philippe neau – unknown at this moment
[PT105]
philippe neau
“unknown at this moment”
all sounds, photo, mastering by philippe neau
posted 05 July 2020
MaAuLa Records – MaAuLa-o-rama Vol.5 – Exotic Amuse Bouche
MaAuLa Records
“MaAuLa-o-rama Vol.5 – Exotic Amuse Bouche”
10 groupes francophones (8 français, 1 belge, 1 suisse) se jouent des musiques du monde.
10 bands from France, Belgium and Switzerland are playing with the music from all over the world.
Pat Kalla & Le Super Mojo (France) :
Patrice et son orchestre au mojo sensationnel nous définissent le mot métissage. Tout simplement. Ils mélangent tout et le résultat est tellement naturel qu’on dirait que leur musique a toujours existé.
Bernard Orchestar (Belgique) :
Une fanfare belge qui joue de la musique des balkans en lorgnant vers l’Orient mais sans jamais regarder dans le passé ? Comment cela pourrait ne pas nous plaire ?!
Tiki Paradise (France) :
Quand ce n’était pas aussi facile de voyager, on allait prendre une dose d’exotisme en buvant un cocktail dans un bar tiki et en écoutant de l’exotica. Pourquoi bouder ce plaisir à notre époque où les voyages sont plus faciles ? Et puis seront-ils toujours aussi faciles ces voyages dans le futur ? Finalement l’exotica, c’est le futur.
TONN3RR3 : (France)
Exotisme sauvage, les claviers, percussions et… more
credits
released July 2, 2020
Pat Kalla & Le Super Mojo :
Mathieu Manach : percussions
Nicolas Delaunay : drums
Remi Mercier : claviers
Jim Warluzelle : basse
Ghislain Paillard : saxophone
Thomas Leroux : trompette
Julian Jan : guitare
Ségolène Patel : son
Records on Favorite Recordings
Bernard Orchestar :
Label: CoucouLabel
ISRC: BEGD51800001
Title: Henri Piege
Artist: Bernard Orchestar
Composer: Stan Bourguignon
Tiki Paradise :
Martin Feuvrais: Contrebasse, Synthé // Benoît Rutten: Percussions // Niko Chatalain: Piano, Guitare // Erwan Salmon: Saxophone, orgue
TONN3RR3 :
Musique : Tonn3rr3
Mixé et masterisé par : Christophe Morin
Space Age Sunset
John Menoud: electric guitar, alto saxophone, percussion, voice, game calls, bass
Robin Girod: electric guitar, bass, synth, voice, percussion
Nelson Schaer: bass, drums, pads, percussion, bass, monotron
Réka Csiszér: voice, synth, organ
Saïdou Baba Konaté: djembé, congas, tama, bongos, percussion
Recorded July 4 & 5, 2018 in Mendrisio by Makhno & Paime at The Bunker Studio
Mixed and masterised by Marcin de Morzier
Balaphonics :
Moriba Diabate: Chant Ben
Moroy: Balafon chromatique
Thomas Carpentier: Guitare électrique
Brice Perda: Sousaphone
Florent Berteau: Batterie
Julien Cordin: Percussions et choeurs
Nicolas Pico GoodTall: Trombone et choeurs
Aristide Gonçalves: Trompette et choeurs
Guillaume Grosso: Sax baryton, flûte traversière et choeurs
Michaël Havard: Sax Ténor et choeurs
Booking : Zn production
Edition : RFI Talent
Inouï distribution
avec le soutien de la SPEDIDAM, la SACEM et ZN PROD.
Vidéo & montage: Mathieu Choinet
Prise de son: Yaya Diarra
Mixage: @Alexandre Debuchy
Composé collectivement à Siby chez nos amis de KB Zion
Merci aux organisateurs du festival Fela Days à Bamako: @Tristan Routier, Ameer Shaheed, Karim Kabache, Djatala Barou Diassana.
Merci à Karim Bello du KB ZION et Tiken Jah Fakoly pour leur accueil à Siby, ainsi qu’à tous ceux qui les entourent !
Mampy :
composition : Mampy
Vincent Palotis : Trompette/Choeurs
Mathieu Jardat : Contrebasse/Choeurs
Vincent Desplantez : Sax/Choeurs
Benoit Roudel : Guitare/Chant
Samir Laroche : Claviers
Baptiste Verger : Batterie/Chant
Guest : Benjamin Richard / Batterie
Prise de son : Daniel Dru – Studio Alambic Records
Mixage/Mastering : Baptiste Verger – Disturb Records
Produit par Disturb Records
La LOMA :
Produced by La Tropic Prod
composed by Andrés Pocarré
Arranged by La LOMA
Recorded at “Guru” Studios in Nantes, France
Recorded by Loris Marzotto
Mixed by Olivier Bucquet, Angers (France)
Mastered by Kanztec, Nantes (France)
Graphic Design: Andres Pocarré
Andrés Pocarré: Guitar, Synths
Cristian Zarate: Vocals, Flute, Clarinet, Congas
Raphaël Herlem: Sax Fx
Sacha Guyon: Bass
Sven Michel: Drums
Le Tout Puissant Tropical Orchestra :
Léopold BERNARD, Percussions, chant, composition
Benoit Roudel, Guitare, choeurs, arrangements
Vincent DESPLANTEZ, Saxophone, choeurs, arrangements
Jonas CHIROUZE, Batterie, arrangements
Manuel Lengrand, Trombone, choeurs, arrangements
Allan Vivant, Basse, arrangements
Enregistrement: Fabien Auguy (Funk you Studio)
Mixage & Mastering: Baptiste Verger (Disturb Records)
Jimmy Virani :
Hawaiian Hapa Haole classics, and Exotica tunes, by Jimmy Virani on the theremin, with the Haole Kats, and the Lost Idols.
Recorded by Pablus and Darryl at Path of Palms Studio, Florida, US
posted 04 July 2020
Brainquake – Adrift
[mhrk247]
Brainquake
“Adrift”
Brainquake is Marc, originating from the mail-art/tape-art scene in the late eighties and composing and collecting sounds since then under this moniker and few others. Ranging from ambient, soundcollages to electro, dark wave, from noise to industrial or even poplike tunes embedded in electronics or, the way he himself labels his sounds on recent releases, “endzeit emotronica”, the music of Brainquake is allways lengthy, strong in build-up and quite often heavily emotional.
On “Adrift” we hear Brainquake as a deja vu from his first releases: an intro, an outro, dissonants blending into bleakness, waves of emotion rumbling. The feeling of being adrift in a world of depravity and desillusion. Brainquake’s music takes time, time to evolve and time to be taken in. It’s about chaos blending in structure and blending out again. There seems to be no place for optimism in here but, in the distance, or in the details, there allways is. These sounds and this overwhelming sadness you feel like bad chemical taste from within, are not to simply to be listened to but to be unavoidably felt. Patience and darkness are our friends.
Released July 3, 2020
All sounds collected and processed February-May 2020
Recorded during a live session on May 2 2020 at Hemel Centraal, Belgium.
posted 04 July 2020
WHΛLTHISИEY – Thisplode
WHΛLTHISИEY
“Thisplode”
The music of WHΛLTHISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
WHΛLTHISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects, telescoping the past through the present. WHΛLTHISИEY has a necessity to reimagine time even as time runs out.
WHΛLTHISИEY is interested in ideas that flows and materialize in different ways. WHΛLTHISИEY is more interested in experiencing the intensity of a thing and its uniqueness ( Thisness )
WHΛLTHISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects, telescoping the past through the present. WHΛLTHISИEY has a necessity to reimagine time even as time runs out.
WHΛLTHISИEY is interested in ideas that flows and materialize in different ways. WHΛLTHISИEY is more interested in experiencing the intensity of a thing and its uniqueness ( Thisness )
posted 03 July 2020
pablosánchez – Hipnosia
pablosánchez
“Hipnosia”
released June 5, 2020
Toda la música compuesta, tocada, cantada, grabada y mezclada por Pablo Sánchez, excepto:
Violines en “Psicolbap”, tocados por Manu Clavijo y grabados por César Gruart en los estudios Grooveart (Madrid).
Saxo tenor en “La luna y el dinosaurio”, tocado y grabado por Andrés Theaux en su casa de Córdoba (Argentina).
Saxo tenor en “La luna y el dinosaurio”, tocado por Leo Lanz y grabado por Pablo Sánchez
Charles electrónico en “Arder”, tocado y grabado por Juan Sánchez (aka Alter Ego) en Segovia.
Ningún animal fue herido en la realización de este disco.
posted 03 July 2020
MUTATE – Interstitial IV
[zen211]
MUTATE
“Interstitial IV”
two live sets of intense ambient guitarscapes
posted 02 July 2020
Gurdonark and Lee Rosevere – Harmony
Gurdonark and Lee Rosevere
“Harmony”
This project began over 2 years ago, when Gurdonark posted a tweet to MrDoob’s online art-site Harmony, and I suggested we each draw four pictures, and then other had to compose a piece of music to match the drawings.
Through many delays (including a cross-country move for myself) the drawings and songs were completed and you can see each drawing by clicking on the title of the song. If the music is by Gurdonark, the corresponding drawing is by Lee, and vise versa.
Gurdonark:
“Although I resist the impulse to believe that all instrumental music should trace back to a narrative or image in the way of a tone poem, I find my own music frequently arises from a feeling or a tells a kind of story. I liked that in these songs the two artists each created a single-image narrative, however simple and unadorned, and then used one another’s images to create new songs. A bit like a shape-note singing, the important thing was not the skill or lack of skill in the creation of the images or the music. The important thing, in image or song, was to participate and share..”
* * * * * * * * * * * * * * *
credits
released June 30, 2020
More about Gurdonark: www.gurdonark.com
Special thanks to MrDoob for his Harmony art project that spawned this album
mrdoob.com/projects/harmony/
posted 02 July 2020
DREKKA – live in Augsburg
[ACP 1269]
DREKKA
“live in Augsburg”
EMPTY BELL (INTRO)
ALL TO BE DEAD (BEINGS OF IMBERINDUS)
SENSE OF SENSES
LEONARD (INTERLUDE)
ICH BIN GEGANGEN, OHNE AUF WIEDERSEHEN ZU SAGEN
live @ Ganze Bäckerei, Augsburg, 30.11.19
mastering and photography by DREKKA
recording and design by EMERGE
posted 02 July 2020
Sascha Müller – Mars Rover EP
[DFS 002]
Sascha Müller
“Mars Rover EP”
Sascha Müller on Dancefloor Socialism with 2 outstanding Techno Tracks.
posted 01 July 2020
THE D3VI7 – Dragon Lady EP
[DFS 001]
THE D3VI7
“Dragon Lady EP”
New Label for Free Download Music. First Release by THE D3VI7 with his Dragon Lady EP.
posted 01 July 2020
Valance Drakes – Not Taking This Gratitude For Granted
Valance Drakes
“Not Taking This Gratitude For Granted”
This EP was entirely written and recorded in the cable kingdom of bleeps and bloops in the city of Sofia, Bulgaria during their tradition of Martenitsa. While Ivan Shopov was working on his project Kanatitsa with Avigeya, Valance Drakes was into a rookie year for Amek, working on the collab LP with Ivan and working on his debut album for the label (An Angel In Alliance With Falsehood).
“Much love goes out to my brother Ivan Shopov for the art piece, mastering and doing a remix for the project” – Valance Drakes
credits
released June 30, 2020
Original tracks by Valance Drakes
Artwork by Ivan Shopov
Mastering by Ivan Shopov
posted 01 July 2020
posted 29 June 2020
Martin Rach – Dog and the City 3
Martin Rach
“Dog and the City 3”
Improvisations with recordings of walks with a dog and other textures
posted 29 June 2020
Martin Rach – Movements in an Old House 2
Martin Rach
“Movements in an Old House 2”
Improvisations with volcas, organ and various objects
posted 29 June 2020
Imperatrix & Humanfobia – Seventh Kind
[CIOR-H91]
Imperatrix & Humanfobia
“Seventh Kind”
All music by Imperatrix.
Vocals, model in the cover: Mist Spectra.
additional mix, voice effects, cover artwork design: Sábila Orbe.
Imperatrix is a composer from Vienna, Austria.
more music in: https://www.youtube.com/user/LabyrinthEditor/videos
updates: https://www.facebook.com/Imperatrix-245501002148590
Humanfobia is a dark experimental music duo from Chile.
https://humanfobia-official.bandcamp.com/
https://hearthis.at/humanfobia/
posted 28 June 2020
Slow Wave Sleep – Elogio della follia
[20k366]
Slow Wave Sleep
“Elogio della follia”
It was a real treat for the new label administration when composer and fellow musicology graduate Slow Wave Sleep appeared out of the blue and gifted 20kbps with this beautiful song of his, which he had chiptune producers Megus and Tiasu arrange into two masterfully crafted versions. Built around a clear‑cut vocal line, sung in Italian in one of the two versions, this release is a strong example of netaudio as a melting pot for traditionally oriented composition and digital genres, producing alloys that can have intriguing properties.
posted 28 June 2020
p1nkf1re – unemployed acid
p1nkf1re
“unemployed acid”
i dont like corporations
released June 23, 2020
posted 27 June 2020
Pandacetamol – A Different Place
Pandacetamol
“A Different Place”
Pandacetamol is turning into a regular feature on Kahvi in recent times, this time he’s back with a twelve track album of minimal beats, dark factory atmospheres and a tasting of Autechre influences.
Off key leads, glitchy, shifting direction constantly. Something to chillout to in the summer sun with an ice cold beer or two.
Watch out for Pandacetamol’s retro sound of choice – classic acid.
credits
released June 23, 2020
posted 27 June 2020
TNKS – Coming Out
[SCM-2001]
TNKS
“Coming Out”
TNKS (thanks) is an electronic music project born in 2011 created by Erik Cinà and Francesco Palermo, with two releases under its belt: “Gate one” (2014) and “Nostalgic Happiness (2017), both published by SUCU MUSIC.
The sound of TNKS, contaminated by various musical currents, has evolved through the years, blending different electronic music forms: ambient-glitch-idm-synthpop, all with the main purpose of musical research and experimentation during production. An intimate sound, in the end, achieved through passion and love for music and life in general.
“Coming out” is TNKS’s latest work which will be released in July 2020.
The sound of TNKS, contaminated by various musical currents, has evolved through the years, blending different electronic music forms: ambient-glitch-idm-synthpop, all with the main purpose of musical research and experimentation during production. An intimate sound, in the end, achieved through passion and love for music and life in general.
“Coming out” is TNKS’s latest work which will be released in July 2020.
posted 27 June 2020
Various Artist – Mad Hop vol.9
Various Artist
“Mad Hop vol.9”
“Sometimes life takes us to the point when nothing seems to make sense, and everything you do turns against you.Burning Rain Forests in the Amazon, vast bush fires in Australia, Oceans drowning in plastic… devastating disasters across the planet. Until all of a sudden everything seems to stand still. An unprecedented crisis, another unexpected threat makes us freeze, takes away basic human rights, locks us up in our homes. Everything and everyone is connected and all is happening for a reason. If things don’t work the way we have planned its time to let go And still- it is a chance. A chance to rethink our values, to profoundly question our ways of life. To meditate, to transcend. The right moment will come again to reach out and spread positive energy. We invite you to dissolve into our music. Meet you on the other side.”
Kris Kolanus CEO Mad-Hop Records
During the current global pandemic, one of the worst hit industries is
unquestionably music performance and all of its various expressive forms that include singer-songwriters, bands, DJs, producers, sound engineers, not to mention the plethora of crew and staff intrinsically linked to the success of a show. There is no denying that this is a trying time for all. However, Mad-Hop… more
credits
released June 26, 2020
Artwork: Thomas Gutts (www.thomasgutts.com)
Mastring: Pruski (miniature-records.com)
posted 26 June 2020
Francisco Pinto – Distancia Social
[pn158]
Francisco Pinto
“Distancia Social”
Times are complicated for music, and even more so for club music. The sound that was created to congregate suddenly no longer congregates, because it is not possible. Although it was nature that locked us in our houses to remind us of our position on the planet, it is also natural to respond to the sound stimulus with the inclination to moveand meet us. It is neurobiology, motor system.
Today, I would lose faith if in this suspended relationship with the community and the state of pause, where we see the days go by from a window, it does not generate the impact to create, incubate new ideas and evolve in our way of living, thinking, generating changes. This is a particular moment: it is an opportunity.
In this context, the new release of the Chilean producer Francisco Pinto, “Distancia Social” (“Social Distance”), is timely and according to the moment in which we live, where it is necessary to explore creative possibilities in the midst of a global pandemic, a brand before and after the “normal”, and in the way how we relate.
This album is part of the House style, this “meta” genre that encompasses sounds from different periods that are reflected in a different format: five original songs and six remixes. Recorded entirely with hardware, (NordLead 2x, Waldorf MicroQ, Orbit 9090 V2, Roland System1m modules, a Jomox XBase 09 drum machine, and a Toraiz sampler sequencer), “Crystal” is the track chosen to open this tour where the beat is stable, and the melodies circulate naturally. Break moment is “Oráculo”, with a more introspective tone.
“Crystal” is also the track remixed by F600, Fernanda Arrau, Marciano, Vigliensoni and Android, which give a new dimension to this LP, nourishing it with new visions. Special mention for the interpretation with broken beats, by Gemelo Malvado.
“Distancia Social” perhaps comes to remind us of that space that we gave for granted, and that has the value to provide us with a sense of security, connection and synchrony with our community. We will delay, but we will recover it because it belongs to us.
Pía Sotomayor
DJ, Productora / DJ, Producer.
(Santiago, Chile, junio / June 2020)
posted 26 June 2020
Hynamo – Baba Juno EP
[DigitalDiamonds075]
Hynamo
“Baba Juno EP”
Hynamo is back with an upgraded arsenal that’s set to destroy. This underground Australian has blown us away with Baba Juno, a hard-hitting, all-original 4 track EP. From start to finish it’s an epic journey, taking you on a machine-infested ride to the heart of Zion. It’s cleverly synth-driven, with psychedelic influence, is bound by pounding drums and is eloquently produced with dark techno and progressive house tone colours. Baba Juno EP is a psychedelic techno beast.
posted 26 June 2020
Wankers United – Solo Romance
[dhr-46]
Wankers United
“Solo Romance”
Pour sa 46ème sortie, Da ! Heard It Records fait dans la haute fidélité.
Les années passent mais la passion reste : voilà ce que semble raconter Wankers United à travers Solo Romance, un nouvel album où l’Audonien continue de créer de belles histoires avec ses machines.
Deux ans après Polygon Soup (2018, Da ! Heard It), Thomas Lanza affirme encore un peu plus son amour pour les sonorités franches héritées de l’électro de Détroit. Ce laps de temps a permis à son funk robotique de prendre un peu de vitesse, de s’étoffer de multiples mélodies chaleureuses et de s’offrir un son plus épais, notamment grâce au travail de mastering réalisé par le Finlandais Mesak, compagnon de longue route du musicien.
Il faut dire que contrairement à ce que le titre de cette cassette laisse entendre, Thomas montre au fil des morceaux qu’il reste toujours bien entouré. Au-delà du portrait ornant la pochette dessinée par son ami marseillais Poborsk, ce faux solitaire prend ainsi plaisir à émailler le nom de chaque instrumental d’allusions à son entourage ou à d’autres bons souvenirs bien enfouis dans la bobine. L’ensemble, s’il laisse percevoir une petite pointe de nostalgie, n’est pas passéiste pour autant : il rappelle surtout à ceux qui l’écouteront tout le chemin parcouru par ce fin connaisseur de sonorités électroniques.
posted 25 June 2020
Danke Sun – Bandeja de plata
[BSMX0191]
Danke Sun
“Bandeja de plata”
Today we’re happy to present to you the debut single from Danke Sun, a spanish alternative-rock band formed by Jordi Bohigues and Javier Peiró, both members of Daily Khaos delivery (DKd). The name of Danke Sun came about as an attempt to shorten their band name into something more simple and catchy. The project kicked off at the end of 2016 and lyrically brought the band back to their origins, writing songs in their mother tongue.
As Danke Sun, they continue making music in the same ways they did with Daily Khaos delivery and their side-project Deadlines, but with a bigger influence coming from eighties pop-rock bands that were big in Spain.
It was back in 2016 that we last heard from Jordie and Javier, with the release of their album Lose Your Ways and singles. We’re thrilled to have them back with this, the first of three singles.
Bandeja de plata contains the addictive title track, a great exclusive non-album B-Side called Corporative and a couple great remixes… one by OWTRIPLEBANG and the other by yours truly, mGee (which is the first thing I’ve done musically since 2016).
So, enjoy this taste of what’s to come. In two weeks, on July 3rd, we drop the album Aquí hay una araña.
Jordi and Javier, thank you both for coming to blocSonic with your new project! It’s always great to help turn fans on to your music!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
posted 25 June 2020
hirihiri – fake nostalgies
[MARU-180]
hirihiri
“fake nostalgies”
マルチネから初のリリースとなる「hirihiri」による4曲入りEP。ポップさを維持しながら現在進行形のアブストラクトなフューチャーベースのスタイルを提示している。US在住のトラックメイカーであるDZZによるリミックスも収録。
posted 25 June 2020
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