Part of the Lately Kind of Yeah archive series.
Gastr is yet another short but sweet EP offering from Lately Kind of Yeah. Fully in his element of noise / pop master craftsmanship and containing some of my favorite tracks from him, “Where is My Jaw” and “Meditate”. A fine place to begin with LKOY if you are just beginning to explore his archive.
Words from the artist:
“Sometime in 2014, an original B.C. Rich Warlock was gifted to me by one of my dad’s old buddies. I took it as a sign that out in the ether, my dad was still listening and encouraging me to keep writing music. The Warlock has since become a phenomenal inspiration with all of its quirks and issues, leading my writing towards a darker and more abrasive sound. Gastr came together quickly as our ‘getting to know each other’ exercise, influenced by the many noise and pop bands I was listening to, and the Warlock itself.”
a sonic absurdity around DT, and his friends, in 12 parts
based on the 12-cycle poem Innermost Outlandish Ego by frank ruf
all tracks arranged from live session recordings 2018/19
Fábio Miguel “famifox” and Miguel Batista “nunex” in the artistic world known as “Studio BROS” two young guys living in the capital city of Portugal, Lisbon born and raised in Quinta do Mocho, from their teenage friendship they started to create and make music. From the start motivated in expressing their traditional African rhythm with electronic these two young producers started their journey back in 2007, following came their creation “Alto Nível Produções” an outcome from their hard work and creativity producing in their own bedrooms their passion for music pushed them to create various themes.
Their entrance on the record label Príncipe allowed them to gain experience and maturity, in their collective songs they participated in two compilations, the first one was for the Portuguese label Príncipe entitled “Mambos Levis D’Outro Mundo” and the second one was entitled “Carga” by the English record label Warp Records.
The duo has being recently reinforced with the recent project “Lendário” soon to be released in December 2018 this partnership with the label TAR, allowed the duo to expand their unique creation and authentic of the two young producers.
The two boys aim that with their themes and projects they are able to inspire young talents that are less fortunate and that don’t have much help, and be the living proof that music has no borders.
All songs composed and arranged by Diego Lorenzini, but “Valparaisito”, composed by Diego Lorenzini and arranged by Javier Bobbert.
All the lyrics written by Diego Lorenzini but “Introduction to Viva Chillán, Una Crueldad Unnecesaria” written by Diego Lorenzini along with Cristóbal León, and “Viva Chillán, Una Crueldad Unnecesaria”, compiled from different fragments written by anonymous authors and reorganized by Diego Lorenzini.
“Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando” is based on a true story of the actrees and theater director Nicole Waak.
Diego Lorenzini: Vocals, guitars, ukulele, bass, keyboards, percussions, drums, “trumpets” and programming.
Guest musicians:
Erlend Øye: vocals and “trumpets” in “Me Voy a Valparaíso”
Tiare Galaz (Storm Girl): vocals in “Chao Mi Niño”, “Billete de Luca” and “Pony”
Chini Ayarza (Chini.png): voices in “Mierda”, “Pony”, “Billete de Luca”
Rosario Alfonso: vocals in “Sin Otro particular Se Despide”, “Me Voy a Valparaíso”, “Pony” and “Billete de Luca”
Simón Campusano (Niños del Cerro): vocals in “Estamos Fritos”, “Sí Po'”, “Billete de Luca” and “Pony”
Nicolás Lorenzini (The Rapin Brothers): vocals in “Pony” and “Billete de Luca”
Martín Perez Roa (Merci): keyboard in “Me Voy a Valparaíso” and vocals in “Billete de Luca”
Javier Bobbert: guitar solo in “Valparaisito” and in “Me Voy a Valparaíso”
Juan Celofán: vocals in “Billete de Luca”
Juan Manuel Daza: vocals in “Billete de Luca”
Maite Pizarro: vocals in “Billete de Luca”
Alejandro Pino: Flugelhorn in “Spoiler”, “Mierda” and “Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando”
Produced by Diego Lorenzini along with Martín Perez Roa (a.k.a. Merci) in Estudios Niebla.
Mastered on analog tape by Arturo Zegers in Estudios Triana
Project made by polish, Warsaw based anonymous artist.
The sound of юродивый is closely related to the emotional side of everyday life in a modern world. Acoustic piano recordings combined with electronic instruments and samples are the main components of the atmosphere of this project.
The name юродивый means the fool for Christ which was one of the main models of the sanctity in the Russian orthodox catholic church. Foolishness, emotions and disappointment are the three elements which gave life to the “Fallen expectations” – debut release of this project.
The three productions were recorded during one night studio session in winter 2018/19.
released September 16, 2019
εκεί was the first album of yosoyunotrotú
Recorded in Poland and Mexico, September 2010 to April 2011
Originally published by circlesandlines recordings on May 23, 2011
All music by
Krzysztof Polaczenko (guitar, flute, trumpet, voice, piano, electronics)
Quetzal Contla (synths, piano, glitchs, electronics)
Review: Emmerichk is a long-standing mexican producer in the electronic music scene who gives now six dub techno tracks in its purest essence. His proposal is more in the intimate side and it is characterized by micro-nosey and glitch. The quest for atmospheres that is proposed here delivers duality between oneiric and the real, lifting us up to a spacial drift trip and great contemplation.
An album to enjoy in its entirety with very interesting textures and deep inwardness.
André Baradit, Valparaíso, 2019.
auteur compositeur
Simon Carbonnel
Simon Carbonnel & Marion Gaume pour le Déclin de la bête feat Mesparrow
Visuel : photo orignelle CSZ Photographie,
logo Martin ROULET
l’ingé son : François Kerjan
mastering : Léonard Lelièvre
Poborsk makes his Crazy-Language debut with a very special sensory release for us the listeners and to the producer himself. These seven crisp constantly shifting artefacts are the result of a multitude of live tracks, reworked here for cozy home listening, from when the producer opened a gig in Lyon for the legendary Autechre. The giddy excitement is palpable on the craftsmanship present on each song, not only recollecting the Manchester based duo’s latest atonal journeys but with the rhythmic balance and jiggly synth work, trademark of Poborsk’s varied discography. It’s hard not to get up and start contorting your body onto odd angles with bangers such as Docteur Flanger or Collapse.
As is tradition with Crazy-Language’s latest outputs, this release contains 3 very methodical video pieces that seem to clash perfectly with the pristine nature of the audio journey. These glitched, heavily erratic pieces are the contrast needed to bring everything full circle. Or in Poborsk’s case full Euclidean. (FG)
Another sad acoustic reggae trip…
“Home-crafted” between 2017 and 2019.
As usual you can freely download, listen, re-use in your own creations, sample, destroy !!
Provided you :
name the source,
never sale
publish your work under the same licence so others can create with your material too.
/// CCBYNCSA licence ///
MAY FREE CULTURE LIVE LONG ;)
Thanks to all helpers for any kind of support !
credits
released July 14, 2019
Credits
Joseph Sardin’s samples
William Blake’s poems
Jiddu Krishnamurti’s recordings on “Apocalypse skank”
Samples of Depardieu and Serrault in Blier’s movie “Buffet froid” + l’Abbé Pierre on “Tout ira très bien”
Tatjana’s 2nd guitar on “The little vagabond”
Some Acid Pro’s samples (Brian Daly, Dave Abbruzzese, Paul Black, William Tucker)
Choir on “A creative riddim”
GAAR picks up the skeleton of the Nuer’s previous EP and adds a more vigorous rhythmical structure and textures, creating a sonic hybrid torn between punk and techno.
Noise. Distorsions. Chants.
У: Гоплит, Коттаб, Пифос. Что это за названия такие?
А.Б.: Это тоже античные термины.
У: Античные, говоришь? Как и «агальма»?
А.Б.: Именно. Такую я выбрал концепцию.
У: Значит, говоришь, в альбоме есть какая то концепция?
А.Б.: Есть, но не четкая. Я её привязал к названиям песен и к самой музыке.
У: Но все таки она есть! Я внимательно слушаю!
А.Б.: Ну в общем как то так. Гоплит – античный пехотинец. Трек звучит грозно. Он о человеке на войне. Коттаб – античная алкогольная игра. Человек возвращается с войны и окунается в мир развлечений и алкоголя. Пифос – античная посуда. Диоген жил в пифосе. Развлечения не приносят человеку радости, и он, подобно Диогену, начинает жить в пифосе и стает кем то вроде мудреца. Что то типа того.
— Из материалов допроса Артема Бембы, проведенного 31.10.2018 уполномоченным Управления Синглов И Альбомов При Министерстве Звука и Музыки по поводу выхода его нового альбома AGALMA.
16 instrumental hip-hop tracks produced & mixed by aitänna77 [March / August 2019].
credits
This beat tape contains Rock, Pop, Funk, Soul And Electronic sounds from the Soviet Union.
