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Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea

“Demand the Impossible / The Sofia Intuition”

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

released February 1, 2026

A. Stefan Christoff – Demand the Impossible

01. A sky entrance
02. Arc
03. Turning in the Bosphorus
04. Demand the Impossible

An album recorded in Sofia, Bulgaria one late evening in October 2023
Recorded and mixed by Yoncho Pavlov at AD 57, Sofia, Bulgaria
All piano compositions are original improvisations by Stefan Christoff

B. Open to the Sea – The Sofia Intuition

1. Please stop loving me
2. I will not wake you up
3. I recognise you
4. Bodies in contact

Reworks of Stefan Christoff’s original piano recordings with:
Saverio Rosi – OP-1 with wind instruments, double bass, synths
Matteo Uggeri – laptop, samples, random drumming
Enrico Coniglio – guitars

Mastered by Ryan Morey
Original artwork by Catalina Villegas-Burgos
Layout by Angel Draganov

Síntesis boreal

Esta pieza surgió como una experimentación con la idea de los triángulos, sus búsquedas de balance y de síntesis. Me sentía atraída por la energía del sol y los eventos cósmicos como eclipses y auroras boreales, así que los puse a danzar y a atravesarse. Cuando escuché el álbum de Stefan ‘’Demand the Impossible’’ sentí que mi experimentación le venía perfectamente por el juego de voces entre el bajo y las notas un poco más agudas e insistentes de esta obra. De algún modo, veía también los triángulos en su música y los tonos ‘boreales’ sobre fondo oscuro. En ambas obras: la musical y la visual, percibo desplazamientos y formas que se cruzan. Cuando ambos triángulos se encuentran, ¿es el sol un testigo de aquel eclipse o es acaso una fuerza oculta?
– Catalina Villegas-Burgos. (album artwork artist)

///

It felt unlikely that this recording session would actually happen in Sofia, Bulgaria, but I am really happy that it did and I can share this moment in time. I had played a concert in Sofia that same evening hosted by Tsvetan Tsvetanov of the experimental Bulgarian National Radio program Alarma Punk Jazz. After the show finished I rushed over to the basement studio, AD 57, just before midnight. Sound engineer Yoncho Pavlov generously agreed to record this session super late and we recorded until just before 2 am in the morning. After the session I ran back to the apartment where I was staying with Canadian activist scholar Ezra Winton, packed my bags and rushed to the airport for a flight to Berlin that was set to depart at around 6am.

Despite all the rushing around this recording, the mood and feeling of the sound reminds me of the stars. In certain parts of Sofia there aren’t a lot of street lights and the sky feels close to touch. The mountains that shape the Bulgarian landscape also hold a presence and vibe in the capital city. While playing piano I was thinking of the sky above, the stars and the lands around Sofia and the Balkan region. This project is important to me because of my Bulgarian roots, my father is Macedonian Bulgarian. It was a long road from growing up in Canada to finally making it back to Bulgaria and to finding a path to work on this recording and music in Sofia. I hope that you can feel the emotional resonance in the piano tones.

Another layer to this recording is the fact that recording took place in the context of the Israeli state’s military attacks on the Palestinian people in Gaza. The recording took place in November and the horrifying news coming out of Gaza spanked an intense need to take action around the world. In the week before this recording I had been with friends at protests and events to mobilize for Palestine in Montréal, Amsterdam and London. I was often thinking about Palestine during this recording session and the critical importance of sustaining an involvement and finding ways to support Palestine throughout my lifetime. Walking with and supporting the Palestinian struggle for freedom and against colonialism is one of the essential progressive causes of our time, we must never be silent and always find ways to stand up when Palestine is in the headlines and critically when it is not. I certainly was thinking of my Palestinian friends and comrades around the world who have played such an important role in my life over the last decades throughout this recording, that is the honest truth. I hope that you can hear the sense of commitment and urgency around supporting Palestine that I have carried and acted upon my entire adult life.

Thank you for listening to this solo piano recording from Sofia, it means a lot to me, sending love from Montreal.
– Stefan Christoff.

[mhrk478]

posted 01 February 2026

R cord – Distant Pressure

R cord – Distant Pressure

R cord

“Distant Pressure”

R cord – Distant Pressure
In Distant Pressure, R cord broadcasts from a city that hums itself to sleep. Echoes ripple through concrete, guiding a lone driver on a neon Night Drive. Beneath the streets, the Subharmonic Field breathes, bending time. The air tightens—Distant Pressure—then breaks into Waves of memory. Deep In (I a-b Reedit) sinks the listener below signal and thought, with Fingers in the Noise tuning reality by touch. At dawn, Distant Echoes – the Radiant Edit fades, and the city remembers it was alive.
posted 31 January 2026

reFUGeeS From Beyond – Under The Radar

reFUGeeS From Beyond – Under The Radar

reFUGeeS From Beyond

“Under The Radar”

reFUGeeS From Beyond – Under The Radar

The Necrophile Hummingbird Non-Profit Netlabel presents Under The Radar by reFUGeeS From Beyond.

“Forbidden Music for Unknown listeners”

Improvisation recorded the 20th December 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku

“We are like Ulysses, hidden under the sheeps, safe from the eye of the Cyclop. It’s time to retaliate before he catches us.”

Special Thanks to Seebille for helping this album to come alive.

Dedicated to all the ICE victims, especially Renee Good & Alex Pretti but they are only the top of the ICEberg. https://en.wikipedia.org/wiki/List_of_deaths_in_ICE_detention and to anyone struggling against ICE, Fascism and Imperialism.

(In france the cops are killing too, this month it was El-Hacen-Diarra. In Iran it’s more than 20 000 protesters killed, 40 000 are in jail and can be executed quickly. Cops are not the only murderers, more than 70 000 Palestinians killed between October 2023 and 2024. In Rojava the kurdes are in danger and 50 000 civilians have been already displaced. What a sick world…)

Spread the ICE List to help the resistance https://icelist.is

Visual Artwork done without IA, good old edit of my photographies.

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posted 30 January 2026

Jazzaria – The Practiced Tone and the Drop of Blood

Jazzaria – The Practiced Tone and the Drop of Blood

Jazzaria

“The Practiced Tone and the Drop of Blood”

Jazzaria – The Practiced Tone and the Drop of Blood

Periodically, things happen. The specifics depend upon whom they are happening to. Regardless, it can be understood as the union of two sets – that which is expected, and that which is not.

The expected is best met with preparation – practice makes perfect, when a thing can be practiced.

The unexpected requires something else – it asks of us a certain height. To achieve what we can, and to go beyond it, even – especially – imperfectly.

Featuring clarinet.

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posted 25 January 2026

KYO – Outtemporary

KYO – Outtemporary
[Insectorama221]

KYO

“Outtemporary”

KYO – Outtemporary

In the orbital city of KYO, a new dubtechno signal dropped: Outtemporary. Static Flow powered the reactors, a steady pulse holding time in suspension. Along the Driftline, ships slid without thrust, guided by bass and delay. At the Peripher, shadows listened as Echoform folded memories into sound. When systems failed, Aftershape emerged—residual rhythms rebuilding the future from reverberation. The city survived by looping forward, forever out of time.
credits
released January 16, 2026

Insectorama221
all tracks by KYO
Mastering & Artwork by Markus Masuhr

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posted 20 January 2026

Various Artist – Informátor OOII

Various Artist – Informátor OOII

Various Artist

“Informátor OOII”

Various Artist – Informátor OOII

Druhá polovina osmdesátých let, Československo. Zpoza železné opony sem různě konspiračně a pokoutně pronikala i divná hudba, hudba nová jiná odlišná, nové postupy, nové nástroje i nenástroje. Samozřejmě vnímavější domácí hudebníky ihned zaujala a zkoušeli napodobovat i zkoušet zcela po svém. Pomocí kutilství, národu vlastnímu, tvořili, hráli i nahrávali. Současně vznikla potřeba nejen se prezentovat doma, to zcela mimo oficiální instituce, ale i ukázat těm na Západě, že umíme, že nejsme jen národ Gotta a častušek. Iniciátorem byl Tonda Hlávka z Veselích Filištínů, kazety se kompilovaly u Vítka Hofhanzla. Zúčastnili se tak hlavně přátelé okolo VF, ale v té době byla scéna natolik malá a uzavřená, že přátelé byli všichni kdo začali tvořit industrial, postindustrial, různé zvukové experimenty atd.Ale obě kazety, které byly propašovaný přes hranice a vyšly pod hlavičkou italského labelu Old Europe Cafe a belgického Corrosive Tapes nejsou jen o industriálu. Je to průlet mnoha styly od postindustriálu, nové vlny po postpunk, sound experiment až po romský folklor.

“Poslouchej skrz sluchátka. Jsi majitel jediné kopie. Kopie je chráněna Dolby. V Praze jaro 1989 Československo!!”

The second half of the eighties, Czechoslovakia. From behind the Iron Curtain, strange music was also penetrating here in various conspiratorial and subtle ways, new music, different, new methods, new instruments and non-instruments. Of course, the more receptive domestic musicians were immediately interested and tried to imitate and experiment in their own way. Using DIY, a craft of their own, they created, played and recorded. At the same time, there was a need not only to present ourselves at home, completely outside of official institutions, but also to show those in the West that we can, that we are not just a nation of Karel Gott and chastushki. The initiator was Tonda Hlávka from Veselí Filištínů, the cassettes were compiled by Vítek Hofhanzl. Mainly friends from around VF participated, but at that time the scene was so small and closed that friends were everyone who started creating industrial, post-industrial, various sound experiments, etc. But both cassettes, which were smuggled across the border and released under the Italian label Old Europe Cafe and the Belgian Corrosive Tapes, are not just about industrial. It is a journey through many styles, from post-industrial, new wave to post-punk, sound experiment to Romani folklore.

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posted 20 January 2026

Holy Fanda & The Reverends – The End of The Road

Holy Fanda & The Reverends – The End of The Road

Holy Fanda & The Reverends

“The End of The Road”

Holy Fanda & The Reverends – The End of The Road

released January 19, 2025

Holy Fanda

guitars, banjo (3), bass (1, 2), harmonica, vocals
Nick Jennings

drums, banjo (5, 6), bass (3), vocals (5)
Jarda Svoboda

harmonium (2, 3, 5, 6)
Tommy Levecchia

trumpets (1, 2)
Jakub Schmid

trumpets (2, 4, 5)
Vojta Noha

clapping hands (4), vocals (3, 5, 6)
Music Holy Fanda
Lyrics Holy Fanda with Alasdair Bouch (1, 2, 4, 6)
and with Noah Treacher (3, 5)
Recorded by Vojta Noha, Nick Jennings and Jarda Svoboda in 2014 and 2015 and with Ondřej Ježek in 2025 in Prague
Mixing Ondřej Ježek (studio Jámor)
Produced by Nick Jennings & Holy Fanda
Mastering Gargle & Expel, Dublin & Prague
Label Polí 5 / 2025 / EPP 285-1
Cover art Carton Clan
Photo FH archives
With this edition thanks to Dalton, Noah, Martin and more

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posted 20 January 2026

Jazzaria – Local Optima

Jazzaria – Local Optima

Jazzaria

“Local Optima”

Jazzaria – Local Optima

Local optima aren’t – plurality runs counter to true highs. Yet such sweet spots are satisfying nonetheless, and worth indulging in from time to time. Ideals, subjective or otherwise, are still a matter of perspective, and benefit from such reflection.

Featuring electric keys and effects.

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posted 18 January 2026

Atomai – SIGNALAI 3

Atomai – SIGNALAI 3
[EEM076]

Atomai

“SIGNALAI 3”

Atomai – SIGNALAI 3

Atomai constructs a bridge between the hiss of the past and the synthesis of the future.

SIGNALAI 3 continues ambient journeys through old tape recordings and new inventive adaptations of audio technology.

An exploration of signal processing by manipulating found footage, tape artifacts and integrating harps, strings and flutes.

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posted 15 January 2026

Yogurt for Breakfast – Help Wanted

Yogurt for Breakfast – Help Wanted
[pn249]

Yogurt for Breakfast

“Help Wanted”

Yogurt for Breakfast – Help Wanted

The release “Help Wanted” by Yogurt for Breakfast (Emilio Adasme) is a journey that involves the painstaking deconstruction of a sonic fragment into unique spaces, where the sample comes alive, being played like an instrument, as the performer explores the complex relationship between rhythm, melody, and timbre. It is the beautiful experience of witnessing a beat flow and stretch into a passage full of layers — or listening as it suddenly collapses into itself, sounding almost like a guitarist juxtaposing rapid passages, pauses, and fluctuating melodies that hover in the limbo between tone and rhythm.

It is expression carried to its highest potential: using the smallest grain of sound and shaping it into an architecture that is both intricate and thrilling. At times we are given glimpses of its raw material; moments later, we witness its metamorphosis and allow ourselves to be enveloped by its striking presence. It’s astonishing to hear how something so tiny becomes disassembled, revealing its inner complexity — and even more exciting when we recognize its origin, yet find it transformed into something entirely different.

It’s funny that the majority of these sounds feel both familiar and unfamiliar at the same time, creating a strange duality of closeness and distance. We experience a kind of Berenstain-syndrome effect, where we believe we recognize something even though we are not certain what it is.

To sum up, I find it remarkable how something so small and recognizable can turn into such a complex, unsettling monster — all thanks to the exploration of sound with the sensitivity of someone playing an instrument, where fluidity breathes life into something that feels both familiar and entirely new.

José Miguel Barriga
(Santiago, Chile. January 2026)

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posted 15 January 2026

Various Artist – Digital Family Vol. 12

Various Artist – Digital Family Vol. 12
[DigitalDiamonds113L]

Various Artist

“Digital Family Vol. 12”

Various Artist – Digital Family Vol. 12
Prepare to expand your consciousness with VA Digital Family 12, expertly curated by Alic! This collection showcases tracks from visionaries like Adamson, Brun Balanced, Anyer Quantum, Gone West and many more, merging Psychedelic Techno with Progressive elements.
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posted 13 January 2026

GodHatesGodRecords – Anti f:Orm Volume 12

GodHatesGodRecords – Anti f:Orm Volume 12

GodHatesGodRecords

“Anti f:Orm Volume 12”

GodHatesGodRecords – Anti f:Orm Volume 12
Anti f:Orm Volume 12

Curated Patrick masson.
Cover art Thierry Massard.
Master Niko Deck at Le Belgicide. (nikodeck@gmail.com)
2026 God Hates God Records.
Mitwirkende
veröffentlicht am 1. Januar 2026

“Tout est possible, nous ne sommes pas limités par la technologie,
ou les instruments. Nous ne sommes limités que par notre état d’esprit”.
Don Buchla.

Thank you to all the artists present for this flight number 12 !

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posted 10 January 2026

Humanfobia – ᐁ Living in a Haunted House ᐁ EP Version

Humanfobia – ᐁ Living in a Haunted House ᐁ EP Version

Humanfobia

“ᐁ Living in a Haunted House ᐁ EP Version”

Humanfobia – ᐁ Living in a Haunted House ᐁ EP Version

all tracks by Humanfobia.

track 5 in collaboration with Innocent Darkness.
track 6 in collaboration with noxpox

Humanfobia is an experimental, vaporgoth duo from Rancagua, Chile.

EP version of V/A ᐁ Living in a Haunted House ᐁ.-

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posted 09 January 2026

Jazzaria – Dubiously Superior Powers

Jazzaria – Dubiously Superior Powers

Jazzaria

“Dubiously Superior Powers”

Jazzaria – Dubiously Superior Powers

Claims are often made that such and such is, in some ways, superior to this and that. Neither this nor that are deeply considered – they are but side characters to the heroics of such. Yet when scrutiny is applied, superiority is revealed to be merely difference, where its directionality is subjective and complex. The imposition of power over difference becomes a dubious mark.

Featuring Teenage Engineering OP-Z synthesizer and riser effects.

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posted 07 January 2026

Annelieses Zerstörung unter gefrorenen Monden – AZugM I

Annelieses Zerstörung unter gefrorenen Monden – AZugM I
[ACP 1469]

Annelieses Zerstörung unter gefrorenen Monden

“AZugM I”

Annelieses Zerstörung unter gefrorenen Monden – AZugM I
formed exactly hundred years after the Hinterkaifeck murders in 1922, Annelieses Zerstörung unter gefrorenen Monden (Anneliese’s destruction under freezing moons) turns Bavaria’s dark history, its nature and its politics into audio art with elements of Metal, Noise and Dungeon Synth (and soon Neofolk as well)
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posted 05 January 2026