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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

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Mente​-​Atada / Disfigured Robot Child – Mente​-​Atada / Disfigured Robot Child

Mente​-​Atada / Disfigured Robot Child – Mente​-​Atada / Disfigured Robot Child
[GoH-466]

Mente​-​Atada / Disfigured Robot Child

“Mente​-​Atada / Disfigured Robot Child”

GoH-466: Mente-Atada / Disfigured Robot Child
Two harsh noise improv titans joint forces to attack your ears with streams of sonic violence and psychedelia.
all rights reserved
posted 04 January 2024

Tristan Sotomayor – Conjunto Vacio

Tristan Sotomayor – Conjunto Vacio
[pn228]

Tristan Sotomayor

“Conjunto Vacio”

A journey into emptiness, into the unknown of a knowledge that, because it is known, is forgotten. When the learned becomes commonplace, it disappears, and a new language is constructed to hold ideas. In Tristán Sotomayor‘s “Conjunto Vacío” (“Empty Set”), the primary focus is the body, the way it encounters experience and listening; what is forgotten becomes instinct, ways of inhabiting and traversing the world and its landscapes.

Elements, stories, signs, traces, and references unfold amid pristine, dark, and evocative spaces that challenge and reveal, paraphrasing the musician, artist, and writer David Toop, in sequences where the solid, fixed, stable, and concrete dissolve into the depths of the singular, different, deterritorialized, and immersive.

We witness the construction of a story made up of 7 fragments in which intensities coexist with expansive or contained spaces, traversing moments filled with absorbed information in chiaroscuros that subtly show and hide the place where the sounds originate and coexist.

An invitation to listen to the abstract nature of space, its designs, and structures; the ideas through which one can “float freely in a liquid space of nonlinear time”, as Toop also wrote. It presents an ethereal world translated through aromas, silences, and noises that give meaning in circumstances that constantly change. “Conjunto Vacío” is the sound and image of a story that possesses its own language to narrate the world, its course, and intensity.

Sebastián Herrera
(Santiago, Chile. January 2024)

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posted 03 January 2024

Various Artist – EPOCH

Various Artist – EPOCH

Various Artist

“EPOCH”

Artists were given the single word ‘EPOCH’ to interpret with whatever audio they deemed appropriate. There were no instructions other than a deadline for contributions.

Releases by Andreas Brüning, Audiomat, Dental Drill Slips, GLOBAL SYSTEMS INTNL., and WarpCensorcan be found elsewhere on the TCFSR bandcamp.
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We are pleased to welcome three artists from Burnt Seed Records of Western Australia burntseedrecords.bandcamp.com
Lost Ether lostether.bandcamp.com
Bilg burntseedrecords.bandcamp.com/album/sprouted-volume-i dogparkrecords.bandcamp.com/album/rain
Scientia scientia.bandcamp.com

Releases by vacant possession are at vacant possession records and <1
vacantpossession.bandcamp.com
lessthanone.bandcamp.com/album/return-of-the-dark-ages

Andreas Brüning, in addition to his solo work, is part of various groups:
Audiomat tcfsr.bandcamp.com/album/audiomat
Gruppe BASS tcfsr.bandcamp.com/album/extended-technique

Digital releases by Unearth Noise are at unearthnoise.bandcamp.com
Vinyl and cassettes from lullabiesforinsomniacslabel.bandcamp.com

Autistatic releases are at autistatic.bandcamp.com Also, he runs the Zenflesh Records label zenfleshrecords.bandcamp.com

Amina aminamusic.bandcamp.com is an ambient incarnation of Argentinian creator also known as Dyb dybmusic.bandcamp.com

Releases by GLOBAL SYSTEMS INTNL. are on the Hand Canyon Label handcanyon.bandcamp.com and also at globalsystemsintnl.bandcamp.com

EPOCH is the 15th TCFSR Solo Word project, following Twilight, NEW, OLD, Agency, Zucker, Melancholy, Anteontem, Cloister, EARTH, Geräuschkörper, Yellow, Sentience, RUST and AIR.
tcfsr.bandcamp.com/album/twilight
tcfsr.bandcamp.com/album/new
tcfsr.bandcamp.com/album/old
tcfsr.bandcamp.com/album/agency
tcfsr.bandcamp.com/album/zucker
tcfsr.bandcamp.com/album/melancholy
tcfsr.bandcamp.com/album/anteontem
tcfsr.bandcamp.com/album/cloister
tcfsr.bandcamp.com/album/earth
tcfsr.bandcamp.com/album/ger-uschk-rper
tcfsr.bandcamp.com/album/yellow
tcfsr.bandcamp.com/album/sentience
tcfsr.bandcamp.com/album/rust
tcfsr.bandcamp.com/album/air

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posted 02 January 2024

TFSL – 23 / 24

TFSL – 23 / 24
[mhrk379]

TFSL

“23 / 24”

Music, Guitars, Drums, Bass, Synths, Mix: Kaloyan Ivanov
Mastering: Yasen Penchev
Cover artwork: Angel Draganov

The track “23 / 24” is an edited version of a TFSL live performance for the “ToBe Continued – Stop TB Day” music marathon on stazioneditopolo.it radio station, broadcast on 24.03.2023, World Tuberculosis Day.

“Voyager” video by: Mei Dark (of My Fury)

The “Voyager” audio-visual project was realised with the support of Национален фонд „Култура“/ National Culture Fund, Bulgaria, as part of the “Musical initiatives 2021” programme.

Thanks to the support of: Angel Draganov, Ivo Petrov, Yasen Penchev, Vasil Goranov, Tsvetan Tsvetanov, Boyan Avramov and all others.

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posted 01 January 2024

xenoton – un

xenoton – un
[tonAtom.145]

xenoton

“un”

un’ is built on a linguistic motif, with each track’s title (whether in German or English) beginning with the prefix ‘un’, such as ‘unRest’, ‘unStet’, ‘unBalanced’, ‘unStern’ and ‘unErwartet’. the album’s structure allows each track to function independently, while collectively forming a narrative that is intricately detailed and gains depth with repeated listening.

musically, this album marks xenoton’s shift towards more ambient and cinematic soundscapes. while it may seem like a departure from previous work, it maintains continuity with his artistic journey. “un” continues to blend deep, reflective soundscapes with his signature melodic style. the album echoes his previous works ‘crescent’ (2020) and ‘traveller’ (2015), but also explores new sonic spaces, offering a sophisticated and layered listening experience, a journey into the unexpressed and undiscovered in sound.

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posted 01 January 2024

noxpox x humanfobia – 🔥Carrie White Burns in Hell​🔥

noxpox x humanfobia – 🔥Carrie White Burns in Hell​🔥
[None]

noxpox x humanfobia

“Carrie White Burns in Hell​

This is a witch house, vaporgoth, industrial/experimental EP inspired in the classic horror movie: “Carrie (1976)”

– Most stems, sound design by noxpox.
– Composed, mixed, remixed, additional sounds, sound effects, artwork collage by Sábila Orbe.
– Model in the cover. vocals in tracks, 3,4 & 6: Mist Spectra.
– Pictures of blonde women generated via bing and craiyon image creators.

noxpox is an experimental, idm, industrial artist from Germany.
for more of his work visit:
noxpox.bandcamp.com/
soundcloud.com/search/people?q=noxpox

Humanfobia is a witch house, ghostly experimental music duo from Rancagua, Chile. Members: Mist Spectra (lead female vocalist) & Sábila Orbe (sound mixer, male vocals)
humanfobia-official.bandcamp.com/
open.spotify.com/artist/04WVEhq4UDRTKpWEfMSeZT
archive.org/details/fav-mist_spectra
hearthis.at/humanfobia/

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posted 31 December 2023

Jazzaria – Little Pixels We Once Liked

Jazzaria – Little Pixels We Once Liked

Jazzaria

“Little Pixels We Once Liked”

Little pixels we once liked
Held us rapt with pure delight –
Nostalgia is bittersweet,
And can grow into self-deceit.

This tango-tinged jazz chiptune (and contrafact of “A Child Is Born”) features videogame-sampled bass, drums, keys, guitar, strings, and lead.

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posted 31 December 2023

Lilac Complex – Lilac Complex – Tracks Fit For Permanent Deletion Vol. 1

Lilac Complex – Lilac Complex – Tracks Fit For Permanent Deletion Vol. 1
[Wuerfel40]

Lilac Complex

“Lilac Complex – Tracks Fit For Permanent Deletion Vol. 1”

Holy cow, what’s broken? Have we taken leave of our senses? Quite the opposite: we know exactly what we’re doing and we sense (sic!) that this album by Lilac Complex (our new addition to the Würfel) will be huge. And we sincerely ask you not to take the title of the album as a call to action – or if you do, then simply delete all the other tracks in your music collection, except for Lilac Complex. Because this release takes no prisoners.

We hear digital-harsh drum’n’bass with a wonderfully outrageous retrofuturistic sound aesthetic. Wait, what does that mean again? Ok, glad you asked. One thing at a time.

„Retrofuturistic“ refers to a vision of the future from times gone by, in this case drum’n’bass from the 90s, as it was celebrated on countless Playstation 1 games. Everything tends to be 12 rather than 32 bit, with small glitches and a certain digital harshness, but getting the maximum sound out of the limited possibilities. Until the chips glow and the computer crashes. Cyberpunk is the word of the hour and the future will be breathtaking. Digital freedom galore.

“Outrageous” is of course an insinuation, because this “looting” in seemingly past worlds of sound is not done here naively reproducing, but with a keen eye and, above all, sharpened ears from the present day. In postmodern arbitrariness, not everything is arbitrary, but only available at the same time and invites you to hunt and collect and then sort in and out. Whatever is needed at the moment.

„Wonderful“ in the end is what has emerged here: a musical time machine. But the journey not only goes back to the 90s but also (yes, why not) into the future. Throw a little industrial, metal, glitchcore and bitcrusher into the maelstrom and let the machine run at maximum until it screeches and gives up the ghost. Only to then beg its owner to please, please not dispose of it. Fortunately for us, her pleas were heeded by Lilac Complex. We can only hope that this old, slightly broken machine (which has only just survived a nuclear explosion) will be started up again in the future. Regardless of whether this future is rosy or rusty.

Briefly about the artist: Lilac Complex lives and works in the south-east of the USA. That’s all that matters at the moment.

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posted 25 December 2023

Lana Lee – Game Over

Lana Lee – Game Over
[Bestiar/Ref. 235]

Lana Lee

“Game Over”

Manuel – Batería (1 & 2), batería izquierda (3, 4, 5, 6 & 7)
Rupert – Bajo (1 – 7)
David – Guitarra (1 – 7)
Nacho – Guitarra barítono (1 – 7), batería derecha (3, 4, 5, 6 & 7)Manuel – Batería (1 & 2), batería izquierda (3, 4, 5, 6 & 7)
Rupert – Bajo (1 – 7)
David – Guitarra (1 – 7)
Nacho – Guitarra barítono (1 – 7), batería derecha (3, 4, 5, 6 & 7)
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posted 25 December 2023

Various Artists – Sixteenth Listen

Various Artists – Sixteenth Listen
[PCLVA 016]

Various Artists

“Sixteenth Listen”

All music by
Cartoon Vandal cartoonvandal.bandcamp.com
Arco5 arco5.bandcamp.com
Veelargo veelargo.bandcamp.com
Undsidedly undsidedly.bandcamp.com
Firnwald firnwald.bandcamp.com
Collagist collagist.bandcamp.com
D​-​Fried d-fried.bandcamp.com
Marric soundcloud.com/mar-ric
.kri tik kritik.bandcamp.com
Inoperative System inoperativesystem.bandcamp.com
Samplequence samplequence.bandcamp.com
Flip For Garth flipforgarth.bandcamp.com
AtOm_AnT atomant.bandcamp.com
KS|Optionica soundcloud.com/ksoptionica
Mutellat soundcloud.com/mutellat
Sedatic sedatic.bandcamp.com
Kilmarth kilmarth.bandcamp.com/music
nF soundcloud.com/nearfield-1

Remix track 14 by Sobrio sobrio.bandcamp.com

Mastering by Optionica: www.instagram.com/optionica_

Original photo by ALTEREDSNAPS: www.pexels.com/@alteredsnaps
credits
released December 22, 2023

all rights reserved
posted 22 December 2023

Sascha Müller – Back To The Funk

Sascha Müller – Back To The Funk
[cuts003]

Sascha Müller

“Back To The Funk”

Review;
Scheduled for release via Proper Cuts Recordings as a highly limited lathe cut vinyl on December 22nd, 2k23 is “Back To The Funk”, probably the final release of the year for the ever active underground production force that is Uelsen’s finest Sascha Müller. “Back To Funk”, the sole track on this one-sided 12″ release, caters a fast-paced, hounded and functional take on highly percussive ToolTechno which will most likely resonate with the seasoned and experienced DJ’s out there due to its main focus on pure efficiency and loop-oriented nature.

By nitestylez.de

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posted 22 December 2023

Studio 112 – L’ Exploration Des Vertiges Vol. 2

Studio 112 – L’ Exploration Des Vertiges Vol. 2
[LCNLP183]

Studio 112

“L’ Exploration Des Vertiges Vol. 2”

The necrophile hummingbird netlabel present L’Exploration Des Vertiges
Vol. 2 by Studio112.

“Pataphysical Music for Space Dada”

The future where we live is a bad joke.

Studio112 is the main project of Alain Grille also electric guitarist and musicmaker in Multiple Personality 3 / PIRATE Tapes / EVA Vertigo / TKno BeurK / REfugEEs From Beyond / Invisible Illusion / MK-Ultra

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posted 21 December 2023

Wave Resistance – Cooper Pairs vol​.​1

Wave Resistance – Cooper Pairs vol​.​1

Wave Resistance

“Cooper Pairs vol​.​1”

Released December 20, 2023

“In some cases, during jam sessions, it is possible to reach a certain interesting state, during which intriguing compositions are born, which often do not require further post-processing. Such a unique creative phenomenon of musician collaboration resembles the pairing of electrons into Cooper pairs in a superconductor. The classical theory of superconductivity states that, below a specific critical temperature, electrons in a metal pair up to create bosons called Cooper pairs. These bosons form a phase-coherent condensate that can flow through a material without scattering – the result being superconductivity.

“Cooper Pairs vol.1” consists of three compositions: the first was recorded with Room V during numerous sessions in the pre-pandemic years in Moscow and its suburbs, the second was realized in collaboration with Fukte in 2019 in Crespano del Grappa after performing at “Noises From The Basement” in Belluno in the Dolomites, northern Italy, and the third recording was born as a result of a jam session with II:II during my last visit to St. Petersburg after performing at Sound Museum in January 2022, before leaving for Australia. All tracks combine a unique blend of genres. “Machine” is experimental techno and IDM, resulting from the combination of the sounds of analog modular and digital synthesizers. “Breakdown” is a mixture of noise from DIY electroacoustic instruments with experimental electronics, while “Collapse of Empire” is rhythmic noise and dark ambient with processed electric guitar.” –Theo Kovalev a.k.a. Wave Resistance

Wave Resistance is a project of Theo Kovalev (also releasing as Waldgrenze), an experimental electronic sound laboratory circa 2013 based under Moscow and currently in Australia. The project is focused on IDM, post-industrial, techno, rhythmic noise, dark ambient and experimental electronic genres. A philosophical journey to the reverse side of our world and consciousness through the language of the technogenic music. Besides on Mahorka, Wave Resistance has released albums on Abstrakt Reflections (Argentine), CRL Studios (USA), Eternal Turns (Russia), Noyade Records (Russia) and Null Sonics (Russia).

Room V, the project of Vadim Rumyantsev, formerly releasing under his name, represents a significant evolution in his stylistic exploration. While once confined to the exclusive realms of drone-ambient, Room V now ventures into uncharted musical territories. This evolution is marked by the seamless integration of dynamic rhythms and broader melodic lines, moving beyond the initial ambient confines. The project skilfully blends soundscapes influenced by Rumyantsev’s experiences in south-east Asia with emotive moods inherited from other corners of the world. In essence, Room V has transformed into a multi-dimensional sonic journey, capturing the artist’s willingness to experiment and explore beyond previous constraints.

Fukte is the main project of Fabrizio De Bon who is also the owner of the label Toxic Industries. The sound of the project is mostly Harsh Noise with HNW and industrial influences.

II.II is experimental electronic music project from Moscow, Russia, created in 2018 by Vorobiev Andrey, also known with the projects: ἐγρήγορος, Echo Сoma, p3o, Mesosphere, The Crawling Chaos, Ил, Cдоба, Magnetic TarTrap. The project name can be read as “11:11”. The music is performed on the analog modular synthesizer. It’s atmospheric and cinematographic, it slowly crawls into the frame like a black cloud of giant sprout and rolling everything around the not transparent darkness. Distant industrial bits and smooth bewitching drone, all as you love. Rumours are that his musical developments he leads secretly, in abandoned old factories, conducts mass on radioactive graves in Russian forests and he suits underground festivals in deep forests.

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posted 20 December 2023