Download: https://archive.org/details/MouseMix92
saxophone/reeds, recording: Vladimir Luchansky
mastering: Ilia Belorukov
curating: Tiago Morais Morgado
Vladimir Luchansky (b. 1990) – composer and improviser from Saint Petersburg, Russia. He worked with musicians from all over the world such as Oliver Lake, William Parker, Assif Tsahar, Tim Hodgkinson, Glen Hall, Ilia Belorukov, Mia Zabelka, Matt Mottel, Kevin Shea, Alexander Markvart, Roman Stolyar, Sergey Belichenko, and many others. A member of International Society of Improvising Musicians, he performed in North America and Europe with solo gigs and in various combos. He interferes with all kinds of contemporary improvisational music from noise to free jazz and multidisciplinary arts.
Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He’s a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!Rec label (www.spinarec.bandcamp.com).
Tiago Morais Morgado | Violetista e laptoper, estudou música clássica, musicologia, informática música e sonologia na Artave, na Esart, nas universidades Nova de Lisboa e do Minho e no Conservatório de Haia. Curador da editora Nachtstuck Records, que criou em 2014. Seleção de concertos: Frequency, na final do Termómetro Unplugged 2005, Alfândega do Porto; Orquestra Artave (viola tutti), com António Rosado e Ernst Schelle, Coliseu do Porto, 2006; Quinteto Pedro Lopes, David Filipe, Tiago Morais Morgado, António José Oliveira e Denis Ferreira, Casa das Artes de Famalicão, 2006; Tiago Morais Solo, Teatro a Barraca, 2010; :papercutz, no Inslington Metal Works de Londres (Reino Unido), no SXSW Austin (EUA) e no Exit Festival (Sérvia), 2010; Encerramento do ciclo “Colaborações Improvisações”, Serralves, 2011; Sonology Electroacoustic Ensemble, com Peter Evans, 2011; Com Yedo Gibson e Ofir Klemperer e como Tiago Morais Solo, no Studio Loos Den Haag, Holanda, 2011; Tiago Morais Morgado Solo, Fiber Festival Amsterdam, Holanda, 2012; Visuais, A First Approach to Morgenstra – Juan Marco Albarracin, 2012; Arnold Schoenbergzaal; Com Nicola Casetta, Maskarade Sinzine; Com James Hewitt e Renato Meganha Ferreira, Leo Svirsky House, Holanda, 2012; Tiago Morais Morgado solo, Kees van Barenzaal, Holanda, 2013; Com Teresa Matias, MNS, 2013; Com Stelios Manousakis, Museu de Arte Contemporanea de Vigo, 2014; Festival O Mundo Somos Nos, 2014 e 2017; Festival Dias de Música Electroacústica, 2015 e 2016; Moita Mostra, 2016 e 2017; Serralves em Festa, 2017; Com Marcelo dos Reis e Sérgio Tavares, MNS, 2017; Jose Lencastre Nau Quartet, MNS, 2017; Ocupa #2, GNRation, 2017.
Track Listing:
01. agomi – make.believe (feat. braincoat)
02. agomi – character.creator
03. agomi – world.building
04. agomi – creation.core
Music by agomi.
“make.believe” by agomi + braincoat.
Artwork by 13aht.
Design by Occupied Territories.
MASEraaaN(@maseDTM) | Twitter twitter.com/maseDTM
ARTWORK
クマコ(@Yelwsbmrn) | Twitter twitter.com/Yelwsbmrn
higma (@pai_dareka)さん | Twitter twitter.com/pai_dareka
It is with great pleasure that eerik inpuj sound presents ᏕคᏁᎶᎧ, by the secretive and anonymous project ♡u∫agi幻覚∀∁lᙌ✬.
♡u∫agi幻覚∀∁lᙌ✬’s art and music are merged with the purpose of healing the earth and humans, leading them to an extraordinary space experience through this fusion. Usagi collects material from the earth, fuse dynamic lines, and use unconventional materials and music for artistic experiments. You can enter their world through social networks.
“Sango” means ‘coral’ in Japanese. The work expresses mysterious elements of the deep sea, the colorful colors of the corals, and the heartbeat of life symbolized by water.
En octubre de 2019 se generó un estallido social en Santiago, a partir del alza de los pasajes de Metro. Primero fueron los estudiantes secundarios, con las evasiones masivas a este medio de transporte. La represión del gobierno fue creciendo, hasta que un día viernes la crisis estalló. El cierre del tren subterráneo generó que toda la población de Santiago se desbordara a las calles y generara protestas espontáneas y descentralizadas. Sin líderes, sin caudillos, las masas se tomaron las esquinas con barricadas y cacerolas, con la intención de hacerse oír. El gobierno y sus oídos sordos, con sus acciones autoritarias y patriarcales, reprimió fervientemente las acciones de protesta, llamando a estado de emergencia, entregándole el poder a los militares.
El pueblo no se asustó, y esta acción convocó al resto del país a sumarse a la batalla por una vida digna, por el fin del saqueo económico y medioambiental, contra la precarización de la salud, el trabajo y las personas, mientras el sector privilegiado se dedica a manipular los medios de información, a alimentar al gran monstruo del espectáculo, y a intentar hacer enfrentar a la gente contra la gente.
Hoy, 22 de octubre, las protestas no cesan, en medio de un toque de queda publicamos estos registros, como constancia y pequeño sample de la sonoridad que existe en Santiago en estos días, que habla también de lo que sucede en Valdivia, Concepción, Antofagasta, Valparaíso, Temuco, Puerto Montt, Rancagua, y en muchos pueblos más pequeños pero igualmente afectados por la avaricia y el desdén de una clase política al servicio del neoliberalismo.
Los cacerolazos se han convertido en la forma de protesta en las calles o en el interior de las casas, que reverbera por la ciudad, se multiplica y descentraliza, envolviendo a una ciudad, a un país, y que esperamos envuelva también a toda latinoamérica.
¡A las cacerolas!
This is a sound journey into the jungle in Vietnam.
Field recordings made in one single day, from early morning ’till late at night.
This is a sound journey into the unknown. We must listen to these wonderful sound recordings with creative ears.
The unknown is near us now. The unknown have a sound identity.
This is a sound journey.
This story is about how we got the opportunity to assess the level of moral decay of the Internet society first hand. The soundtrack for the show, which you will watch a second before the neutron burst turns your body into a shadow.
All that remains after you is just irrational hate in anonymous posts, stingy playlists and collections of saves.
You will see pictures of the decaying and self-destructive mass culture of the future, in which our creative process, like mold, is patiently growing and gaining critical mass
Эта история о том, как мы получили возможность с первых рядов оценить уровень морального разложения интернет общества. Саундтрек для шоу, которое вы будете смотреть за секунду до того, как нейтронная вспышка превратит ваше тело в тень.
Всё что останется после вас — лишь иррациональный хейт в анонимных постах, скупые плейлисты и коллекции сохранёнок.
Вы увидите картины гниющей и саморазрушающейся массовой культуры будущего, в которых наш творческий процесс, подобно плесени, терпеливо растёт и набирает критическую массу
Coltan Major Harmonics is a two tracks 7’’ by Manu Louis, which also features in an interactive Installation by Escif at MIMA Brussels.
On track A, Coltan and his catchy bass line features a cocktail of London singer Heidi Heidelberg and Manu’s voice in a groovy and outrageous song about the precious mineral. The music uses only the original material composed by Manu for Escif’s interactive installation.
Escif is a street artist based in Valencia , Spain. His imaginative works have captured a large audience that follows his work progress. He sees the painting as an exercise of reflection that can be shared with people. He does not look for decorative paintings, he mostly tries to wake up viewers’ minds.
In October 2019, Bansky and Escif made a collaboration with about a hand made tool with a happy ending makes a fine decorative companion to the fireside or radiator.
