instrumental ambient compositions, psychedelic noises, electronics, and a love song
Original soundtrack composed for the play “Baby Doll” by Tennessee Williams, directed by Barbara Wisniewska and performed in the Studio Theatre in Warsaw.
Music by ALTERS:
Pawel Zalewski: guitars, synths, electronics, piano, vocals
Piotr Zalewski: guitars, bass, synths, electronics, piano, vocals
Robert Pludra: drums, glockenspiel, electronics
Second chapter of the instrumental saga dedicated to the Japanese anime of the 70’s on superobots.
As always the samples are taken from the soundtracks of these cartoons that have inspired a generation
credits
released June 21, 2019
Special thanks to Enko4, for allowing me to use the photo of one of his works for the graphics of the EP
www.instagram.com/enko4/
OVERVIEW:
The album “Tercer Vértice” (Third Vertex) is the closing of a trilogy started with “Desde la Caja” (From the Box)
which was released by Pueblo Nuevo in 2016. The second part “Tides of Continental Plate” was published in 2017 by the Canadian label Oral records under the management of Eric Mattson.
These three works are a gradual evolution from the preferential use of digital tools and the computer to a generation of sound dominated by analog elements, even though both of these worlds remain present. They were recorded in a relatively consecutive period of time, although during a period of change in sonic conception. They are three ways of looking at the same place with varying the point of views.
Óscar Santis
(Valparaíso, noviembre / November 2019)
This EP is a tribute to the Japanese robots that have kept me company during my childhood.
All samples are taken from the soundtracks of these unique cartoons in their kind.
download @: lucazanoski.bandcamp.com/releases
Questo beat tape è un omaggio ai robot giapponesi che mi hanno tenuto compagnia durante la mia infanzia.
Tutti i sample sono presi dalle colonne sonore di questi cartoni animati unici nel loro genere
Deconstructing yesterdays inventions,
for instance walls,
we grow into a color- and artful future,
painting the world as we would love it to be.
The EP Fractured Mutants is a collaboration by Atl. and the visual artist Bob Clapés in BCN. Each track features a corresponding visual artwork. After seeing one artwork Atl. started to imagine and producing one track, raw cerebellum. Having those prefs saved he made other tracks. The tracks are musical reactions to certain visual artworks, being a homage to the visual artist Bob Clapés. You can read more about the process in the artist interview.
While the visuals are psy related fantastic creations you can find lead synth and bells in the music, that will probably turn into improbability frequency events.
Your last line of defence.
Sec-Def on a mission to destroy with weapons of mass destruction.
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Zimmer164 – River of Deceit – Space Terrace 5am (Italy)
WAV, FLAC, mp3, 320kbps, electronic, dub, deep, ambient
164.01 – River of Deceit – Space Terrace 5am
164.02 – River of Deceit – Do you have cigarettes in heaven
164.03 – River of Deceit – La Sombra
164.04 – River of Deceit – Sheffield Wednesday
Formed 16 years ago, Lavoura is a reference in future jazz made in Brazil. The group debuted two more songs, after a series of singles started in 2018. “Ayizan” is the first single. Climatic, the track brings in its DNA the Brazilian rhythm and the psychedelia, amplified by the arrangements and the accurate production, that confer a certain epic tone to the sonority, without losing the characteristic groove. The other single, “Bossa Exploitation”, refers to the anthropophagic research involving African music. It is the result of impromptu sessions that the group held between 2017 and 2018. Integrated by composers, producers, arrangers, beatmakers, musicians, visual artists and inventors, Lavoura makes a cinematic sound, referenced by the rhythm science and inspired by the concepts of phusion (fusion of the 21st century) and psychogeography, transform spaces in sensory experiences).
Caleb Mascarenhas (synths, beats)
Fabiano Alcântara (bass)
Fernando TRZ Falcoski (synths, electric piano, beats)
Junião (percussion, beats)
Marcelo Monteiro (sax, flute)
Thiago Duar (guitar, beats)
Paulo Pires (drums, drum machine, beats)
Carlos Pedreanez and Rodrigo ZoomB (visual artists)
“Surrender”
Loca Polka, a Magelang based indie pop band formed in 2017 is finnaly releasing their first single “Surrender”.
Nuri Hapsari (Vocal/bass), Mikael Yudi Priamuda (Guitar), Ginanjar Wahyu Aji (Drum), Christian Agung (Guitar) are trying to combine their personal anxiety for always being underestimated, through the best way they can gather it.
“Surrender” is representing that “I don’t give a fuck.” Feeling for all the absurdity for being clowned and underestimated. “There is nothing right and wrong,just let it go, surrender.” Is all they are trying to say.
The releasing of “surrender” is a warm up move for their EP debut released some time soon at the end of this year.
With the animated video lyrics illustrated and edited by the local young artist Ozie Putra, “Surrender is now available on spotify, iTunes, Dezzer and youtube. Enjoy and see you at the gigs!
ilia belorukov – alto saxophone, objects, electronics
lauri hyvärinen – electric guitar, objects, electronics
recorded live in graz on november 16, 2017 and brussels on november 9, 2017
recorded by ilia belorukov, marufura fufunjiru and gerard daval
mixed and mastered by ilia belorukov
photo by henri antikainen
This album is dedicated to the moment I stopped screaming at the Octatrack manual and watched a bunch of instruction videos on Youtube instead.
So, my thanks to Cuckoo, Ron Cavagnaro, Max Marco, Loopop, Ricky Tinez, André Neumann, Kenny Zhao and Dataline.
Apparently many people use this to make dance music. I found that you can give each of the eight tracks a different time signature, so these wobble along in a decidedly unstable manner. You might need to get drunk to dance to it…
Hard to believe it has been four years since the birth of Shika Shika with the release of Barrio Lindo’s Kayak Break EP. Four years of being able to release music we love, artists that inspire us and the power of borderless, cultural cross-pollination.
Yet we have reached a crucial crossroads where it is time for the collective to evolve and grow. We want to embrace a vision that tries to find the sweet spot between music & activism, be it cultural and social empowerment or environmental awareness.
Cosmofania (inspired by Cosmogony – the study of the beginning of the universe) embraces this new beginning but also new artists and new sounds for ys. A deep, exciting anf refreshing new beginning!
With this compilation we are presenting a selection of new names we’d never heard of until our open call, old friends we somehow haven’t already worked with and amazing established names. It is a selection of beautiful, music by 13 talented musicians and producers from all over the world – Canada to Indonesia, Egypt to Argentina. They are tied together by an approach to electronic folk music, rich organic soundscapes and a sonic freshness
featuring : Kousk (Canada) , Rumbo Tumba (Argentina), Eat my Butterfly (Reunion Island) Del Ritmo Vivo (Argentina) Prabumi (Indonesia) Dina El Wedidi (Egypt) Mikado Koko (Japan) Raio (US) Shamanic Catharsis (Ecuador) La Dame (France) Akimbo (US) Arilu (Germany) Peter Power (Ireland)
Today, Moki Mcfly returns with “Addition Hills”, a terrific new album packed with twelve downtempo gems! From 5am to baked, this incredible collection is set to be on repeat for quite a while. Enjoy.
Hey Moki… thanks for another terrific release! Fans are sure to be thrilled be the great new sounds.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
“‘Abstrakthas’ by the Cuban artist Baltazár, is a work that was published independently in 2009, and which now
sees the light of a label release for the first time.
A mix between the classical, the digital, music concréte, architecture, voices and endless possibilities, all of
them modulated by infinite reverberations that merge as the tracks develop, with sounds that oscillate in all
directions while delivering an overwhelming listening experience.
In its composition, the album ‘Abstrakthas’ uses the violin as a conductive thread that pulls the different
works of the publication together into a melancholic story that, in some way or another, incites a deep
reflection on the various sounds that are revealed as the work progresses, playing with the mood perception and
delivering a wide range of sensations.
Recorded mostly as independent stereo tracks, which are subsequently superimposed with the purpose of realizing
a maticulous and patient sonic construction, based on the sonic blocks resulting from these recordings,
‘Abstrakthas’ is also the first chapter of the larger work ‘bordermuzak’, which collects all the artist’s
works from 1999 to 2016. It should be noted, however, that ‘bordermuzak’ does not compile the works
chronologically but rather as chapters of a novel written over the years.”
Pablo Guerra Pedroso aka Polwor
https://www.polwor.cl
(Santiago, Chile. Noviembre / November 2018)
!Esc Belgrade-born multimedia artist Niña Lazareva.
She showing an affinity towards a wide palette of styles especially related to the electronic underground.
Her formative project Catfish Went Wrong exposed her passion for deep and minimal sounds, growing up with funkier, UK garage-influenced music , while Nanna Delay was more influenced by dub techno and haunting atmospheres which resulted in experimenting with tracks which show stronger emphasis on rhythmical progression and gave birth to her final !ESC where she plunged into the darker underbelly and music depths influenced by the more cavernous side of darkwave and industrial phase.
Sound of !ESC can be described as the sound of ambient techno in its spooky beauty. Droning atmospheres with a sinister and darkly seductive edge permeate the austere and slowly evolving harmonies, driven by subliminal beats.
Waves of ambient textures are engulfed in the sea of ambiences and vocal mantras , resembling an ocean of drowning memories and illusions.
In her tracks there is a reflective and pensive mood, asphyxiated ambience and insistent kick. With a simultaneously spare and detailed, and hypnotic and immersive sound.
!Esc unveils her obscure and delicate charms on her debut release for Secuencias Temporales.
