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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

entropija – genealogija B: 2016-2018

entropija – genealogija B: 2016-2018
[EEM060]

entropija

“genealogija B: 2016-2018”

Continuing on from “genealogija A”, this is the second instalment of a retrospective collection. Including sounds from even before the start of entropija project, the album timeline spans almost 2 years, between August 2016 and June 2018. In contrast to previous album‘s colorful dynamics, this is a document of a more abstract side of entropija‘s performative spectrum. Clusters and bits of sound engage in complex interactions, trying to morph into a cohesive body, but the form seems to escape each time just before solidifying. Hints of order or harmony are quickly overwhelmed, and by the end, completely buried under layers of intersecting accidents. If there was a genre label suitable for this record, “liquid noise” would probably be it.
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posted 20 December 2020

Pedro Maras – Tipping Point

Pedro Maras – Tipping Point
[mhrk261]

Pedro Maras

“Tipping Point”

“The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature.

In the context of climate change, an “adaptation tipping point” has been defined as “the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded.

Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history. For instance, depending on how warm and cold it was in the past, there can be differing amounts of ice present on the poles at the same concentration of greenhouse gases or temperature

In a study inspired by “mathematical and statistical approaches to climate modelling and prediction”, the authors identify three types of tipping points in open systems such as the climate system – bifurcation, noise-induced and rate-dependent. The idea of tipping points in climate science, as indicated by palaeoclimate data and global climate models, suggest that the “climate system may abruptly ‘tip’ from one regime to another in a comparatively short time.

Bifurcation-induced tipping refers to changes in dynamical systems that occur when a small smooth change made to bifurcation parameters of the system causes an abrupt or sudden topological change in the behavior of the system. In the Atlantic Meridional Overturning Circulation (AMOC), slow passage to the bifurcation parameters – the salinity, temperature and density of water – could cause the AMOC to abruptly collapse when it reaches a critical tipping point. Currents of warm, seawater in the upper layers of the Atlantic flow north, while currents of colder, deep waters from the North Atlantic flow south, like a conveyor belt known as thermohaline circulation. Downwelling occurs when the warmer, higher-density seawater accumulates and sinks beneath the colder, lower density less saline water from glacier melt. An AMOC collapse would occur if downwelling was inhibited . [critical slowing down] (CSD) “occurs because a restoring feedback is weakening as a bifurcation-type tipping point is approached.

Noise-induced tipping refers to transitions due to random fluctuations or internal variability of the system, as in the Dansgaard-Oeschger events during the last glacial period, with 25 occurrences of rapid climate fluctuations.

Rate-induced tipping occurs in an “excitable system” – such as peatlands – when one of the systems parameters is “ramped” through a “steady, slow and monotonic change” eliciting a “large excitable response”. In the case of peatlands, the rate-induced tipping point results in an “explosive release of soil carbon from peatlands into the atmosphere” – “compost bomb instability”.”

Released December 19, 2020 as free (cc) download and limited edition cassette.

“Thanks to the Mahorka team and Esther De Laet”.

Cover artwork by Pedro Maras and Ivo Petrov.

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posted 19 December 2020

Marcelo Espindola – De un tiempo a esta parte

Marcelo Espindola – De un tiempo a esta parte
[pn176]

Marcelo Espindola

“De un tiempo a esta parte”

The confluence of sound textures and the use of loops in the classic way of musique concrète are found in this long-playing music, an acousmatic bet by Marcelo Espíndola, who has long experience in this art. With a large musical background, Espíndola who is a percussionist and moves between contemporary music and funk,displays high claritypercussion sounds and spaces of various kinds through maintained materials(according to Schaeffer’s terminology). Timbre, its variations and its positioning in space through reverberation and location in the stereo panorama, enrich the sonic whole. Synthesis and sampling come together in a mixture of detailed sound craft that forms a journey that transits between the contemplative and an organic or a mechanical drive, all according to the type of repetitions and exposed materials.

Alejandro Albornoz
PhD in Electroacoustic Music Composition, University of Sheffield
(Valdivia, Chile. Diciembre / December 2020)

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posted 19 December 2020

Point – Human Music II

Point – Human Music II
[DigitalDiamonds081L]

Point

“Human Music II”

We are honoured to present Point’s latest full-length album, the sequel, Human Music II. Point (GER) continues to present his signature style at an incredibly high calibre. Call it a blend of 80’s-futuristic-space-electronica containing hints of progressive techno and house, if you will. His precision sound pallet consists of 808’s, retro-analog synths, fidgety percussion and lush, gravitating reverbs. He weaves these tone colours in a daring and delicate manner while leading you on an eluding quest to the centre of a multi-dimensional digital mirage. Plugin and feed yourself to this slow-burning soundtrack.
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posted 19 December 2020

Various Artists – Synphonica

Various Artists – Synphonica

Various Artists

“Synphonica”

What happens when you give electronic artists orchestral sounds to create a track? The Synphonica EP. The challenge was to use the BBC Symphonic Orchestra ‘Discover’ (by Spitfire Audio) to create a track, only using sounds from the pack without any other external sounds.

We hope this album gives you a small moment of relaxation during this Christmas season, after the long year that 2020 has turned out to be.
credits
released December 15, 2020

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posted 18 December 2020

Various Artists – Echoes Chapter Two

Various Artists – Echoes Chapter Two

Various Artists

“Echoes Chapter Two”

This is chapter 2 of the echoes compilation.
Chapter 2 comes with 21 tracks by artists from all over the world who cover all facets of dubtechno. That is pure dubtechno there is nothing more to say.
Relax, lean back and enjoy the journey through space and time and lose yourself in the vastness of the echoes in this cold season.

Many thanks to all artists who made this compilation possible with their tracks.
credits
released December 14, 2020

Insectorama092
Mastering and Design by Markus Masuhr

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posted 18 December 2020

Various Artist – EVILFRANCE

Various Artist – EVILFRANCE
[earS100]

Various Artist

“EVILFRANCE”

earsheltering celebrates both its 100th release and 16th anniversary in 2020 with a various artists release as a tribute to Elvifrance.
We are also happy to celebrate the 50th anniversary of Elvifrance with this release.
Thanks to all artists & friends who supported this project, especially Alkbazz providing a wonderful artwork within short timelines.
The release is available as a free virtual double disc available on archives & bandcamp(s). Disc 1 covers the 70’s period of Elvifrance and disc 2 covers both the 80’s & 90’s.
3 video clips by Yoshiwaku Mushotoku, PIRATE Tapes & Larv-R feat. Volante Gonzales are also made available.
Most of the books supporting the artists’ creations are also available on the archive release page on multilanguages as much as possible, thanks to VintageComiX for their huge work to provide all these amazing comics for free.

Elvifrance was a French comic book publisher, specialised in digest-sized publications, often translations from Italian fumetti.
Edited by Georges Bielec (October 21, 1936 – July 1993), founded in 1970 and owned by Giorgio Cavedon and Renzo Barbieri of Erregi. It ceased publication in 1992.

From 1970 to 1992, Elvifrance flooded French newsstands with obscene, violent, disgusting, scandalous comics… More than 4000 pocket-sized comic books were translated from the Italian, including the famous Luciféra, Jacula, Zara, Sam Bot, Isabella, Jungla, Incube, Electrochoc, Terror, Outre-Tombe, Terrificolor, Prolo, Mortimer, Hitler, Wallestein, Zordon… French censorship authorities prohibited and prosecuted the Press’ and its owner, Elvifrance amassed hundreds lawsuits and bans.

Earsheltering is a french netlabel focusing on outsize musics and a collaborative place for free synaesthete artists since 2004

Topics : Elvifrance, comics, fumetti, Lucifera, Jungla, Jacula, Zara, Zordon, Cosmine, Shatane, Pig, Outre-tombe, Prolo, Incube, Terror, Terrificolor, Tenebre, erotic, horror, sci-fi, electronic, ambient, soundtracks

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posted 18 December 2020

Bon-Psy – Borzoi

Bon-Psy – Borzoi
[05]

Bon-Psy

“Borzoi”

A brief look into the past of Bon-Psy shows how far the young musician has come.

‘Borzoi’ is rough around the edges but undoubtedly a forward thinking tune showcasing Bon-Psy’ influences in the experimental beat making scene.

Resurrected from the vault, ‘Borzoi’ finally finds its way out into the world showing a glimpse of the sound ‘Bon-Psy’ was to develop.

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posted 18 December 2020

Various Artists – Bonimedia ALL STARS Compilation 2014-2020

Various Artists – Bonimedia ALL STARS Compilation 2014-2020
[BM11R20]

Various Artists

“Bonimedia ALL STARS Compilation 2014-2020”

Bonimedia’s mega-compilation of best rock/metal/electronic & alternative tracks released in last 7 years. Listen to awesome artists and bands from Poland, Russia, USA, France, Brasil, Kazakhstan, Italy, Ukraine, Spain, New Zealand, UK, Argentina and Canada. Enjoy!
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posted 17 December 2020

Devalero – Tog

Devalero – Tog
[SLC62]

Devalero

“Tog”

Sello de música electrónica. Material sonoro publicado bajo licencias libres. Compartidos sin carga económica. Electrónica, Techno, Electro, Acid, Industrial… para cambiar el mundo!

Electronic music label. Audio materials published under free licenses. Sharing without money involved. Electronic, Techno, Electro, Acid, Industrial… to change the world!

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posted 15 December 2020

Vanie Cotard // Sonajero de Brujo – Kriptonîa Split XVII

Vanie Cotard // Sonajero de Brujo – Kriptonîa Split XVII

Vanie Cotard // Sonajero de Brujo

“Kriptonîa Split XVII”

Vanie Cotard

Vanie Cotard es uno de los proyectos del músico chileno Francisco Ojeda. Bajo este nombre canaliza influencias shoegaze/dreampop con la de paisajes sonoros que nacen de sintetizadores, procesadores de efecto y grabaciones de campo.

Sonajero de Brujo

Sonajero de Brujo parte del imaginario de Nahuel T. De un apodo de pequeño y de la mano de sus sintetizadores te invita a experimentar el sonidero sonajero digital, sonidos de una búsqueda de experimentación musical creada e inspirada en un hermoso jardín con plantas de la ciudad de Salta.

Idea y producción: Kriptonîa
Kriptonîa son: Ismael Verde y Santiago de la Torre.

credits
released December 11, 2020

vaniecotard.bandcamp.com
lucet.bandcamp.com

www.youtube.com/playlist?list=OLAK5uy_lb9mj9GPi7G_alcRmwf-1hvUp219uQ620
www.youtube.com/watch?v=J1xMQDl4sgM

Mezcla: Sonajero de Brujo // Vanie Cotard
Masterización: Kriptonîa y Fran Ojeda

Arte de tapa y difusión: Pau Lee (www.instagram.com/sheispaulee/)

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posted 14 December 2020

Humanfobia – Realidades Paralelas

Humanfobia – Realidades Paralelas
[Eg0_247]

Humanfobia

“Realidades Paralelas”

Humanfobia are :
Sábila Orbe (sound programming, mixer, male vocals)
& Mist Spectra (lead female vocalist & visual support)

Humanfobia links:
– https://humanfobia.jimdofree.com/discography-ii/
– https://hearthis.at/humanfobia/
– https://humanfobia-official.bandcamp.com/

Credits :
All tracks programming, mixed, cover artwork design, vocals track 4: Sábila Orbe.
Vocals tracks 2, 4 & 7, model in the artwork: Mist Spectra.

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posted 14 December 2020

Cade White – Infinite (Single)

Cade White – Infinite (Single)

Cade White

“Infinite (Single)”

The astronaut gazed upwards from the lunar surface, eyes fixed on the pale blue disc he called home. Only now could he could see just how small and fragile it was, seemingly on the verge of being swallowed by the inky darkness that enveloped its faint, yet ever lustrous glow. From here, he thought, the space around it could only be described as… infinite.

This was a further experimentation in ambient sound, this time framed against our very universe. I’m pleased (if not completely so) with the outcome, and hope to be able to put out releases more regularly from here on in. (And no, I still don’t know any musical theory)

As a side note – feel free to use any of the audio in this release for personal and commercial projects, just be sure to mention me and drop a link to this page, subject to the Creative Commons Attribution 3.0 Unported License.
credits
released November 16, 2020

All music created by Cade White for this release.

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posted 13 December 2020

R-Juna – Rockers Dub

R-Juna – Rockers Dub
[DPH044]

R-Juna

“Rockers Dub”

Out on Dubophonic
DEC 2020
http://www.dubophonic.com

One year after his debut release Dubs And Praises, the USA producer Roy Waterford aka R-Juna is back with his second album entitled Rockers Dub.

His new release is a collection 10 new productions, all dubbed in the R-Juna style and with Colton Lantz on the guitar on two tracks of the album. A special moment of this album is the four dub reworks of songs by the Grateful Dead (Franklin’s Dub & Fie On The Dub), The White Stripes (Seven Nation Dub) and The Doors (Riders On The Dub).

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posted 13 December 2020

Milbentia – 1T

Milbentia – 1T
[VSS113]

Milbentia

“1T”

Milbentia is back to VSR with another short but great release! 4 vaportrap infused lofi beats for you to enjoy. ♡

released December 12, 2020

Music and production by Milbentia.

milbentiaofficial.bandcamp.com
soundcloud.com/gene-benavidez
youtube.com/channel/UCeYj7I2BPCjs0rEn5rty9VQ

[VSS_113]

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posted 13 December 2020