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reFUGeeS From Beyond – Live Is Not Enough

reFUGeeS From Beyond – Live Is Not Enough

reFUGeeS From Beyond

“Live Is Not Enough”

reFUGeeS From Beyond – Live Is Not Enough

The Necrophile Hummingbird Non-Profit Netlabel presents Live Is Not Enough by reFUGeeS From Beyond

“Alien Egg Punk for Mutant Egg Cups”

This was the first album recorded in the new Champ du Possible studio.
Since then, many others have followed.
https://unclassable.tumblr.com

Recorded on July 8th, 2025 at Le Champ du Possible (“The Field of Possibilities”) in Dole. https://www.soloist.ai/atelierkol

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

What else?

The Cave Haven is gone, so it was truly moving to discover how this new place sounds.
I think it works — we will be able to continue our explorations here ;)

Dedicated to those who stand up against corrupted politicians,
like in France against the 316 murderers who voted for the Duplomb law. The people will not forget.

Since the recording, new events have unfolded.
It would be laughable if it were not so terrible: the same criminal politicians have introduced yet another law to bring back new pesticides.

If you are French, you can sign the petition against this new law here:
https://petitions.assemblee-nationale.fr/initiatives/i-5103

To understand the level of contempt in France: the Minister of Agriculture referred to victims of pesticide-related cancers as “morbid people.”
In other countries, she would not remain in office. But France is no longer a true democracy. The illegitimate President was elected only to prevent the far right from taking power — yet has done more for those very forces than any previous president.

Trump is a plague, but Macron too.
And beyond individual leaders: while opposing Trump over Greenland, Europe allows the Democratic Republic of Congo to remain under military control for the exploitation of coltan mines.

This is not about one leader, but about all leaders.
We need a different world to face different times.
Perhaps the worst of all are the multinational corporate leaders.
We, the people, must organize ourselves locally.
And if you don’t know — it may sound like fake news, but it is real: a U.S. company has developed an mRNA-based pesticide. There seems to be no limit to greed.
https://www.oecd.org/en/topics/sub-issues/pesticides-and-biocides/rna-interference-based-pesticides.html

There is already one product, Calantha (an RNAi pesticide), authorized in the United States since 2023.

posted 23 February 2026

Wahn – Echo Mist Light

Wahn – Echo Mist Light

Wahn

“Echo Mist Light”

Wahn – Echo Mist Light

Wahn is an electronic music producer based in Rennes, France, whose work explores the blurred edges between techno, ambient, and bass-driven sound design. His music is built around texture, weight, and duration – where rhythm exists as pressure rather than propulsion, and sound unfolds in slow, immersive layers.

The Drifted series marked a defining phase in his work: a body of releases rooted in rhythmless and slow-motion ambient music, shaped by heavy sub-bass, grain, and cinematic restraint. Each volume is released on a different label and in a different country, turning the series into an ongoing journey beyond comfort zones and algorithmic habits.

Across his releases, Wahn develops a deeply physical approach to sound. Sub-bass is central – not as impact, but as presence – while drones, echoes, and organic textures shape spaces that feel both intimate and unsettled. Melodic elements, often sparse and fragile, offer moments of breath and quiet clarity within darker emotional landscapes.

Whether working in ambient forms or moving toward more rhythmic territories – techno, dub-inflected structures, or hypnotic repetition – his music remains introspective and tactile. Wahn’s sound is less about narrative than sensation: a suspended state where tension, melancholy, and faint light coexist, resonating long after the music fades.

Echo Mist Light unfolds as a dense, inward form of techno – heavy, blurred, and suspended in echo. The music moves through foggy territories where rhythm is present but never dominant, shaped by pressure, repetition, and the slow accumulation of texture. Dub-inflected delays stretch time, while ambient drones linger beneath the surface, anchoring the listener in a space that feels both physical and psychological.

There is a constant tension throughout the album: unease without collapse, weight without aggression. Sub-bass plays a central role – not only as sound, but as sensation – pressing against the body, grounding the mind, reinforcing a feeling of persistence rather than momentum. The tracks seem to circle their own gravity, caught in loops, phases, and residual motion.

Yet Echo Mist Light is not closed or entirely dark. Within the mist, moments of clarity appear. Melodic fragments and restrained harmonies surface quietly, carrying a fragile sense of openness and release. Light does not arrive as resolution, but as something that holds – brief, subtle, and necessary. A glow rather than a breakthrough.

Balancing techno, ambient, and dub aesthetics, the album inhabits a liminal space where repetition becomes introspective and intensity turns inward. Echo Mist Light is music for suspended states – where pressure, doubt, and calm coexist, and where something continues to resonate long after the sound fades.

Composed, produced and mastered by Wahn
Artwork by Erwan Charier

posted 23 February 2026

Various Artist – The Owls of The Black Lodge vol.2: Fire Walk with Me

Various Artist – The Owls of The Black Lodge vol.2: Fire Walk with Me

Various Artist

“The Owls of The Black Lodge vol.2: Fire Walk with Me”

Various Artist – The Owls of The Black Lodge vol.2: Fire Walk with Me

Vocals in tracks 1 & 3: Mist Spectra.
Vocals in “Fire walk with Me” tracks: Sábila Orbe.
remixes, collabs mixed, cover artwork collage: Sábila Orbe.

All music composed by respective collaborators.

Artists collaborators links:
– The Owl: theowl.bandcamp.com
– Noxpox: noxpox.bandcamp.com
– Dagzzz: soundcloud.com/wearenotlovers
– 16bard: 16bard.bandcamp.com
– Black Market Brains: soundcloud.com/blackmarketbrains
– KΔDΔBRΔ: witchkadabra.bandcamp.com
– L.U.M.A: www.facebook.com/enghis.vonsharklor/videos
– Lezet: lezet.blogspot.com
– el_masmore: elmasmore.bandcamp.com
– Topi Reta: topireta.bandcamp.com
– Mean Flow: meanflow.bandcamp.com
– RAUPPWAR: rauppwar.bandcamp.com
– BLACKCANNON: soundcloud.com/blackcannonz

posted 22 February 2026

Charles Rice Goff III & Michael LaGrega – Commencing Tomorrow

Charles Rice Goff III & Michael LaGrega – Commencing Tomorrow

Charles Rice Goff III & Michael LaGrega

“Commencing Tomorrow”

Charles Rice Goff III & Michael LaGrega – Commencing Tomorrow

Commencing Tomorrow

by Charles Rice Goff III & Michael LaGrega

1 Uniphonic Dawn
2 Fresh As Copperfield
3 The Way You Wish Them To Live
4 Ever Ever Ever

INSTRUMENTATION:

Goff:

Korg R3 Vocoder/Synthesizer
Yamaha VSS-30 Sampler/Synthesizer
Voice
Stylophone
Artiphon Orba
Boss RC 20X Loop Station Loop Duplicator
JVC TD-W303 Stereo Cassette Recorder
Sound Samples From Random Cassette Tapes
Tascam 424MKIII 4-Track Cassette Recorder

LaGrega:

Moog Matriarch
Oberheim Xpander
E-MU PX7 Command Station
LR Baggs Venue DI Pre-Amp
Fourness Electric Violin
Eventide Space
Mackie VLZ 12-channel Mixer

SOFTWARE:

Cool Edit Pro II Multitrack Recorder
Audacity Multitrack Recorder
Several Plug-In Audio Sound Effects
Amazing MIDI Wave-To-MIDI Converter
Musescore MIDI Scorewriter
Roxio 2011 Sound Recorder

PROCESS:

Goff and LaGrega recorded ninety-nine minutes of unrehearsed improvisations on January 2, 2026, at the Taped Rugs Studio in Kansas City, Kansas, USA. The duo produced four individual recordings during the session, each following its own unique trail of interactive atmospheres and moods. Goff edited these recordings into their current forms between January and February, 2026, cutting the total playing time by roughly half of its original length.

The elements of “Uniphonic Dawn” were recorded first, as a single, digital, monophonic track. Originally intended as a test of the wiring set-up, this piece ended up displaying some considerable interactive artistry between the improvisers. Goff retained its monophonic attributes in his edit.

The other three improvisations were each recorded digitally as well as on cassette tape, through a Tascam 4–Track cassette deck. The cassette recordings broke the instrumentation into tracks that could be edited individually. Staying as true as possible to the ebbs and flows of the original improvisations, Goff removed some of the less compelling materials, moved some other elements forward and backward in time, and sparsely added effects to various bits. No materials from any of the four original recordings were transferred to any of the other original recordings. No new elements were added to any of the original recordings. No artificial intelligence (AI) was employed in the editing of this collection.

THEME (?)

As Goff painstakingly worked to refine these recordings, he became more and more conscious of how they acted together to subtly reveal the rudiments of a metaphorical jumping-off point for a journey into a new beginning. (Of course, this metaphor was conjured entirely by Goff’s imagination, which has often been known to stray from traditional human behaviors.) Goff’s whole “new beginning” idea was reinforced by the fact that this collection of recordings was literally birthed at the beginning of a new year.

posted 19 February 2026

Keith Helt – Unweaving

Keith Helt – Unweaving

Keith Helt

“Unweaving”

Keith Helt – Unweaving

This album was recorded between November of 2024 and November of 2025.

The songs were then mixed between November 2025 and January 2026.

The words were written throughout 2024 and 2025 and assembled into song lyric form in the fall of 2025.

All words and music written and performed by Keith Helt. Except for Stutter which is a song by Elastica.

Full album available for free download here: www.panyrosasdiscos.org

Any proceeds from this album will be donated to Assata’s Daughters. www.assatasdaughters.org
credits
released February 18, 2026

posted 19 February 2026

HELLBERG – Act ll

HELLBERG – Act ll

HELLBERG

“Act ll”

HELLBERG – Act ll
On 29.11.2025 HELLBERG’s second live performance in the ruins of Studio Braun.
This 45-minute drone set is conceived as a sonic exploration of the borderlands of human perception and existence. Between realms of frequency, distortion, and silence, a dense soundscape emerges in which the physical and the mental, the destructive and the healing, converge.
This is less a concert than a state, a process of relinquishing control while simultaneously seeking structure. An experience that resonates, imprints itself, and leaves lasting traces.
posted 19 February 2026

Gensai Hasegawa – Memory Rebellion

Gensai Hasegawa

“Memory Rebellion”

The prolific noise artist Gensei Hasegawa, who has released countless records around the world, finally arrives at MiMi Records with Memory Rebelion.

This 4-track EP is an experimental, avant-garde descent into dark ambient and harsh noise wall noise.

Like memories refusing to fade, the album builds towering walls of sound, corroded and unrelenting, where distortion becomes remembrance and rebellion becomes resonance against silence. A confrontation with forgetting in brutal form.

A sonic journey that must be listen.

posted 16 February 2026

Jazzaria – Feline Expectations

Jazzaria

“Feline Expectations”

Cat cohabitators know – with great cuteness, comes great expectations. Routines are established, and deviations are not tolerated. Habits are enforced by meow and claw, as once an order of events is set into motion, it must be brought to fruition.

Featuring concert and world percussion, including taiko, vibraslap, cuica, cow bell, triangle, udu, talking drum, timpani, snare, xylophone, marimba, fish bell chimes, and lion’s roar.

posted 15 February 2026

Various Artist – Dark Ambient on Friday the 13th

Various Artist

“Dark Ambient on Friday the 13th”

Compiled, cover collage: Sábila Orbe.

all tracks composed by the respective artists. All compiled from the internet archive 2026 latest releases.

Sources in tracklist order
https://archive.org/details/ghost-stories-ep/

https://archive.org/details/chaos-hunter

https://archive.org/details/somewhere-other-than

https://archive.org/details/RoucaCaliopeEris

https://archive.org/details/for-want-of-heaven-or-fear-of-hell/

https://archive.org/details/waltre-bicycle-madman_20260210

https://archive.org/details/a-dolls-decision-ost-moon-schweikert/

https://archive.org/details/DX-HyperGeometricIndifference

https://archive.org/details/blue-dot-sessions-thimble-rider

https://archive.org/details/NW3-20260125

https://archive.org/details/the-owls-of-the-black-lodge-2026

posted 13 February 2026

Hallhuber | Loh | Prinzip Nemesis – Loss

Hallhuber | Loh | Prinzip Nemesis

“Loss”

Recorded 08.04.2022 and 05.11.2022 at Young and Cold Studios, Augsburg, Germany
DW 8000: Daniel Hallhuber
Modular Synth: Sebastian Loh
Vocals+lyrics, Lyra 8, DFAM, bass guitar: Prinzip Nemesis
Field Kit: Gunnar, Jens, Prinzip Nemesis

recording: Daniel Hallhuber
mixing+mastering: brezenstudio
cover: Prinzip Nemesis

posted 09 February 2026

+/-0 – Stream of Unconsciousness

+/-0

“Stream of Unconsciousness”

A dark ambient journey composed of slowly evolving and interwoven feedback drones that submerge into the unconsciousness.

Recommended listening: asleep (if you like unsettling nightmares)

This work is meant to be a single piece: track 8 “Stream of Unconsciousness” is the continuous mix

Recorded at Home Office Studios in 2025
+/-0: Modular Synth

Cover photography: +/-0

posted 05 February 2026

Various Artists – 𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!!

Various Artists

“𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!!”

NOP-440
𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! No Problema Tapes version

𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! is a collaborative mixtape curated by Obituary Hermit & ᴋᴀꜱꜱɪᴀɴ ᴋᴏᴜʏᴀᴋɪɴ, designed as a way to bring together different artists from the underground internet music community, regardless of their respective musical genres and offer them a way to experiment and express themselves with absolute creative freedom.
All of the artists present on the tape were asked to make one or two tracks with no limitation at all. This text below was sent to each of them to give them a bit of inspiration, but they were also allowed to decide not to follow the « lore » of the project.

« The world is in big trouble. Giant monsters known as « kaijus » are attacking all across the globe. The ground is trembling beneath their feet, countries are falling, governments are hopeless ; the world as we know it is on the verge of collapse. But as all hope seems lost, a secret order only known as « The Underground » unités once again to face the otherworldly threat.
Will they be able to stop this monstrous menace ? Or is earth doomed for good ? »

𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! is a unique and fun project with many previously unheard sounds from artists you enjoy :)

Iₙ ₜₕₑ ₕₒₚₑ ₜₕₐₜ ₜₕₑ ₘₒₙₛₜₑᵣₛ wᵢₗₗ bₑ ₙₑᵤₜᵣₐₗᵢzₑd by ₜₕₑ ₐᵣₘₑd fₒᵣcₑₛ, ₐₗₜₕₒᵤgₕ ₐₗₗ ₕₒₚₑ ₛₑₑₘₛ ᵥₐᵢₙ, yₒᵤ’ᵣₑ ₛₜᵢₗₗ ₗᵢₛₜₑₙᵢₙg ₜₒ ₛᵤₙₛₑₜ ᵣₐdᵢₒ, ₐₙd ᵢₙ cₐₛₑ yₒᵤ dₒₙ’ₜ cₐᵣₑ ₐbₒᵤₜ dyᵢₙg, ₚₗₑₐₛₑ ₛₜₐy wᵢₜₕ ᵤₛ fₒᵣ ₐₙₒₜₕₑᵣ ₛₒₙg.
ₜₕᵢₛ ᵢₛ ” 𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! “.

posted 04 February 2026

Makunouchi Bento – Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)

Makunouchi Bento

“Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)”

The original soundtrack we made for Ioana Nicoară & Sergiu Negulici (Reniform) and Cinty Ionescu (Asociația Narative)’s “Ne/Re-văzut Muscel” project.
These are not songs, but background sonic illustrations, meant to play along with AR 3D animations and people telling their stories. Normally, they are designed to play continuously: there are 3 looped audio tracks, of different length, for each “song” – when played together, the overall sense of repetition is less obvious.
Here you can listen to short, ~3m rendered demos. We strongly advise you to download the album, find the 3 images included in the archive, install the Reniform app on your smartphone and use it to see the whole thing. The texts / vocal tracks are Romanian only.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Nouă instalații AR inserate în spațiul urban transformă orașul într-o arhivă vie. Fiecare punct de intervenție devine o poartă către povești personale și memorie colectivă. Cu ajutorul tehnologiei, aceste lucrări nu doar adaugă un strat vizual, ci deschid un altfel de dialog cu orașul în care privirea încetinește, iar memoria se reactivează pornind de la teme actuale identitarului colectiv. Cele 9 lucrări AR se construiesc pornind de la povești ale orașului, reprezentative pentru identitarul colectiv, atent selecționate și desprinse din arhiva artistei multimedia Cinty Ionescu. Aceste istorii sunt recontextualizate de artiștii vizuali Ioana Nicoară și Sergiu Negulici prin animații 3D și sunt incorporate în compoziții audio originale realizate de artiștii de sunet Makunouchi Bento, Sorin Păun și Alex Bălă. Lucrările AR au fost disponibile locuitorilor și vizitatorilor orașului prin folosirea unei aplicații gratuite instalate pe telefonul propriu. Amplasarea lucrărilor în spații publice sau neconvenționale ale orașului a fost însoțită de evenimente, activări și este inclusă pe o hartă fizică și digitală în catalogul interactiv NE/RE-VĂZUT: Muscel.

~

Nine AR installations embedded in the urban space transform the city into a living archive. Each intervention point becomes a gateway to personal stories and collective memory. Through the use of technology, these works do more than add a visual layer—they open up a different kind of dialogue with the city, one in which the gaze slows down and memory is reactivated through themes that resonate with contemporary collective identity.

The nine AR works are built around stories of the city that are representative of its collective identity, carefully selected and drawn from the archive of multimedia artist Cinty Ionescu. These stories are recontextualized by visual artists Ioana Nicoară and Sergiu Negulici through 3D animations and are embedded within original audio compositions created by sound artists Makunouchi Bento, Sorin Păun, and Alex Bălă.

The AR works were made available to residents and visitors through a free application installed on their personal smartphones. Their placement in public or unconventional urban spaces was accompanied by events and activations and is documented on both a physical and digital map included in the interactive catalogue NE/RE-VĂZUT: Muscel.

~

www.narative.ro/ne-re-vazut-muscel/

Written, produced, mixed and mastered by Felix Petrescu and Valentin Toma (Makunouchi Bento)

makunouchibento.org

posted 04 February 2026

Dormance – II

Dormance

“II”

Following the publication of a series of split releases French creatives Sobria Ebrietas and Iliaque have combined to create Dormance.

sobriaebrietas.bandcamp.com
iliaque.bandcamp.com

Rhythm tracks used on Dormance 13:
Suonho – Zajo_Loop22_02_commander-rwrk.wav CC-BY freesound.org/people/suonho/sounds/58619/
Suonho – Zajo_Loop22_02_lowbit&rephat-rwrk.wav CC-BY freesound.org/people/suonho/sounds/58620/

Artwork by Iliaque, based on photo by Derek Σωκράτης Finch: www.flickr.com/photos/sagesolar/53625252875/in/explore-2024-04-02/ CC-BY

[mhrk477]

The first Dormance album, I, was released on The Committee for Sonic Research and is available here:
tcfsr.bandcamp.com/album/i

posted 03 February 2026

Jazzaria – Art Was Attempted

Jazzaria – Art Was Attempted

Jazzaria

“Art Was Attempted”

Jazzaria – Art Was Attempted

“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”

So it goes.

So *something* goes. For now – until it becomes something else. Yet, still – the same.

Featuring bass clarinet, and breathing.

posted 02 February 2026

Câmera Analógica – even the softest hearts need somewhere to rest

Câmera Analógica – even the softest hearts need somewhere to rest

Câmera Analógica

“even the softest hearts need somewhere to rest”

Câmera Analógica – even the softest hearts need somewhere to rest

It is another beautiful debut in the MiMi Records catalogue.

This time, the project Câmera Analógica presents even the softest hearts need somewhere to rest, an EP built as a collection of small scenes, inspired by the aesthetics of visual novels and the soundtracks of the 2000s. Each track is presented with beautiful lo-fi beats that capture an intimate, quiet moment, where comfort, nostalgia, and emotional pause meet.

The record moves through urban landscapes, lighter weekends, and moments of contemplation, creating a safe space for feelings that don’t need to be explained. The track titles carry personal meanings, yet remain open to interpretation, inviting the listener to find their own stories within the sound.

An EP to listen to on repeat with headphones.

posted 01 February 2026