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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Jean Ray – Le Refuge

Jean Ray – Le Refuge
[at100]

Jean Ray

“Le Refuge”

Jean Ray is the sound project of pluridisciplinary artist Romain Arnette, based in Paris and initially formed in London in 2009.

Experimentation is at the heart of his creative process. He uses different instruments such as guitar, harmonica, percussions, also fields recordings to create a bank of textures and sounds that he transforms and manipulates. The superposition of these fragments combined with electronic sound sources and some software such as pool creates minimalist compositions, an enveloping sound mass where repetitive structures meet sometimes abstract rhythms.

“Le Refuge” album was composed at the end of a two-years stay in Canada, from 2017 to 2019. This album is marked by several isolation experiments in various natural environments, during his crossing of Canada from east to the west by the road.

It also reflects the gradual slowing down of time that allowed him to observe more precisely the environment in which he has evolved, and brought him to moments of deeper introspections.

All tracks recorded and mixed by Jean Ray.

Mastering by Jan Wysozky.

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posted 11 November 2019

Various Artists – Wattfutchureez presents Beat Garden Compilation 8

Various Artists – Wattfutchureez presents Beat Garden Compilation 8

Various Artists

“Wattfutchureez presents Beat Garden Compilation 8”

We know Wattfutchureez (What-Future-Is) through Ness Radio, that is supporting GERGAZ music since long time ago. The guy is DJing, producing, hosting artists and he is also no stranger to compilations.
We knew his taste and he knew what works for us. It was the easiest decision to make when we started thinking about the next Beat Garden presenter.
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posted 11 November 2019

Pandacetamol – Driftwood

Pandacetamol – Driftwood

Pandacetamol

“Driftwood”

Lots of oldskool influences in this new album from Pandacetamol. Obviously a fan of the classic 303 sound, with additional effects to create something unique out of an immediately familiar sound. Harp at Noon has that lovely, liquid metal feel of Diskreets classic release way back at #100.
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posted 11 November 2019

George Cartwright & Mauro Sambo – "dell’umore di chi è sempre in attesa"

George Cartwright & Mauro Sambo –
[PT095]

George Cartwright & Mauro Sambo

“dell’umore di chi è sempre in attesa”

George Cartwright – alto and tenor sax, guitar
Mauro Sambo – electronics, gong, percussion, contra-alto clarinet, zither, electric violin

Cover Art – From the series: “instabilità radicata” – Matilde Sambo 2019

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posted 10 November 2019

Lately Kind Of Yeah – Gastr

Lately Kind Of Yeah – Gastr

Lately Kind Of Yeah

“Gastr”

Part of the Lately Kind of Yeah archive series.

Gastr is yet another short but sweet EP offering from Lately Kind of Yeah. Fully in his element of noise / pop master craftsmanship and containing some of my favorite tracks from him, “Where is My Jaw” and “Meditate”. A fine place to begin with LKOY if you are just beginning to explore his archive.

Words from the artist:

“Sometime in 2014, an original B.C. Rich Warlock was gifted to me by one of my dad’s old buddies. I took it as a sign that out in the ether, my dad was still listening and encouraging me to keep writing music. The Warlock has since become a phenomenal inspiration with all of its quirks and issues, leading my writing towards a darker and more abrasive sound. Gastr came together quickly as our ‘getting to know each other’ exercise, influenced by the many noise and pop bands I was listening to, and the Warlock itself.”

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posted 07 November 2019

(029) – Research EP

(029) – Research EP
[SLC52]

(029)

“Research EP”

Muy contento y agradecido con los proyectos que confían en Soisloscerdos.
En este caso (029) vuelve a presentar sus canciones utilizando esta humilde ventana, haciéndonos grandes.
Una buena dosis de techno, contundente, oscuro y profundo.
Preparados para la próxima carga.
¡Os vamos a meter la porra por el culo!!!
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posted 07 November 2019

DzEta – We Hope For A Happy Ending (EP)

DzEta – We Hope For A Happy Ending (EP)
[BM11R19]

DzEta

“We Hope For A Happy Ending (EP)”

DzEta, is NiCo solo musical project (Limoges, France). Inspired by instrumental music, post-rock and ambient music, by artists such as Ez3kiel, Slowdive, Mogwai…
NiCo: “I create organic instrumental tracks that I stack to create a solid foundation for inspired aerial melodies. Playing both guitar and effects, mixing textures for misty atmospheres that reveal themselves towards the luminous”.
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posted 07 November 2019

affaire difficile – Innermost Outlandish Ego

affaire difficile – Innermost Outlandish Ego
[zen198]

affaire difficile

“Innermost Outlandish Ego”

a sonic absurdity around DT, and his friends, in 12 parts

based on the 12-cycle poem Innermost Outlandish Ego by frank ruf

all tracks arranged from live session recordings 2018/19

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posted 06 November 2019

Cryovolcano – 013

Cryovolcano – 013

Cryovolcano

“013”

Wrieuw is thrilled to present the latest offering from lobit legend Cryovolcano in the form of “013” a reliably tremendous collection of electronic goodness. Floppy disk version comes with the tracks in their intended formats as well as cool little txt files with each track and the liner notes
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posted 06 November 2019

Studio Bros – Lendário

Studio Bros – Lendário
[TAR078]

Studio Bros

“Lendário”

Fábio Miguel “famifox” and Miguel Batista “nunex” in the artistic world known as “Studio BROS” two young guys living in the capital city of Portugal, Lisbon born and raised in Quinta do Mocho, from their teenage friendship they started to create and make music. From the start motivated in expressing their traditional African rhythm with electronic these two young producers started their journey back in 2007, following came their creation “Alto Nível Produções” an outcome from their hard work and creativity producing in their own bedrooms their passion for music pushed them to create various themes.

Their entrance on the record label Príncipe allowed them to gain experience and maturity, in their collective songs they participated in two compilations, the first one was for the Portuguese label Príncipe entitled “Mambos Levis D’Outro Mundo” and the second one was entitled “Carga” by the English record label Warp Records.

The duo has being recently reinforced with the recent project “Lendário” soon to be released in December 2018 this partnership with the label TAR, allowed the duo to expand their unique creation and authentic of the two young producers.

The two boys aim that with their themes and projects they are able to inspire young talents that are less fortunate and that don’t have much help, and be the living proof that music has no borders.

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posted 05 November 2019

DR – Calm Autumn

DR – Calm Autumn
[BN_LP027_11_19]

DR

“Calm Autumn”

Dominic Razlaff aka DR, born 1982, is a sound artist from Lower Saxony, Germany. He usually plays synthesizers, acoustic instruments (Ukulele and the portuguese Cavaquinho) and he uses field recordings, tape loops and granular synthesis for composing slow ambient and drone soundscapes. His first album in batenim with the title Calm Autumn is composed of four intense, deep and enchanting tracks able to capture the listening of fans of the genre.
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posted 04 November 2019

Diego Lorenzini – De Algo Hay Que Morir (feat. Simón Campusano)

Diego Lorenzini – De Algo Hay Que Morir (feat. Simón Campusano)

Diego Lorenzini

“De Algo Hay Que Morir (feat. Simón Campusano)”

All songs composed and arranged by Diego Lorenzini, but “Valparaisito”, composed by Diego Lorenzini and arranged by Javier Bobbert.

All the lyrics written by Diego Lorenzini but “Introduction to Viva Chillán, Una Crueldad Unnecesaria” written by Diego Lorenzini along with Cristóbal León, and “Viva Chillán, Una Crueldad Unnecesaria”, compiled from different fragments written by anonymous authors and reorganized by Diego Lorenzini.

“Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando” is based on a true story of the actrees and theater director Nicole Waak.

Diego Lorenzini: Vocals, guitars, ukulele, bass, keyboards, percussions, drums, “trumpets” and programming.

Guest musicians:

Erlend Øye: vocals and “trumpets” in “Me Voy a Valparaíso”
Tiare Galaz (Storm Girl): vocals in “Chao Mi Niño”, “Billete de Luca” and “Pony”
Chini Ayarza (Chini.png): voices in “Mierda”, “Pony”, “Billete de Luca”
Rosario Alfonso: vocals in “Sin Otro particular Se Despide”, “Me Voy a Valparaíso”, “Pony” and “Billete de Luca”
Simón Campusano (Niños del Cerro): vocals in “Estamos Fritos”, “Sí Po'”, “Billete de Luca” and “Pony”
Nicolás Lorenzini (The Rapin Brothers): vocals in “Pony” and “Billete de Luca”
Martín Perez Roa (Merci): keyboard in “Me Voy a Valparaíso” and vocals in “Billete de Luca”
Javier Bobbert: guitar solo in “Valparaisito” and in “Me Voy a Valparaíso”
Juan Celofán: vocals in “Billete de Luca”
Juan Manuel Daza: vocals in “Billete de Luca”
Maite Pizarro: vocals in “Billete de Luca”
Alejandro Pino: Flugelhorn in “Spoiler”, “Mierda” and “Soy Un Corpóreo y Dentro De Mí Hay Una Actriz Recién Titulada Llorando”

Produced by Diego Lorenzini along with Martín Perez Roa (a.k.a. Merci) in Estudios Niebla.

Mastered on analog tape by Arturo Zegers in Estudios Triana

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posted 02 November 2019

Janez Plešnar – Leftovers

Janez Plešnar – Leftovers
[KAM042]

Janez Plešnar

“Leftovers”

Leftovers is short release that confidently dives into rich loops of symphonic layers combined with distorted but controlled feedback punctuated and dictated by slow pulsating kicks and other low-frequency detritus – a mixture that manages to be dynamic and relaxing at the same time.

In fact, first track traverses number of various sonic configurations and intensities that inadvertently form a musical story without a clear start or end. After the dramatic depth of second track a short off-hand piano intermezzo clearly breaks the pattern and leads to a low-key digital debris with subtle dystopian murmurs and echoes in the background in the final track.

Written and recorded by a Slovene musician, guitarist, illustrator and designer this short sliver of sonic exploration, despite its briefness, represents one of the more adventurous musical excursions on our label.

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posted 01 November 2019

ΔKTR – Push

ΔKTR – Push

ΔKTR

“Push”

Sounds by ΔKTR

Except:
B4 with Illsugi

Bonus Tracks:
ΔKTR × Tajima Hal – Crosswinds (CD Only Bonus)

ΔKTR × Hazemau – Seventeen (Cassette Only Bonus)

Illustration by Wakana Yamazaki

Photography by Repeat Pattern

Mastered by Gabriel Ente

Design by Jared Pittack

Executive Production by Christian Riechert

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posted 31 October 2019

Mȁ̲̠̻ͥ̾ra͔̥̩̾͊̑cuyá͊ – Fille du Doute

Mȁ̲̠̻ͥ̾ra͔̥̩̾͊̑cuyá͊ – Fille du Doute
[TTR059]

Mȁ̲̠̻ͥ̾ra͔̥̩̾͊̑cuyá͊

“Fille du Doute”

From my mouth filled with silencesI whisper mi doubts and melancholies to you.
A lullaby imagined and hummed by my mother, sounds that proliferate from the Costa Rican cloud forests, insomniac rhythms and mellow disobediences are the essence of this EP.
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posted 31 October 2019

Vladimir Belayev – Replika

Vladimir Belayev – Replika
[AR_095]

Vladimir Belayev

“Replika”

“The daily world exists only because we know how to hold its images.” – Carlos Castaneda ©

This album was written over a two-year period with a great amount of effort and psychological experiences, inner turmoil – I understood that I was falling into an abyss with no bottom… no bottom…

“Replika” offers many doors to other dimensions, to other universes, and to other worlds. This is the starting point of an endless journey through the secrets of the universe, where each track is a separate journey through different worlds.

This album was recorded using analog and digital synthesis with instruments such as KORG PROPHESY, KORG M3, and KORG-Z1.

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posted 31 October 2019