BJ Piggo
– soundcloud.com/bjpiggo
– www.instagram.com/bjpiggo/
– linktr.ee/BjPiggo
– universalplayground.world
Artwork by Yulya Esipova (Jenzo)
– www.instagram.com/yulyajenzo/
Mastering / additional mastering
– www.gaex.org/
released May 17, 2021
[Version Française en dessous]
The Necrophile Hummingbird netlabel presents an automatic poetry & music album.
“Ghost poetry & music for ghost listeners”
Under the same title that Arthur Adamov’s ephemeral revue “Discontinuité”are reunited two poems by Monny de Boully. The first one “l’Aorte des fantômes” published only in this revue . The second one Er l’Arménien also published in “Le Grand Jeu” revue. morne.free.fr/celluledessites/Game/index.htm
Free Download in Flac and Wav format on our bandcamp profile
zonefusion.bandcamp.com/album/discontinuit
Improvised Music recorded the 28th January 2020 at Studio 112 in Dole.
Line-up :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
We choise to keep volontary buzz, crackles, any kind of sound slags in this recording. This is not sanitized music.
Sleeve Artwork “PAS ENCORE” by Dida de Mayo.
Another track extract from the same session is available on yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
[English version at the top]
Le netlabel le Colibri Nécrophile présente un album de poésie automatique accompagné de musique improvisée.
“Poésie et musique fantomatiques pour public fantome”
Sous le titre de l’éphémère revue d’Arthur Adamov “Discontinuité”. Voici réunis deux poèmes de Monny de Boully. Le premier l’Aorte des fantômes n’a été publié que dans cette revue. Le second Er l’Arménien a été aussi publié dans le Grand Jeu. morne.free.fr/celluledessites/Game/index.htm
Téléchargement gratuit au format Flac ou Wav sur notre profil bandcamp
zonefusion.bandcamp.com/album/discontinuit
Musique improvisée enregistrée le 28 Janvier 2020 au Studio 112 à Dole.
Membres présents :
Studio 112 studio112.bandcamp.com/
Ed End ello.co/ed_end
Le souffle, les craquements, toutes les scories de cet enregistrement, ont été volontairement conservés. Ceci n’est pas de la musique aseptisée.
Illustration de pochette “PAS ENCORE” par Dida de Mayo.
Un autre morceau issu de la même session est disponible sur Mushotoku Ear Bleeding yoshiwaku.bandcamp.com/track/welc0me-0n-n0netw0rkz0ne
Drinking from a section Poems with Ink by Animateatro, I proposed a multiplication of it.
Joining the various stimuli, a diary is born that unites so many, the self in will, the word felt in a poetic way, the image seen in singularity, the music that as a spice packs this multiplicity of contributions.
For those who do not know Rafael Diogo this is an excellent record to start the demand about his work.
Repetitive and sometimes minimal, this is the incursion into this Anima Space. Rafael, or more specifically 9VoltDisaster, seeks to capture the moment, his space and time. Composer of and with nature, his field recordings make this record a whirlwind of sensations, intensities, endless searches for the ideal scenario.
Anima Space are stories, some shorter, others longer, with common places and others at opposite ends. Stories drawn in a space and time appropriate to the language of its composer. A record full of seeds in germination. Rafael takes us from the city’s dance to rural tranquility in 8 fascinating tracks.
To listen in tune with the nature that surrounds us. 9VoltDisaster ─ this is the name to keep.
1 – Robert Cole Rizzi “Wind, Water, Wood”
I went out sound hunting on february 26th 2021. Had an idea about recording the ambient sound as well as a contact mic recording of a tree simultaneously… Went to a nearby place by a stream, where I knew there would be reasonably quiet.
It was kind of windy, so there’s some low rumble in the recording from the tall trees
3 channels 2 from Lewitt LCT 540S’s in NOS and 1 from the Schertler “tree bug” microphone, mixed into stereo
www.facebook.com/robertcole.rizzi
2 – Frédéric Nogray “Hydroboulisme cauchemar d’une sardine en boite”
C’est avec étonnement et fascination que nous sommes invités à partager les tribulations ombrageuses d’une sardine en ivresse parmi quelques unes de ses consoeurs sur la piste de danse d’un recoin reculé du Canal de l’Ourcq à Paris capturées lors d’une chaude journée de printemps 2015 par la membrane attendrie d’un microphone jeté là par dépit par son propriétaire qui recherchait rageusement la roue avant de son vélocipède ayant de toute évidence du se jeter dans les eaux tumultueuses du canal dans le but plus qu’évident de se rafraichir. An extraordinary and historic document of such things that sometimes happened far from the ears of a common nature.
fredericnogray.bandcamp.com/
3 – Acoustic Mirror “Threshold”
“Threshold” is the result of one of many work processes I engaged with while researching the condition of listening under confinement. In this case, I resorted to the sound-activated recording feature of a small handheld recorder. Sound-activated recording needs an indication of what sound level is to be recorded – this is the so-called threshold. I configured it and set it up in my studio, and went around my usual chores.
The resulting recordings ranged from basic room tone, footsteps, housekeeping and other domestic soundscapes, and the occasional street noise, all starting with a particular sound that went, so to speak, over the threshold.
acousticmirror.tumblr.com
Produced by JOTA ESE for Trilobite Donuts
Engineered by Mitch Jones
Mixed and Mastered by JOTA ESE
Additional Production by Kyle Davis, Caleb Hickman, Mitch Jones, and Charlie Shea
Vocals, Guitar, Bass, Drums, and Samples by JOTA ESE
Guitars by Tyler Davis, RICHIE, Evan Penza, and Charlie Shea
Keys by Mitch Jones
Saxophones by Caleb Hickman
Percussion by Kyle Davis
Background Vocals by Alicia Gail and Tyler Davis
Artwork by Tyler Davis
Recorded at Mitch’s Studio, Nashville TN USA
2021 Day Old Records
#DOR083
www.DayOldRecords.com
credits
released May 14, 2021
(j. stout, m. jones, k. davis, c. hickman, c. shea, r. kirkpatrick, t. davis, e. penza, a. gail)
Composed from September 2020 to May 2021, home-crafted in Jard-sur-Mer (H6 zoom, Acid pro).
credits
released May 15, 2021
Classical guitar Cuenca, fretless micro-bass, voices, arrangements (sample work on synths, drums, brass, FX) – Kohree aka Mournful Skank
Thanks to Joseph Sardin for his free sounds and Erin O’Rourke for her reading of ‘A vampire’ of Luigi Capuana on ‘Fangs’.
To Lucie.
Higgledy-piggledy dedicated to : Djob’, Likma, Vinzou, Tat’, Bav’, Manoche, Brujita, Le Matt’, So, Le Sarg’, Bloody Hell, Ladj’, Pa & Ma, Philou, Le Baron, Christophe ‘Le doc’, Ze Struff family, Djé, Jij’, La Ratch’.
(Under ccbyncsa licence : you can freely download, sample, play even in public provided you name the source properly, indicate changes, publish under the same licence and never use comercially)
May free culture live long !!
Do not hesitate to contact me for infos, use of my songs or projects :)
“Inspiration found between four walls: a new and exciting package of electronic music on a split digital release of two young music producers”
dvidevat and Nulla are among the youngest Ljubljana-based electronic producers. Electronic music culture is what drives them: they both started as DJs, researching different types of electronic and non-electronic music and DJing in many clubs in Ljubljana, and both evolved their listening skills as electronic music producers through institutional and mostly non-institutional education. The split digital release 068/078-1 presents their first longer music work and unveils their musical influences, which inspire them again and again and give them the drive to re-enter the four walls of their studios and their favourite clubs.
The split digital release seems to be a one-piece album, but attentive listeners will find a clear line between the two prominent electronic artists. The joint release may paint their music similar, but it also shows their differences. Where dvidevat tends to develop the sound of the Detroit old-school electro and short but memorable melodies, Nulla progresses with darker UK experimental electro with a touch of breaks, IDM and bleep. It’s clear that they… more
credits
released May 11, 2021
dvidevat · music, mixing (tracks 1-4)
Nulla · music, mixing (tracks 5-9)
Igor Vuk · mastering
Luka Prinčič · webcover design, production
Andrej Pervanje · promotion, production
Special thanks: Tine Vrabič, Črt Trkman, Bojan Georgievski (RSN)
Album “VII” is conceptual in nature. The single line that connects the tracks to each other is a journey in a lucid dream.
The album contains 7 tracks. Each composition is one cycle of lucid dream.
1 circle. Выход из тела (Вступление) “Out of the body (Introduction)” – immersion in the state of the astral plane and the exit of human consciousness from the body.
2 circle. В ожидании чуда “Waiting for a miracle” – everyone in dreams and reality dreams of seeing a miracle and believe in it. And everyone will not believe in it when they personally encounter it. The track uses Stalker’s monologue from Andrei Tarkovsky’s film “Stalker”.
3 circle. Поджигатель “The Pyro“ – a journey along the course of the sacred river Ganges. The connection of the consciousness with space.
4 circle. Свет далеких планет “Light of distant planets” – observation of the body from the height of the stars, travel to different planets that are inaccessible to humans in reality.
5 circle. Песок “Sand” – a record of the time until the body wakes up. Attempts of consciousness to escape from reality.
6 circle. Частица Бога “Particle of God” – a state of night alarm. Fear of the greatest invention of humanity, which is capable of destroying the planet.
7 circle. Пробуждение (Финал) “Awakening (Final)” – the return of consciousness to the human body.
Music: Luboš Fidler, Zdeněk Konopásek, Štěpán Pečírka
Lyrics: Štěpán Pečírka (1, 6, 7); Carmen Bernos de Gasztold (2, 3, 5); Štěpán Pečírka/Karel Kahovec (5); Štěpán Pečírka/Enya (7)
Cover: Luboš Fidler, photo: archiv Pecirka
Lineup and recording:
Luboš Fidler – bass (1–5, 7); cyclophone (2, 3); Romo T57 (5); electric guitar (6); steel spring (6); playPET* (6); PSS-270* (7)
Zdeněk Konopásek – drums and cymbals (1–7); trumpet* (2, 6); EtherPad* (3); tiny banjo* (4)
Štěpán Pečírka (permanent guest) – voice (1, 5–7); electric guitar (1, 4); bass (5, 6); bassoon* (6); field recordings* (6)
Radka Fiedlerová – voice* (2, 3, 5)
The original tracks (guitars, drums, voice of Štěpán Pečírka, cyclophone, Romo T57 and steel spring) were recorded live during rehearsals (1-5) and concert (6, 7) of Noční pták in Albeř, August 2019. Instruments marked * and Radka Fiedlerová’s voice were added in 2021.
nocniptak.cz (in Czech and English)
Noční pták (Nightbird) was formed ten years ago as a project of Luboš Fidler and Zdeněk Konopásek. Luboš Fidler is one of the most important and uncompromising performers of the Czech alternative scene. As a bass/acoustic guitar player, he was founding member of alternative rock groups of 1970s and 80s, such as Stehlík or Švehlík, he played with MCH Band, Kilhets etc. In early 1980s he was involved in the minimalist-experimental trio Janota-Fidler-Richter (together with Oldřich Janota and Pavel Richter). Zdeněk Konopásek was drummer of the early and late 1980s band Dvouletá fáma. He also played, e.g., in the Dr. Konopný Quartet (together with Joe Karafiát, Jan Štolba and Radomil Uhlíř) and also collaborated with Oldřich Janota. Currently he is involved in theatrical-musical performances of Divadlo Vizita and, as a second drummer, in the band Fish, Flesh, Field & Henry $. Occasionally, he plays solo on his drum set. The two are joined, in recent years, by a “permanent guest” Štěpán Pečírka (Vyšší popular, Kolotoč theater, Richter band).
The album “I am healthy and things are going well” is based on live recordings from rehearsals and home concert that took place in summer 2019. These recordings were revisited and reworked into original compositions by Luboš Fidler in early 2021.
Fidler explains the title of the album as follows: The phrase “I am healthy and things are going well” (or: I am healthy and fine) was pre-printed in all languages of Austrian-Hungarian monarchy on postcards sent by soldiers from the trenches of the First World War. This album can be understood as a flare fired from the trenches in which we have been for more than a year in 2020-21.
Born out of reflection and a keen observation of life, Blüm is the latest collaboration between artist/producer, Bon-Psy & Singer/Songwriter, Shauni.
Having already released a series of introspective and thought-provoking tracks, Bon-Psy continues chipping away at his unique style to unearth new ways of presenting his sources of inspiration. Shauni returns here fresh off the back of ‘Disappear’, once again embellishing her R&B infused vocals in a stand out performance.
Inspired by the life of a flower, Bon-Psy navigates varying emotional states that capture the essence of the journey through existence. Joy, grief, despair, love & hope. Blüm depicts what it is to be alive in movie esque fashion, with singer Shauni providing a poignant narrative that unifies the lifecycle of a flower with our own lives as human beings.
Blüm is once again a stellar release for these two artists who work in synergy to translate the journey of life into music.
‘Despite the garden you’ve been dealt, it’s still a garden. Your garden. When it feels you have nothing left to give, water it with a new perspective and watch what blooms there. Here you can allow your flowers to grow toward the sun into brighter days.’
From Centre France
Marthe Tourret : violons, chant, pieds
Elisa Trebouville : banjo, électronique, chant
Enregistré et mixé à Rampoux par Jacques Puech, François Dumeaux et Elisa Trebouville
Another challenge for the Kahvi artists this release. We approached LP24 Audio (sound and sample creators extraordinnaire) at lp24audio.com to put together a special edition sound pack, which in turn we would create tracks from in their entirety.
This six track EP features tracks from 4T Thieves, Aaron Jasinski, Audio Cephlon, Curious Inversions, Aeon Cub (Vizion) remixing Lackluster and The Last Little Bit. Great work from all involved!
Sururus Perdidos presents instrumental compositions by Heitor Oliveira, performed by Dario Rodrigues Silva (piano), Gina Arantxa Arbeláez (flute), Renan Simões and Sabrina Souza (guitars). With significant independent artistic and academic trajectories, the musicians join forces for a collaborative endeavour that result in a series of phonographic releases, of which Sururus Perdidos is the second.
Sururus Perdidos presents three pieces from the authorial repertoire of the Collective NSLO. The duet Novos sururus and quiprocós de um convescote chumbrega contain fragmented narratives: a game that flutist and pianist build from collections of more or less obsolete materials. The duet Tudo é perdido quando o desejo fica repartido, for a couple of guitarists, sonically stages the drama of ambition and its consequences. In Desfotografia, structured improvisation for a quartet, it goes like this: “you remember and then… more
credits
released May 7, 2021
Coletivo NSLO are:
Heitor Oliveira, composer
Dario Rodrigues Silva, piano
Gina Arantxa Arbeláez, flute
Renan Simões, guitar
Sabrina Souza, guitar
Coletivo NSLO brings together a group of musical creators and performers who reside in different regions of Brazil. The letters of the acronym mean north, south, east and west and represent the diversity of where the musicians come from: Palmas (Tocantins), Caçapava (São Paulo), Cali (Colombia) and Mossoró (Rio Grande do Norte).
The genesis of the group took place at the post-graduate program in Music at the Federal University of Rio Grande do Sul, where all the musicians did or are doing their doctorates. The group came together due to personal and artistic affinities that culminated in the sponsorship by Rumos Itaú Cultural of a two-year project to create a new repertoire. To do this the group carry out activities open to the public, in recitals, workshops, round tables, among others, as well as experimentation, rehearsal and production within the collective. The artistic goal was the gradual creation of an original repertoire based on interaction, expressive potential and experiences shared by musicians.
Through a project selected by the Rumos Itaú Cultural 2017-2018 program, between November 2018 and February 2020 Coletivo NSLO performed at various locations in Brazil and Colombia. The repertoire of the group was built and refined during these trips. In 2020, the sponsorship of Banco da Amazônia made phonographic and audiovisual production viable
See Coletivo NSLO perform the compositions from Charlatório, and other works, on their YouTube channel www.youtube.com/channel/UCMWAseVT_AJ9g6phrMtLsAQ
Ecléctica es la entrega de Chango Dadá para Pueblo Nuevo. Dividido en tres tracks, el álbum “Trimate” navega entre aspectos afables y otros misteriosos o incluso ásperos en cierta medida. El track de apertura de carácter textural, hila los sonidos y gestos de manera cinemática, transitando entre texturas electroacústicas y motivos instrumentales de piano y clarinete entre otros. En cambio, en la segunda pista, aparecen materiales cercanos a una ‘indietronica’, donde el lenguaje se sustenta en lo tonal y teclados melódicos. El track final vuelve a los ritmos constantes a través de formas y colores cercanos a un IDM donde se superponen voces y colores a veces desde sonidos connotativos y otras desde texturas más abstractas: aquí las grabaciones de campo cumplen un rol timbrístico y a la vez de signo, especialmente las voces y el contenido semántico presentado.
Eclectic is the delivery of Chango Dadá for Pueblo Nuevo. Divided into three tracks, the album “Trimate” navigates between affable aspects and other mysterious or even rough to some extent.The opening track,with a textural nature, threads the sounds and gestures in a cinematic way, moving between electroacoustic textures and instrumental motifs of piano and clarinet among others.On the other hand, on the second track, there are materials close to an ‘indietronica’, where the language is based on the tonal and melodic keyboards. The final track returns to constant rhythms through shapes and colours close to an IDM where voices and colors are superimposed, sometimes from connotative sounds and others from more abstract textures: here the field recordings play a timbristic and sign role, especially the voices and the semantic content presented.
Alejandro Albornoz
Compositor / Composer
(Valdivia, Chile. Mayo / May, 2021)
markus masuhr – moons on outer space
This 12-track album takes you on a journey through space and time where the rules of simplicity are overridden. Hypnotic structures interweave with dystopian sounds and float far beyond deep reality.
The Release is free as always, but you can also pay what you want or get one of the cd`s limited to 10 pieces to support the Label!!!!
Tracklist:
1.mars phobos 10:29
2.jupiter valetudo 07:36
3.saturn anthe 07:35
4.uranus prospero 08:40
5.neptun neso 06:55
6.pluto charon 07:29
7.haumea namaka 09:33
8.makemake s/2015 09:52
9.eris dysnomia 09:14
10.cubewano 08:15
11.moonlet 09:09
12.moonlet (variante II) 12:56
released May 7, 2021
pragmat 019
all tracks by Markus Masuhr
Mastering by Torsten Solberg @ TriForm Studio Leipzig
Mirror Dive – Mirror Dive ep
Insectorama#101
Welcome to the Duo Mirror Dive from the USA on Insectorama. Their 4 track ep is full of the finest dubtechno and wonderful dub roots elements. The 4 tracks are absolutely unique in their sound and therefore fit perfectly with Insectorama.
Tracklist:
1. dub
2. dub 9
3. dub 16
4. dub 38
