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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Various Artist – Nocturnal Reflections

Various Artist – Nocturnal Reflections
[NYB/EXT 027]

Various Artist

“Nocturnal Reflections”

Blackmod – Red bat (Original mix)
Blackmod – Red bat (Carlo Giustini drone rework)
Fingerflood – Scared (feat. Parmia Vaala) (Original Mix)
Fingerflood – Scared (feat. Parmia Vaala) (Claudio Iacono Mix)
Mas&Delayer – Monday (Original mix)
Mas&Delayer – Monday (B.kr. Dub mix)
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posted 12 February 2020

Tijana Stanković – Freezer

Tijana Stanković – Freezer
[LOM17]

Tijana Stanković

“Freezer”

Freezer is an album of raw and emotive improvisations by Serbian violinist-vocalist Tijana Stanković. Her chosen theme, the proverbial ‘freezer’, makes for a stark setting, serving as both a musical metaphor and literally the echoey meat freezer in Bratislava where the music was created and recorded. “Freezer is a place of cruelty and hope,” Stanković says. “It is a metaphor – an inner place where thoughts and feelings wait to be addressed.”

Though a dedicated free improviser, Stanković’s background in folk and Ethnomusicology puts her in touch with an ancient emotional syntax. Her key tools – violin and vocals – both yearn with an organic and creaking fragility, tied irrevocably to old cultures. As a means to express, they offer boundless possibilities (something Stanković has long explored in a vast array of collaborative groups, ensembles, and projects), but locker herself in the Freezer, on these recordings Stanković gains access to some potent introverted sonic realms, putting them in stasis to keep them at their most genuine, honest, and revealing. “To freeze,” she explains, ”is to preserve.”

Each of the four lengthy improvisations captured on Freezer takes its aesthetic to a logical endpoint. For example, ‘From dust and shine’ is a trip into gentle bow strokes over jarring and… more
credits
released February 2, 2020

Vocal, prepared violin and bow by Tijana Stanković
Recorded by Jonáš Gruska in LOM freezer in Petržalka
Mastered at The House of What You See
Cover by Jonáš Gruska and Lucia Kovaľová
Text by Tristan Bath
Released by LOM as LOM17 in 2020

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posted 04 February 2020

Polwor – Mais

Polwor – Mais
[pn149]

Polwor

“Mais”

Pueblo Nuevo Netlabel is pleased to present our first 2020 release: “Mais”, EP from Chilean electronic musician Pablo Guerra Pedroso aka Polwor.

“Mais”, Polwor’s new EP, is presented as a field of sound covered with psychedelic textures. An album where the sonic mutation is surprising, a conceptual work comprising a track and three remixes, that passes through a faint subtlety, while generating softness through melodic pads in combination with low and distorted tones, and a fierce stir of sounds seem that seem to be taken from some mad scientist’s laboratory. All this is complemented by a glitch, to the beat of a defined kick, in the characteristic formula of Polwor’s experimental techno.

René Roco‘s remix disfigures the entire main structure, leaving it in a dislocated polyrhythmic sequence, as if it were a digital error, assembling and disarming the track through a clean digital sound. A peculiar creativity that manages to offer a stylistic hybrid from the most innovative tendencies of the modern electronic music scene.

For his part, Ukyo brings “Mais” to delicacy. He uses the pad harmoniously and smoothly, generating an abysmal depth and innovating from the depths of the Deep through a versatile bass line, while syncopating everything and making this track a penetrating and seductive work.

Mika Martini achieves a spectral variation of the entire piece through continuous and independent sonorities, as if they were programs produced by artificial intelligence after their system has collapsed, still working even as it is falling apart. He manages this through a light pulse that moves towards a crisp rhythmic restoration and an ambient texture, as well as through acute perception in relation to percussion. Energizing and full of unexpected mutations, this is a lush and analog sound design.

In short, this work promises a work of ingenuity, invention and creativity in the hands of composers who have managed to deliver emotion, curiosity and topicality with their music, taking creativity to another level. A fusion between the digital and the analog, the new and the classic, under the banner of a brilliant genius.”

Gemelo Malvado
(Santiago, Chile. Enero / January, 2020)

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posted 28 January 2020

various artist – PIKADON

various artist – PIKADON
[earS095]

various artist

“PIKADON”

PIKADON is a coproduction between the netlabels :
Cian Orbe Netlabel http://humanfobia.jimdo.com/cian-orbe-netlabel/
Earsheltering http://earsheltering.free.fr
Eg0cide Productions http://eg0cide.com
Murmure Intemporel https://archive.org/details/sillage-intemporel
The Necrophile Humingbird www.horsnorme.org

What is “PIKADON” :
A collective experiment of mutation ?
Or only a remix album of the3 Best Of de Yoshiwaku, the essential of his music since 2011 :
https://archive.org/details/Unsound_Territory_Yoshiwaku
https://archive.org/details/Insane_Territory_Yoshiwaku
https://archive.org/details/Unsafe_Territory_Yoshiwaku

  • Both, at the same time, it depends of You : if You just listen…
    Or if you choise to spend a little of your time to discover what is hidden behind the music… horsnorme.org/PIKADON/index.html
  • Why Pikadon pop up at the dawn of 2020 ?
  • A distress rocket can also be used to draw attention to a solution particularly suited to the current situation…
    Who is Yoshiwaku Mushotoku : A vaguely humanoid sound generator or a kind of synthetic shaman ?
  • It’s a solo project focus on electronic improvisation. It’s also the last mutation of “OresteS”, which was known as “TKno BeurK” in the beginning in 1998.

He’s also a member of the anarcho-post-situationist band “La 6ème République” and of the noise supergroupe “K/W/A/Y” and of the plunderphonic collective without head “Vivid Tribe Of Psychics”
More d’information here http://horsnorme.org/Yoshiwaku/shamanoise.html

VIDEO ART CLIPs :
Pikadon trailer v2 1/3 www.youtube.com/watch?v=OrHJDY5l8hg
Pikadon teaser 2/3 www.youtube.com/watch?v=6zxuv7m9HBI
Pikadon cinemix 3/3 www.youtube.com/watch?v=rLbqmnhyAuY

The playlist is mostly the same than the best of playlists.

Light Dedication :
Pikadon is dedicated to those who participated in Necktar 2017 and have died since : A few of your dreams is shining in our eyes. A bit of your spirits are vibrating in this music.

Burst Dedication :
Pikadon is dedicated to all the peoples who are trying to free themselves from the madness of their leaders. Who are trying to get rid of capitalism to save the planet, humanity and all living creatures.

Thanks :
Thank you from the bottom of my heart to each participant for the meeting of our sound universes.
Thanks to the netlabels without whom this project would have been a little too much ambitious for my frail shoulders.
Thanks to Sono Sion for the discovery of Pikadon in his film “Rabu & Pîsu”.

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posted 17 January 2020

Tha Bloc Report Episode 17 – 2019 End of the Year Episode

Tha Bloc Report Episode 17 – 2019 End of the Year Episode

Tha Bloc Report Episode 17

“2019 End of the Year Episode”

Cheese N Pot-C – Down To The Wire from the 2019 maxBloc release Down To The Wire EP
M.V.A – Wackywave (New Sonick Thee Hejhog Level) from the 2019 maxBloc release New Nostalgia: Game And Cartoon Music
Tha Silent Partner – Alone Drinking from the 2019 Original release Music To Hail Blue Whales To (Music Inspired By The Animated Series, Gulf City)
Moki Mcfly – wagyu from the 2019 Original release Addition Hills
Garmisch – City Sounds from the 2013 Original release Fishes
Timezone LaFontaine – Long Way Yet To Go (Instrumental) from the 2019 maxBloc release Smoketrails
The Impossebulls – The GetBack (C-Doc / Chuck D / Tah Phrum Duh Bush / Marcus J / Brother Mike Williams) from the 2014 Original release Everything Has Changed; Nothing Is Different
Viktor Van River – City on fire from the 2019 Original release Fake Detective
Tha Silent Partner – GULF CITY STREETS from the 2019 Original release Music To Hail Blue Whales To (Music Inspired By The Animated Series, Gulf City)
Tha Silent Partner – Dance With The Godfather from the 2012 fortyFive release Dance With The Godfather (Tha Godfather Complex, Part 1)
Pete Lund – Gypsy Cab from the 2014 fortyFive release Gypsy Cab
The Impossebulls – Runnin’ With The Bulls (Marcus J / Mported Flows / C-Doc / cheese) from the 2014 Original release Everything Has Changed; Nothing Is Different
Tha Silent Partner – Rocket from the 2018 Original release Platters, Act 8: A Beat Plate For Pete Rock
Nic Bommarito – Runaway Friction Tester from the 2015 Original release A Quiet Age
Button: by-nc-sa
posted 17 January 2020

AAVV – Natale Sbilenco

AAVV – Natale Sbilenco
[EPH168]

AAVV

“Natale Sbilenco”

Natale entra Sbilenco in casa EPHEDRINA,
il Laboratorio stappa gli alambicchi per il 2020, ed inizia con un calcio d’inizio incorniciato da una entrata a gamba tesa nella mischia:

ANDREA GALLI, alle manopole con la sua “Subterranean Voices”, oscura al punto giusto, un turbine senza noia, seconda collaborazione di Andrea Galli ed i medici del Laboratorio EPHEDRINA!!!!!.

Fin qui tutto bene, adesso cambiamo reparto…..

Con FABER ONE e la sua “Walking Up” Il cosmo si muove a velocità Acida, vira a sinistra, vira a destra ma la traiettoria rimane unica, centrale a spazzar via tutta l’immondizia astrale.

Dopo il cosmo Acido arriva L’Acido Cosmico di GABRIELE RIZZO, con la sua “Elex05”, uno svarione svarionato che barcolla e non tracolla, sciabolade di oscuri presagi, un Dub ipnotico che ci scaraventa di nuovo da…….
MAURO DONATI e la sua acida “Hardacid crash” con i suoi trilli frizzi acidi, aciduli, corrosivi suoni che imboccano per il buco nero, hardblip su acidscreek.

Il buco nero sta per finire, in aiuto arriva di nuovo FABER ONE con la sua “Ckeck it out”, che piano piano ci porta alla fine, verso la luce, dove tutto si fa chiaro e i suoni sono lucidi, pronti per esplodere!!!!!!

Consiglio ascolto con Cuffia e dosi massicce di viaggi intorno, supporto totale con la diffusione senza limiti di espressione e libertà individuale.

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posted 08 January 2020

Various Artist – Sounds from the Finnish Hardcore Techno Underground Vol. 3

Various Artist – Sounds from the Finnish Hardcore Techno Underground Vol. 3
[KOVAWEB15]

Various Artist

“Sounds from the Finnish Hardcore Techno Underground Vol. 3”

1. Broken Machine – Last One
2. Skelic – Hiljaisen Yön Lumous
3. Shatterling & Talman – Everything
4. Spoeh – Humanity Rushing Towards Its Extinction
5. ázwb – Pahin Kaikista (Shatterling Rework)
6. Hiiden Virren Vinguttajat – Aron Tanssijat
7. Teknoaidi & Iconobreaker – Luonnon Nostatus (feat. Samu Kuusisto)
8. AM/PM Programme – Välke
9. SatanoiD – Tukos
10. Valovoima – Vortices II

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posted 03 January 2020

Secret Archives of the Vatican – East Meets East

Secret Archives of the Vatican – East Meets East

Secret Archives of the Vatican

“East Meets East”

Here in Europe, we often foolishly think of the east as inherently “other” or exotic. Even referring to “the east” implies we are somehow the centre or origin. East of where?

People are people, everywhere. We are interested in all the nations, all the musical traditions, all the histories. We like to explore a little of that with our music. Here, we look back at some ancient nations and cultures.
credits
released January 1, 2020

Button: by-nc-sa
posted 01 January 2020