already installed, one that the lovers of a good underground sound will know how to appreciate.

André Baradit Valparaíso, Chile 2017

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MegaHast3r – Low Level Security

[SLC24]

MegaHast3r

“Low Level Security”

Formato: Ep digital
País / Ciudad: España / Barcelona
Fecha Publicación: Enero 2017
Genero: Electrónica
Estilo: Techno
Portada: René Navarrot

Canciones:
1. Low Level Security part 1
2. Low Level Security part 2
3. Madme Zozo
4. New Game

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wk[es] – Hz-A001

[Hz-A001]

wk[es]

“Hz-A001”

Tracklist
01. Abyss
02. Monolith
03. Abyss (Erratic remix)
04. Monolith (DJ蟻 [ari] a.k.a. SoniCouture remix)
05. Abyss (M/D/G remix)
06. Monolith (Positive Centre remix)

Released : 25 JAN 2016

Produced by Hz-records
Masterd by Pakchee
Artwork by Tsubasa Ohtaki
 
abyss (Erratic’s Scramble Mix) on Hyperspace Invaders II: Pixel Edition
the game produced by Erratics’s label “Entity“.

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V.A. – One Hundred

[AE100]

V.A.

“One Hundred”

Audioexit Records celebrates its 9th birthday this November and this date marks another milestone at our label. The upcoming release – AE100 – will be our latest release as a netlabel and we plan it to hit hard.

Audioexit was established in 2007. After the initial 3-sublabel structure we kept only techno as this is our main profile originally. The label could manage to stay underground and uncompromising during the years. This was our initial goal so we can say we achieved it.
Our releases were widely recognized in the scene, played by many DJ’s and radios. We also had monthy podcasts and mixseries.

We would like to thank you for your support and also ask you to stay tuned, because we will have news coming soon.

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Bitter​-​Suss – Apologize For The Past

[stasis035]

Bitter​-​Suss

“Apologize For The Past”

Energostatic is back!!!

We are finally recovered to giving out high quality underground electronic music and its raw energy waves!

We signify our homecoming by delivering a brand new production from an amazing dub techno producer – bitter-suss.

We have plenty new stories to share with you.

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На 100 Процентов Отмудоханная Бабуля – Selected EBM Works 2016

[SLC23]

На 100 Процентов Отмудоханная Бабуля

“Selected EBM Works 2016”

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ono – still_4


Cupcake! – Misanthropy as a Defense Mechanism

[SSSDlp04]

Cupcake!

“Misanthropy as a Defense Mechanism”

Cupcake! – everybody’s favorite non-entity – presents its debut collection:

Misanthropy As A Defense Mechanism

Made up mostly of recently produced music (although three pieces go back to the turn of the century), Cuppy uses various methods to produce the same result: stylistic indecision.

Savor the Sound of Self-Negation!

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Human Robot – STellar

[TRANZ062]

Human Robot

“STellar”

RELEASE INFO:

ARTIST: HUMAN ROBOT
RELEASE TITLE: STELLAR
CAT Nº: TRANZ062
RELEASE DATE: December 06, 2016
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Techno, Tech-house
TOTAL TIME: 57:20
SIZE: 137 MB

TRACKLIST:

01. HUMAN ROBOT – ALGORITHM (6:57)
02. HUMAN ROBOT – COSMIC UNIVERSE (7:04)
03. HUMAN ROBOT – INTERGALATIK (6:57)
04. HUMAN ROBOT – ORION (6:57)
05. HUMAN ROBOT – SEARCH YOUR SOUL (8:13)
06. HUMAN ROBOT – SPACE FRAGMENTS (6:57)
07. HUMAN ROBOT – STARS (7:11)
08. HUMAN ROBOT – STELLAR (7:04)

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Retouched – Untitled Dub LP

[KPL043]

Retouched

“Untitled Dub LP”

Second LP by Retouched
credits
released December 10, 2016

W&P by Raúl García
Mastered by Retouched
Retouched
Untitled Dub LP
[KPL043]
Kopoc Label
2016

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Jack_plug – Calles verticales

[M021]

Jack_plug

“Calles verticales”

Jack Plug inhabits the architecture of the skies. The one that hangs from ‘vertical streets’ of some cities of the world, that slide, like Valparaiso, as if they were about to fall down, or turn into horizons that could swallow it all if the oceans should rise.
Valparaiso and its landmarks are not supposed to be minimal. In this case, the 3 musical paintings that André Baradit S. is showing are in a certain way “maximal”.
A mature producer imbued with electronic work experience, his different projects usually generate a good flow sensation.
‘Techno in progress’ could explain what’s coming with ‘LOVE’ (Radio Edit), the track that opens the door to this EP. Jack Plug plays with some kind of “arrhythmia” that is self-sustainable. The latter creates a balanced harmonic feeling, evoking childhood memories at the end.
There are multiple sounds reverberating along the 3 tracks. Also dub-ambient references are made, but without missing the link with the rhythm development and the strength of the bass sound.
‘Feriado’ makes you wonder wheter you are bumping into a russian sailor or intercepting communications of two world power rivals.
Now ‘Feriado’ (the word in spanish for ‘holiday’) becomes a starry night (and not just any night but the one when stars really shine after the lights of the hill’s houses are turned off) and the music is an explotion of stardust like a micro-flare choreography.
‘Investigación’ points to something darker and less defined. The ‘echoing-dub’ has a structure that gives short metal whiplashes, with segments taken from the break-beat style. When the EP Is about to end, maybe we are going to remember the old funiculars and feel lonely when the sirens stop making their typical sounds.

Felipe Raurich Böttiger
20milleguasviajesubmarino
2016

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Strunkdts – We All Star In Hell

[SE076]

Strunkdts

“We All Star In Hell”

The random moments when its remembered to press record are the junctures captured and reworked into the raw body slowly defining itself as ‘Strunkdts’.

Isolated on the western coast of Australia, ‘Strunkdts’ channels memories of rave, punk and broken hearts as eulogies for a dying and insane world. The trash, the chaos, the lies and the uncertainties that constitute a whole lot of nothing are the vessels thru which the work navigates.

A haggard, paranoid projection of romantic days past into the ever present unknown. “We all star in hell” are one shots and teasers that were abandoned rather than finished.

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J4ck Sh4rk – Anthology ’10: Learning to House

[EE016]

J4ck Sh4rk

“Anthology ’10: Learning to House”

“Anthology ’10: Learning To House” represents the first movement to encounter in a nearby place. It would take longer to know and be certain of what’s being pursued. But it’s already possible to notice some elements that will be re-thought e refined in the coming years.
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V.A. – Aesthesia

[stasis001]

V.A.

“Aesthesia”

1. Stellardrone – MIlliways 09:44
2. Andrea Suglia – The Beach 07:15
3. Deer – Woodpecker 07:12
4. ConsolerCtrl – Depth Extension 03:27
5. Arkhaios – Between Forever And Now 06:42
6. Hörschwelle – Me And My Headphone 05:08
7. Textural Being – Les Bulles 08:35
8. Textural Being – Alteq 07:42
9. Jimmy Myhrman – Nattsud 08:29
10. Specta Ciera – Creepy Day 04:21
11. Widesky – Rivers/Tears 05:35
12. Kalgan – Subway Evening 06:15

Remastered version of 2016.

Written and produced by various artists
Remastered by Mar’yan Kitsenko

stasis001 ‘VA – Aesthesia’
credits
released December 15, 2010

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