This this this is this is this is you this is you this is you hearing this is you hearing this is you this is you this is this is this this.
Featuring overdubbed clarinet and vintage tape delay (emulation of the Echoplex EP3).
Voici une collection de sons qui m’ont habités pendant quelques instants. Des boucles enregistrées sur le vif, mélangées, processées ou générées électroniquement que chaque écoute accompagne différemment.
——
This is a collection of sounds that stayed with me for a few moments. Loops recorded live, mixed, processed or electronically generated that each listen accompanies differently.
GoH-614: Skutiger & Man in the shadow – Cannibale
One long piece of haunted, discordant free-improv heavy electronics. A kaleidoscope of lunatic drones, field recordings, dissonant melodies and noise. Get wierd!
A hallowed place, a special space – where secret codes adjure, conjuring delectable sustenance. Beware tipping your hand prematurely, lest the beast strike!
Featuring choir, snare and tom drums, orchestral strings, french horn, flute, oboe, organ, affected piano, and low woodwinds.
How to preserve music from oblivion…
Put the sheet music on the machine. Wait. An insect or similar kind of animal is produced. Let it live and transform. Put it back on the machine. Wait. A new sheet music is produced. Play it. (over an idea by Philip K. Dick)
Composed and produced by René Muñoz Córdova.
Cover art by René Muñoz Córdova.
The sound work was composed between months Aug. 2023 to Sep. 2023 using different kind of not traditional music instrument, sonic material recycles of society’s debris, and also with computer music.
Advice for optimal results:
Download Zip file 24bit/96khz release.
As musicians born and raised in Magallanes, we have a fascination with the vastness of the pampas and the stories woven there. The Aonikenk (Tehuelche) people are an indivisible part of that landscape, marking it even with their absence. Those men and women who pursued guanacos, rested in their shelters under the stars, and marched endlessly toward the horizon somehow still linger there. That’s why we wanted to get involved in the production of the film that revisits the life of the last chief of the Aonikenk people in Magallanes: Chumjaluwun, better known by the nickname Cacique Mulato.
To make a meaningful contribution to this work, directed by our friend Jorge Grez Leuquén, we began by researching how that world sounded. We searched for recordings of voices singing in the ancestral Aoneko language and embarked on something that set the course for this project: the reconstruction of an ancient Aonikenk string instrument called the “koolo”, whose last traditional player passed away nearly 40 years ago. We also came across the beautiful recording of the “Quena de San Gregorio”, an instrument discovered on the shores of the Strait of Magellan, which was reconstructed through a Fondecyt project.
Building upon these sounds, we started composing music, initially using various percussion instruments and our own voices. Later, we incorporated string instruments, synthesizers, and ambient sounds created with software. The sound of this soundtrack reinforces the primary idea of the film: how the Aonikenk world was progressively altered and ultimately cornered in the name of Civilization and Progress.
We appreciate the director’s trust and enthusiasm in embracing our proposal. We are very pleased to have contributed our sound to his film, a great collective effort to make cinema far from the mainstream audiovisual industry. A film that tells a story that should be known and never forgotten by those of us who inhabit this divided and fenced land.
Lluvia Ácida
(Punta Arenas, Magallanes, Chile. September 2023)
Island Flux remixes brings together a diverse group of artists who were given the raw elements from Dissolved’s 2022 album “Island Flux”.
Given no restrictions, each artist has placed their own unique stamp on the tracks, resulting in a collection that stretches and morphs into new expanses while allowing the ghosts of the originals to still exist. The original album cover depicted an unknown and strangely isolated island, located ‘somewhere’.
To reflect the way these remixes expand and change the originals, the original photo has been artificially expanded, revealing a new expanse of ocean and sky, somehow making the island even more remote and mysterious and allowing the music to take you on a different voyage.
Original tracks taken from the album “Island Flux” by Dissolved.
https://dissolved.bandcamp.com/album/island-flux
Reinterpreted by the respective artists.
Released by S27
Cat No. [S27-201]
https://section27.bandcamp.com
Thanks:
AtOm_AnT
atomant.bandcamp.com
Weldroid
weldroid.net
Pinklogik
pinklogik.bandcamp.com
Peltiform
discogs.com/artist/11854205-Peltiform
exm
exmat.bandcamp.com
Michael Valentine West
uvg212.bandcamp.com
Apydiagirls
apydiagrils.bandcamp.com
Room of Wires
roomofwires.bandcamp.com
Kim Cosmik
kimcosmik.bandcamp.com
Christopher Lombardo
christopher-lombardo.com
Floating Spirits
floatingspirits.bandcamp.com
Mitoma
mitoma.bandcamp.com
Algid Tapes
(……………?)
The Space Between Numbers
mrsjynx1.bandcamp.com
Milieu
milieu.bandcamp.com
Sweguno
soundcloud.com/sweguno
“The Cat Has Left” is the actual song I was singing in my childhood after I’ve been done with “The Cat Has Cometh”. So, I borrowed the name for this album which features remixes of the most insane tracks from my previous one, first composed during live performances and then recreated.
My music is not always dark, but when it is – it is never dark.
THINK POSITIVE!!!
If you squeeze a full discography of minimal techno into 14 minutes you will get a crêpe.
EAT FRUITS!!!
Life is to be enjoyed slowly.
CALM DOWN!!!
“Every moment is in a constant flux of interaction and change.”
“HUEHUEHUE!!!” – said changing colour hues.
FUNKYSENPAI is back! 
“Rain Memories”: A Musical Journey Through Nostalgia and Reflection
For fans of: vaporwave, future funk, alternative dance music.
Yukari is a 3-track EP that brings us barren, almost deadly industrial landscapes that fuse vastness and apocalyptic vibes with an oddly personal paranoia.
This is a release for noise connoisseurs who love listening to a record and letting themselves be carried away by madness or senescence depending on how they feel about this style of music.
Each track composed by the respective artist. Links:
– DANNY IMPULSIV: https://dannyimpulsiv2.bandcamp.com/
– Humanfobia: https://humanfobia-official.bandcamp.com/
– ONKVLO: https://soundcloud.com/onkvlo
– Quick on the Drawing: https://soundcloud.com/pieter-rotthier
– Redskalli: https://modelomoney.bandcamp.com/
– DJ LOSKA: https://djloska.bandcamp.com/
– TROPIC∆L P5∆LM5: https://tropicalpsalms.bandcamp.com/
– JUST01: https://soundcloud.com/justzero1
– The Hypergiants ASMR: https://hypergiantsasmr.bandcamp.com/
– Story of the Lie: https://storyofthelie.bandcamp.com/
– ₩нΔ† Jø¥ †нэяэ î$ îи Lîvîиg:
https://whatjoyisthereinliving.bandcamp.com/
– H∐ϻ▲NҒØɃᏆ▲: https://archive.org/details/fav-mist_spectra
– Filmy Ghost: https://archive.org/details/fav-sabila_orbe02
– Order 0v Thee Octopi: https://soundcloud.com/jameshootman/tracks
– Wivresse ᚂ: https://soundcloud.com/wivresse2/tracks
– Charnel House: https://soundcloud.com/charnelhouse1/tracks
– {AN} Eel: https://heel2.bandcamp.com/
Featuring shakers, strings, piano, upright bass, clarinet, bass clarinet, synths, voice, electric guitar, electric bass, drum kit, and granular oboe, flute, and cello.
Light Prospector is a Rehearsal album, that is by the Maravines. It is recorded during the day time , on Saturday, January 30th, 2017, at Prospector Studios, in Nutley, New Jersey. With Chris Lee on the acoustic guitar, and vocals, and Evan Pope on the light electric guitar, the short rehearsal has songs that are on their studio albums Pearl, Bruce, Belmar, and Bradley. It is exclusively uploaded to the Internet Archive’s public domain on Friday afternoon, September 1st, 2023.
The length of the album is 13 minutes, and 26 seconds. The size for it, in M. P. E. G. 1, Audio Layer III, at 320, 000 bytes per second is 32, 280, 576 bytes. The acoustic guitar that is being played is a Yamaha AC3R, and the electric guitar is a Fender Stratocaster, on an Orange crush amplifier. The Microphones for recording are a Blue Bluebird, and a Shure. The mixing, and the mastering for the album is by Chris Lee, with Acoustica Mixcraft Version 5.
In ethereal echoes, roots find their way,
Beneath the veil of night, they gently sway.
Through enigmatic depths, they spread and roam,
Resonating whispers, finding their home.
Celestial dubscape, a symphony divine,
Nebulous rhythms, in cosmic design.
A dance of stars, a celestial ballet,
Harmonizing galaxies, light years away.
In tranquil resonance, the worlds align,
Subterranean pulse, a heartbeat so fine.
Through layers of earth, the secrets unfold,
A mystical journey, ancient and bold.
Amidst the unseen, where mysteries lie,
Roots and rhythm touch the sky so high.
With every pulse, with every breath,
A cosmic dance, life’s song and death.
In the depths below and skies above,
Nature’s harmony, forever in love.
